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Posts Tagged ‘holiday journal’

I’ve made a couple of pieces of upcycled jewellery recently that both have felt as a basis. The first is using the second of the two offcuts of hand made felt I was given by my lovely neighbour Lisa at the Artisan Market at The Collection back in June. I’ve already made the top one into a round found object mandala brooch which sold at Arttopia back in the summer.

I decided to make a barrette with the bottom one and cut it into a random curvy shape.

Next, auditioning found objects to decorate it…

…before I settled on a border of chunky vintage chain with a pressed brass motif, a larger clockwork cog and some unusual spiral wire wrapped chain links. I stitched everything down using simple straight stitches in a variegated mercerised cotton which echoes the pinks and purples in the felt.

I attached a barrette fixing to a piece of commercial felt for the backing and stitched the two layers together with a simple beaded blanket stitch and iridescent pinky-red/gold seed beads.

The second piece is a brooch and started off as a wet felted flower hair ornament which belonged to my little one when she was a lot younger. It doesn’t quite fit with the moody goth look she’s sporting at the moment and the felt itself was quite delicate so it had been pulled out of shape and was wearing very thin in places. I ironed it flat and having just processed some odd beads and a ring that all had a bit of a cogs and gears thing going on, had a bit of a play.

Next I stitched the pieces down with variegated turquoise and rust coloured thread.

And then cut the felt into the shape I wanted for the brooch, echoing the shape formed by the ‘cogs’.

Last step was to attach the felt and brooch back with beaded blanket stitch using some of my favourite iridescent turquoise seed beads. Not only is it a sturdy stitched edging but when you’re joining two pieces of fabric the beads sit nicely in the join and hide the edges.

Lastly, a thread chicken update on the Brantwood wallpaper motif. I made it: that is all I have left of the red!

I knew I had a little bit of wiggle room as I could have unpicked the red bar at the bottom of the leaves that’s supposed to be black, but I’m relieved it didn’t come to that. Next stage is the black (in fact a very dark grey called Night Smoke) stars.

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Thank you very much to everyone who left ideas and comments to help me out with the cover design for the miniature book. They were all really helpful and helped me think in different directions rather then the rut I’d got into. So hopefully I should be shortly starting to put something together; any progress is better than it hanging over my head.

It’s been a busy week on the work front and as I’ve managed to find a local outlet which is interested in stocking some of my upcycled jewellery, all my spare time this week has been entirely focussed on creating a new ‘collection’ based round clock hands. I’ve been making clock hand earrings for a while now, but this was the first time I’ve looked at some of the larger and more decorative single hands in my collection and although cleaning and polishing them takes ages, it’s been a lot of fun finding beads and chains and other odds and ends from my upcycling stock to turn them into pendants and necklaces.

The Art Deco style hand at the top was gummed up with tacky gold paint which was a nightmare to try and remove. In the end I had to file it off, which made a mess of the file, but left me with a rather nice ‘brushed’ sort of texture which went well with the selection of turquoise beads. I’ve teamed the decorative vintage hand at the bottom with a haematite doughnut and you can just see a lovely figured picture jasper bead inside it, like a little planet.

This unusual hand must have come from a very large clock and certainly something that size isn’t everyone’s cup of tea, but I think the turquoise nuggets, the faceted pale gold cat’s eye beads and the unusual vintage chain balance it nicely.

The black plastic coating on this elaborate hand made it nice and easy to clean up and as it has a bit of a gothy vibe I decided to add some lengths of beaded chain in red and black. I love the design of this hand and I think it makes an amazing centrepiece.

This Art Deco hand was a lot easier to clean than the other one and as it was a bit larger and had the open bar at the top, I was able to add an internal dangle of a pale brown dyed mother of pearl heart.

And lastly, this hand was lovely and shiny so the more modern looking blue and white art glass bead was a perfect partner.

I’ve also made a few more pairs of earrings and fingers crossed the collection is a good fit for the venue. You can only try these things and see how they go, but at least this place is within ten minutes drive, rather than best part of an hour away!

And just to remind ourselves that this is mostly an embroidery blog, here is the current state of play on my Ruskin wallpaper motif. We have stars!

I wasn’t confident that satin stitch was the best stitch to get even coverage over the stars, but after some research I liked the look of fishbone stitch, worked separately along each arm. It gives the right sort of coverage and with a different texture which I like but it’s a challenge keeping the stitches even at this scale.

However, the next issue is going to be thread chicken. Three more stars to stitch and I may not have enough red thread…

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March’s Move It On Project actually has a chance of being finished. I chose a sample I started stitching on our 2019 holiday to the Lake District based on an Arts and Crafts style table runner with a sycamore key design I saw at Blackwell, The House of Arts and Crafts, near Windermere.

By the end of the holiday I’d got as far as here:

I’m only doing one element of the pattern but I’d stalled on the odd curved shape underneath the keys. I couldn’t work out from the photo what stitch was used as it appears to be quite raised on the top edge and then it just got put to one side.

I chose it as March’s Move It On Project as it’s the last thing I need to finish to complete my holiday journal for 2019 and there wasn’t a lot to do to complete it. Then looking at it next to the photo, I realised that as I’d deliberately chosen not to stitch an exact copy of the original anyway, getting the stitch ‘right’ for that curved bit was irrelevant! So I’ve done it in the same thread and used Satin Stitch over a back stitch edging as I did for the edge of the keys.

The final stage is the grid of background stitches. I think from the photo that they are pairs of vertical straight stitches, but they are perfectly placed in relation to the weave of the fabric, so I think a ruler, a sharp pencil and very good light are my next requirements!

In other news, Dylan the Psychedelic Snail has a friend! Over the last two weeks I’ve run him as a workshop for the In The Stitch Zone group I teach at Scunthorpe Central Library (details in the Stitch Zone tab on the header) on a Monday afternoon. The first week we created the Raised Stem Stitch Band spiral for the shell.

And the second week we added the needlelace body.

I wanted a purple body for my new snail but could only find this very light variegated lilac in quite a stiff mercerised cotton or similar. I still think it’s a bit too pale but I love the way the firmer thread really shows up the texture of the Corded Brussels Stitch. Someone on Instagram actually thought the body was knitted!

So, meet Ermintrude! And of course, the obligatory photo to show just how small she actually is!

I always worry about repeating a design in case it doesn’t stitch up as well as the original, but despite the centre of her shell being less neat than Dylan’s I’m very pleased both with my second snail and also how the workshop went overall. A win-win!

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First I added the couched outline in dark green. I always find this part of the process a bit nerve wracking. On one hand, the couching neatens everything up but on the other hand, I always worry that I’ve chosen the wrong colour and it will end up having too much or too little contrast.

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I used couching rather than split stitch for the folds of the purse as it gives a smoother line and french knots represent the knobbly bits on the edges of the belt loop and purse lid.

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Then it was time to add the highlights in cream split stitch – I was so nervous that it wouldn’t look right! The highlights on the yellow knobbly bits are done in silk rather than crewel wool. This is another very small piece worked in a 4 inch hoop and the wool was just too thick.

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It took a while before I was happy with the highlights on the purse lid and then there were just the yellow dots on the belt loop to add.

I’m really pleased with it as a representation of the original design.

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And it means that there is only one Tattershall piece left to create – back to the bricks!

 

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The Anderby Creek accordion journal is really starting to come together. The Cloud Bar felt applique is finished and I then started a little piece of blackwork to create the North Sea Observatory. The photo I chose to work from showed the Observatory at an angle, so at this point it’s all a bit experimental!

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Filling in the areas with different patterns to represent different shades started to work better, especially at more of a distance.

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And the block work really pulled it all together.

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I also had a brainwave for the last piece – sand dunes in layered applique/patchwork with marram grass at the bottom. The way the ‘clouds’ echo in the ‘sea’ with the scraps of hand dyed fabric for the sea and sky is a very happy accident!

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All eight pieces completed (two are already in the book).

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Now the fun bit of attaching them to the pages.

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My memories of our Mothers’ Day expedition last year now safely gathered together.

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The Anderby Creek Accordion Journal is making slow but steady progress.

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I found some lovely pebble fabric which was exactly the right scale and have used that for the cover:

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And also hand quilted with my favourite sparkly Madeira thread around the pebbles for one of the pieces inside.

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Inspired by the concrete cloud shapes at the Cloud Bar, I’ve started to add split stitch clouds to some indigo dyed fabric…

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…which will then be overlaid by a felt cloud shape…

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…based on some of my photos of the Cloud Bar.

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The blackwork version of the North Sea Observatory has only had a few more stitches added to it as I try to work out patterns, but the book is slowly filling up.

 

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I really do need to get it finished before the year is up!

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Our family holiday in the Lake District was over a month ago and despite the persistent rain, we had a fabulous time and I managed to get some stitching done to go in my holiday journal.

I still love to combine found objects, paper and stitch and that’s what I did with a couple of fragments I picked up from the shores of Grasmere.

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The wheatear stitch has a lovely weight to it and works really well for holding down the ring pull.

I insisted on having a day at Blackwell, The Arts and Crafts House, near Windermere and as the girls and I managed to persuade the men to go on a walk without us, we were able to spend a leisurely day there, just wallowing in the utter beauty of the Arts and Crafts rooms and furnishing without being chivvied on. My little one drew, mostly on her phone but also with a real pencil and paper (!)

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Her older sister sat in an inglenook and wrote.

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And I found a window seat in the Great Hall and sewed.

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I’ve worked embroidery inspired by Blackwell before, namely a whitework sample I stitched back in 2015 for my altered book holiday journal…

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…based on a pillow case, which you can just about see on the other page of the book spread.

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The entire place is just stuffed with inspiration in every craft discipline, but this time I was very taken with an embroidered runner in the Great Hall which had a repeating pattern of sycamore keys.

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So I decided to work my own version for the holiday journal. It felt rather odd, but was a real treat to be able to get up and walk over to the original for reference instead of working from my photos!

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Outline in stem stitch.

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Then the solid part of the seeds in satin stitch.

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My single sample is rather bigger than the originals though and the satin stitches were too long and loose in this scale, so after trying various couching methods, I went for good old Bayeux stitch.

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I also decided to stitch a bit of fun, to represent the amazing meal we had on the way at the Brown Horse in Coley. We always stop here for lunch (and have never been disappointed with the food) on the way up to the Lakes. For us it’s where the holiday starts. So…salad leaves…

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… with Stilton…

 

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…pepper salami and parma ham!

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I will be adding olives later!

 

 

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The little free cross stitch of the rhododendrons at Stagshaw Gardens from our Lake District holiday in May is completed, as is the journal itself, something of a super-quick finish given that I’ve only just completed my journal for our last family holiday in Dorset last July!

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The bluework has crawled on from this:

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To this:

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Not much change, apart from the beginning of some umbellifer-type flowers in split stitch, free cross stitch and french knots near the foot of the bowl.

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And as I went down to London at the end of last week to see my foster daughter get her PhD at the Barbican, I needed something small and easy to transport and work on. The result was some not blackwork.

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I had some oddments of blue Aida and decided that gold on blue would be nice. The patterns were freebies from the internet which I stitched as a repeat rather than single motifs. Sometimes it’s nice just to do little odds and ends.

 

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The holiday journal is finished and just waiting for me to add some extra papers, pockets etc. to the inside.

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Doing blanket stitch so close together took longer than I bargained but I like the effect.

Then I moved onto another one of my samples for my upcoming Embroiderers’ Guild workshop later in the year. Grey on grey felt embroidered in pale blues.

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Fly stitched edge, straight stitches in a radiating pattern and french knots:

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Feather stitch edging with a chain stitch spiral:

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And I’ve turned what I think might have been a vintage money clip into an upcycled sea glass pendant. First of all I sawed off the long bit of the clip following the lines of the design at the bottom.

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Then I pierced and cut out the middle section with a very fine saw, again following the edges of the design, and leaving three tabs to attach the sea glass to.

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A lot of fiddly filing happened next, to really shape the central section and tidy up the tabs before I could set it with a lovely piece of deep turquoise sea glass.

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I love using the piercing saw and the fiddlier the design, the better. I really need to get back to making some more of my original jewellery…

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When I went to visit my parents at Easter I spent some time with my dad in his workshop. He turned me a couple of pairs of knitting needles from yew last year…

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…and I used one pair to knit him a hat but the knobs on the end were a bit too small and they were a little on the short side so he turned me a version 2:

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in lilac wood

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with laburnum collars over the ends to make the knobs a better size.

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Laburnum is a fabulous wood. Who could have guessed that the small slender trees which rain down their clusters of golden flowers in suburban gardens at this time of the year have such rich dark wood. I’m not sure where my dad has managed to get so much laburnum from, but you can really see the deep colour of the wood and the dark, spiralling grain in a mouse and egg he made years ago.

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Anyway, whilst in the workshop, to my dad’s bemusement,  I managed to score an assortment of scraps and offcuts of various woods. This is apple, which he has used to make some gorgeous chopping blocks.

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I added some kantha style rusty doodling. (That rusted sheet came from the workshop too, as I remember…)

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With some pieces of watch mechanism added…

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I think this will probably become a brooch.

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Also time I was thinking about upcycling a random notebook – the sort of thing that comes full of gorgeous pictures and inspiring ideas inside glossy lifestyle magazines – into a holiday journal. Usually I just fuse fabric to the inside, but there was more writing on the front than I wanted, so I made a cover sandwich, with fabric inside…

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…and outside.

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I’ve just started to blanket stitch the edge for decoration, to keep the edges of the fused fabric from flapping up and also for adding strength to the cover.

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I’m using a slightly lighter weight perle that I have done before with these journals and so have put the stitches closer together which means I need to concentrate on keeping the spacing neat!

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