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Archive for the ‘General Embroidery’ Category

Sorting some of my beachcombed treasures led to a couple of pieces of jewellery. First was a chunk of school ruler which had frosted beautifully in the waves. I paired it with a piece of beachcombed metal swarf with a lovely milled texture to make a brooch, now available here in my Etsy shop.

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Then I managed to find two vintage panel bracelets which are great for setting with sea glass and pottery like this one. There is just something about blue and white sea-washed china that I love.

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I also like to use panel bracelets to turn groupings of odd vintage earrings into unique assemblage bracelets. The theme that developed here was floral soft blues and greys with a central enamelled dragonfly. Available here in my Etsy shop.

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I also managed to list the brooch I made during show week from a scrap of felted woollen jumper, a vintage kilt pin and an odd earring drop and it’s available here.

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Definitely in my blue period!

I’ve also had a bit of a spurt with one of the pelmet vilene accordion book memory journals I’m working on. This one is based on a visit we made at the end of March to the North Sea Observatory and Anderby Creek beach in Lincolnshire. The shell strewn beach was unlike anything I’ve ever seen on the North Sea coast and then we had a stroll along the sand dunes to the lovely Anderby Beach Cafe for lunch before heading back home.

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I stitched a fragment with cast on stitch and one of the big flat holed oyster shells in the summer but then things lapsed until a piece of evenweave gave me an idea to do a piece of pulled thread work. I used natural coloured silk thread and Diamond Stitch to create a random pattern like ripples in the sand.

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Then I added some dried seaweed, a clam shell with a hole in and a little piece of driftwood.

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I love the very clever Anderby Beach Cafe logo which uses part of the structure of a traditional deck chair as the initial ‘A’ and the hot dog I had for lunch that day, using local butcher’s sausages was delicious. So that quickly led to a hand painted and stitched applique ‘receipt’ on calico, featuring a splodge of ‘tomato sauce’ to remind me of how much I enjoyed my lunch!

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Ideas forming for the North Sea Observatory and the Cloud Bar…!

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In the end, Baby Leaf-tailed Dragon wasn’t finished for show week and in total, I only managed to put half a dozen stitches in him on stage the entire week, most of which had to be unpicked and restitched later! But ‘The Fifth Elephant’ went well and we had lots of positive comments from Pratchett fans, some of whom had travelled some distance to come and see the show.  No rest for the am dram wicked though – last performance of ‘The Fifth Elephant’ on Saturday and tonight (Monday) is the first casting reading for panto!

I did manage to get some stitching done in the interval though, so all the Bayeux Stitch is completed and I’ve started the couched outline. It neatens the edge up a treat.

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Since the Baby Leaf-tailed Dragon and his frame were props for a scene in Act 1, I had to find something else to sew before curtain up and I decided to experiment with a banner style brooch using an odd kilt pin. I had a few small pieces left of a wool jumper I felted a while ago and turned variously into a cushion cover, a pair of mittens and some earring cases.

I added some commercial grey marl felt and an odd earring drop…

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…blanket stitch, french knots…

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…sequins, a bead, split stitch and detached chain stitch…

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…before finishing with a kantha stitched back ground in shimmery blending filament, a beaded blanket stitch edging which joined it to the grey felt back and blanket stitching it to the kilt pin in stranded silk thread.

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A fun little project and I particularly like the subtle sparkle you get from the blending filament.

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The applique for Lady Margolotta’s bat themed blouse is finished!

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The biggest ones took 20-30 minutes each to stitch on and the smallest ones 10 to 15, so all twenty together have been quite a long job. Stitching with black thread on black felt has also limited when and where I can stitch, but in spite of that, it’s done with time to spare, thank goodness.

Baby leaf tailed dragon now has leaves sprouting from his lower tail.

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He would have had another leaf completed but after a busy evening rehearsing and stitching, I went to put the couching stitches in and realised that I had put a whole leaf’s worth of laid stitches in vertically, instead of horizontally… He learned some new rude words that night.

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Before the summer break, our ever-inventive Chair gave everyone who wanted to take part a pack of odd and interesting found objects to create a piece of found object embroidery. She included an instruction/guideline sheet as well, which I did refer to, noting that the finished piece should be no more than 7 inches by 5. However, I didn’t note that it was to be due in for November’s meeting. I assumed it was for the AGM last Saturday. Result – frantic stitching last week until a friend who had read the instructions properly, pointed out that I was two months too early. Moral of the story; don’t skim read and make the gaps up as you go along, Alex!

There was a load of thin plastic tubing in the pack and that suggested spirals to  me straight away.

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It’s couched down with gold thread for some sparkle and then I played with widening some of the lines with more of the tubing to give the spirals a bit more weight.

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Next to be added from the pack was a very large metal ring which I also couched down with gold thread in a starburst pattern. The broken earring front fitted perfectly in the middle of it and I love copper and green together.

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Then I added a holed limpet shell from my own collection  to echo the shape of the loop of tubing.

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At least I’ve made a start and hopefully won’t be rushing to complete it for November’s meeting!

 

 

 

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After a long stretch in various back stage roles, from costuming to directing with props and writing in between, I’m finally going to be on stage again, playing the role of Lady Sybil Ramkin in Scunthorpe Little Theatre Club’s upcoming production of Terry Pratchett’s ‘Fifth Elephant’ at the Plowright Theatre from Wednesday 2nd of October to Saturday 5th of October. Details and booking information can be found here.

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Lady Sybil is a swamp dragon breeder, all round dragon lover and the founder of the Sunshine Sanctuary for Sick Dragons, so when one of the scenes called for her to be sewing, it made sense to get my baby leaf tailed dragon out and underway again.  Last seen, I had finally managed to get his head and chest almost finished.

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Since then, I’ve been working on him through rehearsals. I finished the couching on his head and then all the stitches for his tail were laid over about two sessions…

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…with the couching taking another two. Just a few more stitches to put in before I can start on the leaves.

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I do love Bayeux stitch for the textured result and also the way it works up so quickly. However, that could be an issue as I only have his leaves left to do before the split stitch detailing. I’m a bit concerned that he may peak a little too early and be finished before we get into the theatre for show week!

My other bit of show stitching is adding bats to the pink blouse worn my Lady Margolotta, a vampire who is ‘”on the vagon” and has not bitten a neck for nearly four years. She is brightly dressed to reflect her more modern thinking, but the director, who is also making all the costumes, wanted there to be bats to reference her background.

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Lovely little bats but they all have to be individually cut out of felt and hand stitched on and it is taking forever – still got the sleeves to do yet!

 

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I had a very enjoyable day at Scunthorpe Arts Showcase at Heslam Park last Sunday and as it quietened down in the afternoon, I cracked on with the stitching for the locket insert I showed you last week. The rose bush now has daisies underneath with petals no more than 2mm long.

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The inside of the locket was a bit shabby so I lined it with more of the silk carrier rod. It has such a luscious lustre.

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I also played with some needle felting to upcycle a silvertone pendant blank. One of the children said it reminded them of Van Gogh’s ‘Starry Night’ picture, which was very pleasing! The background is a mixture of merino wool and silk and the spirals are tiny scraps of hand spun crewel wool.

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We also had a family day out in Filey, on the Yorkshire coast.

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It is a delightful unspoilt seaside town with the most amazing stretch of sand with rock pools at the north end. It yielded enough treasures to keep me happy.

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I’m particularly pleased with the fossil shell I spotted in a rock pool.

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And the heavily crazed piece of pottery.

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We were entertained by the cutest hermit crabs in the rock pools, enjoyed great fish and chips and had a fabulous day out.

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We’ve just had our final meeting of the year at Scunthorpe Embroiderers’ Guild and it was a fantastic all day long affair, with a talk about the costumes and embroidery in ‘Game of Thrones’ in the morning followed by the opportunity to look at some of the incredible work some of our members have produced over the last year and were entering for the branch’s yearly hand embroidery prize.

Some pieces have come from past workshops, such as the paisley piece below which was started in Jan Dowson’s ‘Print to Stitch’ workshop back in February, or responses to objects in the local museum for our exhibition earlier in the summer, as with the Winterton mosaic piece at the top on the three circles.

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Contemporary, modern, traditionally flat or 3D, like the stumpwork flowers and tiny embroidered houses.

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Restrained and subtle or gloriously over the top and encrusted with bling.

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Sometimes a visiting speaker chooses the winner but this time we did it in our usual way by voting in the blue and white saucers with beads. Thank goodness we get five beads each. And even then choosing five places to vote was an almost impossible decision! But after the counting, the winner was announced: Sue’s fabulous blue ammonite, one of the pieces for our museum exhibition.

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Glad I didn’t put anything in as I would have been seriously outclassed!!

Then after lunch, a workshop on Bayeux Stitch. I’ve used this stitch on several projects, including Shy Bird,

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…the sycamore leaves from Blackwell…

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and of course, the Baby Leaf-tailed Dragon kit from Tanya at Opus Anglicanum which I bought and started a disgracefully long time ago!

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I really enjoy working this stitch. It works up quickly, which is always a huge bonus and I love the textured effect the couching gives to it.

We had some lovely examples to inspire us, from medieval style designs to working it as an all over pattern to create a solid embroidered fabric as in the purse below and some very contemporary pieces.

 

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Although I was very tempted to explore the contemporary design ideas, it was a good opportunity to get a bit more done on Baby Leaf-tailed Dragon.

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Every little helps!

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The stumpwork course I taught at Ashby Link last week went really well, although I do need to be more realistic about the amount of work that the participants can reasonably do in the time allowed – I planned enough for at least two full days!

After learning some raised embroidery stitches and techniques in the morning, I created a little ball topiary design for them to work in the afternoon based on three of them: padded satin stitch, a french knot slip and raised stem band.

The french knots for the leafy part of the topiary were worked separately on a piece of calico in six strands of stranded cotton, partly so it worked up more quickly and partly to get a lovely textured effect. Great place to use up all those odd ends of stranded cotton!

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I used a circle of pelmet vilene to pad it out a little and then drew the calico up round the vilene…

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…before stitching it in place on my main fabric, which just so happens to be a piece of one of the shirts I chopped up for the cuff books workshop last week.

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Then the pot. Satin stitch over a base shape in pelmet vilene.

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The raised stem band rim is worked separately, and just sits on top of the pot. Guideline shape for the padding.

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Long stitch padding with the vertical bars.

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And the stem stitch over the top. Very pleased with the effect!

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Just the stem/trunk to add.

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I used several long satin stitches in stranded silk and then used a single strand of it to couch random threads down with tiny stitches.

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It’s reminded me how much I enjoy raised work and needlelace, so now the end of term is finally in sight, I might start dabbling again.

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