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Posts Tagged ‘chain stitch’

This is a project I started with a group of girls whom I call ‘Tall Poppies’. Bright, articulate children who often experience negativity from their peers due to their abilities. Coming out of the classroom to do some sewing gave them chance to chat in a safe place where no one was going to belittle them for being amazing.

I’d seen some lovely little felt pouch necklaces on Pinterest with hidden positive messages and decided that this would be a great project to work on.

I made various templates and they used pinking shears to cut them out of felt. Then I showed them how to stitch on a snap, keeping it as neat as possible on the other side before they created their own designs, largely based on lazy daisy flowers, thinking about the three sections of the pouch and what would be visible when it was stitched up. I always sew alongside them and this is my pouch.

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After scattering simple lazy daisies across the lower front, I decided to create a more complex design on the back, nesting lazy daisies inside each other to make bigger petals and adding chain stitch tendrils.

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I neatened up the stitches attaching the snap with rings of buttonhole stitch (on the flap)…

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…and chain stitch on the underside.

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The lining is a scrap of gorgeous hand dyed silk dupion which has been caught down with the blanket stitch along the sides, tiny running stitches along the front edge which you can just see in the photo above, and blanket stitch under the flap.

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I’m not sure now about using blanket stitch to sew up the sides and am probably going to take it out and use a neat double running stitch instead. ¬†On the front it looks nice, but I don’t like the effect on the back.

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Seeing something through a photo is so good for showing up the issues you don’t seem able to spot with the naked eye.

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The holiday journal is finished and just waiting for me to add some extra papers, pockets etc. to the inside.

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Doing blanket stitch so close together took longer than I bargained but I like the effect.

Then I moved onto another one of my samples for my upcoming Embroiderers’ Guild workshop later in the year. Grey on grey felt embroidered in pale blues.

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Fly stitched edge, straight stitches in a radiating pattern and french knots:

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Feather stitch edging with a chain stitch spiral:

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And I’ve turned what I think might have been a vintage money clip into an upcycled sea glass pendant. First of all I sawed off the long bit of the clip following the lines of the design at the bottom.

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Then I pierced and cut out the middle section with a very fine saw, again following the edges of the design, and leaving three tabs to attach the sea glass to.

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A lot of fiddly filing happened next, to really shape the central section and tidy up the tabs before I could set it with a lovely piece of deep turquoise sea glass.

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I love using the piercing saw and the fiddlier the design, the better. I really need to get back to making some more of my original jewellery…

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Only four of us in the group this time, so this one, stitched for Sandra in keeping with her flowers theme, is my last page of the round. I enjoyed discovering new stitches when I stitched Val’s leaves last month, so I went for the same Sue Spargo inspired idea in turquoise and purple/pink.

First new stitch courtesy of Mary Thomas: Braided Edging Stitch. It looks like blanket stitch from the top, but has a lovely chained effect on the edge. Getting the tension right was interesting initially, but I really like the effect.

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Then whipped running stitch ‘petals’, using a very slubby pure silk thread for the whipping.

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I filled two of the ‘petals’ with Trellis Stitch…

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…the top one with Vandyke Stitch (not too happy with the stitching on that, but I needed to work in a thickish thread – the full 6 strands of stranded cotton – to get the right sort of coverage)…

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…and the two bottom ones with Buttonhole Filling and a Woven Spiders Web Wheel to hide a multitude of sins in the middle!

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The second flower had Berwick Stitch with its lovely edging knots round the outside and then I couched down a line of fabulously soft, thick, loosely twisted, variegated silk to follow the shape.

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I decided to use the same thick, soft silk to work Back-stitched Spiders Webs in each of the petals. Foundation stitches first, using a template to make sure they were all the same.

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Then adding this glorious silk.

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Lastly I filled in the centre with a chain stitch spiral and they were good to go!

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Nobody’s book to complete this month so hopefully I can get stuck into the bluework.

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Our Scunthorpe Embroiderers’ Guild meeting for February was an all day Indian embroidery and fabrics talk and workshop led by Julie.

The Young Embroiderers started off at 9:30 with a kantha stitching around animal shapes project. My little one loves sea animals of any kind, so she chose to do a turtle. Liz, the leader of the group suggested a spiral pattern in the quarters of the shell which is looking very effective.

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Julie had borrowed one of the Guild folios as a base for the display and she and other members added to it with items of their own, making a very colourful and tempting taster for the talk and workshop to come!

Samples from the folio:

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And our own additions:

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So to begin the day, we had a talk given by Julie based on her visit to a recent exhibition at the Victoria and Albert (V&A) Museum in London giving a good overview of different types of fabrics, stitching and how the finished embroidery was used. I particularly liked the short videos that she had interspersed through the presentation which brought some of the elements to life.

After lunch we had the choice of two projects. Either a shisha mirror centred flower – these are Julie’s lovely sample pieces…

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…or something more like the Young Embroiderers were doing, an animal or similar surrounded by kantha stitching. I outlined my fish in chain stitch using a heavy variegated slate blue cotton thread.

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Then for the background I chose some variegated stranded cotton in pale blue, pink and yellow to tone in with the background fabric.

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It was good (but surprisingly difficult!) to deliberately work larger running stitches. When I usually do kantha style work my stitches tend to be tiny –  these are about 2mm long.

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And it takes ages! But the above piece is only about and inch by an inch and a half so I deliberately stitched larger on this one to match the size of the design and it was good to get some quicker results!

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It was interesting to notice how calm and quiet the atmosphere in the room was as we all sat stitching our pieces. There is something very mindful about running stitch…

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I’ve had flu for the first time in years and it’s been a bugger to shift, so my involvement at last Saturday’s Scunthorpe Embroiderers’ Guild meeting was limited to sneaking in half way through the afternoon to hand over Val’s Travelling Book and pick up Sandra’s, staying by the door and keeping my germs well out of the way. Everyone looked like they were happily stitching though, so I hope a good time was had by all.

For Val’s book page I worked a piece inspired by the work of Sue Spargo. I bought some gorgeous heavyweight pure wool felt before Christmas and cut simple leaf shapes in a soft green to go on a cream ground. I wanted to use the uncluttered shapes to showcase the embroidery, particularly new stitches.

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Then I got out a whole pile of books on embroidery stitches and started to stitch! The blanket stitch round the outside of the first leaf is actually called Berwick Stitch in the book I used and is a blanket stitch with a sort of added french knot where the needle enters the background fabric. Very nice to work and the knot gives a lovely finish. Then a row of running stitch and the dark green is twisted chain.

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After I’d worked the line of twisted chain I felt the gap was too big between it and the running stitch, so I added a row of split stitch in variegated perle. Inside the twisted chain I stitched a row of whipped running stitch before finishing it off with a row of closed fly stitch.

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Leaf two was held down with Knotted Buttonhole Stitch. It’s a lovely looking stitch but working the knots at the start took a bit of practise. Then a neat row of chain inside that.

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I wasn’t happy with the lone line of running stitch on the first leaf so at this point I went back and whipped it. Much better.

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Back to leaf two and courtesy of Mary Thomas, Portuguese Knotted Stem Stitch. Another new stitch to me and a gorgeous one (once I’d got the hang of the tension). I really like the way this sits on the fabric.

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The inside was finished with stem stitch, back stitch and Pekinese stitch.

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I mounted it up into the book and added my inspiration page which included a printout of a photo of the leaves labelled with the different stitches.

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This was a complete joy to stitch and a lot of fun finding new and interesting stitches to add to the old favourites.

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Next to be added was the large lace motif on the left in a rich deep red…

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…which I stitched down with a variety of decorative stitches in contrasting green and complementary red.

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Then a gold chain stitch spiral to match the paisleys already on this piece of sari fabric and fill in the middle space.

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Next ribbon roses in an unusual tubular thread (Caron I think) with fly stitch leaves.

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I decided to ring the changes and give the next spotty bird stars on his spots.

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And with a start made on the spotty bird at the bottom, I felt it was going well.

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Only three blocks to finish and I’d already made a start on the experimental beaded fly stitch leaves for one of them so I was feeling really positive. Parting with this one was going to be probably the hardest of the lot!

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Another committee meeting gave me the time to crack on with my crazy patchwork bead.

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Scattered lazy daisy stitches in variegated green silk with occasional french knots.

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Lines of herringbone stitch which I may or may not lace.

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And the start of some chain stitch stems which will have wheat ear stitch tops.

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Very close to a finish!

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