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Archive for the ‘General Embroidery’ Category

I knew it was a while since I started this piece, but was stunned to check back through my archive and find it was 2012! We were doing a redwork workshop at Embroiderers’ Guild, stitching cups, plates, teapots etc. in various stitches with red threads. I’m not the biggest fan of red, so don’t have a lot of red threads and also, crockery to me always means blue and white, so I went off piste a bit and started to stitch this bowl.

More bluework 2

It’s a big piece for me and shortly after I took this photo, something else became more pressing and it lapsed. As the huge french knot piece is currently still in abeyance, I wanted something slightly more long term to stitch and the bluework fitted the bill. I’ve not done an awful lot more, but I have finished the leaves on the ribbon rose section, which are two lazy daisy stitches nested inside each other.

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I even managed to find a close match for the thread – there was no chance that after 4+ years I was going to remember what I’d originally used!!

My plan was that each section of the bowl would be filled with a different flower design, using different techniques and styles, so several happy hours have been spent on Pinterest gathering inspiration and I’m looking forward to getting going with it again.

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I’ve had flu for the first time in years and it’s been a bugger to shift, so my involvement at last Saturday’s Scunthorpe Embroiderers’ Guild meeting was limited to sneaking in half way through the afternoon to hand over Val’s Travelling Book and pick up Sandra’s, staying by the door and keeping my germs well out of the way. Everyone looked like they were happily stitching though, so I hope a good time was had by all.

For Val’s book page I worked a piece inspired by the work of Sue Spargo. I bought some gorgeous heavyweight pure wool felt before Christmas and cut simple leaf shapes in a soft green to go on a cream ground. I wanted to use the uncluttered shapes to showcase the embroidery, particularly new stitches.

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Then I got out a whole pile of books on embroidery stitches and started to stitch! The blanket stitch round the outside of the first leaf is actually called Berwick Stitch in the book I used and is a blanket stitch with a sort of added french knot where the needle enters the background fabric. Very nice to work and the knot gives a lovely finish. Then a row of running stitch and the dark green is twisted chain.

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After I’d worked the line of twisted chain I felt the gap was too big between it and the running stitch, so I added a row of split stitch in variegated perle. Inside the twisted chain I stitched a row of whipped running stitch before finishing it off with a row of closed fly stitch.

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Leaf two was held down with Knotted Buttonhole Stitch. It’s a lovely looking stitch but working the knots at the start took a bit of practise. Then a neat row of chain inside that.

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I wasn’t happy with the lone line of running stitch on the first leaf so at this point I went back and whipped it. Much better.

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Back to leaf two and courtesy of Mary Thomas, Portuguese Knotted Stem Stitch. Another new stitch to me and a gorgeous one (once I’d got the hang of the tension). I really like the way this sits on the fabric.

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The inside was finished with stem stitch, back stitch and Pekinese stitch.

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I mounted it up into the book and added my inspiration page which included a printout of a photo of the leaves labelled with the different stitches.

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This was a complete joy to stitch and a lot of fun finding new and interesting stitches to add to the old favourites.

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It’s reading for a new show time again and so I have managed to sit and stitch through a number of small finishes. Firstly, one of the designs Ruth produced for us at November’s Embroiderers’ Guild meeting, made up into a card.

The border is in feather stitch, the centre in a spiral of split stitch, the main oval parts of the petals in Corded Brussels stitch (needlelace) and the ends in satin stitch.

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Then I decided to make up a little magazine kit I bought from eBay in 2009. Simple stem stitch and lazy daisy stitch for the wheel barrow and the flowers/leaves.

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Then french knot middles to the flowers and my first ever attempt at a Dorset Button for the wheel.

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I was fairly pleased with it until I put the kit picture next to it for comparison…

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Obviously a technique I need to work on but it has made a nice little card.

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Last Saturday was our December meeting at Scunthorpe Embroiderers’ Guild and as well as Stitch Club, lovely Christmassy treats, our usual mega raffle and a workshop with our own Liz on making dream-catcher style Christmas tree ornaments, it was the grand unveiling of the Christmas Consequences which Helen set us at the AGM back in September. The scope and imagination of what everyone involved had produced in response to a handful of words was truly amazing.

Helen judged the winner, but members also voted by putting coins (one coin, one vote, with the value of the coin being irrelevant) into a saucer by the side of each  piece of work. All the coins go into our funds.

Just a taster of the work on show and apologies if I’ve missed anybody’s out! Helen’s choice was Janet’s beautiful mistletoe headband at the back of this first photo.

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The runner up Member’s Choice was this delightful partridge in a pear tree by one of out newest members – sorry, can’t remember her name. :os

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Lynda’s mince pie crusts actually lift off to reveal ‘mincemeat’ (chocolate covered raisins).

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The Member’s Choice winner was Sandra’s witty picture.

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Looking back at the photos, there is at least one person’s I’ve missed – my own! Well done, Alex! Not that it matters as I’ll blog about my ‘consequence’ in a bit more detail later.

 

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I’m still vaguely irritated about not being able to finish the french knot project so have been knitting socks instead and trying not to think about how fast I seem to be hurtling towards Christmas. Then I realised it was Guild this Saturday; time for the Travelling Books to set off on their third round and I still hadn’t done mine. I’m going to use some of the printing I did at Chris Gray’s workshop in the summer and it’s got this far:

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Not a single stitch in it. Oops. Guess what I need to do when I finish writing this…

But first I thought I’d share some of the pages that other people have stitched for me on the theme of The Sea.

Pam’s beach huts on a pieced patchwork background:

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Lorna’s paper string technique:

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Eilleen’s ‘Water Babies’ inspired underwater scene:

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Helen’s Rod Stewart ‘Sailing’ ships against a textured painted fabric background.

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Pauline’s impression of the Barrier Reef from a recent visit. The background is transfer printed using wrapping paper ironed onto calico!

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Mary gave me this delicious looking 3D crab.

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And finally Debbie interpreted one of her lovely photos taken at Flamborough Head in East Yorkshire in layers of fabric and stitch.

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They are all delightful – thanks everyone!

It seems that you can’t get away from Black Friday even in this country, so if you can’t beat them, join them. I’m offering a 25% discount on orders over £5 in my Etsy shop until the 5th of December. The code to enter at the checkout is: IFYOUCANTBEATTHEM

 

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It was a pleasure to finish the little Bossa Nova Rose from our Embroiderers’ Guild Brazilian Dimensional Embroidery workshop last weekend. I didn’t follow the instructions when it came to the leaves, going for fly stitch over blanket stitch and not adding the fine pale green edging it suggested because I felt the sheen of the thread gave enough definition.

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And then quickly finished as a card.

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My first sea glass and pocket watch case pendant positively flew out of my Etsy shop and I’ve started another one to go with a harlequin case of a gold coloured collar and engine turned back. I’ve got some tiny pieces of very rare yellow sea glass and some ordinary brown to add to this.

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I also turned some off cuts of hand dyed fabric, the batik I’m using above and some cotton print in shades of brown into some strip patchwork which I used to cover a grotty looking cabochon pendant…

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…turning it into an upcycled patchwork pendant with added vintage lace and flower trim.

Lots going on!

 

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Our October Meeting at Scunthorpe Embroiderers’ Guild was an all day workshop with Ann Stalley on Brazilian Dimensional Embroidery. Knowing that it involved rayon thread, which in my experience is some of the most evil stuff on the planet, I was in two minds about the workshop. However, I can never resist a go at something new and so armed with a big block of beeswax for beating the rayon into submission, I headed off to the meeting to admire Ann’s work…

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…before she told us about her creative  journey. Hard to believe when looking at work like this, that Ann has only been doing Brazilian Dimensional Embroidery for eighteen months.

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She also assured us that the special threads (Edmar) used for this type of work are nothing like ordinary rayon thread (but still I had my beeswax ready just in case!).

Then it was our turn. For the morning session we would practise some of the basic stitches and then stitch a design using those basics in the afternoon. We each had a pack with some of the thread, two substantial milliners’ needles and some calico.

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First, bullions. I can do them but they’re not one of my stitches of choice. We put five pairs of dots in, all about a quarter of an inch apart. Our first bullion was ten wraps and pretty much filled the gap. That’s when I found it easier to work out of the hoop. The second one, to go in the same space, was twenty wraps, then thirty, forty and fifty, getting progressively loopier the more wraps we did.

I take it all back about the thread. The Edmar is a delight to work with. The loops slide smoothly over the needle and even though my bullions could be a lot more even, they were an awful lot easier to work than with ordinary thread.

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Next was a bullion lazy daisy. It’s an interesting technique as the little bullions are formed as part of the stitch, rather than being like the running stitch that tacks a normal lazy daisy down and took some practise.  They also would have been a lot neater if I’d hooped the calico back up!

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Lastly was cast on stitch which once I got a rhythm to casting on the loops, I absolutely loved.

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So much so, that I had a go at creating a sort of flower with cast on stitch petals in perle over lunch. It worked, but wasn’t as crisp a finish and just didn’t stand up as well as the Edmar.

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Using the perle illustrated perfectly what it is about the springiness of the rayon thread that makes the dimensional elements work so well. I was definitely ready to start the afternoon’s design of the bullion rose spray.

However, I struggled to place the first rounds of bullions properly and halfway through, although I was pleased with the quality of the bullions, I wasn’t happy with my scrappy rose.

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Luckily the outer bullions managed to neaten things up, and with the addition of a bead centre, managed to salvage it from being a complete disaster.

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Next the leaves. The design used buttonhole stitch but I love the way close fly stitch works up into leaves and I thought that this would suit the lustre of the thread.

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Very pleased with the result and by the end of the afternoon I had two leaves added to the spray.

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Not much to do to finish, and despite my slight misgivings beforehand, I thoroughly enjoyed the day. I’m seriously thinking about investing in some Edmar threads and I fancy seeing if I can stitch some dimensional sea shells.

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