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Archive for the ‘Beachcombing’ Category

Sorting some of my beachcombed treasures led to a couple of pieces of jewellery. First was a chunk of school ruler which had frosted beautifully in the waves. I paired it with a piece of beachcombed metal swarf with a lovely milled texture to make a brooch, now available here in my Etsy shop.

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Then I managed to find two vintage panel bracelets which are great for setting with sea glass and pottery like this one. There is just something about blue and white sea-washed china that I love.

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I also like to use panel bracelets to turn groupings of odd vintage earrings into unique assemblage bracelets. The theme that developed here was floral soft blues and greys with a central enamelled dragonfly. Available here in my Etsy shop.

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I also managed to list the brooch I made during show week from a scrap of felted woollen jumper, a vintage kilt pin and an odd earring drop and it’s available here.

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Definitely in my blue period!

I’ve also had a bit of a spurt with one of the pelmet vilene accordion book memory journals I’m working on. This one is based on a visit we made at the end of March to the North Sea Observatory and Anderby Creek beach in Lincolnshire. The shell strewn beach was unlike anything I’ve ever seen on the North Sea coast and then we had a stroll along the sand dunes to the lovely Anderby Beach Cafe for lunch before heading back home.

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I stitched a fragment with cast on stitch and one of the big flat holed oyster shells in the summer but then things lapsed until a piece of evenweave gave me an idea to do a piece of pulled thread work. I used natural coloured silk thread and Diamond Stitch to create a random pattern like ripples in the sand.

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Then I added some dried seaweed, a clam shell with a hole in and a little piece of driftwood.

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I love the very clever Anderby Beach Cafe logo which uses part of the structure of a traditional deck chair as the initial ‘A’ and the hot dog I had for lunch that day, using local butcher’s sausages was delicious. So that quickly led to a hand painted and stitched applique ‘receipt’ on calico, featuring a splodge of ‘tomato sauce’ to remind me of how much I enjoyed my lunch!

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Ideas forming for the North Sea Observatory and the Cloud Bar…!

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I’ve been trying to get on with some stitched fragments for my accordion memory journals for a while.

Firstly, the Kew Gardens journal. My plan is for this to document the visit I made at the end of July and focus mostly on the incredible Chihuly glass exhibition. I have a list of ideas for pages and started the title page last week which is part of a leaflet backed on a piece of calico. I’ve put a line of whipped running stitch through the middle of the letters and am outlining them in back stitch.

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Outlining finished and beading started. I am really pleased with the effect of the random blue bugle beads over the stems and am looking for some iridescent seed beads that I know I have somewhere for some of the teardrop shaped ends.

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The Anderby Creek journal from the end of March has also finally been started with a scrap of crinkled fabric which I love for its suggestion of ripples in sand and a holed oyster shell. I attached the shell to the fabric with long stitches through the holes which I then buttonhole stitched over to make buttonhole bars.

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I wanted a bobbly effect like seaweed, so I used cast-on stitch pulled round to make little circles along the length of the buttonhole bar.

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Completed and stitched into place in the journal. One page completed, seven to go!

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Last summer my middle one bought a Tintin t-shirt from a lovely shop in Durham when we were on holiday and to her delight, it came in a paper carrier with a bold graphic of Tintin and Snowy on each side. I think she liked that as much as the t-shirt and I promised to make her a notebook from it. I bought some Tintin postcards to use as the covers and finally a couple of weeks ago, I decided it was time to get on and make it.

I laminated two pairs of postcards back to back for the covers.

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Then I carefully cut up the bag so I could use every bit of the graphics and the Tintin wording up the sides.

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I had to add an extra piece of paper from a 1970s educational poster (The Pied Piper of Hamelin to be exact) to make the signatures even,

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…but I was pleased that I managed to include all of the main panels of the bag.

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I used waxed white polyester thread and Coptic Stitch to bind the book.

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Finally a job off the list and a daughter delighted.

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I had a very enjoyable day at Scunthorpe Arts Showcase at Heslam Park last Sunday and as it quietened down in the afternoon, I cracked on with the stitching for the locket insert I showed you last week. The rose bush now has daisies underneath with petals no more than 2mm long.

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The inside of the locket was a bit shabby so I lined it with more of the silk carrier rod. It has such a luscious lustre.

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I also played with some needle felting to upcycle a silvertone pendant blank. One of the children said it reminded them of Van Gogh’s ‘Starry Night’ picture, which was very pleasing! The background is a mixture of merino wool and silk and the spirals are tiny scraps of hand spun crewel wool.

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We also had a family day out in Filey, on the Yorkshire coast.

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It is a delightful unspoilt seaside town with the most amazing stretch of sand with rock pools at the north end. It yielded enough treasures to keep me happy.

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I’m particularly pleased with the fossil shell I spotted in a rock pool.

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And the heavily crazed piece of pottery.

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We were entertained by the cutest hermit crabs in the rock pools, enjoyed great fish and chips and had a fabulous day out.

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Not together though! Firstly, the technology. Last Tuesday I was very excited and also initially pretty nervous to chat to Susan Weekes of Stitchery Stories via Zoom – a technical first for me – as she recorded me for this week’s podcast which goes live on Wednesday 17th October.

Looking at the sort of people who she has already had as guests on Stitchery Stories I can’t quite believe I am going to be among such amazing company! We were chatting before the recording about social media in general and Facebook in particular. Having seen the sort of hassle Facebook causes during my time in teaching I have never had any inclination to be part of it, but I am aware that I really could do with promoting myself a bit more on social media. Susan recommended I start using Instagram and so, another technical first – I am now on Instagram as Underatopazsky.

Not sure how I feel about it yet. I don’t find it very intuitive and keep clicking on the wrong icon, but I do like the immediacy of it and the ease of use, as opposed to making  time to sit down and write a blog post. I definitely won’t stop blogging, but I will probably carry on Instagramming too.

Now to sea glass. These gorgeous little nuggets of multi-coloured Seaham sea glass have finally found homes that showcase their beauty. I love the subtle layers in this one.

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And the two colours in this one which only really reveal when you hold it up to the light.

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I put the blue nugget into a vintage silver tone cage pendant which you can find in my Etsy shop here.

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And the aqua/green multi into a silver cage pendant which can be found here.

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Then I added a fabulous lilac and clear multi to a vintage 800 silver pendant. I really love this one. The shape and colour of the sea glass fits so perfectly with the leaves.

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It’s in my Etsy shop here and was also one of the first things I Instagrammed!!

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At the end of March I went up to Seaham beach in County Durham to refresh my collection of sea glass, especially the special multis that Seaham is famous for. The beach is certainly a lot more picked over than the last time I went in 2013 and although I did find a few nice bits, there was an awful lot of hard hunting to get them.

Having spent a full day on the beach and driven home aching all over, I thought I was all beachcombed out for a while, and didn’t mind the (very) short spell I was allowed on Southwold beach at Easter, but then, it was a pretty good haul for ten minutes:

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A couple of weeks later we went to visit my middle one in Bangor, North Wales and happened to find ourselves mooching in Beaumaris on Anglesey with an hour to spare before our restaurant booking. Mooching on the seafront, specifically. I glanced idly at the beach and realised I had no real urge to go down and hunt. I was just telling my incredulous family this when my little one looked over the railing and announced that she could see a piece of beach pottery. Instantly refreshed, I positively scuttled down onto the beach to the accompaniment of much hilarity from my husband and daughters.

After they had finished teasing, they did at least come down and help me hunt and the hour passed happily and productively.

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The sea glass was more craft grade (I am spoilt by Seaham nuggets) but the pottery was fabulous.

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And my middle one even found me a rusty ‘thing’ which was very exciting.

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Time to turn my treasures into jewellery. First, I worked with two of my favourite pieces of the Beaumaris pottery. Beaumaris Blue:

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And Pretty Purple:

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This one has a lovely reverse side too.

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The final and very different pendant began with a piece of random organically shaped metal from somewhere which I had textured with a hammer to make a feature of the fact that the underlying copper was starting to show through. I played with arrangements of my beach treasures; pieces of wave-worn metal, pottery and glass until I found something which worked.

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‘Treasures!’ can be found here.

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Hopefully embroidery next time!

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Etc. first. I’ve finally completed all the seed stitch background for an embroidered print I started with Chris Gray in July 2016 and last blogged about eighteen months ago, where it looked like this:

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It currently looks like this:

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Not sure whether to seed stitch the inner circle as well…

I don’t think I’ve shown this piece of upcycling before. One of my mixed lots of junk/vintage jewellery contained a gorgeous brass spinning fob, to which I decided to add some embroidery based on knot gardens.

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It’s now got as far as this:

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French knot hedges and eyelet stitch flowers in variegated silk.

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Near enough to get on and finish now!

Brooches next. I loved the closed fly stitch falling leaves design I stitched for my friend Debbie’s necklace catch a few months ago and decided to do it again on two odd vintage stud earrings which were the same shape and size, but different colours. The initial plan was to make a pair of earrings by covering them with embroidered fabric.

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I stitched one and covered it and started on the second.

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But the second wasn’t close enough in design  – the leaves were further spaced out. Added to that, the gathered fabric and more crucially, the covered pelmet vilene backs, really made them too bulky to be successful as earrings.

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So the posts came off, were replaced with brooch backs and Plan B went into action.  I worked a beaded edging in pearlescent green and metallic copper beads to frame the design and am very pleased with the result which can be found here.

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The second one is still in production! Most of this stitching was done over the Easter weekend at my parents’ in Suffolk which had to include some beachcombing. I was only allowed a short spell under the pier at Southwold, but still managed to find three nice nuggets of sea glass, a piece of carnelian, a big chunk of tile which has weathered to a lovely faux Medieval feel…

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…and some small pieces of driftwood, including one which had a gently shaped front and a flat back perfect for turning into a brooch. I auditioned a fair few piece of broken jewellery to put with it, but when I found this single broken vintage clip on earring of a swallow, it was a perfect match. The plate of the clip was still attached and I used it to mount the swallow onto the driftwood so it stands slightly away from the base, which I like.

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I’ve called it One Swallow (in hope of some more to make a summer!) and put it into my Etsy shop here.

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If we have had a workshop of some sort at our Embroiderers’ Guild group, then at the next meeting there is a space available for people to bring their workshop pieces, whether finished or just continued, to show. It was fantastic to see what had happened to the stitch play pieces from my workshop in December.

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Many thanks to everyone who brought along their work – glad you enjoyed it!

I’ve also been doing some more upcycling. First, I turned a single 1980s enamelled earring which looked like orange sherbet into a beaded brooch. I removed the post and then beaded it onto some hand dyed vintage cotton fabric with some matching pearlised opaque orange seed beads using peyote stitch.

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Then I gathered the spare fabric over the back and ladder stitched it to the covered vilene circle onto which I’d already stitched the brooch back.

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Then I could add the edging in a mixture of clear orange, opaque pale yellow and very pale lilac beads, to echo the colours in the swirl.

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It’s not a terribly quick thing to stitch, but a lot of fun to do!

Among the oddments I scored from my Dad’s workshop last year were some bits of veneer that he had hand cut. This little piece is apple wood.

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I wondered what would happen if I doodled on it in black pen…

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…and then cut it into sections to fit in this vintage bracelet.

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Measure twice, cut once…

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Hold your breath and hope…

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…and be pleasantly surprised at the result.

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I’ve also added nuggets of sea glass and sea washed china to a selection of vintage pendants, brooches and rings.

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They are all sitting in my Etsy shop now, waiting for loving homes!

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