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Posts Tagged ‘Palestrina Stitch’

I’ve been wanting to create some more watch case pendants for a while and last week I finally got round to hunting out the box they live in. I was also determined to do one at a time that I could actually finish, rather than planning all of them at once and overfacing myself.

I had a lovely little rounded piece of driftwood that I wanted to use for this one and teamed it with a pretty gold flecked batik cotton.

Seaweed first, in good old feather stitch and some overcasting with added cast on stitch picots to help hold the driftwood in place.

Then some maidenhair stitch and beading. Maidenhair stitch is a feather stitch variant where you stitch three loops gradually increasing in size on the same side before stitching three on the other side, rather than alternating as in ordinary feather stitch. It’s a new stitch to me and I really like the effect it gives, especially when you curve it like a plant stem.

Some more feather stitch and Palestrina stitch to give a different texture.

After one more swirl of Palestrina knots with a touch of purple, time to add the sea glass. The sea glass nuggets are held in place with a dab of superglue just to make sure they don’t go anywhere before I work the holding stitches over them.

Lastly I gathered the design over a piece of pelmet vilene before setting it into the watch case.

It just needs a silver plated chain attached (somehow…) and it’s a finish.

My not so little, little one turned 16 at the weekend and as I was completely out of inspiration for an original card, I used a pattern from the internet to cross stitch one of her favourite characters from Star Wars:

I was reminded how long it takes to cross stitch even a relatively small and simple design (best part of four hours for this one and I don’t think I was stitching particularly slowly) but it was worth it – she loved him.

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With the reopening of non-essential shops this week, the Persian Chandelier and most other ongoing projects have been put aside and my stitching and making has been focussed on building up my jewellery stock.

First, a new sea glass necklace.

I started with a vintage rolled gold pendant which had lost its stone and found a sea glass piece that fitted it perfectly in my dwindling collection of Seaham multis – this one clear with a smudge of pink. Then I added a delicate rolled gold necklace and found some perfectly frosted pink and white glass beads to replace the existing beads which luckily match the sea glass piece perfectly.

It’s available here in my Etsy shop.

I’ve also been altering another fabric brooch from a job lot of junk jewellery. This one was simply a piece of woollen checked fabric needle felted onto a square of black wool with a random button and a brooch back sewn on. I removed the button and while going through my found object stash for the Mandala Brooches, I found what I think might have been part of a fishing fly and a hemispherical panel from a bracelet which both appealed.

I used my go-to variegated metallic Madeira thread to stitch both elements down and add stitches into the fabric around the main part of the fishing fly. It isn’t supposed to be anything in particular but I think it looks a little like a comet!

Sashiko stitching on tiny scraps of indigo dyed cotton with silk thread mounted in a vintage brooch setting have become another boro-style brooch.

I’m really pleased with the sashiko pattern on this one, especially as I did it by eye, and it really pulls the separate scraps of fabric into a whole.

It’s available in my Etsy shop here.

Lastly, some experimenting with knotted stitches in this sort of crewel work style sample. Portuguese Knotted Stem Stitch and French Knots on the left, German Knotted Buttonhole in the middle and middle right and Palestrina Stitch and Pistil Stitch top right. Chain Stitch and Four-Legged Knot bottom right and the stem is Coral Stitch and Satin Stitch.

Hopefully I can get back on track this week and I have high hopes of being able to stitch outside if the weather stays good!

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Cleaning a load of broken vintage jewellery the other day I immediately spotted two obvious opportunities for upcycling in the form of the two brooches in the middle, both missing the central focal stone.

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And both crying out for ribbon roses! First the gold and pink diamante brooch.

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This has a silk ribbon rose stitched onto coloured pelmet vilene with nested detached chain stitch leaves and a shiny rayon french knot nestled in its heart. Available in my Etsy shop here.

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If the round brooch was small, the bar brooch is even smaller, with the central bezel tray I was looking to fill measuring just over 1cm wide!

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Time to scale down to 2mm wide silk ribbon and single strands of silk thread to create a tiny spray. I love the way this turned out – even though I know it’s stitched, at first glance it looks like micromosaic!

Also available in my Etsy shop here.

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I was playing with some scraps of upcycled felt a while ago that I’d made in the washing machine from some 100% wool garments that were past wearing. I added some broken jewellery pieces and a kilt pin that had been part of a job lot of broken/unwanted jewellery and came up with this little pendant brooch.

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From this brooch came the idea for a workshop and some more samples. Firstly, an octagonal piece of broken earring, a scrap of felt and sheaf stitch, detached chain stitch and french knots in a funky variegated thread became this brooch. Finished off with beaded blanket stitch around the edges and blanket stitch to attach it to the pin.

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I realised that some little metal tags from my found objects box looked like the bodies of fish and so I started another sample, stitching them down with long and short stitch to create flamboyant tails.

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Palestrina and feather stitch creates fronds of seaweed and also helps hold the ‘bodies’ of the fish in place, and french knots form the sea bed.

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I like all my samples, but those fishes have a special place in my heart – they came out exactly as I’d imagined them!

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Last February we had a fantastic Print to Stitch workshop at the Guild with Jan Dowson. One of the pieces I created was based on the paisley stamps she had made for us.

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Seeing my starting point now, after a year of covering it with stitch, it seems so bare!!

I started with some Pekinese stitch around some of the paisleys.

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Then seeding around the paisleys in a variegated stranded cotton. Doing that amount of seeding is pretty mind-numbing so I mixed it up with more decoration on the paisleys – split stitch on the right.

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It was a great project to take out and about, even making it to London with me last summer when the temperatures were through the roof and I was trying to keep cool in the Chinese galleries at the V&A.

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More seeding in seed stitch and french knots with chain stitch accents and woven and back-stitched spiders’ web stitches in the middles.

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Getting there… finished all the internal stitching on the paisleys and now just seeding at this point because I’m still not sure what stitch I want to outline the other paisleys. Something as bold as the Pekinese stitch but different.

IMG_20191116_091718It wasn’t until I began to explore Palestrina Stitch over Christmas prior to teaching it in a workshop that the penny dropped.

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Palestrina in a heavy perle was just right to balance the Pekinese.

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And the completed piece!

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No idea what I’m going to do with it, but that’s not the point. I love the colours, shapes and stitches and it’s been a pleasure to work. That’s all you need, sometimes, isn’t it?

 

 

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One of the stitches that my Stitch Zone embroidery group wanted to explore was Palestrina Stitch; also known as Double Knot Stitch.¬†Palestrina is a line stitch with regularly spaced knots, often looking like a line of beads. It’s reasonably challenging to work initially, but once you get the hang the overs and unders, it has a pleasing rhythm to it. Mary Thomas shows it worked left to right, but I find it much easier to work vertically downwards where gravity helps with the loops you need to work into.

I started off with by stitching a sampler, experimenting with a variety of different threads, different spacing between the knots and varying the length of the stitch through the fabric, which gives ‘legs’ either side of the knot.

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I like the chunky knots you get with the heavier perle threads but also was very pleased with the effect of finer threads, such as the very fine perle second from the left in the photo above.

Learning a stitch that gives you a knotted line is all very well, but I wanted to use it in ways that exploited the texture and shape of the stitch. My first experiment was using it to echo the texture of bark and I used a variegated perle-like silk thread to embroider a winter tree.

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The stitch worked really well for the bark and I’m curious as to what it would look like if I filled in the spaces between the lines of Palestrina with satin or split stitch in the same thread. Something else to experiment with in the future perhaps.

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I also wanted to try beading the stitch and that led me to working a more typical sea themed piece.

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I used two pieces of perle to make a really heavy line of knots and then a single piece of the same thread with random seed beads. The bead goes on first and then the knot is formed as normal into the stitch after it. I think you lose the knots to some extent, but it’s an interesting variant.¬† The feather stitch is to vary the textures and lighten the design.

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I also used it to stitch down a holed scallop shell and found it surprisingly easy to work. The stitch through the fabric serves to hold the shell down and then the knot is worked into the thread where it comes out of the hole, exactly as you would on a flat piece of fabric.

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It was great to do some experimenting to find just a couple of ways of developing this stitch and I’ll definitely keep it in my repertoire.

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