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Archive for the ‘Jewellery’ Category

It was a real success.

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The weather was lovely and we had a steady stream of interested people through the doors to admire a room full of beautiful textile art including both people’s own projects…

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…and work from the last couple of years, such as the goldwork initials on the left.

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Bovver birds. (Wearing bovver boots…)

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Outcomes from Mary’s Sea Workshop:

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Chris Gray’s amulets:

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My Stitch Play:

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Competition Pieces:

Sandra’s beautiful heliotrope fan won the Regional Award for the Competition – ‘A flower beginning with…H’.

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And I believe this William Morris inspired competition entry on the left is Lynda’s. Each one of those sunflower petals is an individual free standing woven picot. Stunning!

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Some of our Alice Fox work:

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As well as more projects, new…

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…and old.

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And in one corner, my jewellery stall (complete with my budding archaeologist on the left). Upcycled jewellery on the left, original jewellery in the middle and beachcombed jewellery on the right among the driftwood.

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I half hoped I might sell a couple of bits, but in fact I sold nine items and had so many lovely compliments and conversations that it’s a wonder my head got through the door at the end of the day!  I am so grateful to the committee for suggesting I have a stall and I am definitely ready to do something like this again – I just have to find the right type of fair/market.

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Some of the near finishes I blogged about recently in ‘Brooches etc‘ have become actual finishes!

First the Chris Gray amulet from summer 2016. It’s gone from this:

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To this:

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I sandwiched the felt backed front and a piece of black felt for the back on either side of a piece of very firm stiffener than Chris provided us with to give the amulet body. Then I blanket stitched the three pieces together with the same variegated thread I used for the seeding stitches.

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I added a ribbon loop at the top and a cluster of beads, chains, sea glass, shell etc at the bottom from an assortment of broken jewellery.  The long blue tyvek or similar bead was one of two we were all given as part of the original workshop.

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The Knot Gardens pendant is also finished. I coloured the pelmet vilene around the knots to look like soil/paths and sandwiched both knots together with another circle of vilene inside to make it thick enough to sit in the swivel part of the fob properly.

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It’s in my Etsy shop here.

I also completed the second of my autumn leaves embroidered and beaded brooches. The first had a green and copper bead surround:

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The second has a fiery gold and orange sunburst surround. I love doing these beaded edgings – they work up quickly and look really effective. I’ve got my fish name badge to do next.

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And lastly, an empty watch face pendant and a piece of embroidered felt came together to create another upcycled pendant which is on Etsy here.

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It’s really good to get so many quick finishes sorted, or may be it’s displacement activity because I have some mending that needs doing…!

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Embroidery as promised. I not only finished off the faux driftwood piece I stitched at our sea-themed Embroiderers’ Guild March workshop…

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…but also found a framed ceramic plaque for £1 in a charity shop which after a bit of sanding and dry brushing with some pale blue emulsion paint yielded the perfect frame.

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The beaded fish is now nearly a name badge. I just need to add a brooch back, ladder stitch the two sections together and bead it round the edge.

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On Saturday it was our April Scunthorpe Embroiderers’ Guild meeting and an opportunity to revisit the embroidery we produced in March after Mary’s workshop. It was lovely to see such a variety of outcomes.

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This was followed by a fascinating talk by Alice Fox, learning about her creative journey and focusing on her ‘Findings’ body of work. Anyone who beach and pavement combs and turns the oddments she finds into works of art is a woman after my own heart. We had a workshop booked with her on the Sunday but I’m going to blog about that separately.

I’ve also been embroidering more pieces of silk carrier rod to inlay into upcycled jewellery – two lockets and a pendant. The pendant was first: vibrant green carrier rod with a crimson ribbon embroidery rose circled by five little leaf stitch leaves.

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This went beautifully with a stamped filigree brass frame to become June Rose.

Then I moved onto the smaller of two gold tone lockets. I used a wintry blue carrier rod and embroidered it with tiny snowflakes in two weights of silk thread. 20180426_114304_HDR.jpg

It really is very small – the central oval is about 2cm by 1.5cm and the finest thread is thinner than normal sewing cotton. The snowflakes aren’t quite well stitched as I wanted, but embroidering something that intricate freehand was quite a challenge.

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Snowflakes is available here.

For the second locket I returned to a familiar design, an undersea landscape of waving feather stitch fronds of coral or seaweed and tiny nuggets of sea glass.

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I chose a variegated pink and turquoise thread as a starting point and teamed it with turquoise/blue carrier rod, three nuggets of multi-coloured Seaham sea glass and a couple of darker pink threads.

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The Coral Garden locket is quite a bit bigger than the Snowflakes locket at about 4 by 4.5cm. I really like the colour combination. I wouldn’t have necessarily put the two colours together but they worked so well in the variegated thread.

I really love stitching these little vignettes and using them to make bits of junk jewellery into things of beauty again.

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At the end of March I went up to Seaham beach in County Durham to refresh my collection of sea glass, especially the special multis that Seaham is famous for. The beach is certainly a lot more picked over than the last time I went in 2013 and although I did find a few nice bits, there was an awful lot of hard hunting to get them.

Having spent a full day on the beach and driven home aching all over, I thought I was all beachcombed out for a while, and didn’t mind the (very) short spell I was allowed on Southwold beach at Easter, but then, it was a pretty good haul for ten minutes:

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A couple of weeks later we went to visit my middle one in Bangor, North Wales and happened to find ourselves mooching in Beaumaris on Anglesey with an hour to spare before our restaurant booking. Mooching on the seafront, specifically. I glanced idly at the beach and realised I had no real urge to go down and hunt. I was just telling my incredulous family this when my little one looked over the railing and announced that she could see a piece of beach pottery. Instantly refreshed, I positively scuttled down onto the beach to the accompaniment of much hilarity from my husband and daughters.

After they had finished teasing, they did at least come down and help me hunt and the hour passed happily and productively.

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The sea glass was more craft grade (I am spoilt by Seaham nuggets) but the pottery was fabulous.

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And my middle one even found me a rusty ‘thing’ which was very exciting.

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Time to turn my treasures into jewellery. First, I worked with two of my favourite pieces of the Beaumaris pottery. Beaumaris Blue:

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And Pretty Purple:

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This one has a lovely reverse side too.

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The final and very different pendant began with a piece of random organically shaped metal from somewhere which I had textured with a hammer to make a feature of the fact that the underlying copper was starting to show through. I played with arrangements of my beach treasures; pieces of wave-worn metal, pottery and glass until I found something which worked.

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‘Treasures!’ can be found here.

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Hopefully embroidery next time!

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Work of course. First a quick update on the current state of the bluework. Not an awful lot, but from this: DSCN8921to this:

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The bunches of flowers across the foot are completed – the far right one needs a bit of tweaking to give it the same balance of light and dark as the others…

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…and I’ve added a partial folk art style flower to the bottom right section.

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I’m working some pulled thread samples as well. I love pulled thread work and was itching to do some again. I bought some large self covered buttons from a charity shop recently and was toying with the idea of covering them with pulled thread work backed with bright pops of silk.

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However, the linen I’m using is too thick to gather properly, so I’m toying with other ideas. I still like the idea of silk behind though.

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Something to experiment with in odd moments.

Lastly, I’ve found a perfect match for a piece of embroidered felt I found when I was sorting through some samples I’d made for felting lessons at school. I added a vintage brooch setting and taking this section out of a bigger (and very busy) piece actually looked better than the whole.

The leaves are an earlier version of the more tightly closed fly stitch leaves I’ve been using recently and they help to frame the lazy daisy flowers with their french knot middles.

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It’s in my Etsy shop here.

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Etc. first. I’ve finally completed all the seed stitch background for an embroidered print I started with Chris Gray in July 2016 and last blogged about eighteen months ago, where it looked like this:

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It currently looks like this:

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Not sure whether to seed stitch the inner circle as well…

I don’t think I’ve shown this piece of upcycling before. One of my mixed lots of junk/vintage jewellery contained a gorgeous brass spinning fob, to which I decided to add some embroidery based on knot gardens.

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It’s now got as far as this:

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French knot hedges and eyelet stitch flowers in variegated silk.

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Near enough to get on and finish now!

Brooches next. I loved the closed fly stitch falling leaves design I stitched for my friend Debbie’s necklace catch a few months ago and decided to do it again on two odd vintage stud earrings which were the same shape and size, but different colours. The initial plan was to make a pair of earrings by covering them with embroidered fabric.

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I stitched one and covered it and started on the second.

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But the second wasn’t close enough in design  – the leaves were further spaced out. Added to that, the gathered fabric and more crucially, the covered pelmet vilene backs, really made them too bulky to be successful as earrings.

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So the posts came off, were replaced with brooch backs and Plan B went into action.  I worked a beaded edging in pearlescent green and metallic copper beads to frame the design and am very pleased with the result which can be found here.

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The second one is still in production! Most of this stitching was done over the Easter weekend at my parents’ in Suffolk which had to include some beachcombing. I was only allowed a short spell under the pier at Southwold, but still managed to find three nice nuggets of sea glass, a piece of carnelian, a big chunk of tile which has weathered to a lovely faux Medieval feel…

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…and some small pieces of driftwood, including one which had a gently shaped front and a flat back perfect for turning into a brooch. I auditioned a fair few piece of broken jewellery to put with it, but when I found this single broken vintage clip on earring of a swallow, it was a perfect match. The plate of the clip was still attached and I used it to mount the swallow onto the driftwood so it stands slightly away from the base, which I like.

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I’ve called it One Swallow (in hope of some more to make a summer!) and put it into my Etsy shop here.

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They started as part of a five piece graduated set of wedge shaped pendants. The central sections had been filled with glittery golden sticky backed plastic – horrible but easily removed to give a blank space full of possibilities.

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As you can see from the above photo, I already had one idea brewing – to use some of the scraps of fabulous yew wood veneer I scored from my Dad’s workshop a while ago. I liked the look of the wood against the gold coloured edging, but felt that to do all of them the same would be too much and just one wouldn’t showcase the wood enough. So I decided to make a trio of pendants, using the two smallest and one of the medium sized sections.

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I cut the veneer to shape and carefully finished the pieces with clear Danish oil and micro-crystalline wax before insetting them into the pendants, adding a gold plated chain and listing them here in my Etsy shop

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That left the largest and one of the medium sized sections for something different. I really enjoyed working with ironed out silk carrier rods recently and I had just found three bags of them I didn’t know I had (hangs head in shame…) in my favourite colours – blue, green and turquoise – so that was the next design sorted. I cut a piece of the green to fit the largest section and started to create a little garden corner. Straight stitch stems and french knot flowers in various weights of silk thread.

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Then an overhanging branch in stem stitch…

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…with lazy daisy stitch leaves…

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…set into the pendant which can be found here.

A piece of mottled blue/turquoise carrier rod was a good start for a sea themed pendant. I added feather stitch in gold silk thread and three tiny nuggets of rare yellow sea glass.

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They were stitched down with fine silk thread and I added another swirl of feather stitch to link them.

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I’ve called this one ‘Sunlit Zone’ and listed it here.

Stitching on the ironed out silk carrier rods is lovely. They are firm, like a heavy paper, but much more forgiving if you put the needle through in the wrong place. Pelmet vilene is great too but the colour and sheen of the silk is just very special. I think they have loads more potential in my jewellery work so this won’t be the last you see of them!

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