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Posts Tagged ‘beaded blanket stitch’

Sorting some of my beachcombed treasures led to a couple of pieces of jewellery. First was a chunk of school ruler which had frosted beautifully in the waves. I paired it with a piece of beachcombed metal swarf with a lovely milled texture to make a brooch, now available here in my Etsy shop.

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Then I managed to find two vintage panel bracelets which are great for setting with sea glass and pottery like this one. There is just something about blue and white sea-washed china that I love.

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I also like to use panel bracelets to turn groupings of odd vintage earrings into unique assemblage bracelets. The theme that developed here was floral soft blues and greys with a central enamelled dragonfly. Available here in my Etsy shop.

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I also managed to list the brooch I made during show week from a scrap of felted woollen jumper, a vintage kilt pin and an odd earring drop and it’s available here.

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Definitely in my blue period!

I’ve also had a bit of a spurt with one of the pelmet vilene accordion book memory journals I’m working on. This one is based on a visit we made at the end of March to the North Sea Observatory and Anderby Creek beach in Lincolnshire. The shell strewn beach was unlike anything I’ve ever seen on the North Sea coast and then we had a stroll along the sand dunes to the lovely Anderby Beach Cafe for lunch before heading back home.

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I stitched a fragment with cast on stitch and one of the big flat holed oyster shells in the summer but then things lapsed until a piece of evenweave gave me an idea to do a piece of pulled thread work. I used natural coloured silk thread and Diamond Stitch to create a random pattern like ripples in the sand.

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Then I added some dried seaweed, a clam shell with a hole in and a little piece of driftwood.

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I love the very clever Anderby Beach Cafe logo which uses part of the structure of a traditional deck chair as the initial ‘A’ and the hot dog I had for lunch that day, using local butcher’s sausages was delicious. So that quickly led to a hand painted and stitched applique ‘receipt’ on calico, featuring a splodge of ‘tomato sauce’ to remind me of how much I enjoyed my lunch!

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Ideas forming for the North Sea Observatory and the Cloud Bar…!

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In the end, Baby Leaf-tailed Dragon wasn’t finished for show week and in total, I only managed to put half a dozen stitches in him on stage the entire week, most of which had to be unpicked and restitched later! But ‘The Fifth Elephant’ went well and we had lots of positive comments from Pratchett fans, some of whom had travelled some distance to come and see the show.  No rest for the am dram wicked though – last performance of ‘The Fifth Elephant’ on Saturday and tonight (Monday) is the first casting reading for panto!

I did manage to get some stitching done in the interval though, so all the Bayeux Stitch is completed and I’ve started the couched outline. It neatens the edge up a treat.

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Since the Baby Leaf-tailed Dragon and his frame were props for a scene in Act 1, I had to find something else to sew before curtain up and I decided to experiment with a banner style brooch using an odd kilt pin. I had a few small pieces left of a wool jumper I felted a while ago and turned variously into a cushion cover, a pair of mittens and some earring cases.

I added some commercial grey marl felt and an odd earring drop…

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…blanket stitch, french knots…

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…sequins, a bead, split stitch and detached chain stitch…

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…before finishing with a kantha stitched back ground in shimmery blending filament, a beaded blanket stitch edging which joined it to the grey felt back and blanket stitching it to the kilt pin in stranded silk thread.

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A fun little project and I particularly like the subtle sparkle you get from the blending filament.

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I put the final french knot into my huge piece for the Victorian Box Project  two days ago and after nearly 15 months, it was a fabulous feeling!

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I stabilised the back before I sent to bed so it could dry overnight and the next morning got the box out ready to attach the stitching. So excited! I laid it over the top of the box and stretched it over the sides and that was then I discovered that it had shrunk somewhere and wasn’t going to fit. Fortunately I have some leeway around the edges, but it’s back to the drawing board for the moment.

So to cheer myself up I picked up the brown and gold sea glass watch case pendant I showed a couple of posts ago.

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I love those tiny nuggets of very rare yellow sea glass I picked up at Seaham and the colours work perfectly with the watch case.

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I’ve also started a real upcycled piece, creating something from nothing. I started with an offcut of some hand made felt I was cutting up for another project and a piece of bent gold coloured wire that came out of a job lot of broken jewellery. Trimming the felt slightly I evened up the shape and attached the wire with straight stitches in fine silk thread. The longer stitches were topped with french knots – what else! – in a heavier mercerised cotton and I used the same thread for running stitch around the edge.

 

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I attached a pelmet vilene backing with beaded blanket stitch…

 

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…and an odd link I took off a vintage rolled gold watch strap yesterday will make the perfect bale to turn it into a pendant.

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My little one has just started secondary school and has gone from packed lunches to school dinners. This has suddenly given me 10-15 minutes extra in the mornings and so I’ve started doing a little stitching before I head off to work.

The huge french knot piece is heading for the last leg. Last time I shared it, I’d got this far:

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But a summer’s worth of stitching at boot sales, meetings and these new morning stitching sessions has got me to this point:

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The bottom edge is now complete, the second corner defined and all I have left to do is the final edge. That said, there is probably hours of work still before I can put in the final stitch!

The other thing I’ve worked on is my amulet, although I’m thinking it’s more likely going to be a book cover. At the end of the workshop in July I’d feather stitched and beaded the printed fabric to the background felt and used beaded blanket stitch to attach a rusty washer to the centre.

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Since then I’ve used my favourite metallic Madeira thread to back stitch all round the printed design. Just enough metal wrapping around the core thread to give a subtle sparkle. It’s twinkly rather than blingy!

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To fit in with the found washer in the middle, I’ve added some large textured gold tone loops from a short section of chain. Each one is couched down and then french knots added at the ends of the couching stitches.

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I’m amazed at how much I’m getting done in these little sessions, although it is extremely tempting to just do a few minutes more – and then end up late for work!

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As our meeting on the Saturday afternoon was to be followed by an all day workshop with Chris on the Sunday, at the end of the meeting we got a tantalising preview of all the goodies we were going to be using – piles of gorgeously dyed fabrics, threads, and beads, paints and box upon box of intricately carved wooden stamps all laid out ready. Talk about whetting the appetite!

The next day our task was to choose two pieces of the lusciously dyed fabrics that Chris had provided and print them up with one of Chris’ blocks to stitch into an amulet. If we had any of our own spare fabric, we could print that as well to take home.

Chris had told us a tale of a lady who never did any stitching on one of these workshops – she spent the whole day printing – and after experiencing the fantastic crisp images the blocks produce…

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…I completely understood where she was coming from.

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Everywhere I looked was another block I wanted to try.

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I’d come out of the house in a hurry (as usual) and grabbed a handful of scrap fabric to print on rather than the whole bag. Ultimately this was a good thing because had I grabbed the bag instead I don’t think they would have got me away from the blocks.  Even so, I printed on everything I had. When the calico was covered, I printed on silk dupion, which turned out pretty well in spite of its slubby surface…

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…printed and patterned fabrics,

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odd shaped scraps and oddments…

…and I even ended up printing on ironed out silk carrier rods, scrim and chiffon and emptying out my workbag in case there was anything else remotely usable hidden in its depths. The scrim and chiffon were a revelation. We were printing with emulsion paint – no fancy textile inks or paints  – using blocks with very fine detail and the results were amazing. First the scrim:

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Close up you can see how crisp the image is despite the crinkled nature of the weave.

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Then the chiffon. I didn’t expect much of a result with emulsion paint on such a fine fabric, but I was over the moon with how well the blocks printed on it.

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By this time pretty much everyone else was already stitching, it was nearly lunchtime and the blocks were being washed and packed away, so I resolved not to try and cadge any more fabric from anyone else and sat down to stitch the print I had chosen for my hand dyed fabric piece. Medieval tile pattern on turquoise of course and feather stitch around the edge to attach it to the black felt behind.

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I love the rust-coloured patches in this fabulous thread and once the block was feather stitched down, I went back and beaded it with matte iridescent delicas in similar tones.

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A rusty washer was perfect for the centre.

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I attached it with beaded blanket stitch, using some more of the same beads and another favourite thread, my bronzy metallic Madeira.

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Next step is to back stitch around the design in the Madeira thread.

Chris posted some more images of the lovely work done by everyone else here. And then if her generosity of knowledge and enthusiasm wasn’t enough, she presented us with this lovely amulet to be raffled at our AGM at the end of the month.

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Thanks Chris, it was brilliant!

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The cuff book is finished. But I forgot to take a photo of it! Not that it’s changed much – just had the pages stitched to the spine with a single line of pamphlet stitch, decorated with some seed beads.

So is the leather bracelet. Both flowers completed and three matching quartz bead dangles added.

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I finally found the right size drill bit to make setting the cogs easy for the black and white steampunk brooch and once I’d done that, the finishing was easy.

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Then the embroidered pendant for a bow shaped pendant brooch, missing its drop, was the next to be sorted. It started like this:

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Then I put three pieces of walnut dyed vintage fabric together and secured them with beaded blanket stitch. The back is a damask, the middle canvas and this side is some embroidered net that I always understood was associated with my great-grandmother who died in 1970.

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It was a little dull so I went over some of the pattern with silk threads in faded shabby chic tones …

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…and then hung it from the brooch.

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Rather pleased with myself. And to top all that I’ve even got them listed in my Etsy shop:  Flower bracelet, black and white steampunk brooch and pendant brooch. Wonders will never cease!

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I’ve finished the beaded blanket stitch on the edge of the purple square and am very pleased with it. In fact, I’m very happy with the whole overall look.

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But… I keep thinking of the instruction to bling it up and wondering if I should do any more. I’ve thought about various forms of beaded feather stitch across the spiral or rows of french knots either side of it; back stitched lines running through the spiral with french knot ends or oglala stitch beading over the spiral.

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Really not sure, so I’m returning to the crazy patchwork bead for a bit.

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Any thoughts?

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