Catching up!

Apologies – March has been mad. Between trying to shake illness and most of my workshops and courses all coming at once, things have been crazy. So, to catch up!

The found objects plastic rings piece I blogged about back in February, came together like a dream. I wanted to use it as a sample piece for a Found Objects Workshop I taught at Hull Embroiderers’ Guild at the end of March. (There is a lovely post about the workshop on their Facebook page.) It was a lot of fun trying out different ways of attaching the rings, including lazy daisy stitch, sheaf stitch and chain stitch.

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I finished it as a quiltlet, with a border of strip patchwork, which makes it nice and robust to handle.

Love the indigo dyed back.

I also taught a Beaded Oglala Stitch workshop with Brigg Allsorts (a local stitching group) the same week, so after having made a sampler of variants of the stitch…

…I started another found objects piece I could use with both workshops as it combined Beaded Oglala with found objects. It worked surprisingly well as a method of attaching the vintage key and I’m very pleased with the effect.

I had a fabulous time teaching the workshop with the ladies in Hull and they produced some lovely work.

We also had a fantastic workshop ourselves at Scunthorpe Embroiderers’ Guild in February, doing Print to Stitch with Jan Dowson.

Jan had made us some great kits with paisley shaped printing blocks in them as a main focus…

…but I had a couple of my own stamps that I wanted to use as well. Medieval tile first.

Then the paisley. We used acrylic paints and instead of rollering it onto the block, I dabbed random areas of paint to get a mottled effect.

Jan had also put some pieces of compressed foam into the kits. You can cut them with scissors into any shape and then drop them into water to get a sponge printing block, which is how I got  the over-printed tear drop shapes inside the paisleys.

Lastly I had a shell stamp from home to play with.

I love the look of the paint on the stamps…

…and on the palettes.

Once we had our printed fabric…

…time to stitch. The border of the paisleys was a perfect place for Pekinese Stitch. Rayon back stitch for a bit of shine, interlaced with all six strands of a variegated stranded cotton thread.

I will try harder on here, honestly! It’s all Susan from Stitchery Stories‘ fault – she recommended I got myself onto Instagram and I have been properly sucked in. It is so much quicker when you are busy – or lazy!!

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Alice Fox Workshop

After Saturday’s talk, a whole Sunday workshop with Alice Fox. We had just been asked to bring our normal sewing kits plus threads, so I wasn’t sure what to expect, making it even more exciting. There was a tempting array of papers, threads and ephemera laid out…

…along with some examples of Alice’s own work for inspiration. To start, we were each given a selection of different papers…

…and a prompt sheet asking us to explore how it felt to stitch into them. I used a template from my silversmithing course five years ago to do some feather stitch in various weights of thread..

I really liked the rough texture I got from putting stitching holes into the heavy tracing paper, so once I’d stitched through it, I used a metalworking scribe to mark wavy lines into the paper without piercing it before punching varying sized holes from either the front (smooth) or the back (rough).

I really like the differences of line and texture on this. And it reminds me of the sea.

The next prompt was cutting and patching.

So a piece of old map cut along the grid lines became the fragment on the right.

As you can see, by this time I had succumbed and made a little book for my fragments. It started off as an origami book, folded from a single piece of paper with one cut, but I wanted a bit more stability and to have access to all the sides of the pages, so I pamphlet stitched it in two places and tore the double pages into singles. Winging it, but it works.

Next was couching.  I followed the road and river lines on this scrap of map.

By this time we were all engrossed in our own thing, and although there were two more prompts about deconstructing marked papers and accentuating printed marks, everyone was well away with their cutting, stitching, tearing, patching and experimenting.

At the end of the day we ended up with with a fascinating range of responses.

Alice uses rusting quite a lot in her work and so when I got home to my rusty washers, I couldn’t resist some mark making on tea soaked paper.

My little book was over half full by the time the workshop ended.

With my rust and tea stained papers and these that I didn’t get round to exploring…

…I have every intention of playing with some more of Alice’s prompts and completing my little book!

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Patching with brass – an experiment

Several years ago when I was doing my silversmithing course, I had an idea about creating a piece where I ‘mended’ a piece of denim with a ‘patch’ of impressed brass. I impressed some brass with a piece of fabric to give it a woven texture, but got no further. Some time later I was revisiting my sketch book from the course and cut out a ‘patch’ which I then drilled all round the edge to take the stitches. Once polished, it stalled yet again.

However, last week I found the perfect piece of denim  – an off cut from a pair of jeans – and with a square of apple wood from my Dad’s shed, the project was back on again.

I cut a section of the denim with one of the iconic seams running through it and frayed the edges. Next I chose some bright red perle thread to stitch the ‘patch’ on. It took less time to stitch the patch down than it had to drill just one of the holes with my bow drill!

Mounted onto the apple wood square…

… and made into an unusual brooch which I’ve listed here.

Some more progress on the bluework too. From this:

To this:

I’ve finished the eyelets at the bottom and completed the leaves and stems on the floral fragment on the right. The leaves and stems are in split stitch, a favourite of mine for filling areas.

I found an image on the internet of a flower where the petals had been created from long blanket stitches and then the top loops of the blanket stitches had been blanket stitched into to give a frilly sort of raised edge, so I thought I’d have a go at that for my next section.

It’s an interesting method, but slightly untidy for my liking! I think I’m going to seed stitch the background so they don’t stand out quite as much.

And in other news, I have just got the silk fabric to add to my linen and wool and I should soon be able to start investigating how to get ‘crocus coloured’ fabric for the start of my Dorian Gray project.

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Stitch Play Workshop

First of all, Happy New Year to you all!  As promised, now the holiday period is out of the way, some more images of the stitch play workshop I ran at our December Embroiderers’ Guild meeting. I managed to stitch and mount four example pieces which between them showcase 48 different stitches, many of which were completely new to me.

I provided everyone with a two-page worksheet containing the instructions and sixteen simple shapes from leaves and flowers to a star, bird, Christmas tree, heart etc to use as the base for their stitch play.  The results were fabulous.

The background felt for Janet’s little robin was sparkly, which isn’t obvious in the photo, but made him look very festive!

Pauline combined the stitch play idea with a felt project she already had on the go.

All my pieces were stitched on light coloured felt so I could use a marker to keep my lines straight and equidistant, but pencil/markers don’t show up dark coloured felt so I made note of Sally’s use of guideline tacking stitches to keep her work level.

I admire the bravery of anyone, who like Christina, has a go at Rosette Chain Stitch, especially in stranded cotton!

Don’t know why this one insists on going sideways!

Mary was also working on a project which lent itself to the stitch play.

As a workshop it seemed to go down very well indeed. Pretty much everybody tried at least one stitch they hadn’t worked before/hadn’t worked for some time and everyone, from the most to the least experienced of us, was able to work and achieve at our own rate and ability level, which is what I had hoped would happen. :o)

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Rusting again

After completing the ruched brooch I made with supplies from my Dad’s shed, I still had some scraps of the muslin left. Inspired by the Casalguidi workshop, I decided to add some random pulled work to one of the scraps using four sided stitch and eyelets.

That reminded me that I hadn’t rusted anything for a while and I had some gorgeous bits of rusty iron just begging to be wrapped. I think those big spirals may be part of an old clock mechanism.

After a week or so outside in the alternate pouring rain and baking sun of a typical British summer:

Lots of possibilities!

I’ve also done a little more of the blue work piece and the second shaded flower is nearly completed.

Getting there slowly…

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Brass and silk

It is high time I started to practise my metal-working skills again so I decided to start small, cutting out a rose leaf shape from sheet brass and piercing it with holes before I textured it with the hammer.

Then I used some green perle and using the holes, put in the foundation stitches for a woven spider’s web which I worked in a gorgeous variegated pink and green silk ribbon.

It worked out perfectly so I had a green centre shading out to the deep pink edge. I neatened it up with a piece of pink kid leather over the back and added a jump ring to turn it into a sweet little mixed media pendant.

One of my Christmas presents was a Dremel engraver so I had a bit of a play with that, first using one of the included stencils to add a rustic star shape to a piece of sea glass which I then turned into a pendant.

Then I moved on to a piece of reticulated brass which I created on the silversmithing course I took in Sheffield a few years ago. I had deliberately worked the reticulation from either end of the piece of brass in order to leave a smooth bridge between them for some text. Finally, I had the tool to add the lettering!

I used uncial script and the H of ‘haven’ looks a bit like an R, unfortunately, but I really like the way the engraver worked on the brass.

I turned this into yet another pendant and gave it a lovely vintage sari silk strip ribbon to hang from in crimson and gold.

My other Christmas present thanks to some vouchers was a doming set and I was dying to have a go at doming some old coins that I’d accumulated. Tiny bronze British decimal half pennies seemed to work best and I combined one that I’d hammered into a hemisphere with a ‘cornflake’ of reticulated brass that I’d also domed. I drilled them both through the middle and chose an odd stud earring with purple diamantes like stamens of a flower to connect them together.

I’ve got a piece of fantastically patterned gilding metal to which I hope to attach the ‘flower’ which I can then turn into a brooch. It’s been good to play with metal again!

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Lush, plush and crush

This was the intriguing title of our full day workshop with Josie Storey at Embroiderers’ Guild last Saturday, so armed with some very lush velvet and the usual sewing stuff I headed off without any real idea of what I was going to be doing!

The technique we were going to be playing with involved ironing prepainted bondaweb onto velvet and then using the stickiness to embellish with anything and everything to create a rich textured surface.

I started with some gorgeous Oliver Twists hand dyed velvet called ‘Stormy Seas’ and so I had to go for wave shapes,

with silk waste, carrier rod strippings

and scraps of painted melted plastic.

By this point I’d decided this was going to be the next piece in my travelling book, so when I got home I layered it up with wadding and calico and quilted round the wave shapes with my sewing machine. From this:

to this:

No hand embroidery – yet…

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