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Posts Tagged ‘variegated thread’

Our Scunthorpe Embroiderers’ Guild June meeting was an all day workshop on Casalguidi work. It was led by Pauline,  who bravely stepped into the breach as the lady who was supposed to be leading it was been seriously ill this year. We started off with a display of examples not only of Casalguidi but also other types of whitework, including some Ruskin lace, from one of the Guild portfolios.

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The Ruskin lace was stunning and equally as good as any of the pieces at the Ruskin Museum in Coniston.

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But it was the heavier Casalguidi work that we were focusing on.

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Pauline had provided plenty of threads, linen in different weights and worksheets for us to practise some of the basic stitches, such as four-sided stitch, a pulled thread stitch used to create the background texture of the embroidery, and raised stem band.

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So, after we had oversewn round the linen to stop it fraying, it was time to practise. Four-sided stitch at the top and two raised stem bands, one showing the foundation stitches, at the bottom.

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I started off in a neutral coloured thread, but after using an oddment of variegated perle in yellow, leaf green and cream to mark out the little bag we were going on to make…

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I couldn’t resist ditching the beige thread for something a bit more interesting. In the end, after working a couple more samples, I decided to make a start on the main design for the bag. It’s not a quick stitching project as it’s a form of counted stitch work and not only do you have to concentrate on making sure your counting is right, but you also have to make sure the pulling is even and the stitches in the right order. So my results, even after a bit of stitching since, are not very exciting.

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It’s getting there slowly as I need good light and not to be tired when I’m sewing, but I am enjoying it and looking forward to getting the four-sided stitch ground finished so I can play with some of the other elements.

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My inspiration for my page in Janet’s Travelling Book came from finding the rusted fragments I was working on for an art quilt a while ago, including a fragment of very old soft sheeting scattered with rusted marks. I added a scrap of rust coloured silk, variegated thread, silk ribbon and some rusty washers and sat down to stitch.

I started by attaching the silk with a line of back stitch and the largest washer was couched down with metallic Madeira thread.

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Then I added parallel lines of kantha stitching with the variegated thread, weaving around blobs of rust and paint, (I think the fabric was part of an old paint cloth I ‘borrowed’ from my dad’s workshop when I brought home a load of rusted bits a few years ago!) the washer and the silk scrap.

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French knots on the silk strip in a variegated turquoise and rust coloured silk ribbon were joined by metallic thread straight stitches and then I couched some brass watch cogs into some of the spaces.

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I added an explanatory paragraph with little photos of some of my rusted fragments…

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…and attached the finished rusty piece to the next page.

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Janet’s spattered page backgrounds work really well with the colours of the fabric and threads.

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I’ve had the idea of turning an old pocket watch case into a pendant for a while now, but it wasn’t until yesterday, when after a challenging morning helping my 11 yr old to muck out her bedroom, I felt in need of something simple and soothing to stitch. The watch case itself was ready to go, I just needed to find the fabric…

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…then track down the Dinky Dyes variegated silk I knew I had that would go with it, select three tiny nuggets from my sea glass collection…

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…and I was good to go. Seed beads first.

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And then the embroidery – feather stitch using one strand of the silk and scattered trios of french knots.

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To finish I layered a piece of wadding over a circle of card and snipping the edge of the fabric, I wrapped each tab round the card and lightly glued them to the back before setting the whole thing in the watch case.

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It’s been a long time in development, but I’m absolutely delighted with the result.

If you’re interested, you can find it here.

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I rusted this fandango block some time ago.

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Work on it progressed very slowly with everything else I had on.

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And also the fact that I really didn’t quite know what I wanted to do with it. I think I was hoping that as the simple stitching down of the flaps went along, something would occur to me.

And it sort of did.  Mm, liking that.

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Yes, definitely happy with that.

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I like the way it shows the un-rusted underbelly of the fabric folds and frames the rusted needle marks in the centre.

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The variegated muted shades of the Caron thread  worked well with it too. I wasn’t sure whether I wanted to add more stitching and if so, what?

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After living with it like this for a few weeks, I actually think I’m finished with it.

I’m going to let the colours and patterns of the rusting speak for themselves on this one, unenhanced by any fancy needlework.

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“…the merrow took up her story stick; shook it until the clattering of stone and bone brought silence and then began her tale…”

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This is the piece I created to go with the first full day of our holiday, Sunday 11th August. We spent a wonderful afternoon and early evening at a quiet, secluded and sandy beach just north of Padstow and these were some sticks that I picked up at the top of the beach.

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I had no fixed idea of what I wanted to do with them, but later that evening I decided to start wrapping them and embroidering around them, much to the bemusement of some of the rest of the party.

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This one, with its lovely weathered ends, has been wrapped with a soft slubby browny grey blue thread, overwrapped with a variegated turquoise silk thread and embellished with tiny turquoise chips, stitched down with a fine silk thread which shades from sand through to sea.

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The middle one was wrapped with a hand dyed silk strip at one end and then over with various other hand dyed threads.  which were left loose to form a tassel to which I added a brass dragonfly charm to remind me of the huge dragon flies we often see here and also some beads and sodalite chips.

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There is some needle weaving at the end of the silk wrapping and some buttonhole stitch over the longer threads in the middle. The slubby thread at the ends has been criss-crossed and a cream buttonhole thread used to tie the crosses together.

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For the last one I had some variegated thread I wanted to showcase, so after I’d tied some scraps of silk round the stick…

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…I wrapped most of the rest of it in the thread.

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Some detached buttonhole stitch just to see if it would  work, and then the ends of the silk were finished with little Fimo charms and a cluster of beads.

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All three story sticks were then stitched onto a piece of my own eucalyptus hand dyed silk matka.

Who knows what stories the merrow (the mer-folk) might tell with them.

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Also…

Hawker's Cove scallop shells 1

Hawker's Cove scallop shells 2

More treasure from the sea.

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