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Posts Tagged ‘Scunthorpe Embroiderers’ Guild’

Only four of us in the group this time, so this one, stitched for Sandra in keeping with her flowers theme, is my last page of the round. I enjoyed discovering new stitches when I stitched Val’s leaves last month, so I went for the same Sue Spargo inspired idea in turquoise and purple/pink.

First new stitch courtesy of Mary Thomas: Braided Edging Stitch. It looks like blanket stitch from the top, but has a lovely chained effect on the edge. Getting the tension right was interesting initially, but I really like the effect.

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Then whipped running stitch ‘petals’, using a very slubby pure silk thread for the whipping.

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I filled two of the ‘petals’ with Trellis Stitch…

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…the top one with Vandyke Stitch (not too happy with the stitching on that, but I needed to work in a thickish thread – the full 6 strands of stranded cotton – to get the right sort of coverage)…

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…and the two bottom ones with Buttonhole Filling and a Woven Spiders Web Wheel to hide a multitude of sins in the middle!

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The second flower had Berwick Stitch with its lovely edging knots round the outside and then I couched down a line of fabulously soft, thick, loosely twisted, variegated silk to follow the shape.

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I decided to use the same thick, soft silk to work Back-stitched Spiders Webs in each of the petals. Foundation stitches first, using a template to make sure they were all the same.

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Then adding this glorious silk.

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Lastly I filled in the centre with a chain stitch spiral and they were good to go!

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Nobody’s book to complete this month so hopefully I can get stuck into the bluework.

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Our Scunthorpe Embroiderers’ Guild meeting for February was an all day Indian embroidery and fabrics talk and workshop led by Julie.

The Young Embroiderers started off at 9:30 with a kantha stitching around animal shapes project. My little one loves sea animals of any kind, so she chose to do a turtle. Liz, the leader of the group suggested a spiral pattern in the quarters of the shell which is looking very effective.

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Julie had borrowed one of the Guild folios as a base for the display and she and other members added to it with items of their own, making a very colourful and tempting taster for the talk and workshop to come!

Samples from the folio:

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And our own additions:

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So to begin the day, we had a talk given by Julie based on her visit to a recent exhibition at the Victoria and Albert (V&A) Museum in London giving a good overview of different types of fabrics, stitching and how the finished embroidery was used. I particularly liked the short videos that she had interspersed through the presentation which brought some of the elements to life.

After lunch we had the choice of two projects. Either a shisha mirror centred flower – these are Julie’s lovely sample pieces…

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…or something more like the Young Embroiderers were doing, an animal or similar surrounded by kantha stitching. I outlined my fish in chain stitch using a heavy variegated slate blue cotton thread.

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Then for the background I chose some variegated stranded cotton in pale blue, pink and yellow to tone in with the background fabric.

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It was good (but surprisingly difficult!) to deliberately work larger running stitches. When I usually do kantha style work my stitches tend to be tiny –  these are about 2mm long.

Kantha spiral

And it takes ages! But the above piece is only about and inch by an inch and a half so I deliberately stitched larger on this one to match the size of the design and it was good to get some quicker results!

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It was interesting to notice how calm and quiet the atmosphere in the room was as we all sat stitching our pieces. There is something very mindful about running stitch…

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I knew it was a while since I started this piece, but was stunned to check back through my archive and find it was 2012! We were doing a redwork workshop at Embroiderers’ Guild, stitching cups, plates, teapots etc. in various stitches with red threads. I’m not the biggest fan of red, so don’t have a lot of red threads and also, crockery to me always means blue and white, so I went off piste a bit and started to stitch this bowl.

More bluework 2

It’s a big piece for me and shortly after I took this photo, something else became more pressing and it lapsed. As the huge french knot piece is currently still in abeyance, I wanted something slightly more long term to stitch and the bluework fitted the bill. I’ve not done an awful lot more, but I have finished the leaves on the ribbon rose section, which are two lazy daisy stitches nested inside each other.

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I even managed to find a close match for the thread – there was no chance that after 4+ years I was going to remember what I’d originally used!!

My plan was that each section of the bowl would be filled with a different flower design, using different techniques and styles, so several happy hours have been spent on Pinterest gathering inspiration and I’m looking forward to getting going with it again.

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I’ve had flu for the first time in years and it’s been a bugger to shift, so my involvement at last Saturday’s Scunthorpe Embroiderers’ Guild meeting was limited to sneaking in half way through the afternoon to hand over Val’s Travelling Book and pick up Sandra’s, staying by the door and keeping my germs well out of the way. Everyone looked like they were happily stitching though, so I hope a good time was had by all.

For Val’s book page I worked a piece inspired by the work of Sue Spargo. I bought some gorgeous heavyweight pure wool felt before Christmas and cut simple leaf shapes in a soft green to go on a cream ground. I wanted to use the uncluttered shapes to showcase the embroidery, particularly new stitches.

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Then I got out a whole pile of books on embroidery stitches and started to stitch! The blanket stitch round the outside of the first leaf is actually called Berwick Stitch in the book I used and is a blanket stitch with a sort of added french knot where the needle enters the background fabric. Very nice to work and the knot gives a lovely finish. Then a row of running stitch and the dark green is twisted chain.

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After I’d worked the line of twisted chain I felt the gap was too big between it and the running stitch, so I added a row of split stitch in variegated perle. Inside the twisted chain I stitched a row of whipped running stitch before finishing it off with a row of closed fly stitch.

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Leaf two was held down with Knotted Buttonhole Stitch. It’s a lovely looking stitch but working the knots at the start took a bit of practise. Then a neat row of chain inside that.

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I wasn’t happy with the lone line of running stitch on the first leaf so at this point I went back and whipped it. Much better.

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Back to leaf two and courtesy of Mary Thomas, Portuguese Knotted Stem Stitch. Another new stitch to me and a gorgeous one (once I’d got the hang of the tension). I really like the way this sits on the fabric.

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The inside was finished with stem stitch, back stitch and Pekinese stitch.

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I mounted it up into the book and added my inspiration page which included a printout of a photo of the leaves labelled with the different stitches.

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This was a complete joy to stitch and a lot of fun finding new and interesting stitches to add to the old favourites.

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It’s reading for a new show time again and so I have managed to sit and stitch through a number of small finishes. Firstly, one of the designs Ruth produced for us at November’s Embroiderers’ Guild meeting, made up into a card.

The border is in feather stitch, the centre in a spiral of split stitch, the main oval parts of the petals in Corded Brussels stitch (needlelace) and the ends in satin stitch.

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Then I decided to make up a little magazine kit I bought from eBay in 2009. Simple stem stitch and lazy daisy stitch for the wheel barrow and the flowers/leaves.

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Then french knot middles to the flowers and my first ever attempt at a Dorset Button for the wheel.

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I was fairly pleased with it until I put the kit picture next to it for comparison…

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Obviously a technique I need to work on but it has made a nice little card.

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My inspiration for my page in Janet’s Travelling Book came from finding the rusted fragments I was working on for an art quilt a while ago, including a fragment of very old soft sheeting scattered with rusted marks. I added a scrap of rust coloured silk, variegated thread, silk ribbon and some rusty washers and sat down to stitch.

I started by attaching the silk with a line of back stitch and the largest washer was couched down with metallic Madeira thread.

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Then I added parallel lines of kantha stitching with the variegated thread, weaving around blobs of rust and paint, (I think the fabric was part of an old paint cloth I ‘borrowed’ from my dad’s workshop when I brought home a load of rusted bits a few years ago!) the washer and the silk scrap.

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French knots on the silk strip in a variegated turquoise and rust coloured silk ribbon were joined by metallic thread straight stitches and then I couched some brass watch cogs into some of the spaces.

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I added an explanatory paragraph with little photos of some of my rusted fragments…

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…and attached the finished rusty piece to the next page.

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Janet’s spattered page backgrounds work really well with the colours of the fabric and threads.

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This was my starting point:

dscn2537The only other stipulation we were all given was that the finished article must be three- dimensional in some way. I had an initial load of over-complicated and grandiose ideas, but soon realised my best bet was to stick to what I know so I decided to make a book.

I’ve made what I call lotus-fold books before, with origami square bases stuck back to back and opening like a concertina, but several years ago my middle one came home from Guides with  one she had made which opened up and folded back on itself to make a star. I’d always loved the idea and it was perfect for this project.

I started by making a double sided copy of the carol ‘Ding Dong, Merrily on High’ and ageing it with a deftly wielded tea bag. Odd coffee granules added a foxed look and then I cut the sheets into squares and folded them into a set of square bases.

20161210_230756_HDR.jpgThe next stage was to stick the square faces together to form the star shape. You can see the gap at the bottom right hand corner which is where the covers will go.

20161210_231039_HDR.jpgNext job was to embroider the cover. I experimented with applique and various other techniques on some lovely dull gold silk  but came back to needlelace using some Mulberry Silks I’ve been saving for a special occasion. The medium and heavy weights make the most fabulous needlelace.

20161215_171828_HDR.jpgAlso, one of my required elements was couching, and the stitch is buttonhole couching.

20161215_232203_HDR.jpgMy lace element was the bow and after I had added gold kid leather clappers to the bells the cover was laced over a piece of mounting board.

20161217_103827_HDR.jpgI trapped a piece of gold ribbon between the cover and the endpapers as a closure when I stuck them together…

20161217_104141_HDR.jpg…and did the same with the back.

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As well as tying a bow to close the book up, the ribbons also hold it closed and form the hanging loop when you bring the covers together to make it into an ornament.

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And best of all, Sandra was delighted with it. :o)

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