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Posts Tagged ‘Baby Leaf-tailed Dragon’

…and goodbye to Baby Leaf-Tailed Dragon. I finally laced him over the mounting board this week, labelled him and he was presented to the director of our Autumn 2019 production this weekend. Sad to see him go but glad that it’s one job not hanging over my head any more!

With stock drops to do at Arttopia and Bricktree Gallery in Caistor, my attention has been on creating upcycled jewellery that will hopefully have a Christmas party appeal.

Two broken bracelets have provided some useable sections for earrings and an earring and pendant set. Unfortunately I keep forgetting to take ‘before’ photos so you’ll have to use your imagination to reconstruct the original piece! The first one was made up from alternating silver crosses and abalone panels and I managed to salvage four sections – enough for two pairs of earrings. These ones worked perfectly with a couple of silver tone wing charms.

And I chose a couple of lovely art glass beads to tone in with the colours of the abalone for this pair.

I only managed to salvage three sections from this gold tone and diamanté bracelet but I’m very pleased with the earrings and pendant set I created from them.

Then I teamed four odd bracelet panels with some royal purple faux pearl beads to match the amethyst coloured diamantés in the middle of the panels.

I used the embroidered and sequinned black sari fabric disc I created a few months ago…

…along with a brass bale I made back in 2013 on my silversmithing course to create a pendant. It’s made of two discs of fabric gathered over circles of felt and pelmet vilene and then ladder stitched together so it’s light and easy to wear. I’m glad the bale has finally found a home too.

I did manage to take a photo of this bracelet before I upcycled it into a pendant and a pair of statement earrings. It was missing some of the diamantés and felt quite fussy, so I split it into three pieces.

First I separated out the central poinsettia shaped section and tidied up the rough edges at the back before drilling a hole into the edge of one petal for a jump ring bale and adding a reclaimed chain with a slightly worn gold plating to echo the pale gold coloured mesh in the middle of the petals.

I reset the missing diamantés in the other sections of the bracelet and added hanging loops to turn them into a pair of statement earrings. I ran out of clear diamantés in the right size so used some icy blue ones for the top which I think gives them a subtle pop of colour.

It seems that as fast as I complete one upcycle I find something else in a box which fires my imagination and replaces it in the to-do section of my desk. At the moment I’m creating some wintry mandala pendants by stitching found objects onto fabric scraps. It’s so exciting when the ideas are coming this thick and fast. Just a pity that work and life seem to get in the way..

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It only a took a couple of stitching sessions in the end but after six years Baby Leaf-Tailed Dragon is finally complete! When you last saw him back in February he looked like this:

I was struggling to stitch tiny neat split stitch circles along the line of his neck and in the end just gave up and let other projects come to the fore. But Baby L-T D was promised as a director’s gift for a show we did in 2019 and he really needed to be finished to be presented at a Memorial Concert in early November. Time to get stuck in.

I finished the circles on the neck first. They really highlight how uneven the wavy line is, but I don’t dislike the way they’ve ended up in pairs.

The his clawed and feathered feet. The feathery bits at the back remind me of the ‘feathers’ around the hooves of a shire horse. I did hope that I was getting better at the circles, but I’m not so sure about that, looking back at the photos.

And lastly the top section of his double tail. Highlight lines first and then more circles inside the trefoil leaves.

Finally, the veins on the large leaf and the last of the circles along the base of the tail to complete the stitching!

Then I removed him from the frame so I could see him in all his leafy glory for the very first time. I’m so pleased with him and a little bit sad that he’s going to go to someone else.

Now I need to sign and mount him – another job I tend to prevaricate about because I worry about getting it perfectly right…

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Podcasts at the ready, I got stuck into some of the more tedious stitching this week. All the motifs on the medieval tiles piece are outlined and I’m very happy with the alternating light and dark outlines.

The intersections are interesting too.

As is the back, where you can really see the subtle variegation in the threads.

I’ve still not completely settled on what to do for the background of the tiles but I’m inclining towards adding something to the inside of the motifs. Not sure if that is prevarication or not!

I had a couple of offcuts from when I printed the main piece.

I made one into a bookmark for a Christmas present and am turning the second one into another bookmark. This time I whipped the back stitch outline of the motifs and am pleased with the raised effect. It looks almost like I’ve edged them with a very fine cord.

I decided to add the more straightforward highlights to Baby Leaf-Tailed Dragon’s wings while I was still dithering about the circles on his neck.

Emboldened by that success, I started the circles. Not sure the first one is fit to be seen, but the second and third are reasonably presentable.

I’m definitely ready to finish these projects and get on with something different, especially as I unearthed some rusted embroidered fragments the other day that I’d done ages ago with the plan of making an art quilt and posted some on Instagram. They got such a good response I’m tempted to get the quilt underway again…

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Having finished Baby Leaf-Tailed Dragon’s tail with the white circles…

…I decided to add the details to the head section next. Extending some of the outline to give him a jawline and define the ears was straightforward, as was adding the highlights around his neck, ears, mouth and nose. Then it was the eye. The eye more than anything gives him his personality and I really didn’t want to get this wrong, so I cut out a paper template and moved it around until I was happy before I started stitching. It’s amazing how even a small alteration in placement can make a big difference to expression and personality. After a reassuringly small amount of unpicking, I was pleased with the way he looks. Definitely cheeky!

I had a pair of trousers to hem yesterday and while looking for the right colour sewing cotton, I bumped into the Bayeux Stitch mushroom I started last January during panto.

I’d got as far as putting the gills in but they were going in the wrong direction. I knew they were wrong but simply couldn’t work out what the right direction was, so I put the hoop aside and left it – I didn’t even bother to finish unpicking the gills. So this was what appeared as I moved my mending pile:

As I picked up the hoop I could see instantly where the lines needed to go! Trousers were postponed and gills were couched in place. I also outlined the spots on the cap and next stage is… the highlighting. I really need to get over my nerves about stitching highlights on these pieces!

I’ve also been adding some more upcycled jewellery to my Etsy shop. These drop earrings I made in January from a fragment of Art Nouveau pressed brass frame in the shape of olive branches is similar are available here. I’ve added faux pearl drops and new gold plated sterling silver earhooks.

The broken silver ring I shaped into two Celtic motifs has been teamed with a couple of iridescent Czech glass beads to become this rather elegant pair of earrings which are available here in my Etsy shop.

Then a couple of beachcombing pieces. Several years ago I found four glass beads which had obviously once been part of a necklace or bracelet on a tattered piece of thread at a Cornish beach. I love the way they have been worn by the sea and have been looking for just the right project for them ever since. Inspiration struck when I came across an odd earring with a hanging loop inside. I made a piece of silver wire into a headpin and two of the beads fitted perfectly. You can find it here in the Beachcombing section of my shop.

I had a silver pendant which had a very odd looking flat part under the garnet. It was a little while before I realised it was a backing plate and whatever had originally been stuck on it was long gone. Perfect for a piece of sea washed pottery and this fragment of Victorian spongeware worked perfectly. The finished pendant has a new silver chain and is available here.

And the final highlight is the upcycled mourning locket I wrote about in last week’s post.

Within an hour of listing it on Etsy it had sold! A great boost on a cold and snowy day.

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I thought I’d started the Baby Leaf-Tailed Dragon in 2018, which would have been bad enough, but the blog post from September 2018 when I moved him from a hoop to a frame and really got going, says I started him in 2015 – July 2015 to be precise. I did quite a lot of work on him in 2019 and even got as far as starting to couch the outline but then, like so many things last year, he lapsed and it wasn’t until last week that I picked him up and finally finished the couched outline. The next stage was to add the split stitch highlights. I’m always worried I’ll put them in the wrong places and it will look odd, so I usually prevaricate at this point, but I decided to just get on with it.

The result was a lot less difficult than I thought (it usually is…) and so his lower tail is nearly done!

I’ve also decided to get on with the last two pieces for my Kew Memory Journal. I want to base one on the beautiful Chihuly Persian Chandelier that was hung in the Temperate House.

I thought the wavy edged circles could work either in needlelace or crochet and while I decided which one would be most effective, I started a small sampler of needlelace stitches.

Corded Brussels Stitch is my go to needle lace stitch and after having worked the Single Brussels – twice – I know why. The Corded Brussels is always worked in the same direction. When you get to the end of the row you run the thread across the front, back to the start and then work over it, incorporating it into the stitch. It makes the lace firmer and because there is something to work over, more even, and the stitches all run in the same direction.

The Single Brussels is worked from left to right and then when you reach the end of the row, back from right to left. I’m not very right handed and can work most stitches both right and left handed but I could not for the life of me get the rows even. On the left to right rows I could make the buttonhole stitch loops stay open but right to left they just wanted to flatten down to the stitch underneath. The second version is better than the first, but not by much.

However, as a sampler and a learning exercise, it’s been very useful.

The last old favourite is the final two kilt pin brooch kits.

Forest green, golden yellow, and brown.

and

Orange, bronze, brown, purple and gold.

Listed today in my Etsy shop with free UK P&P.

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In the end, Baby Leaf-tailed Dragon wasn’t finished for show week and in total, I only managed to put half a dozen stitches in him on stage the entire week, most of which had to be unpicked and restitched later! But ‘The Fifth Elephant’ went well and we had lots of positive comments from Pratchett fans, some of whom had travelled some distance to come and see the show.  No rest for the am dram wicked though – last performance of ‘The Fifth Elephant’ on Saturday and tonight (Monday) is the first casting reading for panto!

I did manage to get some stitching done in the interval though, so all the Bayeux Stitch is completed and I’ve started the couched outline. It neatens the edge up a treat.

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Since the Baby Leaf-tailed Dragon and his frame were props for a scene in Act 1, I had to find something else to sew before curtain up and I decided to experiment with a banner style brooch using an odd kilt pin. I had a few small pieces left of a wool jumper I felted a while ago and turned variously into a cushion cover, a pair of mittens and some earring cases.

I added some commercial grey marl felt and an odd earring drop…

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…blanket stitch, french knots…

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…sequins, a bead, split stitch and detached chain stitch…

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…before finishing with a kantha stitched back ground in shimmery blending filament, a beaded blanket stitch edging which joined it to the grey felt back and blanket stitching it to the kilt pin in stranded silk thread.

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A fun little project and I particularly like the subtle sparkle you get from the blending filament.

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The applique for Lady Margolotta’s bat themed blouse is finished!

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The biggest ones took 20-30 minutes each to stitch on and the smallest ones 10 to 15, so all twenty together have been quite a long job. Stitching with black thread on black felt has also limited when and where I can stitch, but in spite of that, it’s done with time to spare, thank goodness.

Baby leaf tailed dragon now has leaves sprouting from his lower tail.

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He would have had another leaf completed but after a busy evening rehearsing and stitching, I went to put the couching stitches in and realised that I had put a whole leaf’s worth of laid stitches in vertically, instead of horizontally… He learned some new rude words that night.

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Before the summer break, our ever-inventive Chair gave everyone who wanted to take part a pack of odd and interesting found objects to create a piece of found object embroidery. She included an instruction/guideline sheet as well, which I did refer to, noting that the finished piece should be no more than 7 inches by 5. However, I didn’t note that it was to be due in for November’s meeting. I assumed it was for the AGM last Saturday. Result – frantic stitching last week until a friend who had read the instructions properly, pointed out that I was two months too early. Moral of the story; don’t skim read and make the gaps up as you go along, Alex!

There was a load of thin plastic tubing in the pack and that suggested spirals to  me straight away.

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It’s couched down with gold thread for some sparkle and then I played with widening some of the lines with more of the tubing to give the spirals a bit more weight.

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Next to be added from the pack was a very large metal ring which I also couched down with gold thread in a starburst pattern. The broken earring front fitted perfectly in the middle of it and I love copper and green together.

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Then I added a holed limpet shell from my own collection  to echo the shape of the loop of tubing.

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At least I’ve made a start and hopefully won’t be rushing to complete it for November’s meeting!

 

 

 

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After a long stretch in various back stage roles, from costuming to directing with props and writing in between, I’m finally going to be on stage again, playing the role of Lady Sybil Ramkin in Scunthorpe Little Theatre Club’s upcoming production of Terry Pratchett’s ‘Fifth Elephant’ at the Plowright Theatre from Wednesday 2nd of October to Saturday 5th of October. Details and booking information can be found here.

5EWebsite

Lady Sybil is a swamp dragon breeder, all round dragon lover and the founder of the Sunshine Sanctuary for Sick Dragons, so when one of the scenes called for her to be sewing, it made sense to get my baby leaf tailed dragon out and underway again.  Last seen, I had finally managed to get his head and chest almost finished.

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Since then, I’ve been working on him through rehearsals. I finished the couching on his head and then all the stitches for his tail were laid over about two sessions…

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…with the couching taking another two. Just a few more stitches to put in before I can start on the leaves.

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I do love Bayeux stitch for the textured result and also the way it works up so quickly. However, that could be an issue as I only have his leaves left to do before the split stitch detailing. I’m a bit concerned that he may peak a little too early and be finished before we get into the theatre for show week!

My other bit of show stitching is adding bats to the pink blouse worn my Lady Margolotta, a vampire who is ‘”on the vagon” and has not bitten a neck for nearly four years. She is brightly dressed to reflect her more modern thinking, but the director, who is also making all the costumes, wanted there to be bats to reference her background.

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Lovely little bats but they all have to be individually cut out of felt and hand stitched on and it is taking forever – still got the sleeves to do yet!

 

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We’ve just had our final meeting of the year at Scunthorpe Embroiderers’ Guild and it was a fantastic all day long affair, with a talk about the costumes and embroidery in ‘Game of Thrones’ in the morning followed by the opportunity to look at some of the incredible work some of our members have produced over the last year and were entering for the branch’s yearly hand embroidery prize.

Some pieces have come from past workshops, such as the paisley piece below which was started in Jan Dowson’s ‘Print to Stitch’ workshop back in February, or responses to objects in the local museum for our exhibition earlier in the summer, as with the Winterton mosaic piece at the top on the three circles.

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Contemporary, modern, traditionally flat or 3D, like the stumpwork flowers and tiny embroidered houses.

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Restrained and subtle or gloriously over the top and encrusted with bling.

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Sometimes a visiting speaker chooses the winner but this time we did it in our usual way by voting in the blue and white saucers with beads. Thank goodness we get five beads each. And even then choosing five places to vote was an almost impossible decision! But after the counting, the winner was announced: Sue’s fabulous blue ammonite, one of the pieces for our museum exhibition.

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Glad I didn’t put anything in as I would have been seriously outclassed!!

Then after lunch, a workshop on Bayeux Stitch. I’ve used this stitch on several projects, including Shy Bird,

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…the sycamore leaves from Blackwell…

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and of course, the Baby Leaf-tailed Dragon kit from Tanya at Opus Anglicanum which I bought and started a disgracefully long time ago!

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I really enjoy working this stitch. It works up quickly, which is always a huge bonus and I love the textured effect the couching gives to it.

We had some lovely examples to inspire us, from medieval style designs to working it as an all over pattern to create a solid embroidered fabric as in the purse below and some very contemporary pieces.

 

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Although I was very tempted to explore the contemporary design ideas, it was a good opportunity to get a bit more done on Baby Leaf-tailed Dragon.

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Every little helps!

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Sneaks back in looking shamefaced… Sorry I disappeared – the summer has been a bit busy and trying to get all the various things I want to spend the rest of my working life doing off the ground has eaten up time in a frightening manner. I am trying to make the most of the evaporating minutes by being more disciplined, which includes making dedicated time for my blog again.

The free frame I found outside a local charity shop back in July was just what I needed to get back to my Baby Leaf-Tailed Dragon, which I began back in 2015! I had started him off in a large hoop, but as I wasn’t happy with the tension I didn’t continue, but the frame was perfect and once I had stitched him into it, he was my project of choice to work on for National Stitching Day back in early August at 2021 Visual Arts Centre in Scunthorpe.

Back in 2015 he looked like this:

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My first job was to finish putting the vertical threads in on the green section.

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And then to start couching them down.

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I really enjoy working this stitch. I love the texture of it once the vertical stitches are all couched down. Baby Dragon got a lot of interest from visitors, especially the men, who were more interested in the historical aspect and it seems that I’m not the only one who likes the texture – everyone wanted to touch it!

Once his back was completed, I moved on to the purple leaves on his tail.

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It is lovely to do something that works up so quickly, especially in comparison with some of my french knot work!

Since National Stitch Day I have had a couple of committee meetings and been able to move onto his tummy, legs and chest.

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He is a great deal larger than my usual meeting stitching projects but at least nobody sits too close!

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