Feeds:
Posts
Comments

Posts Tagged ‘Felting’

Several years ago my middle one decided she wanted to do some needle felting. Her craze lasted an intense few weeks and then vanished as quickly as it had arrived. I was happy to use the fleece I’d bought for her but I was also left with a large lump of orange felt she had partly formed into the shape of a sitting animal. I couldn’t bear to throw it away but also couldn’t think of what to do with it – until this week when I realised it was the perfect colour for pumpkins. Lots of rolling and wet felting later, I was left with five potential pumpkins.

I stitched through each one with coton a broder to pull it flatter and give it pumpkin-style ridges.

Then I turned them into earrings. First a pair of charm earrings. The dark coloured chain and leaf sections with the bead caps at the top were deconstructed from an over the top charm necklace. It had about six strands of chain and featured so many random pendants and dangles that I’m amazed anyone could have worn it and been able to lift their head. Possibly that was why it came to me in an unloved job lot of jewellery!

The snake chain sections looked unfinished, like they had originally had something on the ends, so I added two hand made polymer clay beads to match the orange of the pumpkins.

After using plastic leaves from a damaged bracelet to finish off the pumpkins I threaded each one onto a headpin and added them to the bottom of the longest chain where they finish the whole thing off very nicely.

The second pair of pumpkins were slightly larger, so I decided to make them into a simpler, shorter pair with a couple of metallic leaves.

Finally, with the addition of some vintage glass leaves, I turned the last and largest pumpkin into not a coach, but a bag charm/key chain.

Continuing with the Autumn/Hallowe’en theme, I’ve made a darker, more Gothic version of my ribbon roses. This was once a vintage brooch. I love the dark silver colour and High Victorian style of the setting and once I had cleaned it and removed the remains of the clasp, it was ready for a suitably dark upcycle.

I used dyed black pelmet vilene for the base and gave my stems thorns before I added the tiny roses.

The ribbon leaves are in ribbon stitch which is useful as you can control the size and shape of the leaf depending on how tightly you work the stitch.

Cut carefully to size and glued into the mount.

The pumpkin pieces are destined for Arttopia in Cleethorpes this month – that is if I can stop my little one from claiming the earrings for herself. Might be time to see if I have any of that pumpkin orange fleece left over…!

Read Full Post »

Sorting some of my beachcombed treasures led to a couple of pieces of jewellery. First was a chunk of school ruler which had frosted beautifully in the waves. I paired it with a piece of beachcombed metal swarf with a lovely milled texture to make a brooch, now available here in my Etsy shop.

IMG_20190928_085517.jpg

Then I managed to find two vintage panel bracelets which are great for setting with sea glass and pottery like this one. There is just something about blue and white sea-washed china that I love.

IMG_20191004_100354.jpg

I also like to use panel bracelets to turn groupings of odd vintage earrings into unique assemblage bracelets. The theme that developed here was floral soft blues and greys with a central enamelled dragonfly. Available here in my Etsy shop.

DSCN6144.JPG

I also managed to list the brooch I made during show week from a scrap of felted woollen jumper, a vintage kilt pin and an odd earring drop and it’s available here.

DSCN6171.JPG

Definitely in my blue period!

I’ve also had a bit of a spurt with one of the pelmet vilene accordion book memory journals I’m working on. This one is based on a visit we made at the end of March to the North Sea Observatory and Anderby Creek beach in Lincolnshire. The shell strewn beach was unlike anything I’ve ever seen on the North Sea coast and then we had a stroll along the sand dunes to the lovely Anderby Beach Cafe for lunch before heading back home.

IMG_20190711_150409.jpg

I stitched a fragment with cast on stitch and one of the big flat holed oyster shells in the summer but then things lapsed until a piece of evenweave gave me an idea to do a piece of pulled thread work. I used natural coloured silk thread and Diamond Stitch to create a random pattern like ripples in the sand.

IMG_20191011_154054.jpg

Then I added some dried seaweed, a clam shell with a hole in and a little piece of driftwood.

IMG_20191011_165830.jpg

IMG_20191011_165752.jpg

I love the very clever Anderby Beach Cafe logo which uses part of the structure of a traditional deck chair as the initial ‘A’ and the hot dog I had for lunch that day, using local butcher’s sausages was delicious. So that quickly led to a hand painted and stitched applique ‘receipt’ on calico, featuring a splodge of ‘tomato sauce’ to remind me of how much I enjoyed my lunch!

IMG_20191013_000821.jpg

Ideas forming for the North Sea Observatory and the Cloud Bar…!

Read Full Post »

In the end, Baby Leaf-tailed Dragon wasn’t finished for show week and in total, I only managed to put half a dozen stitches in him on stage the entire week, most of which had to be unpicked and restitched later! But ‘The Fifth Elephant’ went well and we had lots of positive comments from Pratchett fans, some of whom had travelled some distance to come and see the show.  No rest for the am dram wicked though – last performance of ‘The Fifth Elephant’ on Saturday and tonight (Monday) is the first casting reading for panto!

I did manage to get some stitching done in the interval though, so all the Bayeux Stitch is completed and I’ve started the couched outline. It neatens the edge up a treat.

IMG_20191006_104838.jpg

Since the Baby Leaf-tailed Dragon and his frame were props for a scene in Act 1, I had to find something else to sew before curtain up and I decided to experiment with a banner style brooch using an odd kilt pin. I had a few small pieces left of a wool jumper I felted a while ago and turned variously into a cushion cover, a pair of mittens and some earring cases.

I added some commercial grey marl felt and an odd earring drop…

IMG_20190927_123017.jpg

…blanket stitch, french knots…

IMG_20190927_123033.jpg

…sequins, a bead, split stitch and detached chain stitch…

IMG_20190927_214704.jpg

…before finishing with a kantha stitched back ground in shimmery blending filament, a beaded blanket stitch edging which joined it to the grey felt back and blanket stitching it to the kilt pin in stranded silk thread.

IMG_20191004_192739.jpg

A fun little project and I particularly like the subtle sparkle you get from the blending filament.

Read Full Post »

It seems odd to be thinking about Christmas in the middle of the summer, but I’m currently in the middle of creating unique upcycled jewellery for various Christmas markets I’m booked into.

First, another felted spiral brooch. I have no idea where the initial felted dreadlock came from for this – it’s an interesting mix of colours that I wouldn’t have thought of putting together. IMG_20190718_220121.jpg

Once rolled up and stitched I liked it even more.

IMG_20190719_081458.jpg

Finished with a beaded edging that echoes the colours of the felt.

IMG_20190802_154923.jpg

Then with the boro and sashiko work I’ve been doing recently I had the idea of doing a tiny piece with fragments of indigo dyed fabric and a single strand of silk to go into a vintage silver tone brooch. The needle gives an idea of scale – the whole oval is the size of the pad of my thumb.

IMG_20190809_112422.jpg

Finished and mounted in the brooch.

DSCN5421.JPG

DSCN5418.JPG

It’s available here in my Etsy shop.

Lastly, another locket insert on silk carrier rods. This originally had a trellis behind it but it was too fussy and the trellis looked like it was hanging in midair, so I carefully unpicked it and am going for just the rose bush.

IMG_20190809_142512.jpg

Still not completely happy with it but it’s getting there. I’m definitely going to try and do more with the boro though.

Read Full Post »

Next to be used was the yoke of the jumper. I thought about needle cases and then somehow made a leap to the idea of a case to hold stud earrings. For my prototype I cut two rectangles of felted jumper and folded them in half like a simple book. I added a silhouette of a woman’s head out of black felt, stitched it invisibly to the front of one piece and then used some fabulous variegated perle to add a decorative blanket stitch to the edge.

Earring cases 1

An odd earring made the perfect accent and a clue to the use of the case.

Earring cases 2

Once I’d blanket stitched all the way round the edge of the front I machine stitched the second piece in half to make a thick central page…

Earring cases 3

…and then stitched it to the spine with a simple running stitch in the same thread as I’d used for the edging.

Earring cases 4

Earring cases 5

And this is how it works: the studs go easily through the double layer of felted wool, you put the backs on and the soft wool covers protect the front and at the back of the earrings.

Earring cases 6 Earring cases 7

I was really pleased with the way the prototype had turned out and there was enough fabric in the yoke to make another two cases.

Earring cases 8

Earring cases 9  Earring cases 9

I want a closure on each one but I’m not sure what would look best. Any thoughts?

Read Full Post »

I was delighted to be tagged to take part in this by the very creative, talented and witty Iz, from Threadnoodle and it was lovely to welcome people who had popped over from her blog. So this week is my turn to talk in a bit more depth about myself and my creative process.

I live in North Lincolnshire in the UK although I’m originally, like Dickens’ David Copperfield, from the little village of Blundeston, in Suffolk. Among other things, I’m a writer, a jeweller and textile artist. But not necessarily in that order.

1. What am I working on?

Erm… everything? I have a second book of short stories and a novel both on the go as well as an article which has been back-burnered for various reasons. There’s a box of partly completed rings,

silver acorn ring

pendants and other odds and ends which need finishing.

Norwich stitch pendant

Journals, books and altered books,

York Minster altered book

kits, summer holiday diary fragments,

holiday diary fragment

the crazy patchwork cushion for my son,

James' cushion strip 1

felted and goldwork brooches,

Goldwork brooch

 

my hearts commission,

hearts commission

my rusted fragments art quilt…

rusted fragments art quilt

…you get the picture. I long to have a go at everything and greedily want 36 hours in each day to try, test and explore my latest passion to its full extent.

My latest obsession is upcycled jewellery, whether replacing broken/damaged elements with beads like this vintage necklace…

 

broken vintage wire necklace

 

 

 

 

 

 

 

upcycled m.o.p and haematite necklace

 

 

 

 

 

 

 

 

or adding textile elements – felting and beading…

 

Felted beads

 

 

 

 

 

 

 

 

Uncycled felted bead necklace

 

 

 

 

 

 

 

 

… embroidery or patchwork.

Bullion rose upcycled pendant

 

 

 

 

 

 

 

upcycled patchwork earrings

 

 

 

 

 

 

 

 

I love being able to make something from bits that someone else has discarded as worthless. Little things fascinate me too, and each of the projects is so small that I can be almost finished before I start to get bored. I really admire people with the stickability to work on large ongoing projects, but that’s not me. Whatever I do tends to be small, detailed, and precise, whether it’s stitched into fabric, wrought from metal, words on a page or even part of a show in theatre. For me, the devil (and the interest) is in the detail.

2. How does my work differ from others in its genre?

That’s a difficult one. As regards my jewellery, with its mix of metalworking and fine embroidery, I’ve certainly never seen anything quite like it. There are other artists who create  jewellery with textile components, but it seems to fall into two categories – fairly traditional jewellery shapes such as earring drops, pendant and rings set with pieces of textile work, or textile work with metal findings to make it into earrings, pendants, brooches etc. I do both…

Turquoise spiral brooch

 

 

 

 

 

 

 

Bullion rose upcycled pendant

…but prefer to do neither

Moss mixed media pendant

 

 

 

 

 

 

 

 

 

 

 

 

Indigo book charm

 

 

 

 

 

 

 

 

 

 

 

 

 

I suppose that everything we do is unique, but at the same time, everything we create is the result of our experiences. I’ve often thought that if we could break down the DNA of a piece, trace its bloodline of influences and inspirations, it would be fascinating to see precisely how it was born from the tiny fragments we draw from so many things we’ve seen, done and experienced.

3. Why do I create what I do?

Every project gives me pleasure to work and it also gives me pleasure to see how it is received by other people but essentially I create because I need to. Like so many creative people, I don’t remember a time when I didn’t create, from wobbly junk models and roughly stitched dolls’ clothes to furnishings for my doll’s house and stories set in imagined worlds.

It’s my way of responding to something of the beauty in the world I see around me, my way of revelling in the power of fashioning something that is mine alone. I bend the media to my will and I say how it turns out – mostly!

4. How does my creative process work?

The first thing to fire it off is usually a single item but it can be anything: a bead, a thread, some fabric, a fragment of something, an image or artefact. The alliums piece below was the response to the challenge, ‘A flower beginning with ‘A’ for an Embroiderer’s Guild competition.

Alliums sketchbook page

 

 

 

 

 

 

 

 

 

 

 

Alliums hanging

 

 

 

 

 

 

 

 

 

An idea from a curtain I saw on a course

kantha patches

 

 

 

 

 

 

 

 

 

 

 

 

 

and an image from a dream…

Dream kantha

 

 

 

 

 

 

 

 

 

 

 

 

 

It can be a very dangerous process to sort through my stuff – I get sidetracked onto new projects very easily!

In terms of how things then evolve, I let my creative subconscious do a lot of the work. Usually I have clear idea of the starting point and an image of roughly what the end point will look like (I write like this too). Then it’s a case of starting and seeing how and where things go. If I get stuck I just walk away for a while and its unusual for that break not to have straightened things out in my head.  If I’m lucky, things work out as well, or sometimes even better than I’d hoped. If not, then it’s good to learn from your mistakes and chances are, I can always turn it into something else one day…

Phew! I think that’s the wordiest post I’ve ever put up! If you’re still with me, then please go and visit my two nominated bloggers.

Firstly, Debbie at Debbidipity. I met Debbie at our Embroiderers’ Guild when I joined several years ago and we’ve been good friends ever since. In the last 5 years, as a mature student, she’s done ‘A’ levels in Art and Photography and then followed them up with a Fine Art degree at Hull. She likes to experiment with all sorts of media and her inspirations are rooted strongly in the natural world that she loves.

From the local to the other side of the pond and Penny at Art Journey. Penny creates wonderful textile artwork in areas that I don’t tend to dabble in but love to look at – punch-needle, doll-making and beading are some of her latest delights, and I consider myself very lucky to have Valentine, one of her wonderful unique dolls sitting on my shelf watching me as I type.

Penny's Valentine

Thanks for reading and I hope you enjoy the next stage of the bloghop!

Read Full Post »

Brooch or hair grip, I’m not sure! This one started off as a little dreadlock that should have gone on the starburst dreads brooch…

Starburst dreads brooch

…but somehow managed to get itself lost. I needle felted a scrap of mohair wool around it,

Small spiral brooch 1

then stitched it up into a spiral and beaded it.

Small spiral brooch 2

Rather like raspberry ripple.

Small spiral brooch 3

The Traditional English Canal Embroidery that I blogged about here has gone from this:

Canal embroidery 1

to this:

Canal Embroidery 1a

I’m not sure now that I want to use the same variegated perle in all the squares.

But what colour to use?

Any ideas?

Read Full Post »

Or I might make it into a hair clip. I’ve no memory of making the little dark brown felted dreadlock that forms the basis of this spiral brooch, but I found it in the pile of unfinished things I’ve been working through over half term.

Brown, blue and gold spiral brooch 1

It rolled up easily and neatly and a selection of gold, amber and blue beads worked together very well for the edging.

Brown, blue and gold spiral brooch 2

That was short and sweet. (Wish they were all like that!)

Next!

Read Full Post »

And one finish.  I finally got round to making up my angelina and goldwork flower into a card.

Angelina goldwork card

I’ve also been finishing off a felt flower piece made with flowers cut from the left over felt I made for ‘Guards! Guards!’ last year…

Last felted flowers 1

…and some odd fused fabric leaves I made so long ago I can’t remember what I used them for…

Last felted flowers 2

…and making progress with the Elizabethan scissors case I started in an Embroiderers’ Guild workshop with Brenda Scarman several months ago.

At the end of the workshop I’d got as far as this:

Scissors case 1

Detached buttonhole stitch petals and chain stitch stems.

I finished the stems and as per the instructions, added trios of fly stitch between the petals and long straight stitches to define the petals. The french knots in the centre would be joined later by beads.

Scissors case 2

Beads added, the chain whipped with gold thread and buttonhole stitch in the same thread round the edge of the petals.

Scissors case 3

Scissors case 4

Then the spangles, which I attached with a central seed bead. I think they’re too densely packed but I don’t dislike the effect enough to unpick them all. I intend to make the seeding less dense by using just beads round the edge and making them more widely spaced.

Scissors case 5

Just the beading to finish before I can make it up.

 

Read Full Post »

I’ve been carrying on with my goal of sorting and rationalising all my ‘stuff’ this year and after a useful amount of space gained by getting rid of books and magazines that I won’t read again, I was onto the corner of the lounge where I tend to store my in progress work. There was an awful lot still in progress, so I decided to get finishing.

First, a new brooch. The brown coiled middle was made as a working example for a workshop session I taught at our Embroiderers’ Guild in the spring and the short fat dreadlocks I made at school at least two years ago. 

Starburst brooch 1

Combined, I liked the effect,  so I stitched the dreads onto the back of the spiral and then found some gold, raspberry pink and milk chocolate coloured beads for the edging.

Starburst brooch 2

The back is simply finished with a circle of felt with the brooch back stitched to it and then blanket stitched onto the reverse of the spiral, hiding all the construction stitches.

I’ve also moved on with my journal cover. First I finished off the hand stitching. French knots (I decided against beads) in the centre of some of the machine patterns, the chain stitch completed and threaded with slubby thread and the threaded running stitch re stitched with smaller stitches and whipped with stranded variegated silk.

Turquoise journal cover 1

Turquoise journal cover 2

On the front, more french knots, both on machine and hand stitched elements and pekinese stitch along a line of machine straight stitching.

Turquoise journal cover 3

Then I stuck the end papers to the reverse of the cover.

Turquoise journal cover 4

As this is going to be my holiday journal this year it’s going to be in and out of bags and well handled so I was a bit concerned about how well the edges would stand up to that sort of treatment. I decided to use some satin ribbon to bind them.

Turquoise journal cover 5

Using my own ancient and  dearly beloved Frister and Rossmann I stitched the ribbon down. The front:

Turquoise journal cover 6

And the back:

Turquoise journal cover 7

I know the cream is a contrast but to tie in with the organza layers I intend to layer it over with silk organza ribbon. Probably hand stitched down – there is only so far I can stay out of my comfort zone!

Read Full Post »

Older Posts »

Claire Steele Textiles

Art, Textiles and Photography

hertstitch

for embroiderers and textile artists in hertfordshire and beyond

karensstitchography

Embroidery & other craft

re:retro

collecting retro

View From Our Hill

Textile, Mixed Media, Yarn, Books and Beads

Things I find in the garbage

I'm a professional scavenger making a living selling curbside garbage. This blog details my finds and sales. It also acts as an archive for things beautiful and historic that would otherwise have been destroyed.

summerholiday111

stitching, creative textiles, inspiration

Stitched up with Thread

Slowly threading things together

Lincs In Stitches

Creative ramblings in the Lincolnshire Wolds

Kiln Fired Art Blog

Crafts and the outdoors - slow living involving handmade ceramics, painting, textiles, walking and good food

Hillview Embroidery

Teaching and Learning One Stitch at a Time

Dreaming In Stitches

a mingled yarn

sunshine and celandines

These are a few of my favourite things.

LucyAnn &Luna craft

crafting,dachshunds including other bits & bobs

Carlseapatch's Weblog

A log of progress (I hope)and fun in textile arts

seafieldview

Life on a Cornish cliff

late start studio

Late . . . in taking my creativity seriously.

Shibori Girl

....practicing the fine art of shibori

Pomegranate Studio

- because making is good for us

Fall from Grace Crafts

A blog on my craft journey highs and lows...

opusanglicanum

one Englishwoman's work

Playful Bookbinding and Paper Works

Chasing the Paper Rabbit

Chrissie Freeth - Tapestry Weaver

Blog of artist and tapestry weaver Chrissie Freeth

debbidipity

into textiles & beyond

KDD & Co

Award-winning Scottish publishing and design