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Posts Tagged ‘woven spiders’ web stitch’

Last week in the middle of our mini heatwave I had a day out to Withernsea Lighthouse with my friend Debbie to see the ‘From Withernsea With Love’ exhibition. It’s a collaboration between Karen Turner who is a talented textile artist and Dean Wilson, a local poet and lover of pebbles and other beachcombed items. Debbie has blogged about our trip here with much better photos and text, so I’ll just say that we had a fabulous day, the beachcombing was excellent, the fish and chips delicious and the exhibition was well worth the trip.

Karen’s stitching is exquisite. I’m lucky enough to own two of her completely hand stitched quilts and there was something familiar yet different about her pebbles quilt, featuring forty nine of Dean’s pebble finds.

Each pebble is surrounded by a ring of stitching like a halo and they are instantly recognisable from the photos and the stones themselves, displayed in the nearby cabinet.

She also embroidered exquisite copies of some of the pieces of sea washed pottery that Dean also found and they were displayed with the pottery in a glass fronted corner cabinet that made them almost impossible to photograph.

However, each piece was detailed in a sketchbook…

…which was as fascinating and beautiful as the pieces themselves.

After our climb up the 144 steps of the lighthouse, fish and chips and obligatory beachcomb, we retired to the shady lighthouse garden with a drink from the on site café and I did some stitching on a piece of felt I recovered from a felted vessel I made ages ago which I had never been happy with.

I ironed it flat and cut it into a curved shape before blanket stitching it with a very brightly coloured variegated thread which happily was toned down by the felt.

Then I finished off the woven spiders’ webs I’d planned to encrust it with.

Liking it much better now.

I believe the ‘From Withernsea With Love’ exhibition is on until early October but only at weekends now. Well worth a trip in the the wilds of Holderness, especially if you enjoy beachcombing and eating fish and chips on the beach!!

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Some stitched vegetable gardens came up on my Pinterest feed a little while ago and as I love stumpwork ideas, I saved them; whereupon more appeared of course… So naturally the only thing to do to get them out of my system was to stitch my own garden. It’s tiny – the piece of silk dupion it’s stitched on is 6cm by 10cm, or about 2.5″ by 4″.

Garden path first. I used satin stitch in varying scraps of greyish brown thread for the uneven slabs.

Then a darker variegated brown to edge the slabs before I started my strawberry patch. This has whipped back stitch stems, trios of lazy daisy leaves, scarlet French knot strawberries and loose white French knots for the strawberry flowers. Working French knots deliberately loose so you can put something in the centre is a little more tricky than it looks. There is a fine line between getting a firm knot with a space in the middle and a scribbly pile of threads!

Next, the peas. Feather stitch pea sticks for them to scramble over and then whipped backstitch stems. The pea pods are two parallel satin stitches and once they were completed (all 32 of them) I used a very fine pale green silk thread to give them tiny calyxes.

Then I half hid them with silk ribbon lazy daisy stitch leaves.

Onto the rows of veg next. The peas had taken a long time building up the various layers, so I went for a quicker result and three dark green silk ribbon ‘roses’ (woven spider’s web stitch) became a row of blowsy cabbages.

These were quickly joined by a little row or emerging seedlings in fine silk lazy daisy stitch – probably radishes – and then I started a group of cauliflowers with clustered French knot florets and overlapping cast on stitch leaves.

It was fiddly to work the cast on stitch leaves in such a small space and at such a small size, but leaves come in various shapes and sizes anyway.

The loose French knot practise on the strawberry flowers came in handy for the carrots.

My idea was to stitch loops which I could then cut to form feathery foliage, through the centre of the carrot tops. The smallest section of my cordonnet stick was the perfect size to stitch the loops over.

Loopy carrot tops.

Each set of threads has been fastened off separately underneath so they shouldn’t come out once I cut them. Very pleased with the result!

Lettuces and courgettes are next. It may only be a tiny piece of stitching but it’s taken a lot longer than I expected. Working small doesn’t always mean finishing things off more quickly…

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Last February we had a fantastic Print to Stitch workshop at the Guild with Jan Dowson. One of the pieces I created was based on the paisley stamps she had made for us.

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Seeing my starting point now, after a year of covering it with stitch, it seems so bare!!

I started with some Pekinese stitch around some of the paisleys.

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Then seeding around the paisleys in a variegated stranded cotton. Doing that amount of seeding is pretty mind-numbing so I mixed it up with more decoration on the paisleys – split stitch on the right.

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It was a great project to take out and about, even making it to London with me last summer when the temperatures were through the roof and I was trying to keep cool in the Chinese galleries at the V&A.

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More seeding in seed stitch and french knots with chain stitch accents and woven and back-stitched spiders’ web stitches in the middles.

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Getting there… finished all the internal stitching on the paisleys and now just seeding at this point because I’m still not sure what stitch I want to outline the other paisleys. Something as bold as the Pekinese stitch but different.

IMG_20191116_091718It wasn’t until I began to explore Palestrina Stitch over Christmas prior to teaching it in a workshop that the penny dropped.

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Palestrina in a heavy perle was just right to balance the Pekinese.

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And the completed piece!

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No idea what I’m going to do with it, but that’s not the point. I love the colours, shapes and stitches and it’s been a pleasure to work. That’s all you need, sometimes, isn’t it?

 

 

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I was very taken with an article in Stitch magazine some years ago (still available online as a downloadable PDF, I’ve just discovered, with a little light googling) about making something called a bushkiri bag from a folded embroidered square of felt. After doodling a design, I stitched one with cotton perle threads on felt.

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It was a nice little project for children and I taught it a few times at school. When I cleared out my sewing things I found I had a few partly worked pieces left, so thought they would be fun and straightforward to stitch while we were on holiday over half term.

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This one had the central woven spider’s web, an off centre line of running stitch and  some of the radiating wiggly pink lines already stitched, so I just evened those elements up, added some chain stitch, lazy daisy stitch and blanket stitch fans in the corners…

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…and blanket stitched a piece of grey poly cotton to the back for a lining.

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The pink one just had a diagonal line of large wobbly running stitches, so I took that out and made it neater before finishing it as whipped running stitch in the cafe at Honister slate mine.

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I also managed plenty of plein air stitching at Stagshaw Garden, with a blaze of azaleas behind me…

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…and a gorgeous view of Windermere in front.

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Despite the midges, I stitched happily on…

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…adding alternate rows of chain and whipped running stitch.

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This one just needs a lining and then I can start on the lighter blue one. It already has a square drawn in the middle so I think I’ll probably go with that and develop it into a pattern of overlapping squares.

Some nice, steady holiday stitching.

 

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Only four of us in the group this time, so this one, stitched for Sandra in keeping with her flowers theme, is my last page of the round. I enjoyed discovering new stitches when I stitched Val’s leaves last month, so I went for the same Sue Spargo inspired idea in turquoise and purple/pink.

First new stitch courtesy of Mary Thomas: Braided Edging Stitch. It looks like blanket stitch from the top, but has a lovely chained effect on the edge. Getting the tension right was interesting initially, but I really like the effect.

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Then whipped running stitch ‘petals’, using a very slubby pure silk thread for the whipping.

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I filled two of the ‘petals’ with Trellis Stitch…

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…the top one with Vandyke Stitch (not too happy with the stitching on that, but I needed to work in a thickish thread – the full 6 strands of stranded cotton – to get the right sort of coverage)…

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…and the two bottom ones with Buttonhole Filling and a Woven Spiders Web Wheel to hide a multitude of sins in the middle!

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The second flower had Berwick Stitch with its lovely edging knots round the outside and then I couched down a line of fabulously soft, thick, loosely twisted, variegated silk to follow the shape.

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I decided to use the same thick, soft silk to work Back-stitched Spiders Webs in each of the petals. Foundation stitches first, using a template to make sure they were all the same.

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Then adding this glorious silk.

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Lastly I filled in the centre with a chain stitch spiral and they were good to go!

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Nobody’s book to complete this month so hopefully I can get stuck into the bluework.

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It is high time I started to practise my metal-working skills again so I decided to start small, cutting out a rose leaf shape from sheet brass and piercing it with holes before I textured it with the hammer.

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Then I used some green perle and using the holes, put in the foundation stitches for a woven spider’s web which I worked in a gorgeous variegated pink and green silk ribbon.

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It worked out perfectly so I had a green centre shading out to the deep pink edge. I neatened it up with a piece of pink kid leather over the back and added a jump ring to turn it into a sweet little mixed media pendant.

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One of my Christmas presents was a Dremel engraver so I had a bit of a play with that, first using one of the included stencils to add a rustic star shape to a piece of sea glass which I then turned into a pendant.

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Then I moved on to a piece of reticulated brass which I created on the silversmithing course I took in Sheffield a few years ago. I had deliberately worked the reticulation from either end of the piece of brass in order to leave a smooth bridge between them for some text. Finally, I had the tool to add the lettering!

I used uncial script and the H of ‘haven’ looks a bit like an R, unfortunately, but I really like the way the engraver worked on the brass.

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I turned this into yet another pendant and gave it a lovely vintage sari silk strip ribbon to hang from in crimson and gold.

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My other Christmas present thanks to some vouchers was a doming set and I was dying to have a go at doming some old coins that I’d accumulated. Tiny bronze British decimal half pennies seemed to work best and I combined one that I’d hammered into a hemisphere with a ‘cornflake’ of reticulated brass that I’d also domed. I drilled them both through the middle and chose an odd stud earring with purple diamantes like stamens of a flower to connect them together.

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I’ve got a piece of fantastically patterned gilding metal to which I hope to attach the ‘flower’ which I can then turn into a brooch. It’s been good to play with metal again!

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Saturday sort of got away from me. I knew I wasn’t going to make the morning session of our Embroiderers’ Guild meeting but I had high hopes of making the afternoon. That was a mistake. I finally walked through the door at about 3pm and by the time I’d caught my breath, looked round at all the various boards, tables and displays and sorted my travelling book there was only enough time for chatting (always good, though) and putting literally a handful of stitches in one of the activities that our new chair, Ruth, had organised for us.

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Pauline had finished her bookmark and was happy to let me photograph it.

 

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Another group was stitching heart shaped decorations. This one is Julie’s:

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Debbie and Janet pulled together their matryoshka with the examples Ruth had already stitched for me to photograph.

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There was also another flower shaped decoration or similar but I didn’t manage to find any worked examples of that. It looked like a nice selection of fun things to stitch and even though I only had an hour, it was lovely to relax with some straightforward stitching and good company.

I’ve also been making some more ribbon roses to turn into pendants. This one has fly stitch leaves, stem stitch stems and lazy daisy sepals in variegated coton a broder with a woven spider’s web rose and french knot buds in pale blue silk ribbon.

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And this one has fly stitch leaves, split stitch stems and lazy daisy sepals in variegated perle with a woven spider’s web rose and french knot buds in crimson silk ribbon.

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A weekend of nice quick little projects.

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Theatre has rather taken the place of embroidery for the last couple of weeks and apart from a few more patches of french knots on the encrusted piece, nothing much else has happened until this weekend when I was inspired by a new batch of broken jewellery to make something to add to my Etsy shop.

The starting point was a pink and gold diamanté bracelet. The catch was sound but the middle section of the bracelet was broken and quite a lot of the diamantés were missing from the strap section. I removed the broken bit and once I’d reset the spare diamantés from the broken section into the gaps in the strap, I had this:

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For the middle section I decided to needlefelt over a slim metal hoop which had been an old earring drop with some leaf green roving and then to define the edge I added a fringe of green, gold and pink seed and bugle beads.

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Putting it in place to gauge the effect.

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Now for the hard bit, working out what to add to the front of the needlefelted circle. This was my first try – a beaded stem and beaded fly stitch leaves with woven spiders’ web flowers.

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it was late last night and I was taking against the embroidered flowers so I decided to go to bed and sleep on it. I liked them no better in the morning so went looking for some flower beads with which to replace them. All the flower beads were too bulky but I did find some vintage gold tone bead caps which with seed bead centres worked much better.

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Then all that needed to be done was to use jump rings to connect the central corsage piece with the straps.

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And one sad and sorry bracelet restored…

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…and in my etsy shop waiting for a new owner.

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I was looking at my archives, wondering what I’d been creating at Christmas in previous years when I came upon this from December 2011:

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I’d had numerous problems with it from the start and once Christmas was over, it ended up languishing in a box. Until I found it in my archive that is. And now it looks like this:

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Snowflakes on red velvet in a mixture of french knots, star stitches and woven spiders’ web stitch.

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Snowflakes on green velvet ditto, surrounding an odd crocheted snowflake in vintage white perle.

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A quick wreath finished with a bow created from…

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…a circle of feather stitch in dark green silk thread with another in light green silk stitched directly over the top and dark red silk french knot berries.

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It’s coming together, hopefully for a Christmas card, and I’m enjoying it again.

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Another advantage of being away is that I get loads of embroidery done, including the detail work on two more of the crazy patchwork pieces I hope to turn into brooches for the fair in July.

This…

…has become this: with couched cord, a chenille woven spiders’ web, laced herringbone and a sprinkling of lazy daisies.

This…

…is now looking like this: couched silk at the top, threaded chain stitch in the middle and three turquoise dyed coconut disc beads at the bottom surrounded by french knots and lazy daisy stitches in variegated metallic thread.

Just the finishing left to do…

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