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Posts Tagged ‘Single Brussels Stitch’

With the outlining done on the medieval tiles piece it was time to make a decision about how to fill the space surrounding them. Seeding was a bit of an obvious go to and something I used in the last print to stitch piece, but I wanted something different. I toyed with seeding in a more distinctive stitch, like a tete de boeuf, fly stitch or detached chain stitch, but they all looked too heavy, so I fell back on an idea I had a while ago of a kantha spiral based on the centre of the motif. Typically, I chose one to start off where the motif wasn’t in the middle of the ’tile’ so I couldn’t quite see whether it was going to work as I hoped – mainly, I think, because the initial rows of single stitches were quite overpowering – until I got to the outside rows.

Stitching in circles and skipping the printed areas has pulled it up into a bit of a dome! I think there will definitely have to be something couched along the motif to try and flatten it. I think I like it. I might need to play with the couched lines before I can be certain one way or another.

I’ve finished the little needlelace sampler. Goodness knows why I thought it would be a good idea to work in wedge shapes and have to decrease as well as working the stitch. It’s not a huge problem with the Single and Corded Brussels, but created some interesting effects with the Double Corded Brussels (DCB) and the Ceylon Stitch.

I really like what happens to the lace as the stitch spacings get smaller on the DCB. The early rows have a lovely open trellis effect with the cord taking centre stage, whereas in the later ones it is much less obvious, becoming a pattern of double stitches and holes. It’s useful to see how different spacings can give you different effects.

The Ceylon Stitch loops were tiny from the start and as the spacing got smaller, I had to decrease in the middle of the pattern as that was where it was the mostly tightly packed.

It is such a lovely looking but incredibly unforgiving stitch that you can see every single place where it isn’t absolutely perfect. It also took forever and so I am not redoing it – it can stand as an useful object lesson!

I intend to carry on stitching some more needlelace but the next sampler is going to be based on rectangles. However, I might work another sample of the Ceylon stitch in a rectangle just to prove I can do it perfectly when I don’t have to keep decreasing!

I’ve not made much jewellery for a while as I’ve been trying to list a backlog of vintage jewellery on Etsy, but when an odd earring I was cleaning came to pieces, leaving me with a rather nice silver mount, I was inspired! I set it with a lovely and very unusual piece of beachcombed Victorian pottery and added a 16″ silver chain to make a unique pendant.

It’s available here in the Beachcombing section of my Etsy shop.

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I thought I’d started the Baby Leaf-Tailed Dragon in 2018, which would have been bad enough, but the blog post from September 2018 when I moved him from a hoop to a frame and really got going, says I started him in 2015 – July 2015 to be precise. I did quite a lot of work on him in 2019 and even got as far as starting to couch the outline but then, like so many things last year, he lapsed and it wasn’t until last week that I picked him up and finally finished the couched outline. The next stage was to add the split stitch highlights. I’m always worried I’ll put them in the wrong places and it will look odd, so I usually prevaricate at this point, but I decided to just get on with it.

The result was a lot less difficult than I thought (it usually is…) and so his lower tail is nearly done!

I’ve also decided to get on with the last two pieces for my Kew Memory Journal. I want to base one on the beautiful Chihuly Persian Chandelier that was hung in the Temperate House.

I thought the wavy edged circles could work either in needlelace or crochet and while I decided which one would be most effective, I started a small sampler of needlelace stitches.

Corded Brussels Stitch is my go to needle lace stitch and after having worked the Single Brussels – twice – I know why. The Corded Brussels is always worked in the same direction. When you get to the end of the row you run the thread across the front, back to the start and then work over it, incorporating it into the stitch. It makes the lace firmer and because there is something to work over, more even, and the stitches all run in the same direction.

The Single Brussels is worked from left to right and then when you reach the end of the row, back from right to left. I’m not very right handed and can work most stitches both right and left handed but I could not for the life of me get the rows even. On the left to right rows I could make the buttonhole stitch loops stay open but right to left they just wanted to flatten down to the stitch underneath. The second version is better than the first, but not by much.

However, as a sampler and a learning exercise, it’s been very useful.

The last old favourite is the final two kilt pin brooch kits.

Forest green, golden yellow, and brown.

and

Orange, bronze, brown, purple and gold.

Listed today in my Etsy shop with free UK P&P.

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