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Posts Tagged ‘Scunthorpe Embroiderers’ Guild’

After September’s AGM, Scunthorpe Embroiderers’ Guild were back with needles in hand for our October Meeting, which is designated ‘Friendship Day’ in memory of the members we have lost over the years. It’s usually an all day workshop and often, as last Saturday’s was, run by our talented members.

This year, a small group led by Val introduced us to the world of embellished seam treatments and crazy quilting. I have done a fair bit of crazy patchwork, but I only ever use feather stitch along the seams and for me, it’s the embellishment of the patches which is the focus. My patches are also raw edged, unlike the neat seams of crazy quilting, so I was looking forward to doing something a bit more precise than my usual method of working!

It was a busy weekend on the am dram front as I organised both our annual Hallowe’en costumed trail at the local museum on the Friday and our first ever Spook-tacular Scare Walk in the grounds of Normanby Hall on the Sunday, so I grabbed the brown and indigo left overs from the Indigo Diamond quilt I made last June, a handful of toning threads and I completely forgot to pick up any needles! Thanks to Debbie for letting me scrounge some of hers.

First job was to cut three pieces of fabric and to stitch them onto a calico backing. As the block only consisted of three sections, we stitched the seams by hand, which was nice quiet repetitive work, especially when you can chat to friends while you’re doing it. As well as the blue and brown I also picked up one of my rust dyed fabrics for the third colour.  All ready to embellish the seams.

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I wanted to echo the curved lines in the rusted piece, so I used a cotton reel to trace half circles along my first seam, alternating between the blue and the rust, and used a heavy almost corded cotton thread in rusty browns to cover it in chain stitch.

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The thread was almost too heavy to use, but I love the effect.

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Next, to take it a bit further. I wanted something fan-like in the semi-circles so I decided on buttonhole wheels.

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Nice idea, but not happy with the execution. The wheel was a bit uneven, so I tried to hide it by filling the middle with a smaller, woven buttonhole wheel. Then I stitched the second one (on the right) and it came out much more like I had imagined.

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So the first one is in the process of coming out!

It was a lovely workshop. We constructed our blocks in the morning, leaving the afternoon for the creative fun of developing the seam treatments and there were some gorgeous results.

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Really looking forward to finishing this piece now Hallowe’en is out of the way!

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It was a real success.

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The weather was lovely and we had a steady stream of interested people through the doors to admire a room full of beautiful textile art including both people’s own projects…

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…and work from the last couple of years, such as the goldwork initials on the left.

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Bovver birds. (Wearing bovver boots…)

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Outcomes from Mary’s Sea Workshop:

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Chris Gray’s amulets:

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My Stitch Play:

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Competition Pieces:

Sandra’s beautiful heliotrope fan won the Regional Award for the Competition – ‘A flower beginning with…H’.

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And I believe this William Morris inspired competition entry on the left is Lynda’s. Each one of those sunflower petals is an individual free standing woven picot. Stunning!

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Some of our Alice Fox work:

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As well as more projects, new…

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…and old.

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And in one corner, my jewellery stall (complete with my budding archaeologist on the left). Upcycled jewellery on the left, original jewellery in the middle and beachcombed jewellery on the right among the driftwood.

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I half hoped I might sell a couple of bits, but in fact I sold nine items and had so many lovely compliments and conversations that it’s a wonder my head got through the door at the end of the day!  I am so grateful to the committee for suggesting I have a stall and I am definitely ready to do something like this again – I just have to find the right type of fair/market.

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Embroidery as promised. I not only finished off the faux driftwood piece I stitched at our sea-themed Embroiderers’ Guild March workshop…

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…but also found a framed ceramic plaque for £1 in a charity shop which after a bit of sanding and dry brushing with some pale blue emulsion paint yielded the perfect frame.

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The beaded fish is now nearly a name badge. I just need to add a brooch back, ladder stitch the two sections together and bead it round the edge.

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On Saturday it was our April Scunthorpe Embroiderers’ Guild meeting and an opportunity to revisit the embroidery we produced in March after Mary’s workshop. It was lovely to see such a variety of outcomes.

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This was followed by a fascinating talk by Alice Fox, learning about her creative journey and focusing on her ‘Findings’ body of work. Anyone who beach and pavement combs and turns the oddments she finds into works of art is a woman after my own heart. We had a workshop booked with her on the Sunday but I’m going to blog about that separately.

I’ve also been embroidering more pieces of silk carrier rod to inlay into upcycled jewellery – two lockets and a pendant. The pendant was first: vibrant green carrier rod with a crimson ribbon embroidery rose circled by five little leaf stitch leaves.

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This went beautifully with a stamped filigree brass frame to become June Rose.

Then I moved onto the smaller of two gold tone lockets. I used a wintry blue carrier rod and embroidered it with tiny snowflakes in two weights of silk thread. 20180426_114304_HDR.jpg

It really is very small – the central oval is about 2cm by 1.5cm and the finest thread is thinner than normal sewing cotton. The snowflakes aren’t quite well stitched as I wanted, but embroidering something that intricate freehand was quite a challenge.

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Snowflakes is available here.

For the second locket I returned to a familiar design, an undersea landscape of waving feather stitch fronds of coral or seaweed and tiny nuggets of sea glass.

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I chose a variegated pink and turquoise thread as a starting point and teamed it with turquoise/blue carrier rod, three nuggets of multi-coloured Seaham sea glass and a couple of darker pink threads.

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The Coral Garden locket is quite a bit bigger than the Snowflakes locket at about 4 by 4.5cm. I really like the colour combination. I wouldn’t have necessarily put the two colours together but they worked so well in the variegated thread.

I really love stitching these little vignettes and using them to make bits of junk jewellery into things of beauty again.

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On Saturday our Guild meeting was an all day workshop led by Mary, one of our members. It was themed as ‘The Sea’ and Mary provided not only inspiration in the form of some lovely examples of her own work on the subject…

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…assorted books, magazines etc. but also masses of fabric, shells, stones, beads, paints, printing blocks, silk waste; you name it… basically a complete treasure trove of stuff.

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And we all know how much more deliciously tempting other people’s stuff is than our own!

As a topic, the sea is completely in my comfort zone, so much so that my initial problem was where to start. There was so much I wanted to do! But as Mary talked us through her goodies, inspiration was initially triggered by a cloud of bright orange silk throwster’s waste and then confirmed by some foam core board. With a very definite idea in my head, I nipped in, grabbed a few bits and bore my loot off to my table.

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The lovely pale marbled fabric was a perfect base for my wrapped and back stitched  foam core board driftwood. I just cut it roughly to the right shape and then back stitched through the boards and several layers of dyed muslin, pulling and pleating the fullness of the fabric to give the impression of wood grain. It was easy to stitch invisibly to the background, where I used Inktense pencils to enhance the pattern of the fabric.

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The orange silk said rust to me, so I created a rusty square-headed bolt from a sandwich of silk carrier rods, the throwster’s waste and a street-scavenged washer I just happened to have in my bag, wrapped in an off-cut of the brown muslin I’d used for the  driftwood and stitched down with my favourite semi-metallic thread.

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The last element was some lovely aqua sea glass nuggets I also had in my bag. I nestled them in the curves of the marbled fabric pattern…

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…and after gluing them in place, stitched them down with a toning machine rayon thread.

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I couldn’t believe I’d actually finished a project within the workshop and still had time to start another one. There was a leaping fish stamp that I liked the look of, so I used metallic blue acrylic paint to stamp some images of it onto more of the grey marbled fabric.

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Then I stitched beads in the spots and some short bugle beads for his underbelly to make him sparkle. I’m adding my name underneath to turn him into a name badge. We are supposed to have one and wear it at meetings, but to my eternal shame it’s something I’ve never quite got round to – until now.

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A good day’s work.

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I know that some members prefer to have a bit of a project set out, but this free for all rummage through Mary’s treasures was perfect for me, and thanks to her skilful facilitation, gave me a wonderful day’s stitching.

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If we have had a workshop of some sort at our Embroiderers’ Guild group, then at the next meeting there is a space available for people to bring their workshop pieces, whether finished or just continued, to show. It was fantastic to see what had happened to the stitch play pieces from my workshop in December.

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Many thanks to everyone who brought along their work – glad you enjoyed it!

I’ve also been doing some more upcycling. First, I turned a single 1980s enamelled earring which looked like orange sherbet into a beaded brooch. I removed the post and then beaded it onto some hand dyed vintage cotton fabric with some matching pearlised opaque orange seed beads using peyote stitch.

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Then I gathered the spare fabric over the back and ladder stitched it to the covered vilene circle onto which I’d already stitched the brooch back.

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Then I could add the edging in a mixture of clear orange, opaque pale yellow and very pale lilac beads, to echo the colours in the swirl.

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It’s not a terribly quick thing to stitch, but a lot of fun to do!

Among the oddments I scored from my Dad’s workshop last year were some bits of veneer that he had hand cut. This little piece is apple wood.

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I wondered what would happen if I doodled on it in black pen…

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…and then cut it into sections to fit in this vintage bracelet.

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Measure twice, cut once…

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Hold your breath and hope…

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…and be pleasantly surprised at the result.

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I’ve also added nuggets of sea glass and sea washed china to a selection of vintage pendants, brooches and rings.

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They are all sitting in my Etsy shop now, waiting for loving homes!

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The theme for our January EG meeting was ’21st Birthday’ – ours, to be exact, and we plan to mark it with an exhibition later in the year. The activity was for us all to stitch a letter to be made up into bunting for the exhibition in the following style:

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Liz had done a pile of lovely little counted work kits for us with the waste canvas all ready tacked onto the felt background and the promise that each letter should take no more than an hour to stitch.

It was a gorgeous little project, although anything counted tends to kill the atmosphere as you can’t count and chat at the same time! I ended up with a ‘T’ and had stitched it by the end of the session.

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Then I trimmed the waste canvas closely,

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damped it, and pulled the strands out.

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I’ve got an ‘R’ to stitch next.

A friend has been giving me various odds and ends for upcycling as she clears her dad’s house, and some while ago, among the oddments was a vintage two-strand bead necklace with a damaged catch which was very much in her favourite colours but too short. I took it home and restrung it, interspersing the bigger glass beads with big copper coloured seed beads, which immediately made it longer while keeping the overall look.

 

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I found a bright red plastic cabochon which fitted the top of the catch perfectly and used closed fly stitch, closely packed, to embroider a scattering of tiny leaves in autumnal browns on a piece of hand dyed brown silk.

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Then I gathered up the silk over the cab, pulled it tight behind and stitched it securely before…

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… sticking it into place on the catch. I was very happy with the way it turned out and Debbie seemed pleased with it too.

 

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At the moment I’m researching and collecting natural dye stuffs and undyed linen, silk and wool to begin my first Dorian Gray project. Exciting!

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First of all, Happy New Year to you all!  As promised, now the holiday period is out of the way, some more images of the stitch play workshop I ran at our December Embroiderers’ Guild meeting. I managed to stitch and mount four example pieces which between them showcase 48 different stitches, many of which were completely new to me.

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I provided everyone with a two-page worksheet containing the instructions and sixteen simple shapes from leaves and flowers to a star, bird, Christmas tree, heart etc to use as the base for their stitch play.  The results were fabulous.

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The background felt for Janet’s little robin was sparkly, which isn’t obvious in the photo, but made him look very festive!

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Pauline combined the stitch play idea with a felt project she already had on the go.

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All my pieces were stitched on light coloured felt so I could use a marker to keep my lines straight and equidistant, but pencil/markers don’t show up dark coloured felt so I made note of Sally’s use of guideline tacking stitches to keep her work level.

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I admire the bravery of anyone, who like Christina, has a go at Rosette Chain Stitch, especially in stranded cotton!

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Don’t know why this one insists on going sideways!

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Mary was also working on a project which lent itself to the stitch play.

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As a workshop it seemed to go down very well indeed. Pretty much everybody tried at least one stitch they hadn’t worked before/hadn’t worked for some time and everyone, from the most to the least experienced of us, was able to work and achieve at our own rate and ability level, which is what I had hoped would happen. :o)

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