Feeds:
Posts
Comments

Posts Tagged ‘beachcombing’

Last week in the middle of our mini heatwave I had a day out to Withernsea Lighthouse with my friend Debbie to see the ‘From Withernsea With Love’ exhibition. It’s a collaboration between Karen Turner who is a talented textile artist and Dean Wilson, a local poet and lover of pebbles and other beachcombed items. Debbie has blogged about our trip here with much better photos and text, so I’ll just say that we had a fabulous day, the beachcombing was excellent, the fish and chips delicious and the exhibition was well worth the trip.

Karen’s stitching is exquisite. I’m lucky enough to own two of her completely hand stitched quilts and there was something familiar yet different about her pebbles quilt, featuring forty nine of Dean’s pebble finds.

Each pebble is surrounded by a ring of stitching like a halo and they are instantly recognisable from the photos and the stones themselves, displayed in the nearby cabinet.

She also embroidered exquisite copies of some of the pieces of sea washed pottery that Dean also found and they were displayed with the pottery in a glass fronted corner cabinet that made them almost impossible to photograph.

However, each piece was detailed in a sketchbook…

…which was as fascinating and beautiful as the pieces themselves.

After our climb up the 144 steps of the lighthouse, fish and chips and obligatory beachcomb, we retired to the shady lighthouse garden with a drink from the on site café and I did some stitching on a piece of felt I recovered from a felted vessel I made ages ago which I had never been happy with.

I ironed it flat and cut it into a curved shape before blanket stitching it with a very brightly coloured variegated thread which happily was toned down by the felt.

Then I finished off the woven spiders’ webs I’d planned to encrust it with.

Liking it much better now.

I believe the ‘From Withernsea With Love’ exhibition is on until early October but only at weekends now. Well worth a trip in the the wilds of Holderness, especially if you enjoy beachcombing and eating fish and chips on the beach!!

Read Full Post »

I’ve been wanting to create some more watch case pendants for a while and last week I finally got round to hunting out the box they live in. I was also determined to do one at a time that I could actually finish, rather than planning all of them at once and overfacing myself.

I had a lovely little rounded piece of driftwood that I wanted to use for this one and teamed it with a pretty gold flecked batik cotton.

Seaweed first, in good old feather stitch and some overcasting with added cast on stitch picots to help hold the driftwood in place.

Then some maidenhair stitch and beading. Maidenhair stitch is a feather stitch variant where you stitch three loops gradually increasing in size on the same side before stitching three on the other side, rather than alternating as in ordinary feather stitch. It’s a new stitch to me and I really like the effect it gives, especially when you curve it like a plant stem.

Some more feather stitch and Palestrina stitch to give a different texture.

After one more swirl of Palestrina knots with a touch of purple, time to add the sea glass. The sea glass nuggets are held in place with a dab of superglue just to make sure they don’t go anywhere before I work the holding stitches over them.

Lastly I gathered the design over a piece of pelmet vilene before setting it into the watch case.

It just needs a silver plated chain attached (somehow…) and it’s a finish.

My not so little, little one turned 16 at the weekend and as I was completely out of inspiration for an original card, I used a pattern from the internet to cross stitch one of her favourite characters from Star Wars:

I was reminded how long it takes to cross stitch even a relatively small and simple design (best part of four hours for this one and I don’t think I was stitching particularly slowly) but it was worth it – she loved him.

Read Full Post »

As promised from last week, here is the second china pot fragment, this time filled with ribbon embroidery irises, which have worked out rather nicely. The flowers are lazy daisy stitches with a stitch threaded through the bottom of the chain to give the falling petals, the leaves are done with ribbon stitch and the stems are two rows of split stitch.

I ended up finishing it late at night and the only photos I have of the finished piece have huge shadows round the sides of the pot which look like stains! Anyway, it was done in time for Mothers’ Day and went down well.

I’ve been working away on a couple of upcycled pieces of jewellery. The first was a fairly easy conversion from a broken 1907 silver and hardstone shamrock brooch to a pendant. The c-shaped catch was in good condition and substantial enough that I could twist it round to create a hanging loop. There was very little left of the pin hinge so I was able to carefully saw the remains off and neaten up the scar.

With the addition of a jump ring and a silver chain it’s good for at least another hundred or so years.

Available here in my Etsy shop.

The second make was a bit more of a puzzle. A chunk of abstract fused silver with two holes and a short length of tube on the back.

I wondered if the tube was supposed to be a bale, but it was very narrow and you would have struggled to get anything but the finest chain through it. And a very fine chain would have been out of proportion to the chunky pendant. So I decided to use the top hole as the hanging point and removed the tube. That left me with what to do with the second hole. I couldn’t hang anything from it as it was too far up, so I went through my odd stud earrings to see if there was anything to inspire me. I found a couple of round studs with semi precious cabochons in silver settings which were attractive before a little frog stud tumbled out of the bag. I’m not sure why I tried him in place, but he somehow turned the abstract chunk of silver into a sort of stylised lily pad.

He just works perfectly!

Mr Frog is available here in my Etsy shop.

As our second Mothers’ Day under lockdown in the UK rolled around, it reminded me of the memory journal of my beach walk on Mothers’ Day 2019 which I finished on Mothers’ Day 2020.

And that in turn reminded me that I have two pieces still to do for my Kew memory journal from June 2019. The recent needlelace sampler was a half hearted attempt at testing out some ideas for a piece based on the magnificent Chihuly Persian Chandelier which hung in the middle of the Temperate House.

But I’ve decided that I need to stop faffing and get on with it, so this morning I assembled some delicious Mulberry Silks, my tiny antique crochet hooks and a piece of lovely indigo dyed calico.

Time to stop overthinking and see what happens…

Read Full Post »

I took a bit of a break from the ongoing long projects this week and have enjoyed learning and working a couple of new stitches. The first was a little canvaswork piece with a hearts theme. I do enjoy the odd spot of canvaswork and I immediately thought of Rhodes Stitch, worked as hearts. A quick Google showed me that you can work the hearts in a variety of sizes, although as they get bigger they do get bulkier. I found some yellow canvas and matched it with some daffodil yellow stranded silk and some variegated stranded silk in purples and golds that reminds me of pansies. The small yellow hearts were pretty straightforward, although having to fasten off after each heart because any carrying threads were visible was mildly irritating.

Then I added pansy coloured larger hearts to the middle. The bottom one was the fourth attempt.

  • Attempt  1 – too far up.
  • Attempt  2 – I miscounted the placement of the first stitch but didn’t realise until I tried to put the penultimate stitch in and there wasn’t enough room!
  • Attempt  3 – Stitched it perfectly – on the wrong side…
  • Attempt  4 – Count twice, stitch once. Check carefully which side is the right side. Finally, success!

The top heart went quicker but I was more careful with my counting this time. Then I tried out a new Rhodes Stitch version I’d come across while looking at the various sizes for the hearts – a Rhodes Stitch Butterfly. It’s a straightforward and very effective shape to stitch, but once again, careful counting is your friend. I decided to do two stitches for the body and I think that makes him nicely chunky.

The second new stitch was one I’ve had in mind to try for a while. I’d been asked to make a Mothers’ Day card for a friend and I was inspired by some cards online using sea glass fragments as pots with drawn plants. What if I used a piece of sea washed pottery as a pot and the woven feathered chain stitch I’d been wanting to try out to make a trailing plant? Feathered chain stitch first.

Then you fill in the loops with needleweaving, rather like making a picot but with only two threads. I definitely improved as I stitched these two stems – no guesses for noticing which leaf was my first one!

Moving onto the middle stems. The needlewoven leaves remind me of quaking grass.

After the final two stems, some French knots flower buds in silk ribbon and the pottery shard to check the scale. You can get a better idea of the size against my hand.

Lastly I filed a little off the bottom left hand corner to correct the shape and added a shadow in split stitch just to ground the pot.

Very pleased with the result. I used coton a broder and it has given the leaves a lovely sheen. I think a fine perle would work well too and a subtly variegated thread might look even better. I’m so pleased with it I’m just about to start something similar for my mum.

Stay tuned!

Read Full Post »

With the outlining done on the medieval tiles piece it was time to make a decision about how to fill the space surrounding them. Seeding was a bit of an obvious go to and something I used in the last print to stitch piece, but I wanted something different. I toyed with seeding in a more distinctive stitch, like a tete de boeuf, fly stitch or detached chain stitch, but they all looked too heavy, so I fell back on an idea I had a while ago of a kantha spiral based on the centre of the motif. Typically, I chose one to start off where the motif wasn’t in the middle of the ’tile’ so I couldn’t quite see whether it was going to work as I hoped – mainly, I think, because the initial rows of single stitches were quite overpowering – until I got to the outside rows.

Stitching in circles and skipping the printed areas has pulled it up into a bit of a dome! I think there will definitely have to be something couched along the motif to try and flatten it. I think I like it. I might need to play with the couched lines before I can be certain one way or another.

I’ve finished the little needlelace sampler. Goodness knows why I thought it would be a good idea to work in wedge shapes and have to decrease as well as working the stitch. It’s not a huge problem with the Single and Corded Brussels, but created some interesting effects with the Double Corded Brussels (DCB) and the Ceylon Stitch.

I really like what happens to the lace as the stitch spacings get smaller on the DCB. The early rows have a lovely open trellis effect with the cord taking centre stage, whereas in the later ones it is much less obvious, becoming a pattern of double stitches and holes. It’s useful to see how different spacings can give you different effects.

The Ceylon Stitch loops were tiny from the start and as the spacing got smaller, I had to decrease in the middle of the pattern as that was where it was the mostly tightly packed.

It is such a lovely looking but incredibly unforgiving stitch that you can see every single place where it isn’t absolutely perfect. It also took forever and so I am not redoing it – it can stand as an useful object lesson!

I intend to carry on stitching some more needlelace but the next sampler is going to be based on rectangles. However, I might work another sample of the Ceylon stitch in a rectangle just to prove I can do it perfectly when I don’t have to keep decreasing!

I’ve not made much jewellery for a while as I’ve been trying to list a backlog of vintage jewellery on Etsy, but when an odd earring I was cleaning came to pieces, leaving me with a rather nice silver mount, I was inspired! I set it with a lovely and very unusual piece of beachcombed Victorian pottery and added a 16″ silver chain to make a unique pendant.

It’s available here in the Beachcombing section of my Etsy shop.

Read Full Post »

Having finished Baby Leaf-Tailed Dragon’s tail with the white circles…

…I decided to add the details to the head section next. Extending some of the outline to give him a jawline and define the ears was straightforward, as was adding the highlights around his neck, ears, mouth and nose. Then it was the eye. The eye more than anything gives him his personality and I really didn’t want to get this wrong, so I cut out a paper template and moved it around until I was happy before I started stitching. It’s amazing how even a small alteration in placement can make a big difference to expression and personality. After a reassuringly small amount of unpicking, I was pleased with the way he looks. Definitely cheeky!

I had a pair of trousers to hem yesterday and while looking for the right colour sewing cotton, I bumped into the Bayeux Stitch mushroom I started last January during panto.

I’d got as far as putting the gills in but they were going in the wrong direction. I knew they were wrong but simply couldn’t work out what the right direction was, so I put the hoop aside and left it – I didn’t even bother to finish unpicking the gills. So this was what appeared as I moved my mending pile:

As I picked up the hoop I could see instantly where the lines needed to go! Trousers were postponed and gills were couched in place. I also outlined the spots on the cap and next stage is… the highlighting. I really need to get over my nerves about stitching highlights on these pieces!

I’ve also been adding some more upcycled jewellery to my Etsy shop. These drop earrings I made in January from a fragment of Art Nouveau pressed brass frame in the shape of olive branches is similar are available here. I’ve added faux pearl drops and new gold plated sterling silver earhooks.

The broken silver ring I shaped into two Celtic motifs has been teamed with a couple of iridescent Czech glass beads to become this rather elegant pair of earrings which are available here in my Etsy shop.

Then a couple of beachcombing pieces. Several years ago I found four glass beads which had obviously once been part of a necklace or bracelet on a tattered piece of thread at a Cornish beach. I love the way they have been worn by the sea and have been looking for just the right project for them ever since. Inspiration struck when I came across an odd earring with a hanging loop inside. I made a piece of silver wire into a headpin and two of the beads fitted perfectly. You can find it here in the Beachcombing section of my shop.

I had a silver pendant which had a very odd looking flat part under the garnet. It was a little while before I realised it was a backing plate and whatever had originally been stuck on it was long gone. Perfect for a piece of sea washed pottery and this fragment of Victorian spongeware worked perfectly. The finished pendant has a new silver chain and is available here.

And the final highlight is the upcycled mourning locket I wrote about in last week’s post.

Within an hour of listing it on Etsy it had sold! A great boost on a cold and snowy day.

Read Full Post »

The dragonfly pouch commission is complete and I’m delighted with the result.

The back stitched wing veins took a long time lining them up with the source photos to make sure they felt accurate but it was definitely worth it. I just wish I could capture the shimmer of the fused fabric wings.

I hope the recipient likes it as much as I do!

I’ve also finished the silk cocoon and driftwood pendant I started a couple of weeks ago. I added seed beads, freshwater pearls and tiny turquoise nuggets to the end of the points to give a bit of weight and a change of texture.

Then I lightly sanded and waxed the chunk of driftwood and carefully glued the cocoon to the top.

Next I fabricated a hanging loop out of an old odd sterling silver earring wire and recessed that through the top of the cocoon and into the wood to carry the jump ring bale. The vintage sterling silver belcher chain is a perfect weight to match the chunkiness of the pendant, although the driftwood is actually a lot lighter than it looks.

A real statement piece of jewellery; available here in my Etsy shop.

Lastly, a sneak peek of my next embroidered upcycled jewellery project.

Going for something a bit more seasonal!

Read Full Post »

Onto the second side.

DSCN7887

DSCN7893

The applique felt cloud shape echoes the concrete seats at the Cloud Bar with split stitch silk thread clouds on indigo dyed sheeting sky and seeding on the crinkled gold satin sand.

DSCN7889

I’ve used pulled thread work and specifically irregularly worked diamond stitch for ripples in the sand before and it’s one of my favourite styles to work so I decided to use it for the back ground to some beachcombed finds – seaweed, a tiny bit of drift wood and a shell with a very convenient hole already drilled into it.

DSCN7890

At the end of the walk was the lovely Anderby Beach Cafe and I used fabric paints to copy their clever logo onto a piece of fine cotton, turning it into a sort of receipt to remind me of the posh hot dog (local butcher’s sausage) and latte I had enjoyed for my lunch, partly obscured by an appliqued splodge of tomato sauce!

DSCN7891

I’ve also started another memory journal for a visit to Tattershall Castle last summer which is inspired by the bricks it’s made from.  The pelmet vilene base for this one has been covered in an appropriate fabric rather than being painted and it will have six slightly larger panels rather than the eight for Anderby Creek which will fold slightly differently.

DSCN7868I’m considering batik, canvaswork and reverse applique to record my memories of this visit.

Read Full Post »

The record of my 2019 Mothers’ Day visit to the North Sea Observatory and walk along the coastal path to Anderby Creek was finally finished on a very different Mothers’ Day just a year later. After learning tonight that the UK has joined much of Europe in lockdown, I hope I’ll never take being able to walk freely when and where I want for granted again.

Anyway, to the stitching. The cover title is in split stitch (my favourite for lettering) on indigo dyed sheeting over a piece of lovely pebble fabric from the Knitting and Stitching Show last November. It has been stitched through the pelmet vilene of the accordion with the speckly (a variegated metallic thread) stitches along the lines between the pebbles – sort of invisibly!

DSCN7879

DSCN7880

Our walk started at the North Sea Observatory, just north of Skegness. It’s an amazing and I think very beautiful building, angular and austere with wonderful views over the beach towards the sea. Perfect to be stripped right back to the simple shades and tones of black work.

DSCN7881

From the Observatory we started to walk along the beach. I used tiny scraps of fabric to represent dunes, sea and sky in a patchwork landscape that is only about three inches high. This was the last idea I had for the book and it’s my favourite.

DSCN7882

Of course, when on a beach, beachcombing is obligatory! One of the things that blew me away about this beach was the huge amount of shells. I’ve never seen a North Sea beach with so many different types. I chose this oyster shell  because it had holes in it already, making it perfect for attaching with stitch. In this case I used long buttonhole bars which I worked back into for the little cast on stitch curls.

DSCN7883

When I saw a scrap bag at the Knitting and Stitching Show last year with this pebble fabric in it I knew it was perfect for the memory journal. The beach is more sandy than shingly, but it fits in with the story of our walk so well. I gave it a felt backing to give the pebbles a quilted look when I back stitched around them in my favourite variegated metallic Madeira thread. The idea was to look like the twinkles of light you get through pebbles when there is water underneath.

DSCN7884

Part two later in the week!

Read Full Post »

As my middle one finally left home in the summer her bedroom, conveniently downstairs, is now vacant. After an industrial strength cleaning session (who says teenage boys are cleaner/tidier than girls?!) it is now a thing of beauty and I have been slowly moving my jewellery making stuff in. It is fantastic to now be able to leave my work where it is instead of being at the kitchen table and having to work around mealtimes, which is probably why I’m being more productive.

I cut and shaped a badly dented vintage bangle and drilled a couple of lovely nuggets of Seaham sea glass which I then combined to make these earrings:

DSCN6355.JPG

They’re available here in my Etsy shop, but I am sorely tempted to keep them for myself!

I’ve also combined some more sea washed china and vintage settings.

IMG_20191103_152825.jpg

IMG_20191209_115456_1.jpg

Stamped a music design onto a piece of beachcombed clay pipe stem and added a vintage earring drop to make a pendant, available here.

IMG_20191207_115408.jpg

Inspired by the found objects piece I did for the Guild meeting last month I embroidered french knots and starburst jump rings onto a piece of painted fabric…

IMG_20191120_082512.jpg

…to make a new centrepiece for a vintage brooch.

IMG_20191120_094227.jpg

I found the most amazing tropical blue nugget of Seaham sea glass which perfectly fits a vintage silver brooch which you can find here.

DSCN6656.JPG

And another incredibly rare piece is this tiny pink sea glass heart, for which I have finally found the perfect match – a sterling silver heart pendant.

IMG_20191209_115634.jpg

Thanks to my new work space, I’m on a roll – just have to hope my middle one doesn’t want to come home to her old room too often…!

Read Full Post »

Older Posts »

Claire Steele Textiles

Art, Textiles and Photography

hertstitch

for embroiderers and textile artists in hertfordshire and beyond

karensstitchography

Embroidery & other craft

re:retro

collecting retro

View From Our Hill

Textile, Mixed Media, Yarn, Books and Beads

Things I find in the garbage

I'm a professional scavenger making a living selling curbside garbage. This blog details my finds and sales. It also acts as an archive for things beautiful and historic that would otherwise have been destroyed.

summerholiday111

stitching, creative textiles, inspiration

Stitched up with Thread

Slowly threading things together

Lincs In Stitches

Creative ramblings in the Lincolnshire Wolds

Kiln Fired Art Blog

Crafts and the outdoors - slow living involving handmade ceramics, painting, textiles, walking and good food

Hillview Embroidery

Teaching and Learning One Stitch at a Time

Dreaming In Stitches

a mingled yarn

sunshine and celandines

These are a few of my favourite things.

LucyAnn &Luna craft

crafting,dachshunds including other bits & bobs

Carlseapatch's Weblog

A log of progress (I hope)and fun in textile arts

seafieldview

Life on a Cornish cliff

late start studio

Late . . . in taking my creativity seriously.

Shibori Girl

....practicing the fine art of shibori

Pomegranate Studio

- because making is good for us

Fall from Grace Crafts

A blog on my craft journey highs and lows...

opusanglicanum

one Englishwoman's work

Playful Bookbinding and Paper Works

Chasing the Paper Rabbit

Chrissie Freeth - Tapestry Weaver

Blog of artist and tapestry weaver Chrissie Freeth

debbidipity

into textiles & beyond

KDD & Co

Award-winning Scottish publishing and design