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Archive for the ‘Upcycling’ Category

Sorting some of my beachcombed treasures led to a couple of pieces of jewellery. First was a chunk of school ruler which had frosted beautifully in the waves. I paired it with a piece of beachcombed metal swarf with a lovely milled texture to make a brooch, now available here in my Etsy shop.

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Then I managed to find two vintage panel bracelets which are great for setting with sea glass and pottery like this one. There is just something about blue and white sea-washed china that I love.

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I also like to use panel bracelets to turn groupings of odd vintage earrings into unique assemblage bracelets. The theme that developed here was floral soft blues and greys with a central enamelled dragonfly. Available here in my Etsy shop.

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I also managed to list the brooch I made during show week from a scrap of felted woollen jumper, a vintage kilt pin and an odd earring drop and it’s available here.

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Definitely in my blue period!

I’ve also had a bit of a spurt with one of the pelmet vilene accordion book memory journals I’m working on. This one is based on a visit we made at the end of March to the North Sea Observatory and Anderby Creek beach in Lincolnshire. The shell strewn beach was unlike anything I’ve ever seen on the North Sea coast and then we had a stroll along the sand dunes to the lovely Anderby Beach Cafe for lunch before heading back home.

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I stitched a fragment with cast on stitch and one of the big flat holed oyster shells in the summer but then things lapsed until a piece of evenweave gave me an idea to do a piece of pulled thread work. I used natural coloured silk thread and Diamond Stitch to create a random pattern like ripples in the sand.

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Then I added some dried seaweed, a clam shell with a hole in and a little piece of driftwood.

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I love the very clever Anderby Beach Cafe logo which uses part of the structure of a traditional deck chair as the initial ‘A’ and the hot dog I had for lunch that day, using local butcher’s sausages was delicious. So that quickly led to a hand painted and stitched applique ‘receipt’ on calico, featuring a splodge of ‘tomato sauce’ to remind me of how much I enjoyed my lunch!

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Ideas forming for the North Sea Observatory and the Cloud Bar…!

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In the end, Baby Leaf-tailed Dragon wasn’t finished for show week and in total, I only managed to put half a dozen stitches in him on stage the entire week, most of which had to be unpicked and restitched later! But ‘The Fifth Elephant’ went well and we had lots of positive comments from Pratchett fans, some of whom had travelled some distance to come and see the show.  No rest for the am dram wicked though – last performance of ‘The Fifth Elephant’ on Saturday and tonight (Monday) is the first casting reading for panto!

I did manage to get some stitching done in the interval though, so all the Bayeux Stitch is completed and I’ve started the couched outline. It neatens the edge up a treat.

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Since the Baby Leaf-tailed Dragon and his frame were props for a scene in Act 1, I had to find something else to sew before curtain up and I decided to experiment with a banner style brooch using an odd kilt pin. I had a few small pieces left of a wool jumper I felted a while ago and turned variously into a cushion cover, a pair of mittens and some earring cases.

I added some commercial grey marl felt and an odd earring drop…

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…blanket stitch, french knots…

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…sequins, a bead, split stitch and detached chain stitch…

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…before finishing with a kantha stitched back ground in shimmery blending filament, a beaded blanket stitch edging which joined it to the grey felt back and blanket stitching it to the kilt pin in stranded silk thread.

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A fun little project and I particularly like the subtle sparkle you get from the blending filament.

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Are all you need to make jewellery! I bought a lovely vintage fruit spoon at a car boot sale recently. The heavily raised pattern of fruit and foliage in the bowl reminded me of some glass and polymer clay fruit beads I had been saving for just the right project.

First I removed the handle and smoothed and shaped the stub left.

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Next, I drilled holes in the stub and the end of the bowl to take jump rings for the chain and the beads.

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The beads were clustered with some fabulous little polymer clay leaves onto a head pin to echo the cluster of fruit in the centre of the spoon bowl.

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Lastly I added a vintage silver tone chain. It’s available here in my Etsy shop.

The zip pulls came from a Studio Ghibli ‘My Neighbour Totoro’ backpack that my middle one had used to complete destruction but the heavy brass zip pulls, each embossed with Totoro were still in perfect condition. The rest of the bag was only fit for the bin, despite my best efforts, but with the addition of two picture jasper cushion beads and some vintage brass coloured findings, the pulls became these:

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Also available here in my Etsy shop.

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It seems odd to be thinking about Christmas in the middle of the summer, but I’m currently in the middle of creating unique upcycled jewellery for various Christmas markets I’m booked into.

First, another felted spiral brooch. I have no idea where the initial felted dreadlock came from for this – it’s an interesting mix of colours that I wouldn’t have thought of putting together. IMG_20190718_220121.jpg

Once rolled up and stitched I liked it even more.

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Finished with a beaded edging that echoes the colours of the felt.

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Then with the boro and sashiko work I’ve been doing recently I had the idea of doing a tiny piece with fragments of indigo dyed fabric and a single strand of silk to go into a vintage silver tone brooch. The needle gives an idea of scale – the whole oval is the size of the pad of my thumb.

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Finished and mounted in the brooch.

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It’s available here in my Etsy shop.

Lastly, another locket insert on silk carrier rods. This originally had a trellis behind it but it was too fussy and the trellis looked like it was hanging in midair, so I carefully unpicked it and am going for just the rose bush.

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Still not completely happy with it but it’s getting there. I’m definitely going to try and do more with the boro though.

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I first had the idea for putting a pamphlet stitched booklet inside the cuff of a shirt or jacket about 6 years ago and although I’ve since seen images on the internet, I’m proud to say it was it was an idea I had all by myself!

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It’s a great method for making notebooks to carry around in a bag or pocket as the button (or snap) on the cuff holds the pages closed and you have the length of the cuff to decorate.

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So I was delighted to be asked to teach it as a workshop for Brigg Allsorts group last week.  Men’s shirts, my main source of cuffs, often are patterned in stripes or checks and the patterns are a great set of guidelines for keeping your stitches straight, so I chose a checked one and decided to have a go at some chicken scratch embroidery with cross stitch and rice stitch.

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I also replaced the boring button with one covered in scarlet silk. It’s fascinating how adding even simple stitches can alter your perception of the background design so much.

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One of the early projects on the seven week crazy patchwork course I’m running for North Lincolnshire Adult Education at Ashby Link was to piece three tiny scraps of fabric together with feather stitch and enhance them with stitches to make a crazy patchwork brooch. This is my example. Black and gold silk covered with lace on either side of a scrap of printed Japanese style cotton with a gold coloured metal motif stitched onto it.

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Kantha stitch knocks back the brightness of the print in the middle. Whipped back stitch and threaded chain stitch to the left and bullion roses with stem stitch stems and nested lazy daisy leaves on the right.

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I went for a very closely worked blanket stitch edging as the pieces of silk fabric were fraying very badly. It took a lot longer to finish, but I think the neat effect is worth it.

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One thing about teaching these courses, I have to get things finished to keep up with the learners!

 

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‘Pattern’ is the name of the Scunthorpe Embroiderers’ Guild exhibition, currently on at North Lincolnshire Museum. Those of us who took part all chose an object from the Museum’s collection and created a piece of embroidery in response.

When I went in January with four friends, we had an interesting discussion about the items we were drawn to and whether or not we should deliberately work out of our comfort zones and choose an object that didn’t appeal to us. There is definitely a time and a place for that, but I suspect that working on something with which I didn’t have a natural connection might have made it a bit of a chore. So unsurprisingly, I went Roman and chose my favourite thing in the whole museum: The Winterton Cup.

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The Winterton Cup is decorated with rows of enamelled squares on a copper alloy base. Some of the enamel has been lost, but the original pattern of diagonal rows of alternating yellow, red, blue and turquoise can still be made out.  Enamelling on metal is a technique found in the Romano-British tradition which carries on into the Roman period and the Cup is one of a small group of enamelled vessels which are apparently souvenirs brought back by soldiers from Hadrian’s Wall.

The squares immediately said reverse applique to me. I had some amazing silk which was hand dyed with natural dyes and a silk scarf dyed in dark blues with flashes of pink and gold which reminded me of the oxidised metal. I would do the stitching with my sewing machine and it would be a reasonably quick job. Famous last words…

I started by cutting a piece of tracing paper to the same size as the scarf and made a template for the size of squares I wanted so I could draw it all out life size. Then I cut out the hand dyed silks and began laying them in place.

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So far, so good.

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Very pleased with the result.

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Next to pin the scarf over the top, ready for the machining.

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This is where the photographs of the process stop. My beloved Frister and Rossmann decided that this was the one thing that it wasn’t going to stitch and ate the fabric instead. Once I had rescued the silk and managed to straighten out most of the chew marks, this left me with forty-eight squares to hand stitch round as well as attaching the other silk scarf I had chosen to back it with.

Let’s just say that there were a number of stupidly late nights before I got to this stage.

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I am happy with the concept – that is exactly what I initially envisaged, but the double running stitching really doesn’t bear close inspection (as you can see in the photo below – which is the closest I am prepared to show!) and I just didn’t have time to fray check the cut silk, so I am a bit disappointed with myself over all.

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Definitely better at a distance in one of the exhibition display cases.

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A silver Victorian brooch arrived as part of a job lot of jewellery I bought online last week. It was perfect – apart from the central dome, which was badly dented and damaged. I gently tried to smooth it out with a doming tool but the metal was too far gone and I ended up resorting to carefully removing it with a jeweller’s saw.

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After some filing and finishing this left me with a tempting little space to fill and I was soon stitching a minute silk ribbon rose onto some ironed out silk carrier rod.

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The completed rose (with a french knot cluster in the centre and lazy daisy leaves round the outside)  is about 6mm in diameter.

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The brooch is only an inch in diameter but the rose makes it look huge!

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The completed ‘Blush Rose’ brooch is in my Etsy shop here.

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I’ve also started work on another embroidered locket piece – this time a little larger but not much!! My idea for this one was a climbing rose on a trellis. Trellis first. This locket was a bit distressed inside so I lined it with some more of the silk carrier rod which you can see through the hole in the front.

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Next I started on the stems of the rose and because I couldn’t resist, have already put in some vivid scarlet roses (french knots of course) in a shade of hand dyed silk called ‘Tart’s Knickers’!!!

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The colours have turned out a bit dodgy on this photo in spite of going outside to make use of a rare bit of February sun!

If you follow me on Instagram you will also have seen the cushion cover which I made this week…

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… a good antidote to working in miniature! The crewel work embroidery is not mine but came from a ubiquitous suitcase of embroidered household linens which friends recently cleared from the house of an elderly relative.

The embroidery on this piece was finished but it hadn’t been made up into anything so there had been no wear or light damage to the linen and I was asked to make it up into a cushion cover, which having had a well-earned rest from the sewing machine and panto costumes, I was finally ready to do.

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I found some fantastic toning batiks to edge the front and create the back. That pop of turquoise makes the soft green of my beloved suite look completely washed out!

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It’s good to think that all the hard work put in by whoever stitched the original embroidery will finally be on show and admired after probably at least half a century.

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