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Posts Tagged ‘applique’

Onto the second side.

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The applique felt cloud shape echoes the concrete seats at the Cloud Bar with split stitch silk thread clouds on indigo dyed sheeting sky and seeding on the crinkled gold satin sand.

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I’ve used pulled thread work and specifically irregularly worked diamond stitch for ripples in the sand before and it’s one of my favourite styles to work so I decided to use it for the back ground to some beachcombed finds – seaweed, a tiny bit of drift wood and a shell with a very convenient hole already drilled into it.

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At the end of the walk was the lovely Anderby Beach Cafe and I used fabric paints to copy their clever logo onto a piece of fine cotton, turning it into a sort of receipt to remind me of the posh hot dog (local butcher’s sausage) and latte I had enjoyed for my lunch, partly obscured by an appliqued splodge of tomato sauce!

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I’ve also started another memory journal for a visit to Tattershall Castle last summer which is inspired by the bricks it’s made from.  The pelmet vilene base for this one has been covered in an appropriate fabric rather than being painted and it will have six slightly larger panels rather than the eight for Anderby Creek which will fold slightly differently.

DSCN7868I’m considering batik, canvaswork and reverse applique to record my memories of this visit.

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The Anderby Creek accordion journal is really starting to come together. The Cloud Bar felt applique is finished and I then started a little piece of blackwork to create the North Sea Observatory. The photo I chose to work from showed the Observatory at an angle, so at this point it’s all a bit experimental!

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Filling in the areas with different patterns to represent different shades started to work better, especially at more of a distance.

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And the block work really pulled it all together.

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I also had a brainwave for the last piece – sand dunes in layered applique/patchwork with marram grass at the bottom. The way the ‘clouds’ echo in the ‘sea’ with the scraps of hand dyed fabric for the sea and sky is a very happy accident!

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All eight pieces completed (two are already in the book).

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Now the fun bit of attaching them to the pages.

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My memories of our Mothers’ Day expedition last year now safely gathered together.

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As I’ve mentioned before, my middle one has finally left home and her worldly goods and chattels are slowly following. While looking for some art materials she wanted, I found an embroidered initial she had almost finished when she was part of our Young Embroiderers’ Group aged about 10 or 11. I love the colours and the design and her stitching is pretty good too.

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Although she hadn’t quite completed it, it was clear that she intended to finish it off by filling  alternate rays with seed stitch. This gave me an idea… I managed to find a close match for the thread she had started using and finished the seeding.

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Then I pinned it onto a cotton tote bag. Unfortunately for some reason the corners had been clipped too close to be able to make a neat square and I didn’t want to fold the edges under right up to the stitching.

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So I ladder stitched it in place and chose four vintage buttons which I stitched down decoratively to hide the raw corners!

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It also gives it a bit of weight and impact on the bag.

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I travelled down to Birmingham to spend her birthday with her last week and our collaborative bag was part of her birthday present. I think she liked it!

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Sorting some of my beachcombed treasures led to a couple of pieces of jewellery. First was a chunk of school ruler which had frosted beautifully in the waves. I paired it with a piece of beachcombed metal swarf with a lovely milled texture to make a brooch, now available here in my Etsy shop.

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Then I managed to find two vintage panel bracelets which are great for setting with sea glass and pottery like this one. There is just something about blue and white sea-washed china that I love.

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I also like to use panel bracelets to turn groupings of odd vintage earrings into unique assemblage bracelets. The theme that developed here was floral soft blues and greys with a central enamelled dragonfly. Available here in my Etsy shop.

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I also managed to list the brooch I made during show week from a scrap of felted woollen jumper, a vintage kilt pin and an odd earring drop and it’s available here.

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Definitely in my blue period!

I’ve also had a bit of a spurt with one of the pelmet vilene accordion book memory journals I’m working on. This one is based on a visit we made at the end of March to the North Sea Observatory and Anderby Creek beach in Lincolnshire. The shell strewn beach was unlike anything I’ve ever seen on the North Sea coast and then we had a stroll along the sand dunes to the lovely Anderby Beach Cafe for lunch before heading back home.

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I stitched a fragment with cast on stitch and one of the big flat holed oyster shells in the summer but then things lapsed until a piece of evenweave gave me an idea to do a piece of pulled thread work. I used natural coloured silk thread and Diamond Stitch to create a random pattern like ripples in the sand.

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Then I added some dried seaweed, a clam shell with a hole in and a little piece of driftwood.

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I love the very clever Anderby Beach Cafe logo which uses part of the structure of a traditional deck chair as the initial ‘A’ and the hot dog I had for lunch that day, using local butcher’s sausages was delicious. So that quickly led to a hand painted and stitched applique ‘receipt’ on calico, featuring a splodge of ‘tomato sauce’ to remind me of how much I enjoyed my lunch!

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Ideas forming for the North Sea Observatory and the Cloud Bar…!

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After a long stretch in various back stage roles, from costuming to directing with props and writing in between, I’m finally going to be on stage again, playing the role of Lady Sybil Ramkin in Scunthorpe Little Theatre Club’s upcoming production of Terry Pratchett’s ‘Fifth Elephant’ at the Plowright Theatre from Wednesday 2nd of October to Saturday 5th of October. Details and booking information can be found here.

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Lady Sybil is a swamp dragon breeder, all round dragon lover and the founder of the Sunshine Sanctuary for Sick Dragons, so when one of the scenes called for her to be sewing, it made sense to get my baby leaf tailed dragon out and underway again.  Last seen, I had finally managed to get his head and chest almost finished.

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Since then, I’ve been working on him through rehearsals. I finished the couching on his head and then all the stitches for his tail were laid over about two sessions…

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…with the couching taking another two. Just a few more stitches to put in before I can start on the leaves.

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I do love Bayeux stitch for the textured result and also the way it works up so quickly. However, that could be an issue as I only have his leaves left to do before the split stitch detailing. I’m a bit concerned that he may peak a little too early and be finished before we get into the theatre for show week!

My other bit of show stitching is adding bats to the pink blouse worn my Lady Margolotta, a vampire who is ‘”on the vagon” and has not bitten a neck for nearly four years. She is brightly dressed to reflect her more modern thinking, but the director, who is also making all the costumes, wanted there to be bats to reference her background.

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Lovely little bats but they all have to be individually cut out of felt and hand stitched on and it is taking forever – still got the sleeves to do yet!

 

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I first had the idea for putting a pamphlet stitched booklet inside the cuff of a shirt or jacket about 6 years ago and although I’ve since seen images on the internet, I’m proud to say it was it was an idea I had all by myself!

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It’s a great method for making notebooks to carry around in a bag or pocket as the button (or snap) on the cuff holds the pages closed and you have the length of the cuff to decorate.

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So I was delighted to be asked to teach it as a workshop for Brigg Allsorts group last week.  Men’s shirts, my main source of cuffs, often are patterned in stripes or checks and the patterns are a great set of guidelines for keeping your stitches straight, so I chose a checked one and decided to have a go at some chicken scratch embroidery with cross stitch and rice stitch.

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I also replaced the boring button with one covered in scarlet silk. It’s fascinating how adding even simple stitches can alter your perception of the background design so much.

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One of the early projects on the seven week crazy patchwork course I’m running for North Lincolnshire Adult Education at Ashby Link was to piece three tiny scraps of fabric together with feather stitch and enhance them with stitches to make a crazy patchwork brooch. This is my example. Black and gold silk covered with lace on either side of a scrap of printed Japanese style cotton with a gold coloured metal motif stitched onto it.

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Kantha stitch knocks back the brightness of the print in the middle. Whipped back stitch and threaded chain stitch to the left and bullion roses with stem stitch stems and nested lazy daisy leaves on the right.

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I went for a very closely worked blanket stitch edging as the pieces of silk fabric were fraying very badly. It took a lot longer to finish, but I think the neat effect is worth it.

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One thing about teaching these courses, I have to get things finished to keep up with the learners!

 

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Our family holiday in the Lake District was over a month ago and despite the persistent rain, we had a fabulous time and I managed to get some stitching done to go in my holiday journal.

I still love to combine found objects, paper and stitch and that’s what I did with a couple of fragments I picked up from the shores of Grasmere.

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The wheatear stitch has a lovely weight to it and works really well for holding down the ring pull.

I insisted on having a day at Blackwell, The Arts and Crafts House, near Windermere and as the girls and I managed to persuade the men to go on a walk without us, we were able to spend a leisurely day there, just wallowing in the utter beauty of the Arts and Crafts rooms and furnishing without being chivvied on. My little one drew, mostly on her phone but also with a real pencil and paper (!)

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Her older sister sat in an inglenook and wrote.

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And I found a window seat in the Great Hall and sewed.

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I’ve worked embroidery inspired by Blackwell before, namely a whitework sample I stitched back in 2015 for my altered book holiday journal…

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…based on a pillow case, which you can just about see on the other page of the book spread.

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The entire place is just stuffed with inspiration in every craft discipline, but this time I was very taken with an embroidered runner in the Great Hall which had a repeating pattern of sycamore keys.

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So I decided to work my own version for the holiday journal. It felt rather odd, but was a real treat to be able to get up and walk over to the original for reference instead of working from my photos!

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Outline in stem stitch.

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Then the solid part of the seeds in satin stitch.

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My single sample is rather bigger than the originals though and the satin stitches were too long and loose in this scale, so after trying various couching methods, I went for good old Bayeux stitch.

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I also decided to stitch a bit of fun, to represent the amazing meal we had on the way at the Brown Horse in Coley. We always stop here for lunch (and have never been disappointed with the food) on the way up to the Lakes. For us it’s where the holiday starts. So…salad leaves…

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… with Stilton…

 

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…pepper salami and parma ham!

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I will be adding olives later!

 

 

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