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Posts Tagged ‘Rhodes stitch’

I took a bit of a break from the ongoing long projects this week and have enjoyed learning and working a couple of new stitches. The first was a little canvaswork piece with a hearts theme. I do enjoy the odd spot of canvaswork and I immediately thought of Rhodes Stitch, worked as hearts. A quick Google showed me that you can work the hearts in a variety of sizes, although as they get bigger they do get bulkier. I found some yellow canvas and matched it with some daffodil yellow stranded silk and some variegated stranded silk in purples and golds that reminds me of pansies. The small yellow hearts were pretty straightforward, although having to fasten off after each heart because any carrying threads were visible was mildly irritating.

Then I added pansy coloured larger hearts to the middle. The bottom one was the fourth attempt.

  • Attempt  1 – too far up.
  • Attempt  2 – I miscounted the placement of the first stitch but didn’t realise until I tried to put the penultimate stitch in and there wasn’t enough room!
  • Attempt  3 – Stitched it perfectly – on the wrong side…
  • Attempt  4 – Count twice, stitch once. Check carefully which side is the right side. Finally, success!

The top heart went quicker but I was more careful with my counting this time. Then I tried out a new Rhodes Stitch version I’d come across while looking at the various sizes for the hearts – a Rhodes Stitch Butterfly. It’s a straightforward and very effective shape to stitch, but once again, careful counting is your friend. I decided to do two stitches for the body and I think that makes him nicely chunky.

The second new stitch was one I’ve had in mind to try for a while. I’d been asked to make a Mothers’ Day card for a friend and I was inspired by some cards online using sea glass fragments as pots with drawn plants. What if I used a piece of sea washed pottery as a pot and the woven feathered chain stitch I’d been wanting to try out to make a trailing plant? Feathered chain stitch first.

Then you fill in the loops with needleweaving, rather like making a picot but with only two threads. I definitely improved as I stitched these two stems – no guesses for noticing which leaf was my first one!

Moving onto the middle stems. The needlewoven leaves remind me of quaking grass.

After the final two stems, some French knots flower buds in silk ribbon and the pottery shard to check the scale. You can get a better idea of the size against my hand.

Lastly I filed a little off the bottom left hand corner to correct the shape and added a shadow in split stitch just to ground the pot.

Very pleased with the result. I used coton a broder and it has given the leaves a lovely sheen. I think a fine perle would work well too and a subtly variegated thread might look even better. I’m so pleased with it I’m just about to start something similar for my mum.

Stay tuned!

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Our March meeting at Scunthorpe Embroiderers’ Guild was Canvaswork Stitch play, led by me. Unfortunately, due to a combination of everything coming on top of each other,  being ill and then completely forgetting about the workshop until about two months before it was due to happen, I wasn’t as well prepared with samples as I would have liked. But I am pleased with what I did manage to stitch.

First sample was the same thread but different stitches.

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The upright cross stitch was a revelation. You would never guess that it was just upright crosses – I just love the interlocking texture it produces.

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Then I worked a sample which was all the same stitch – cushion stitch, but stitched in as many different types of thread as I could. I am particularly pleased with the effect of the chenille (small pale beige rectangle at the bottom), which is such a difficult thread to actually stitch with anywhere else!

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I also had a lovely time running a Ribbon Roses workshop with Selby Embroiderers’ Guild. I had been experimenting with some pelmet vilene based brooches featuring the ribbon roses both with beaded blanket stitch…

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…and also normal blanket stitch edging.

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(The second one ended up as an emergency Mother’s Day card for a friend!!)

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So I decided to turn the design into kits, which went down very well.

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And I even managed to turn my sample/teaching example piece from the workshop into a birthday card.

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And finally another piece of jewellery upcycled with a ribbon rose and beautifully modelled by my little one, who is not so little any more. :o(

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Available as always,  here in my Etsy shop.

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I enjoyed the canvaswork knot garden so much I carried on planting my beds.

More knot garden 1

Rhodes stitch on the left and a composite stitch of upright cross stitches within boxes in green with diagonal cross stitches over the top in variegated orange on the right.

More knot garden 2

Crossed cushion stitch – I love this one, especially as I was able to use a thinner thread over the top and so let the threads underneath peek through.

More knot garden 3

Final beds planted top right and bottom left with a Smyrna cross stitch variant. The Smyrna crosses are worked in a trio of variegated green/yellow/orange threads. This leaves space for little upright crosses in between the larger ones, which I added in using the russety coloured stranded thread that has turned up in most of the designs.

More knot garden 4

Just the central section to go. The original design was for a glass shisha ‘pond’ attached with shisha stitch, but I only had large flat sequins at home and they were nearly as wide as the central space so I cheated and covered a brass ring with buttonhole stitch to hold them in place.

More knot garden 5

The space in the corners was filled with French knots in the same thread.

More knot garden 6

Ready to make up now, but it’s been put to one side by two new projects. Firstly, turning this Country Living freebie notebook into a holiday journal:

Notebook

And secondly, winning this sad and sorry box from eBay.

Sad box 1

As you can see, it’s lost a fair amount of veneer and someone has had a cunning plan to encrust the spaces with odds and ends – an old watch face, a couple of broken earrings, a Renault emblem and other esoteric fragments. It must have once been beautiful. What’s left of the flame mahogany veneer is stunning – or could be, with polish and tlc.

Sad box 2

I couldn’t resist and it was mine for a little over a fiver, including P&P. Off have come the oddments.

Sad box 3

And I’ve made a template for the missing piece of veneer on the lid with some pelmet vilene.

Sad box 4

I’m going to make it beautiful again.

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