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Posts Tagged ‘Scunthorpe Embroiderers’ Guild’

Just a quick one to advertise Scunthorpe Embroiderers’ Guild first ever Fabric Fair this Sunday the 9th of June.

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A great opportunity for those of us tucked away in the wilds of North Lincolnshire to be able to buy all our stitching stuff in person instead of having to rely on the internet. Nothing beats actually being able to touch and see threads and fabric in person.
I will be having a stall selling a range of vintage buttons, beads, buckles etc. and jewellery components and will be joined by the following traders:
Unravel Crafts – Fabric including Indian and Nepalese fabrics and some vintage.  Haberdashery – vintage and from India.
Quilting with Shauna – Cotton fabrics
Sew Easie – Fabric, craft bags, stuffed toys to embroider, bundles of lace and ribbon
Wemyss Cottage Haberdashery – Haberdashery, fat quarters,ribbon braid, cottons, buttons, felt, Aida etc.
Precut Fabrics – Selling fabric in a variety of ways for further use. Haberdashery and craft products.
Arcadian Bliss – Japanese vintage gold threads,Goldwork supplies, Kimono silk fabric, Sari silk fabric,Leather, second hand craft books.
Pauline Heywood – Plain natural fibre fabrics in small pieces. Mostly cotton eg calico in different weights; some silks,scrims and felt. Small packs of needles in popular sizes. Some good quality second hand embroidery items and books.
Buttons Galore – Buttons, assorted sewing items.
Kate’s Cloths – Hand dyed threads and fabrics
RELOVED – Vintage /ecletic mix of embroidery and sewing stuff, all looking for someone to relove them.
Danuta Wiseniewska – Upholstery weight fabric pieces including velvets, linens, printed cottons, and wools.
Bagladybird – Learn to Sew– Dressmaking patterns, sew in labels for handmade clothes and dressmaking tools.
A really amazing array of stitching goodies and well worth a visit if you are even vaguely local!

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The fish is my name badge for Embroiderers’ Guild and another quick finish. Well, quick is a relative term. Technically it was as long in the making as last post’s hedgerow pinwheel given that I’ve been a member of the Embroiderers’ Guild for ten years now and it’s taken me that long to finally getting round to stitching my name badge…

The fish was printed at a Sea themed workshop led by one of our talented members, Mary, in March 2018 and I actually did the vast majority of the stitching and beading in the workshop.

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I finished split stitching my name and laced the fabric over two circles of pelmet vilene…

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…but so close to the finish, it stalled and languished in my projects bag until Easter, when I finally found the time to finish it with a beaded ruff and a brooch pin.

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I’ve just started working as a casual tutor for North Lincolnshire Adult Learning and taught my first full day workshop on kantha and boro stitching last month. The elephant was my sample kantha piece for the afternoon activity.

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He’s cut from a scrap of Indian printed silk scarf and blanket stitched onto a piece of painted/dyed cotton that I acquired from somewhere. The background is then covered in running stitch using some softly variegated green and purple perle thread.

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I love the way the kantha tones down and smooths out the colours of the fabric behind and it is so incredible tactile.

I also stitched a little modern kantha sample using some circles of Harris tweed in vibrant oranges and golds on a piece of heavy weight cotton.

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Not my usual colour palette at all but it was interesting to move away from my blues and greens and also to stitch with Harris tweed, which is a new one for me.

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‘Pattern’ is the name of the Scunthorpe Embroiderers’ Guild exhibition, currently on at North Lincolnshire Museum. Those of us who took part all chose an object from the Museum’s collection and created a piece of embroidery in response.

When I went in January with four friends, we had an interesting discussion about the items we were drawn to and whether or not we should deliberately work out of our comfort zones and choose an object that didn’t appeal to us. There is definitely a time and a place for that, but I suspect that working on something with which I didn’t have a natural connection might have made it a bit of a chore. So unsurprisingly, I went Roman and chose my favourite thing in the whole museum: The Winterton Cup.

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The Winterton Cup is decorated with rows of enamelled squares on a copper alloy base. Some of the enamel has been lost, but the original pattern of diagonal rows of alternating yellow, red, blue and turquoise can still be made out.  Enamelling on metal is a technique found in the Romano-British tradition which carries on into the Roman period and the Cup is one of a small group of enamelled vessels which are apparently souvenirs brought back by soldiers from Hadrian’s Wall.

The squares immediately said reverse applique to me. I had some amazing silk which was hand dyed with natural dyes and a silk scarf dyed in dark blues with flashes of pink and gold which reminded me of the oxidised metal. I would do the stitching with my sewing machine and it would be a reasonably quick job. Famous last words…

I started by cutting a piece of tracing paper to the same size as the scarf and made a template for the size of squares I wanted so I could draw it all out life size. Then I cut out the hand dyed silks and began laying them in place.

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So far, so good.

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Very pleased with the result.

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Next to pin the scarf over the top, ready for the machining.

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This is where the photographs of the process stop. My beloved Frister and Rossmann decided that this was the one thing that it wasn’t going to stitch and ate the fabric instead. Once I had rescued the silk and managed to straighten out most of the chew marks, this left me with forty-eight squares to hand stitch round as well as attaching the other silk scarf I had chosen to back it with.

Let’s just say that there were a number of stupidly late nights before I got to this stage.

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I am happy with the concept – that is exactly what I initially envisaged, but the double running stitching really doesn’t bear close inspection (as you can see in the photo below – which is the closest I am prepared to show!) and I just didn’t have time to fray check the cut silk, so I am a bit disappointed with myself over all.

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Definitely better at a distance in one of the exhibition display cases.

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Our March meeting at Scunthorpe Embroiderers’ Guild was Canvaswork Stitch play, led by me. Unfortunately, due to a combination of everything coming on top of each other,  being ill and then completely forgetting about the workshop until about two months before it was due to happen, I wasn’t as well prepared with samples as I would have liked. But I am pleased with what I did manage to stitch.

First sample was the same thread but different stitches.

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The upright cross stitch was a revelation. You would never guess that it was just upright crosses – I just love the interlocking texture it produces.

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Then I worked a sample which was all the same stitch – cushion stitch, but stitched in as many different types of thread as I could. I am particularly pleased with the effect of the chenille (small pale beige rectangle at the bottom), which is such a difficult thread to actually stitch with anywhere else!

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I also had a lovely time running a Ribbon Roses workshop with Selby Embroiderers’ Guild. I had been experimenting with some pelmet vilene based brooches featuring the ribbon roses both with beaded blanket stitch…

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…and also normal blanket stitch edging.

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(The second one ended up as an emergency Mother’s Day card for a friend!!)

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So I decided to turn the design into kits, which went down very well.

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And I even managed to turn my sample/teaching example piece from the workshop into a birthday card.

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And finally another piece of jewellery upcycled with a ribbon rose and beautifully modelled by my little one, who is not so little any more. :o(

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Available as always,  here in my Etsy shop.

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To paraphrase Sir Steve Redgrave, the British rower,  “Anybody who sees me volunteer to costume a pantomime again has my permission to shoot me!”

You would have thought that after the last minute dash to get two World War 1 era evening dresses made for Blackadder Goes Forth in October that I would have had more sense, but no. No sooner had the curtain gone down on Blackadder then I was straight into costuming Scunthorpe Little Theatre Club‘s 2019 pantomime, Dick Whittington.

I did think I was on top of it nice and early, but I had stalls at a couple of Christmas fairs/markets which meant I needed to keep making stock…

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…and our Christmas challenge for Scunthorpe Embroiderers’ Guild which was to make a Christmas themed brooch to fit in a box we were given in September (silk thread and sparkly blending filament crocheted into a snowflake shape and beaded) …

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…the Christmas meeting which was making temari balls with Hazel…

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(my attempt has got no further than this, but I did learn that rayon thread, however shiny and pretty, is a very, very bad thing with which to wrap your temari ball)…

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…and of course, all the extra work that Christmas causes meant that I had very little down time over Christmas. Although I had been working on the costume since October, starting on New Year’s Day I sewed, altered, mended and generally worked like something demented for eight days straight. There are some odd photos of my labours but most have been taken as afterthoughts very late at night so apologies for the randomness and poor quality!

As the dame (Sarah the Cook) was a big lad at 6′ 3″ and build accordingly, most of our stock didn’t fit him so I ended up making a lot of it, starting with a baking themed skirt to go with an existing floral top. The skirt was plain cream and I made some felt gingerbread men and cup cakes to go around the hem.  They are roughly A4 size so they really stand out on stage.

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The sequins caught the stage lights beautifully.

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Then there was an existing red and green skirt but the top didn’t fit, so I remade that using the bodice pattern from the dress pattern I planned to use later. Have to remember to add the length to the sleeves for taller men.

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As it was for the scene where the dame serves in the shop, I added a rosette of medieval silver pennies and tickets to the matching mob cap.

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The main dress was for the ship/shipwreck part of the story and had to be made from scratch. I used a commercial broadly 18th century dress pattern which had a very full skirt to go over the traditional dame’s hoop and was open down the back – ideal for a Velcro fastening and quick changes. I uncovered some ‘Finding Nemo’ fabric in our club store which was ideal and used it for the sleeves and back of the skirt.

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The bodice and front were in two types of toning blue fabric (trying to use up what we had and not buy any more) but I broke up the bodice with a triangle of the Nemo fabric with extra fish added in the spaces and then created a set of felt signal flags to go across the skirt. They actually spell out something and no, it isn’t rude, although I was sorely tempted!

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It was worn with a ‘Kiss Me Quick’ hat before the storm and a very cute octopus (here modelling a miniature prototype bycocket hat for Dick) …

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…who was attached to a head band with crocheted seaweed for after the shipwreck!

We splashed out and bought a sparkly silver and blue walk down costume but when the headdress I had found in stock didn’t fit, I ended up the morning before opening night making a steeple hennin from very stiff lampshade fabric, more Finding Nemo fabric and the floaty veil from the original headdress. I am not ashamed at this point to confess that I used more glue than stitch!

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Instead of a good fairy we had Neptune, but the director didn’t want an old man in a toga, so I ended up designing a more military costume. The basic garment was a tunic created from some fabric that looked watery and amazing but as the crescent moon pattern was created from  a layer of loose threads between two layers of organza it was a nightmare to stitch and I ended up fully lining it with some left over fabric from one of the Blackadder dresses.

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It was worn with scale patterned leggings, tribal style tattoo sleeves with some amazing fantasy style leather armour on one arm, a scrim sash to look like a fishing net and a faux leather apron belt which was a cross between Greek and Roman and based on one worn by a character from a computer game! I had an interesting time cutting it out by eye, hand stitching it to look like separate pieces of leather and then making a medieval ring belt to go over the top.

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I wish I had some photos of the full ensemble. :o(

I also made bycocket hats for Dick…

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…an extravagant turban for the Sultana of Bungahie…

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…based on a 1970s turban hat and dressed up with oddments of pleated metallic gold and blue fabric stitched over the top.

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And a proper chaperon for Captain Cuttlefish to wear in the walk down. I made it as per the real thing, so it can be worn as a caped hood with a liripipe (long tail)…

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…or turned…

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…and worn with the head through the face hole and the cape and liripipe hanging down on either side.

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Another one that I had to cut without a pattern following an image on the internet, but I am delighted with the effect.

The show went very well and the costumes were much admired. Now all I have to do is to wash them all, and put them all away in the right boxes. Fourteen characters with between one and four costumes, each made up from a number of different elements… I might possibly be back before Easter!

 

 

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I was delighted to get a stall for this Sunday at Gainsborough Old Hall Christmas Fair.

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It’s a big new thing for me but I am looking forward to chatting to people about my upcycled and hand made jewellery and hopefully selling some!

Stall signageSo this week it will be a mad rush to get everything organised and to finish off some pieces of jewellery that have been put to one side for various reasons, one of those being my snowy stitching.  One of our local churches has a Festival of Trees organised by the Rotary Club every Christmas. Organisations in the town and surrounding area put together Christmas trees decorated in such a way as to reflect their organisation as well as being Christmassy. This year is the first year that Scunthorpe Embroiderers’ Guild has had a tree and in September, Ruth, our chair, gave us all a plastic hoop with the simple instruction to stitch something suitable. I went for a mixture of blue and white fabrics and a snow/snowflakes theme.

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The big snowflake is crocheted in coton a broder and stitched down with lazy daisy stitches at the points to finish it off.

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The commercial embroidered silk got a bit of a make over with back stitch outlining and french knot snow.

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Then I had fun with stitch combinations to create snowflakes. Mostly fly stitch and straight stitches.

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A seeding of smaller snowflakes in straight stitch and french knots on a metallic fabric.

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And finished with a couched down border of a fancy white thread.

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It all ended up being a bit last minute as usual, so I don’t have any photos of the finished. neatened version but I really like the way it turned out in the end and looking forward to seeing it on the tree next month. Back to the fair prep for me now!

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After September’s AGM, Scunthorpe Embroiderers’ Guild were back with needles in hand for our October Meeting, which is designated ‘Friendship Day’ in memory of the members we have lost over the years. It’s usually an all day workshop and often, as last Saturday’s was, run by our talented members.

This year, a small group led by Val introduced us to the world of embellished seam treatments and crazy quilting. I have done a fair bit of crazy patchwork, but I only ever use feather stitch along the seams and for me, it’s the embellishment of the patches which is the focus. My patches are also raw edged, unlike the neat seams of crazy quilting, so I was looking forward to doing something a bit more precise than my usual method of working!

It was a busy weekend on the am dram front as I organised both our annual Hallowe’en costumed trail at the local museum on the Friday and our first ever Spook-tacular Scare Walk in the grounds of Normanby Hall on the Sunday, so I grabbed the brown and indigo left overs from the Indigo Diamond quilt I made last June, a handful of toning threads and I completely forgot to pick up any needles! Thanks to Debbie for letting me scrounge some of hers.

First job was to cut three pieces of fabric and to stitch them onto a calico backing. As the block only consisted of three sections, we stitched the seams by hand, which was nice quiet repetitive work, especially when you can chat to friends while you’re doing it. As well as the blue and brown I also picked up one of my rust dyed fabrics for the third colour.  All ready to embellish the seams.

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I wanted to echo the curved lines in the rusted piece, so I used a cotton reel to trace half circles along my first seam, alternating between the blue and the rust, and used a heavy almost corded cotton thread in rusty browns to cover it in chain stitch.

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The thread was almost too heavy to use, but I love the effect.

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Next, to take it a bit further. I wanted something fan-like in the semi-circles so I decided on buttonhole wheels.

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Nice idea, but not happy with the execution. The wheel was a bit uneven, so I tried to hide it by filling the middle with a smaller, woven buttonhole wheel. Then I stitched the second one (on the right) and it came out much more like I had imagined.

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So the first one is in the process of coming out!

It was a lovely workshop. We constructed our blocks in the morning, leaving the afternoon for the creative fun of developing the seam treatments and there were some gorgeous results.

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Really looking forward to finishing this piece now Hallowe’en is out of the way!

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