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Posts Tagged ‘satin stitch’

Too many days supply teaching this week and coming back shattered in the evenings has meant minimal stitching but I have made a little bit of progress with the Casalguidi work. I’ve planned out where the meandering stem is going to fill the rest of the square, pinned it in place instead of just making my mind up as I go along and done a bit more of the trailing overcast stitch.

Last week this was my starting position:

This week I’ve got as far as here.

However, I have had a real stroke of luck with the instructions for the needlelace flowers. After a fair amount of fruitless Googling I decided to use an image search instead in the hope that a picture of what I wanted to stitch might link to something helpful. And it did! I’d only gone through about half a dozen images before I landed on a blog. The writer hadn’t given any instructions on how to construct the flower in her photos but she had posted a photograph of the cover of the book from which she had taken the instructions. Hang on a minute… I recognise that book! A minute or so later I was pulling my copy of ‘Embroidery Techniques Using Space-Dyed Threads’ by Via Laurie, published by Search Press, off the bookshelf. I couldn’t believe I actually owned the book she had recommended!! So once the trailing is done, I can get straight onto the flower.

We started the first session of the Stumpwork Garden at the Stitch Zone last week with the garden path and I decided to make this one rather larger than the tiny original, with satin stitch slabs set in French knot gravel with patches of moss.

I’m happy with the texture and colour of the variegated 21st Century Yarns stranded cotton but am now regretting my choice to surround my slabs with gravel!

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I’m leading our S.E.A.T.A. meeting at the end of this month and challenging our members to visit or revisit a stitching book from their shelves and use a technique or project from it to make a small item – a brooch, key fob, scissor keep etc. So I’ve been working some samples, including a pair of acorns based on a project in Beginner’s Guide to Stumpwork by Kay Dennis, published by Search Press.

I decided to follow the instructions to the letter which included stitching down the felt padding with stab stitches that run perpendicular to the edge of the felt shape. I was initially unsure about whether this would be any better than doing a line of stitches parallel to the edge but it works much better, giving a smoother transition from the flat fabric, so I was pleased to have learned something new.

Then I covered the shapes with satin stitch.

Next I ran two long stitches across the middle of the acorn and used them as a foundation line for the needlelace cup. I did say I was going to follow the instructions to the letter but it suggested Ceylon stitch for the cups and due to some recent experience with that stitch, I decided against it. Ceylon stitch looks beautiful but is not very forgiving when you need to increase or decrease, which I would have had to with the cap and also I really struggle with the tension to stop it wandering. So I gave up the idea of sticking to the project and worked the cup in good old Corded Brussels.

Same for the other acorn but in green. The variegated brown was a stranded cotton and although I prefer the satin stitch coverage, I like the needlelace cup better on the green one which was stitched in a random unlabelled thread which feels like a cross between crewel wool and mercerised cotton.

Next I satin stitched a twig over three long padding stitches, trying to vary the thickness so it looked like a naturally knobbly twig and mounted it over a sandwich of thick cardboard and felt.

Last of all, I added a beaded fringe.

A straightforward little project but I enjoyed learning new things from it and it’s good to have one sample completed.

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As I’ve said before, this year’s Move It On Project is about revisiting and evaluating old projects and if any get finished during the month, then that’s a bonus. However, we have our first finish! I did say last week that there was a very good chance of this one being finished as it was pretty close already, with only the laborious job of marking out the diamond grid of background stitches to complete.

I ended up by counting the warp and weft threads to work out where to place the markings as it was more accurate than measuring but even then, I made a mistake that I didn’t spot until I was two columns in and so they aren’t quite exact, but close enough for a Holiday Journal piece.

Adding the pairs of straight stitches over the top was quick and easy, even if the finished motif does look like a grumpy moth!

With Mothers’ Day fast approaching I’ve had my usual commission from a friend to make a card for their mother and my starting point was a postcard sized piece featuring lace, tea bags and painted lace flower trims I started in a workshop I did with Fran Holmes back in November 2019.

I decided that it didn’t need much doing to it apart from stems and leaves for the daisies and took it with me today for some ‘plein air’ stitching when we went for a walk in Sherwood Forest. We were joined for lunch on this bench by a very confident robin and a cheeky little woodmouse, both of whom were well rewarded with titbits.

I’m using fishbone stitch for the leaves, which is pretty dense and as a result the closeness of the stitching holes at the edges of the leaves is shredding the delicate tea bags despite my best efforts.

Just going to have to hope that the stitches and the underlying bondaweb can keep it all together!

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March’s Move It On Project actually has a chance of being finished. I chose a sample I started stitching on our 2019 holiday to the Lake District based on an Arts and Crafts style table runner with a sycamore key design I saw at Blackwell, The House of Arts and Crafts, near Windermere.

By the end of the holiday I’d got as far as here:

I’m only doing one element of the pattern but I’d stalled on the odd curved shape underneath the keys. I couldn’t work out from the photo what stitch was used as it appears to be quite raised on the top edge and then it just got put to one side.

I chose it as March’s Move It On Project as it’s the last thing I need to finish to complete my holiday journal for 2019 and there wasn’t a lot to do to complete it. Then looking at it next to the photo, I realised that as I’d deliberately chosen not to stitch an exact copy of the original anyway, getting the stitch ‘right’ for that curved bit was irrelevant! So I’ve done it in the same thread and used Satin Stitch over a back stitch edging as I did for the edge of the keys.

The final stage is the grid of background stitches. I think from the photo that they are pairs of vertical straight stitches, but they are perfectly placed in relation to the weave of the fabric, so I think a ruler, a sharp pencil and very good light are my next requirements!

In other news, Dylan the Psychedelic Snail has a friend! Over the last two weeks I’ve run him as a workshop for the In The Stitch Zone group I teach at Scunthorpe Central Library (details in the Stitch Zone tab on the header) on a Monday afternoon. The first week we created the Raised Stem Stitch Band spiral for the shell.

And the second week we added the needlelace body.

I wanted a purple body for my new snail but could only find this very light variegated lilac in quite a stiff mercerised cotton or similar. I still think it’s a bit too pale but I love the way the firmer thread really shows up the texture of the Corded Brussels Stitch. Someone on Instagram actually thought the body was knitted!

So, meet Ermintrude! And of course, the obligatory photo to show just how small she actually is!

I always worry about repeating a design in case it doesn’t stitch up as well as the original, but despite the centre of her shell being less neat than Dylan’s I’m very pleased both with my second snail and also how the workshop went overall. A win-win!

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I’ve been continuing the autumn colours with some ribbon embroidery sunflowers. I love the textured deep brown centres you get from clusters of French knots. All was going pretty well until I realised I only had enough golden yellow ribbon to stitch one sunflower – possibly two if I really used every centimetre. You can see on the bottom one that I ended up using ribbon where the edges were really a bit too worn just to complete the flower.

This was then followed by the very unfamiliar feeling of going online to buy some more ribbon. I can’t remember the last time I wasn’t able to find what I wanted (or something close enough) in my somewhat extensive stash but yellow silk ribbon is something that for some reason I simply don’t have. (Any other colour, yes, but strangely not yellow.)

Unable to complete the last flower until I had the ribbon, I made a start on the next part of the design, a meandering line of Hungarian Braided Chain stitch. It’s a fabulous stitch but this is the first time I’ve worked it in anything stranded – in this case four slender strands of a very slippery pure silk so in places it was somewhat less than perfect!

The ribbon arrived a couple of days later so I was able to add the last sunflower. It’s less golden yellow than the others but I like the variation in colours and the ribbon stitch works well for the petals. No two stitches are the same, which is perfect for the slightly shaggy effect I wanted.

Satin stitch leaves over split stitch outlines.

I’m very pleased with the result, and am hoping to incorporate it into some upcycled jewellery, although the next time I do a meandering line it would probably be best to draw it out carefully first, instead of doing it by eye…

I’ve also managed to get a bit further with my beaded jellyfish. Last seen, it looked like this:

I’ve finished setting the spangles on the front and worked the first round of the opening.

It’s hidden the wobbly couched edge rather nicely which was an unexpected bonus and reminded me how much I’ve enjoyed stitching it so far, so perhaps I can make the time to push on with it now.

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As is always the way, the final leg of the stumpwork garden only took about half an hour. First I finished the last of the kale/chard slubby silk picots. I was a little uncertain about them to start off, but they’ve worked up into a very healthy looking clump.

Then the courgette leaves. I’d already decided I was going to cut them out of some painted fabric. However, when looking for a source picture, I found countless photos of courgette leaves online, all different, which didn’t help and was probably why I left this job until last.

The first tentative one looked OK in terms of size and shape so I cut out another couple and laid them over the courgettes. They weren’t quite right. They looked flat and completely obscured the courgettes, which is what the leaves do in real life, but I didn’t want to lose the stitching underneath. I was resigning myself to stitching in minute veins to make them look less 2D when Debbie, one of the friends I was stitching with, suggested I put a tiny pleat in the base.

It was like magic. Suddenly the fold suggested veins and depth.

As there was to be no stitching of veins, the last stage passed in a flash. I pleated each leaf and used the thread to attach each one to the courgette plant. Pleating the leaves also meant they would no longer lay flat and solved the second issue about covering and losing the courgettes.

The leaves stand up beautifully (the fabric is backed with a light weight interlining to help stop it fraying which helps) and are only connected at the base of the leaf so as you move the stitching you can still see the courgettes, even though the leaves cover them. A genius solution!

My completed vegetable garden. It’s been a delight to stitch and had a lot of interest (for me!) on Instagram where it’s currently my most interacted with post, so other people seem to love it as much as I do.

I also ought to post a shot to give you an idea of scale.

And against my hand – please excuse the state of my fingers – it’s that time of year when I seem to be constantly peeling and prepping fruit and veg from the real garden.

I’m definitely going to offer this as a workshop. I’ll suggest some different vegetables and lay outs so not everyone has to stitch an identical copy and it’s a good introduction to some raised embroidery techniques. Anyone interested, shout up. Contact details are on my workshops page (tab at the top).

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Some stitched vegetable gardens came up on my Pinterest feed a little while ago and as I love stumpwork ideas, I saved them; whereupon more appeared of course… So naturally the only thing to do to get them out of my system was to stitch my own garden. It’s tiny – the piece of silk dupion it’s stitched on is 6cm by 10cm, or about 2.5″ by 4″.

Garden path first. I used satin stitch in varying scraps of greyish brown thread for the uneven slabs.

Then a darker variegated brown to edge the slabs before I started my strawberry patch. This has whipped back stitch stems, trios of lazy daisy leaves, scarlet French knot strawberries and loose white French knots for the strawberry flowers. Working French knots deliberately loose so you can put something in the centre is a little more tricky than it looks. There is a fine line between getting a firm knot with a space in the middle and a scribbly pile of threads!

Next, the peas. Feather stitch pea sticks for them to scramble over and then whipped backstitch stems. The pea pods are two parallel satin stitches and once they were completed (all 32 of them) I used a very fine pale green silk thread to give them tiny calyxes.

Then I half hid them with silk ribbon lazy daisy stitch leaves.

Onto the rows of veg next. The peas had taken a long time building up the various layers, so I went for a quicker result and three dark green silk ribbon ‘roses’ (woven spider’s web stitch) became a row of blowsy cabbages.

These were quickly joined by a little row or emerging seedlings in fine silk lazy daisy stitch – probably radishes – and then I started a group of cauliflowers with clustered French knot florets and overlapping cast on stitch leaves.

It was fiddly to work the cast on stitch leaves in such a small space and at such a small size, but leaves come in various shapes and sizes anyway.

The loose French knot practise on the strawberry flowers came in handy for the carrots.

My idea was to stitch loops which I could then cut to form feathery foliage, through the centre of the carrot tops. The smallest section of my cordonnet stick was the perfect size to stitch the loops over.

Loopy carrot tops.

Each set of threads has been fastened off separately underneath so they shouldn’t come out once I cut them. Very pleased with the result!

Lettuces and courgettes are next. It may only be a tiny piece of stitching but it’s taken a lot longer than I expected. Working small doesn’t always mean finishing things off more quickly…

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I’ve been stitching various experimental pieces recently and enjoying different ways of working. I’d seen someone on Instagram who had been embroidering fantasy aerial landscapes and I really liked the idea so I printed out a satellite image of part of a walk I enjoy along the River Ancholme between the villages of South Ferriby and Horkstow and decided I’d stitch the section from Horkstow Bridge along the lane to the road.

I drew it free hand onto some calico and then started to fill in the fields with satin stitch and the hedgerows in french knots. I used a slightly slubby silk on the longer field and an odd almost cord-like thread on the smaller one.

I then moved onto stranded silk which gave smoother looking fields. I like the contrast of the slightly textured silk but not so sure about the corded thread…

I also realised that I needed to vary the shades of green in the hedgerows and copses.

The lane from the bridge to the road was added in split stitch. Really not liking the corded thread at all now, but as the French knot hedgerows went right through the edges of the stitches I wasn’t going to be able to easily undo it at this point, so I’m living with it!

Lastly I added the River Ancholme and the drain that runs parallel with it in split stitch. Horkstow Bridge, which is a very early Victorian suspension bridge, is two French knots and a couple of satin stitches (bottom left corner) and I included part of the fields across the river. Off the hoop the tension isn’t great, but it was a lot of fun to do.

Back in 2010 I stitched a piece for our Embroiderers’ Guild Summer Challenge, for which we were given some blue thread, aida and the prompt ‘Blue Pot’. My response was to create some cross stitched ‘shards’ of Victorian blue and white china lying in the ‘soil’

I don’t have it any more because it’s on the cover of the 2010 scrapbook but I do miss it.

So I decided to stitch a mini version featuring the most iconic part of the willow pattern design – the birds.

Once I’d stitched it, I laced it over a couple of pieces of pelmet vilene for rigidity and started to couch various fancy threads around it for the soil.

I also added some patches of split stitch to vary the textures as I’d done with cross stitch on the original.

I wouldn’t normally stitch the same idea twice, but it’s good to have my own miniature version.

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With the reopening of non-essential shops this week, the Persian Chandelier and most other ongoing projects have been put aside and my stitching and making has been focussed on building up my jewellery stock.

First, a new sea glass necklace.

I started with a vintage rolled gold pendant which had lost its stone and found a sea glass piece that fitted it perfectly in my dwindling collection of Seaham multis – this one clear with a smudge of pink. Then I added a delicate rolled gold necklace and found some perfectly frosted pink and white glass beads to replace the existing beads which luckily match the sea glass piece perfectly.

It’s available here in my Etsy shop.

I’ve also been altering another fabric brooch from a job lot of junk jewellery. This one was simply a piece of woollen checked fabric needle felted onto a square of black wool with a random button and a brooch back sewn on. I removed the button and while going through my found object stash for the Mandala Brooches, I found what I think might have been part of a fishing fly and a hemispherical panel from a bracelet which both appealed.

I used my go-to variegated metallic Madeira thread to stitch both elements down and add stitches into the fabric around the main part of the fishing fly. It isn’t supposed to be anything in particular but I think it looks a little like a comet!

Sashiko stitching on tiny scraps of indigo dyed cotton with silk thread mounted in a vintage brooch setting have become another boro-style brooch.

I’m really pleased with the sashiko pattern on this one, especially as I did it by eye, and it really pulls the separate scraps of fabric into a whole.

It’s available in my Etsy shop here.

Lastly, some experimenting with knotted stitches in this sort of crewel work style sample. Portuguese Knotted Stem Stitch and French Knots on the left, German Knotted Buttonhole in the middle and middle right and Palestrina Stitch and Pistil Stitch top right. Chain Stitch and Four-Legged Knot bottom right and the stem is Coral Stitch and Satin Stitch.

Hopefully I can get back on track this week and I have high hopes of being able to stitch outside if the weather stays good!

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The cross stitch motif piece I showed last week has progressed reasonably well. I was initially unsure about the sky, but as I moved round the tree, I was able to get the coverage more even – it’s turned out as more of a long and short stitch than a satin stitch in the end – and now I feel the combination of the motif and the hand embroidery is working.

I wanted the tree to have other greenery around it, so the next part of the ‘evolving in my head as I stitch’ plan was to add a tree on the right. I used free cross stitch, which I love using as it gives a very textured effect, with a split stitch trunk.

Then a bit more sky and french knot bushes on the lower left. I’m not sure whether to put a bit of another tree in the top left corner or leave it as just sky, so it’s stalled a bit while I wait for my subconscious to finish churning the possibilities over.

I’ve finally listed an embroidered upcycled brooch I made last November here in my Etsy shop. Not sure how it slipped through the net, but at least it’s there now. I love the subtle sparkles in the hand painted fabric and metallic thread but they are really difficult to photograph!

I’ve also made some more of the clock hands earrings, with a wintry blue and silver colour scheme. They’re not in my Etsy shop as I took them across to Arttopia in Cleethorpes this morning to restock my display. The aluminium hands are very light and the art glass beads at the top help to give them enough weight to hang nicely. It’s quite a balance to end up with a pair of earrings that are heavy enough to move with you but not so heavy that they pull on the ear lobe.

It seems to be a real struggle to get anything much done these days and Christmas fast approaching is generating its own pile of work! I’m looking forward to the after Christmas period before term starts when I can hopefully get back to the memory journals and other projects.

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