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Posts Tagged ‘sea glass’

Last week, I was at a bit of a standstill with the print to stitch medieval tiles piece which I’ve chosen as January’s Move It On Project having completely run out of thread that was anywhere near close. However, thanks to Debbie who has an affinity for these lovely warm autumnal shades and a huge collection of appropriately coloured threads, I now have a bobbin of the right coloured stranded cotton and no excuse not to move things on! I finished off the tile I was stitching in the darker thread and as it’s the outer ring of stitching, I don’t think it looks out of place.

I was also toying with the idea of giving up on the spiral kantha and going back to seeding for the back ground of the last three tiles but having trialled it, it looked odd, so I’ve continued with the kantha and now completed four out of the six tiles.

The beauty of this piece is more in the way it feels with the wool felt backing and the dense stitching than the way it looks, so I’ve been working on my Hungarian Braided Chain Stitch harvest wreath, which is a bit prettier! Last time I shared it back in October, I was most of the way through adding the Raised Cup Stitch poppy flowers.

I’ve since finished them and given them all French knot middles.

So next I’m adding some leaves, using a free form of fly stitch which I’m stitching back into to fatten up parts of the leaf. It’s a slow job, working in a single strand of stranded cotton, but I think the wreath needs it for balance.

Lastly I’ve added a new Flotsam pendant to my Etsy Shop.

It’s a lightweight and easy to wear combination of Suffolk driftwood, Seaham sea glass and a lovely chunk of beach pottery and comes with a new faux leather thong with a sterling silver clasp.

Available here in my Etsy shop.

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After a very grey and wet Christmas period it was great to finally get out for a bit of a leg stretch yesterday along the beach at Withernsea. Since I first went last September to see the Pebble of the Day exhibition at the lighthouse, it’s become a firm favourite for a seaside walk and beachcomb. I love the massive variety of pebbles you find on the beach due to the underlying boulder clay and I was lucky enough to find a few fossils. I especially love the little one in the middle which looks like it has a set of tiny teeth!

I always seem to find really big chunks of sea glass at Withernsea. The slab of safety glass is an unusually large inch and a half by an inch and there are at least two other pieces of a similar size.

I also found a few nice pieces of beach china, of which at least two will be perfect for china pots for woven feathered chain stitch plants.

I’ve also been thinking about the direction I want to go in 2022 and I’ve decided that I’m going to focus on unfinished projects; revisiting them to see if there is anything to be gained by moving forward. So my idea is to pick one project a month and focus on it around other things that need doing. At the end of the month I’ll hopefully know whether it’s worth continuing with or not, rather than setting myself a potentially unrealistic goal of finishing it. A finish is a bonus but even if that hasn’t happened, I should have moved it on.

There are some very tempting projects in my box: buttonhole rings, Blackwell House of Arts and Crafts sycamore keys and some Casalguidi work…

…embroidered book covers and crazy patchwork…

…and a few kits from various places.

But first, it’s panto costume time (oh yes it is…) and the big item I’ve been putting off. This:

…needs to become Dame Durden’s opening dress for Scunthorpe Little Theatre Club’s 2022 panto Jack and the Beanstalk. Opening on the 11th January – hopefully, Covid cases and restrictions permitting. Time to bite the bullet and set scissors to fabric.

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I was asked to come up with three cards for assorted birthdays and anniversaries in short order this week and having no time to start anything completely from scratch, I went delving into a box of assorted bits and pieces and managed to come up with five finished cards in a day!

First was a piece I started at a 2015 workshop on sculpting silk paper with Linda Rudkin. Sashiko stitching on a scrap of indigo dyed sheeting. This one was completely finished and just needed mounting.

Next a couple of cards created from some samples I made playing with a soldering iron. This one has been enhanced with a scattering of silk French knots.

I finished it by stitching it onto the blue silk backing with herringbone stitch in the same thread.

I’d already started couching a frothy white thread round this sample when I found it.

The layered spirals and slashes combined with the frothy white thread made me think of the way artists like Hiroshige and Hokusai represent sea foam in ukiyo-e prints. I carried on doodling with the couched thread and added some split stitch spirals with the cream silk thread I was using to couch it down and two nuggets of sea glass.

Finished as a card.

Next up a piece of crazy patchwork that I stitched at least ten ago. I had half thought about appliqueing it onto a shoulder bag made from the cut off bottom of a pair of jeans. But the upcycled bags I’ve made in past from jeans bottoms and patchwork panels had very little interest when I tried to sell them, so I decided a card was the more sensible option.

And last, one of the back ground pieces from our teabags workshop with Fran Holmes in October 2019. This literally only needed about a dozen stitches into the lace border to finish it!

So not only did I manage to deliver the three requested cards, I actually have some in reserve for upcoming celebrations. Makes quite a change to be beforehand with the world instead of chasing my tail!

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Happy Tenth Birthday to this blog! Please help yourself to a piece of virtual cake. :o)

I wrote my first post on May 2nd 2011 which also happened to be Bank Holiday Monday.

In 2011 blogging was massive in the creative community. It seemed that everyone from full time textile artists to complete beginners were sharing their art and creative processes and many of the blogs I followed were like fabulous magazines, full of gorgeous images and insights into all types of embroidery and textile art that were new and endlessly fascinating to me. People connected, made friendships, shared ideas and advice and I found I could join a whole world of people who loved stitch as much as I did.

However, blogs have waned massively in popularity since 2011. Probably half to three quarters of the bloggers I was following in 2011 have stopped blogging for one reason or another and I have to put my hand on my heart and say I don’t read blogs as regularly as I used to – like many of us I’m more likely to scroll through the same people’s Instagram feeds. But although we get the instant gratification of a pretty or interesting picture on Instagram, I still do value the time and space to explore creative practise that you get in a blog.

The rise of social media is understandable. It takes a moment to upload a photo from our phones onto Instagram, type a few words and hashtags and press send. The image is out there and it gets instant engagement. You can click a like on it in less than a second before you move onto the next piece of eye candy, or spend a few more putting a heart-eyes emoji or a brief comment. It has its place. Some quick feedback about a problem; affirmation that you have made something pretty or reassurance that other people are in the same position. Speed of response can be very useful.

On the other hand, blogs take time and effort. You need to compose your thoughts, create readable content and suitable images to go with it. Not everybody has the time or natural affinity with words to do that which makes the bloggers who are still plugging away out there very special and their posts a valuable resource.

Social media is a snack – like a bag of crisps. A blog is a meal. Words and ideas to digest. You have to take your time and work through the blogger’s thoughts and accompanying images and to continue the metaphor, like a meal, a good blog post leaves you feeling satisfied. Or it can be so delicious it leaves you hungry for more. More images, more explanation, more of an insight into a project. A very common comment to both give and receive is something along the lines of, “I can’t wait to see more of this project!”

So thank you to all the fellow bloggers who still follow and comment on my tiny corner of the internet. Thank you for letting me know I’m not just talking to myself and thank you for carrying on with your blogs and continuing to interest, engage and inspire me with your creativity.

Lastly, the watch case pendant is finished.

Rachel asked how I was going to attach a chain to the winder and luckily my plan worked! One of my biggest jump rings was just big enough to go round the stem of the winder and still have enough room to attach the silver plated chain to either side. It’s a bit askew here because I’d turned it round to photograph the back and it wasn’t sitting properly, but it give an idea of the way it’s constructed.

Available here in my Etsy shop.

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I’ve been wanting to create some more watch case pendants for a while and last week I finally got round to hunting out the box they live in. I was also determined to do one at a time that I could actually finish, rather than planning all of them at once and overfacing myself.

I had a lovely little rounded piece of driftwood that I wanted to use for this one and teamed it with a pretty gold flecked batik cotton.

Seaweed first, in good old feather stitch and some overcasting with added cast on stitch picots to help hold the driftwood in place.

Then some maidenhair stitch and beading. Maidenhair stitch is a feather stitch variant where you stitch three loops gradually increasing in size on the same side before stitching three on the other side, rather than alternating as in ordinary feather stitch. It’s a new stitch to me and I really like the effect it gives, especially when you curve it like a plant stem.

Some more feather stitch and Palestrina stitch to give a different texture.

After one more swirl of Palestrina knots with a touch of purple, time to add the sea glass. The sea glass nuggets are held in place with a dab of superglue just to make sure they don’t go anywhere before I work the holding stitches over them.

Lastly I gathered the design over a piece of pelmet vilene before setting it into the watch case.

It just needs a silver plated chain attached (somehow…) and it’s a finish.

My not so little, little one turned 16 at the weekend and as I was completely out of inspiration for an original card, I used a pattern from the internet to cross stitch one of her favourite characters from Star Wars:

I was reminded how long it takes to cross stitch even a relatively small and simple design (best part of four hours for this one and I don’t think I was stitching particularly slowly) but it was worth it – she loved him.

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With the reopening of non-essential shops this week, the Persian Chandelier and most other ongoing projects have been put aside and my stitching and making has been focussed on building up my jewellery stock.

First, a new sea glass necklace.

I started with a vintage rolled gold pendant which had lost its stone and found a sea glass piece that fitted it perfectly in my dwindling collection of Seaham multis – this one clear with a smudge of pink. Then I added a delicate rolled gold necklace and found some perfectly frosted pink and white glass beads to replace the existing beads which luckily match the sea glass piece perfectly.

It’s available here in my Etsy shop.

I’ve also been altering another fabric brooch from a job lot of junk jewellery. This one was simply a piece of woollen checked fabric needle felted onto a square of black wool with a random button and a brooch back sewn on. I removed the button and while going through my found object stash for the Mandala Brooches, I found what I think might have been part of a fishing fly and a hemispherical panel from a bracelet which both appealed.

I used my go-to variegated metallic Madeira thread to stitch both elements down and add stitches into the fabric around the main part of the fishing fly. It isn’t supposed to be anything in particular but I think it looks a little like a comet!

Sashiko stitching on tiny scraps of indigo dyed cotton with silk thread mounted in a vintage brooch setting have become another boro-style brooch.

I’m really pleased with the sashiko pattern on this one, especially as I did it by eye, and it really pulls the separate scraps of fabric into a whole.

It’s available in my Etsy shop here.

Lastly, some experimenting with knotted stitches in this sort of crewel work style sample. Portuguese Knotted Stem Stitch and French Knots on the left, German Knotted Buttonhole in the middle and middle right and Palestrina Stitch and Pistil Stitch top right. Chain Stitch and Four-Legged Knot bottom right and the stem is Coral Stitch and Satin Stitch.

Hopefully I can get back on track this week and I have high hopes of being able to stitch outside if the weather stays good!

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After having stitched the next section of ribbon for the glazing bars of the Temperate House at Kew down with stab stitches, it was clear that the original blanket stitches had to come out. Much better.

This has made it less bulky, so I decided to take Rachel’s (VirtuoSew Adventures) advice and run the bars right across the background.

Next I need some white thread for the thinner vertical bars, but there is white and white, as I found out a few years ago when I stitched a whitework piece and discovered that the threads I thought were identical under artificial light certainly were not in daylight! So I’m leaving the thread matching for a day with good natural light.

I’ve just added this sweet little upcycled sea glass brooch to my Etsy shop. It was one of those satisfying moments when after having trawled through a large pile of sea glass finding pieces that were almost but not quite right, I picked up this gorgeous green oval and it clicked into the vintage brass brooch setting like it had been made for it.

As if I didn’t have enough projects on the go, this week I’ve started a little or nué design of an acorn. I painted it onto some indigo dyed calico, left over from the Persian Chandelier piece with my Inktense sticks, which I love.

Then I started couching down the gold threads, using Pearsall’s ‘Gossamer’ thread. It’s so thin, it’s literally like stitching with spider’s web, so perfect for the job. It was a bit challenging to make the gold thread turn as tightly as possible at the ends , but so far, so good.

As I approached the edge of the acorn, I realised I hadn’t made things easy for myself. I was going to hit the acorn at an angle, rather than straight and this was going to potentially make it more difficult to get the shading right.

However, considering the amount of time it had already taken me to get this far with the gold, I have decided to keep on and see what happens. If nothing else, it will be an important lesson and remind me to do a bit more research before I blithely jump into a brand new technique!

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Having finished Baby Leaf-Tailed Dragon’s tail with the white circles…

…I decided to add the details to the head section next. Extending some of the outline to give him a jawline and define the ears was straightforward, as was adding the highlights around his neck, ears, mouth and nose. Then it was the eye. The eye more than anything gives him his personality and I really didn’t want to get this wrong, so I cut out a paper template and moved it around until I was happy before I started stitching. It’s amazing how even a small alteration in placement can make a big difference to expression and personality. After a reassuringly small amount of unpicking, I was pleased with the way he looks. Definitely cheeky!

I had a pair of trousers to hem yesterday and while looking for the right colour sewing cotton, I bumped into the Bayeux Stitch mushroom I started last January during panto.

I’d got as far as putting the gills in but they were going in the wrong direction. I knew they were wrong but simply couldn’t work out what the right direction was, so I put the hoop aside and left it – I didn’t even bother to finish unpicking the gills. So this was what appeared as I moved my mending pile:

As I picked up the hoop I could see instantly where the lines needed to go! Trousers were postponed and gills were couched in place. I also outlined the spots on the cap and next stage is… the highlighting. I really need to get over my nerves about stitching highlights on these pieces!

I’ve also been adding some more upcycled jewellery to my Etsy shop. These drop earrings I made in January from a fragment of Art Nouveau pressed brass frame in the shape of olive branches is similar are available here. I’ve added faux pearl drops and new gold plated sterling silver earhooks.

The broken silver ring I shaped into two Celtic motifs has been teamed with a couple of iridescent Czech glass beads to become this rather elegant pair of earrings which are available here in my Etsy shop.

Then a couple of beachcombing pieces. Several years ago I found four glass beads which had obviously once been part of a necklace or bracelet on a tattered piece of thread at a Cornish beach. I love the way they have been worn by the sea and have been looking for just the right project for them ever since. Inspiration struck when I came across an odd earring with a hanging loop inside. I made a piece of silver wire into a headpin and two of the beads fitted perfectly. You can find it here in the Beachcombing section of my shop.

I had a silver pendant which had a very odd looking flat part under the garnet. It was a little while before I realised it was a backing plate and whatever had originally been stuck on it was long gone. Perfect for a piece of sea washed pottery and this fragment of Victorian spongeware worked perfectly. The finished pendant has a new silver chain and is available here.

And the final highlight is the upcycled mourning locket I wrote about in last week’s post.

Within an hour of listing it on Etsy it had sold! A great boost on a cold and snowy day.

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I still haven’t found the iridescent fabric I managed to tidy away, but I did find something I think turned out better in the end, and so the dragonfly for the second pouch is well underway. I stitched the body in satin stitch blocks…

…and the thorax in a sort of long and short stitch with detached chain stitch and french knot legs and clustered french knot eyes.

Then onto the wings. While looking for the iridescent fabric I had in mind, I found some purple hand dyed silk organza and an iridescent organza. I fused them with bondaweb and ended up with the perfect fabric for the wings!

I’m using it with the purple uppermost but there is still plenty of subtle sparkle. Veins in back stitch, following the lines you would find on a real dragonfly’s wings.

I have a real hankering to make some more of these sea glass watch case pendants.

But when I went looking for the watch cases I found this:

A box of clock hands I bought ages ago at a car boot sale and forgot about! I had a lovely quiet afternoon sitting on the patio sorting them all out.

Most of the really ornate ones are singletons, but there were a surprising amount of pairs and I chose a couple of simple geometric hands to turn into a pair of upcycled earrings with a bit of a steampunk vibe.

The hands are very light – probably aluminium – and those gorgeous purple art glass beads give them enough weight to hang nicely in the ear.

The earhooks and all the other metal is sterling silver and they are available here in my Etsy shop with free UK P&P.

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As my middle one finally left home in the summer her bedroom, conveniently downstairs, is now vacant. After an industrial strength cleaning session (who says teenage boys are cleaner/tidier than girls?!) it is now a thing of beauty and I have been slowly moving my jewellery making stuff in. It is fantastic to now be able to leave my work where it is instead of being at the kitchen table and having to work around mealtimes, which is probably why I’m being more productive.

I cut and shaped a badly dented vintage bangle and drilled a couple of lovely nuggets of Seaham sea glass which I then combined to make these earrings:

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They’re available here in my Etsy shop, but I am sorely tempted to keep them for myself!

I’ve also combined some more sea washed china and vintage settings.

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Stamped a music design onto a piece of beachcombed clay pipe stem and added a vintage earring drop to make a pendant, available here.

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Inspired by the found objects piece I did for the Guild meeting last month I embroidered french knots and starburst jump rings onto a piece of painted fabric…

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…to make a new centrepiece for a vintage brooch.

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I found the most amazing tropical blue nugget of Seaham sea glass which perfectly fits a vintage silver brooch which you can find here.

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And another incredibly rare piece is this tiny pink sea glass heart, for which I have finally found the perfect match – a sterling silver heart pendant.

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Thanks to my new work space, I’m on a roll – just have to hope my middle one doesn’t want to come home to her old room too often…!

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