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Posts Tagged ‘found objects’

I put the final french knot into my huge piece for the Victorian Box Project  two days ago and after nearly 15 months, it was a fabulous feeling!

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I stabilised the back before I sent to bed so it could dry overnight and the next morning got the box out ready to attach the stitching. So excited! I laid it over the top of the box and stretched it over the sides and that was then I discovered that it had shrunk somewhere and wasn’t going to fit. Fortunately I have some leeway around the edges, but it’s back to the drawing board for the moment.

So to cheer myself up I picked up the brown and gold sea glass watch case pendant I showed a couple of posts ago.

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I love those tiny nuggets of very rare yellow sea glass I picked up at Seaham and the colours work perfectly with the watch case.

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I’ve also started a real upcycled piece, creating something from nothing. I started with an offcut of some hand made felt I was cutting up for another project and a piece of bent gold coloured wire that came out of a job lot of broken jewellery. Trimming the felt slightly I evened up the shape and attached the wire with straight stitches in fine silk thread. The longer stitches were topped with french knots – what else! – in a heavier mercerised cotton and I used the same thread for running stitch around the edge.

 

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I attached a pelmet vilene backing with beaded blanket stitch…

 

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…and an odd link I took off a vintage rolled gold watch strap yesterday will make the perfect bale to turn it into a pendant.

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My little one has just started secondary school and has gone from packed lunches to school dinners. This has suddenly given me 10-15 minutes extra in the mornings and so I’ve started doing a little stitching before I head off to work.

The huge french knot piece is heading for the last leg. Last time I shared it, I’d got this far:

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But a summer’s worth of stitching at boot sales, meetings and these new morning stitching sessions has got me to this point:

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The bottom edge is now complete, the second corner defined and all I have left to do is the final edge. That said, there is probably hours of work still before I can put in the final stitch!

The other thing I’ve worked on is my amulet, although I’m thinking it’s more likely going to be a book cover. At the end of the workshop in July I’d feather stitched and beaded the printed fabric to the background felt and used beaded blanket stitch to attach a rusty washer to the centre.

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Since then I’ve used my favourite metallic Madeira thread to back stitch all round the printed design. Just enough metal wrapping around the core thread to give a subtle sparkle. It’s twinkly rather than blingy!

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To fit in with the found washer in the middle, I’ve added some large textured gold tone loops from a short section of chain. Each one is couched down and then french knots added at the ends of the couching stitches.

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I’m amazed at how much I’m getting done in these little sessions, although it is extremely tempting to just do a few minutes more – and then end up late for work!

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The cuff book is finished. But I forgot to take a photo of it! Not that it’s changed much – just had the pages stitched to the spine with a single line of pamphlet stitch, decorated with some seed beads.

So is the leather bracelet. Both flowers completed and three matching quartz bead dangles added.

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I finally found the right size drill bit to make setting the cogs easy for the black and white steampunk brooch and once I’d done that, the finishing was easy.

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Then the embroidered pendant for a bow shaped pendant brooch, missing its drop, was the next to be sorted. It started like this:

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Then I put three pieces of walnut dyed vintage fabric together and secured them with beaded blanket stitch. The back is a damask, the middle canvas and this side is some embroidered net that I always understood was associated with my great-grandmother who died in 1970.

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It was a little dull so I went over some of the pattern with silk threads in faded shabby chic tones …

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…and then hung it from the brooch.

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Rather pleased with myself. And to top all that I’ve even got them listed in my Etsy shop:  Flower bracelet, black and white steampunk brooch and pendant brooch. Wonders will never cease!

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The cuff book is now lined, pressed…

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…and about to have a selection of papers stitched into it.

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A damaged leather and chain boho style leather bracelet is having new leather flowers.

DSCN1102 Embroidered like the original felt ones with long stitches in variegated thread with bead centres.

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One more to go onto here.

And a beautiful Art Deco buckle which was cracked in two places (centre and bottom right)…

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…is becoming an assemblage steampunk style brooch.

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In the background, two vintage watch faces, one further embellished with a mother of pearl disc, and a random piece of filigree added to the outside with a humming bird charm dangling from a convenient loop.

Still a little more finishing to do on all of them – I’m finding it difficult to settle to complete one thing at a time these days!

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A friend brought me two water-worn fragments of slate from the shores of Coniston Water in the Lake District last year and it was a little before Christmas that I turned one of them into a pendant. I love this rippled surface so I left it natural.

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The other side, however, I polished smooth before using my dremel to carve out a disc in the slate. I then set a pretty vintage marcasite roundel from a broken earring into the hollow.

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It was missing a gem from the centre but none of my marcasites were big enough to fit and it was too shallow for a paste stone. I went through a number of beads, stone chips and other ideas before I remembered I had some tiny beach glass pieces from my Seaham haul. One of those sat very nicely in the top…

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… leaving only the jump ring to attach through another drilled hole. This lovely soft dark grey slate was really easy to cut and shape unlike the Langdale slate which I’m still struggling with!

Very pleased with this assemblage of found objects; one from the English North-East and one from the North-West, hence the title. It can be found here in my Etsy shop.

 

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I’ve been looking forward to the January meeting of our branch of the Embroiderers’ Guild as it’s the start of our travelling books project. I’ve always been interested in the idea of round robins and I’m really looking forward to not only getting my own book back in 6 months time, but also to stretching my creative practice by working in other people’s books within their rules.

We’ve all started with a spiral bound A5 sketchbook to which I need to add a cover, especially as I managed to drop some chutney on it from my lunch… I’m going to have a welcome and guidelines page on the back of the front endpaper and then there was a spare page facing, so I’ve started to put my name and quick contact details there in Zentangle style. (There are full contact details on the inside of the back cover)

Contact details page

Then I started on my first piece. I’ve decided that I’d like a theme to my travelling book and so have chosen one close to my heart – the sea. This of course, led to play-time with the bagful of glass I beachcombed from Polperro last summer.

Travelling book sea glass 1

 

I’m sure you’ve noticed that there’s something a little odd about some of the nuggets in the photo above. If you look closer…

Travelling book sea glass 2

 

…there are imposters…

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…in hand dyed silk and indigo shibori cotton.

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The background fabric is a lovely natural coloured scrim and I plan to use pulled thread work around the pieces of ‘sea glass’ and ‘pottery’ to give the impression of them being scattered in the sand of the beach.

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I was delighted to be tagged to take part in this by the very creative, talented and witty Iz, from Threadnoodle and it was lovely to welcome people who had popped over from her blog. So this week is my turn to talk in a bit more depth about myself and my creative process.

I live in North Lincolnshire in the UK although I’m originally, like Dickens’ David Copperfield, from the little village of Blundeston, in Suffolk. Among other things, I’m a writer, a jeweller and textile artist. But not necessarily in that order.

1. What am I working on?

Erm… everything? I have a second book of short stories and a novel both on the go as well as an article which has been back-burnered for various reasons. There’s a box of partly completed rings,

silver acorn ring

pendants and other odds and ends which need finishing.

Norwich stitch pendant

Journals, books and altered books,

York Minster altered book

kits, summer holiday diary fragments,

holiday diary fragment

the crazy patchwork cushion for my son,

James' cushion strip 1

felted and goldwork brooches,

Goldwork brooch

 

my hearts commission,

hearts commission

my rusted fragments art quilt…

rusted fragments art quilt

…you get the picture. I long to have a go at everything and greedily want 36 hours in each day to try, test and explore my latest passion to its full extent.

My latest obsession is upcycled jewellery, whether replacing broken/damaged elements with beads like this vintage necklace…

 

broken vintage wire necklace

 

 

 

 

 

 

 

upcycled m.o.p and haematite necklace

 

 

 

 

 

 

 

 

or adding textile elements – felting and beading…

 

Felted beads

 

 

 

 

 

 

 

 

Uncycled felted bead necklace

 

 

 

 

 

 

 

 

… embroidery or patchwork.

Bullion rose upcycled pendant

 

 

 

 

 

 

 

upcycled patchwork earrings

 

 

 

 

 

 

 

 

I love being able to make something from bits that someone else has discarded as worthless. Little things fascinate me too, and each of the projects is so small that I can be almost finished before I start to get bored. I really admire people with the stickability to work on large ongoing projects, but that’s not me. Whatever I do tends to be small, detailed, and precise, whether it’s stitched into fabric, wrought from metal, words on a page or even part of a show in theatre. For me, the devil (and the interest) is in the detail.

2. How does my work differ from others in its genre?

That’s a difficult one. As regards my jewellery, with its mix of metalworking and fine embroidery, I’ve certainly never seen anything quite like it. There are other artists who create  jewellery with textile components, but it seems to fall into two categories – fairly traditional jewellery shapes such as earring drops, pendant and rings set with pieces of textile work, or textile work with metal findings to make it into earrings, pendants, brooches etc. I do both…

Turquoise spiral brooch

 

 

 

 

 

 

 

Bullion rose upcycled pendant

…but prefer to do neither

Moss mixed media pendant

 

 

 

 

 

 

 

 

 

 

 

 

Indigo book charm

 

 

 

 

 

 

 

 

 

 

 

 

 

I suppose that everything we do is unique, but at the same time, everything we create is the result of our experiences. I’ve often thought that if we could break down the DNA of a piece, trace its bloodline of influences and inspirations, it would be fascinating to see precisely how it was born from the tiny fragments we draw from so many things we’ve seen, done and experienced.

3. Why do I create what I do?

Every project gives me pleasure to work and it also gives me pleasure to see how it is received by other people but essentially I create because I need to. Like so many creative people, I don’t remember a time when I didn’t create, from wobbly junk models and roughly stitched dolls’ clothes to furnishings for my doll’s house and stories set in imagined worlds.

It’s my way of responding to something of the beauty in the world I see around me, my way of revelling in the power of fashioning something that is mine alone. I bend the media to my will and I say how it turns out – mostly!

4. How does my creative process work?

The first thing to fire it off is usually a single item but it can be anything: a bead, a thread, some fabric, a fragment of something, an image or artefact. The alliums piece below was the response to the challenge, ‘A flower beginning with ‘A’ for an Embroiderer’s Guild competition.

Alliums sketchbook page

 

 

 

 

 

 

 

 

 

 

 

Alliums hanging

 

 

 

 

 

 

 

 

 

An idea from a curtain I saw on a course

kantha patches

 

 

 

 

 

 

 

 

 

 

 

 

 

and an image from a dream…

Dream kantha

 

 

 

 

 

 

 

 

 

 

 

 

 

It can be a very dangerous process to sort through my stuff – I get sidetracked onto new projects very easily!

In terms of how things then evolve, I let my creative subconscious do a lot of the work. Usually I have clear idea of the starting point and an image of roughly what the end point will look like (I write like this too). Then it’s a case of starting and seeing how and where things go. If I get stuck I just walk away for a while and its unusual for that break not to have straightened things out in my head.  If I’m lucky, things work out as well, or sometimes even better than I’d hoped. If not, then it’s good to learn from your mistakes and chances are, I can always turn it into something else one day…

Phew! I think that’s the wordiest post I’ve ever put up! If you’re still with me, then please go and visit my two nominated bloggers.

Firstly, Debbie at Debbidipity. I met Debbie at our Embroiderers’ Guild when I joined several years ago and we’ve been good friends ever since. In the last 5 years, as a mature student, she’s done ‘A’ levels in Art and Photography and then followed them up with a Fine Art degree at Hull. She likes to experiment with all sorts of media and her inspirations are rooted strongly in the natural world that she loves.

From the local to the other side of the pond and Penny at Art Journey. Penny creates wonderful textile artwork in areas that I don’t tend to dabble in but love to look at – punch-needle, doll-making and beading are some of her latest delights, and I consider myself very lucky to have Valentine, one of her wonderful unique dolls sitting on my shelf watching me as I type.

Penny's Valentine

Thanks for reading and I hope you enjoy the next stage of the bloghop!

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