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Posts Tagged ‘travelling book’

Only four of us in the group this time, so this one, stitched for Sandra in keeping with her flowers theme, is my last page of the round. I enjoyed discovering new stitches when I stitched Val’s leaves last month, so I went for the same Sue Spargo inspired idea in turquoise and purple/pink.

First new stitch courtesy of Mary Thomas: Braided Edging Stitch. It looks like blanket stitch from the top, but has a lovely chained effect on the edge. Getting the tension right was interesting initially, but I really like the effect.

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Then whipped running stitch ‘petals’, using a very slubby pure silk thread for the whipping.

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I filled two of the ‘petals’ with Trellis Stitch…

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…the top one with Vandyke Stitch (not too happy with the stitching on that, but I needed to work in a thickish thread – the full 6 strands of stranded cotton – to get the right sort of coverage)…

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…and the two bottom ones with Buttonhole Filling and a Woven Spiders Web Wheel to hide a multitude of sins in the middle!

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The second flower had Berwick Stitch with its lovely edging knots round the outside and then I couched down a line of fabulously soft, thick, loosely twisted, variegated silk to follow the shape.

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I decided to use the same thick, soft silk to work Back-stitched Spiders Webs in each of the petals. Foundation stitches first, using a template to make sure they were all the same.

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Then adding this glorious silk.

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Lastly I filled in the centre with a chain stitch spiral and they were good to go!

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Nobody’s book to complete this month so hopefully I can get stuck into the bluework.

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I’ve had flu for the first time in years and it’s been a bugger to shift, so my involvement at last Saturday’s Scunthorpe Embroiderers’ Guild meeting was limited to sneaking in half way through the afternoon to hand over Val’s Travelling Book and pick up Sandra’s, staying by the door and keeping my germs well out of the way. Everyone looked like they were happily stitching though, so I hope a good time was had by all.

For Val’s book page I worked a piece inspired by the work of Sue Spargo. I bought some gorgeous heavyweight pure wool felt before Christmas and cut simple leaf shapes in a soft green to go on a cream ground. I wanted to use the uncluttered shapes to showcase the embroidery, particularly new stitches.

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Then I got out a whole pile of books on embroidery stitches and started to stitch! The blanket stitch round the outside of the first leaf is actually called Berwick Stitch in the book I used and is a blanket stitch with a sort of added french knot where the needle enters the background fabric. Very nice to work and the knot gives a lovely finish. Then a row of running stitch and the dark green is twisted chain.

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After I’d worked the line of twisted chain I felt the gap was too big between it and the running stitch, so I added a row of split stitch in variegated perle. Inside the twisted chain I stitched a row of whipped running stitch before finishing it off with a row of closed fly stitch.

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Leaf two was held down with Knotted Buttonhole Stitch. It’s a lovely looking stitch but working the knots at the start took a bit of practise. Then a neat row of chain inside that.

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I wasn’t happy with the lone line of running stitch on the first leaf so at this point I went back and whipped it. Much better.

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Back to leaf two and courtesy of Mary Thomas, Portuguese Knotted Stem Stitch. Another new stitch to me and a gorgeous one (once I’d got the hang of the tension). I really like the way this sits on the fabric.

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The inside was finished with stem stitch, back stitch and Pekinese stitch.

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I mounted it up into the book and added my inspiration page which included a printout of a photo of the leaves labelled with the different stitches.

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This was a complete joy to stitch and a lot of fun finding new and interesting stitches to add to the old favourites.

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My inspiration for my page in Janet’s Travelling Book came from finding the rusted fragments I was working on for an art quilt a while ago, including a fragment of very old soft sheeting scattered with rusted marks. I added a scrap of rust coloured silk, variegated thread, silk ribbon and some rusty washers and sat down to stitch.

I started by attaching the silk with a line of back stitch and the largest washer was couched down with metallic Madeira thread.

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Then I added parallel lines of kantha stitching with the variegated thread, weaving around blobs of rust and paint, (I think the fabric was part of an old paint cloth I ‘borrowed’ from my dad’s workshop when I brought home a load of rusted bits a few years ago!) the washer and the silk scrap.

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French knots on the silk strip in a variegated turquoise and rust coloured silk ribbon were joined by metallic thread straight stitches and then I couched some brass watch cogs into some of the spaces.

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I added an explanatory paragraph with little photos of some of my rusted fragments…

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…and attached the finished rusty piece to the next page.

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Janet’s spattered page backgrounds work really well with the colours of the fabric and threads.

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My Travelling Book page was quick, easy and finished a full day before the Guild meeting, which is virtually unheard of!

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My Frister and Rossmann rose to the occasion yet again, stitching happily through a sandwich of cotton calico and crinkle rayon with cotton in the bobbin and golden coloured rayon in the top to define the edges of the fish.

Seeing how well it coped with the rayon, I thought I’d try metallic Gutermann thread to just highlight the inside of the fins and the main body. Metallic thread? Piece of cake.

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Silver sequins and pale blue beads for the eyes and they were finished!

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I know they are gold but they made me think of the herrings – the ‘silver darlings’  – which were such an important part of the economy of East Anglia and in the lives of my dad’s side of the family, who were trawlermen. And then it was a short step to the words of a folk song I grew up with: Windy Old Weather.

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So on Saturday off the silver darlings went on the next round of the Travelling Book project!

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I’m still vaguely irritated about not being able to finish the french knot project so have been knitting socks instead and trying not to think about how fast I seem to be hurtling towards Christmas. Then I realised it was Guild this Saturday; time for the Travelling Books to set off on their third round and I still hadn’t done mine. I’m going to use some of the printing I did at Chris Gray’s workshop in the summer and it’s got this far:

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Not a single stitch in it. Oops. Guess what I need to do when I finish writing this…

But first I thought I’d share some of the pages that other people have stitched for me on the theme of The Sea.

Pam’s beach huts on a pieced patchwork background:

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Lorna’s paper string technique:

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Eilleen’s ‘Water Babies’ inspired underwater scene:

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Helen’s Rod Stewart ‘Sailing’ ships against a textured painted fabric background.

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Pauline’s impression of the Barrier Reef from a recent visit. The background is transfer printed using wrapping paper ironed onto calico!

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Mary gave me this delicious looking 3D crab.

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And finally Debbie interpreted one of her lovely photos taken at Flamborough Head in East Yorkshire in layers of fabric and stitch.

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They are all delightful – thanks everyone!

It seems that you can’t get away from Black Friday even in this country, so if you can’t beat them, join them. I’m offering a 25% discount on orders over £5 in my Etsy shop until the 5th of December. The code to enter at the checkout is: IFYOUCANTBEATTHEM

 

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This was my last piece for someone else’s travelling book before we started a new journey and Debbie’s brief was to create something to do with letters.

I already had a piece of embellished sheet music left over from a workshop we did last year with Fran Holmes. The bigger piece had gone to cover the steampunk journal I made for a friend’s wedding…

 

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…and I had the smaller piece left, which I had started to cover in seed stitch.

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I finished the seed stitch, which was a bit of a marathon to say the least,

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and as the finished piece was nicely sturdy, with layers of fusible vilene, thick paper, chiffon and heavy stitching, I decided to turn it into the cover of a journal which could be sent as a letter. I took the idea from a book I’d recently bought and for card and paper substituted fused fabric and kimono silk.

I fused a piece of chiffon to the back to stabilise the stitching when I cut it and also to neaten it off a bit.

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Then I cut three sets of pages from vintage Japanese kimono silk…

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…and pamphlet stitched them into the cover, which I had already cut to shape.

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The left flap folds under and the tapered section on the right slots into the slit on the left.

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I copied the instructions to go with the journal and made an envelope for it to go into using a photocopied piece of the instructions which hadn’t printed properly.

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Next was the bag. Debbie had made a bag for her travelling book to go in at the beginning of the project, when we all had nice slim books. Three rounds later there was no way her book was going back into the bag, so she asked me to alter the bag as if it was an envelope that had been to and fro through the postal system.

I used some postal themed rubber stamps and found some slightly shiny fabric which looks a bit like parcel tape, slit the bag up the sides and started to add sections of the parcel tape fabric to enlarge the bag. Then I stamped all over the front and back and stitched it all together.

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Now I need to put another piece into my own journal before it wanders off on another round of travels.

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We’re finally back after several family visits and a week away in the Scottish Borders and after a very busy Bank Holiday weekend I’ve finally managed to get some computer time to blog about the Scunthorpe Embroiderers’ Guild’s July meeting and workshop with Chris Gray.

The Saturday was our final meeting of the year which means along with the usual attractions like the sales table and the usual display of Travelling Books ready to journey on…

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…we had a display of hand embroidery worked in response to various workshops we’ve had throughout the year. These pieces were all entered for our annual Dorothy Theaker Award to honour the lovely lady who founded our branch of the Guild and worked tirelessly to develop and promote embroidery. As pieces kept coming in through the day, I didn’t manage to photograph all of them, but here is a taster.

Some goldwork letters from our April workshop with Brenda Scarman:

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Bovver birds (February) with Liz Hornsby, one of our members:

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Some of the Christmas Matchbox Challenge entries:

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Crewel work with two more of our members, Eilleen Grieve and Jean Threlfall, in May, with, in the little box, the brooch to be awarded to the winner of this year’s Dorothy Theaker Award:

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I didn’t manage to get a picture of the winning piece (a stunning goldwork initial in gold and turquoise) as it was one of those that came in later, but given the high standard of all the entries I’m just glad it was Chris doing the judging, not me!

Then we enjoyed a talk by Chris about the tribal textiles that “float her boat”. She handed out stunning embroidered, beaded examples for us to look at and handle, talked about her love for and appreciation of them, how they informed her work and encouraged photos.

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It’s books and medieval patterns, especially tiles that really appeal to me and I completely fell in love with these delicious little printed, painted, embroidered booklets.

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I’ve ‘known’ Chris for several years through her blog, but in person she is even more warm, witty and engaging and great fun to listen to. It really was a fascinating and inspiring talk and I wasn’t the only one who couldn’t wait to get stuck into her amulet workshop the following day!

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