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Posts Tagged ‘seeding’

Onto the second side.

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The applique felt cloud shape echoes the concrete seats at the Cloud Bar with split stitch silk thread clouds on indigo dyed sheeting sky and seeding on the crinkled gold satin sand.

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I’ve used pulled thread work and specifically irregularly worked diamond stitch for ripples in the sand before and it’s one of my favourite styles to work so I decided to use it for the back ground to some beachcombed finds – seaweed, a tiny bit of drift wood and a shell with a very convenient hole already drilled into it.

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At the end of the walk was the lovely Anderby Beach Cafe and I used fabric paints to copy their clever logo onto a piece of fine cotton, turning it into a sort of receipt to remind me of the posh hot dog (local butcher’s sausage) and latte I had enjoyed for my lunch, partly obscured by an appliqued splodge of tomato sauce!

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I’ve also started another memory journal for a visit to Tattershall Castle last summer which is inspired by the bricks it’s made from.  The pelmet vilene base for this one has been covered in an appropriate fabric rather than being painted and it will have six slightly larger panels rather than the eight for Anderby Creek which will fold slightly differently.

DSCN7868I’m considering batik, canvaswork and reverse applique to record my memories of this visit.

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Last February we had a fantastic Print to Stitch workshop at the Guild with Jan Dowson. One of the pieces I created was based on the paisley stamps she had made for us.

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Seeing my starting point now, after a year of covering it with stitch, it seems so bare!!

I started with some Pekinese stitch around some of the paisleys.

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Then seeding around the paisleys in a variegated stranded cotton. Doing that amount of seeding is pretty mind-numbing so I mixed it up with more decoration on the paisleys – split stitch on the right.

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It was a great project to take out and about, even making it to London with me last summer when the temperatures were through the roof and I was trying to keep cool in the Chinese galleries at the V&A.

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More seeding in seed stitch and french knots with chain stitch accents and woven and back-stitched spiders’ web stitches in the middles.

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Getting there… finished all the internal stitching on the paisleys and now just seeding at this point because I’m still not sure what stitch I want to outline the other paisleys. Something as bold as the Pekinese stitch but different.

IMG_20191116_091718It wasn’t until I began to explore Palestrina Stitch over Christmas prior to teaching it in a workshop that the penny dropped.

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Palestrina in a heavy perle was just right to balance the Pekinese.

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And the completed piece!

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No idea what I’m going to do with it, but that’s not the point. I love the colours, shapes and stitches and it’s been a pleasure to work. That’s all you need, sometimes, isn’t it?

 

 

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As I’ve mentioned before, my middle one has finally left home and her worldly goods and chattels are slowly following. While looking for some art materials she wanted, I found an embroidered initial she had almost finished when she was part of our Young Embroiderers’ Group aged about 10 or 11. I love the colours and the design and her stitching is pretty good too.

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Although she hadn’t quite completed it, it was clear that she intended to finish it off by filling  alternate rays with seed stitch. This gave me an idea… I managed to find a close match for the thread she had started using and finished the seeding.

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Then I pinned it onto a cotton tote bag. Unfortunately for some reason the corners had been clipped too close to be able to make a neat square and I didn’t want to fold the edges under right up to the stitching.

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So I ladder stitched it in place and chose four vintage buttons which I stitched down decoratively to hide the raw corners!

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It also gives it a bit of weight and impact on the bag.

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I travelled down to Birmingham to spend her birthday with her last week and our collaborative bag was part of her birthday present. I think she liked it!

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Etc. first. I’ve finally completed all the seed stitch background for an embroidered print I started with Chris Gray in July 2016 and last blogged about eighteen months ago, where it looked like this:

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It currently looks like this:

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Not sure whether to seed stitch the inner circle as well…

I don’t think I’ve shown this piece of upcycling before. One of my mixed lots of junk/vintage jewellery contained a gorgeous brass spinning fob, to which I decided to add some embroidery based on knot gardens.

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It’s now got as far as this:

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French knot hedges and eyelet stitch flowers in variegated silk.

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Near enough to get on and finish now!

Brooches next. I loved the closed fly stitch falling leaves design I stitched for my friend Debbie’s necklace catch a few months ago and decided to do it again on two odd vintage stud earrings which were the same shape and size, but different colours. The initial plan was to make a pair of earrings by covering them with embroidered fabric.

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I stitched one and covered it and started on the second.

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But the second wasn’t close enough in design  – the leaves were further spaced out. Added to that, the gathered fabric and more crucially, the covered pelmet vilene backs, really made them too bulky to be successful as earrings.

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So the posts came off, were replaced with brooch backs and Plan B went into action.  I worked a beaded edging in pearlescent green and metallic copper beads to frame the design and am very pleased with the result which can be found here.

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The second one is still in production! Most of this stitching was done over the Easter weekend at my parents’ in Suffolk which had to include some beachcombing. I was only allowed a short spell under the pier at Southwold, but still managed to find three nice nuggets of sea glass, a piece of carnelian, a big chunk of tile which has weathered to a lovely faux Medieval feel…

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…and some small pieces of driftwood, including one which had a gently shaped front and a flat back perfect for turning into a brooch. I auditioned a fair few piece of broken jewellery to put with it, but when I found this single broken vintage clip on earring of a swallow, it was a perfect match. The plate of the clip was still attached and I used it to mount the swallow onto the driftwood so it stands slightly away from the base, which I like.

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I’ve called it One Swallow (in hope of some more to make a summer!) and put it into my Etsy shop here.

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The ‘beginning’ is my Dorian Gray book. Finally happy with the piece I wrote from my research on saffron, I used a mixture of handwritten and printed sections to go with the first lot of samples I’d dyed.

I used four pieces of the saffron dyed muslin, layered up, as a background for the chain stitch title on the first page. I created the yellow blotches on the pages by dropping the wet saffron onto it after I’d dyed the fabric.

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I’d written a lot about references I’d found to saffron and saffron-dyed clothing in Greek literature so that was printed in a little booklet on the next page, where I tried to write saffron in both Arabic and Greek. Apologies to native writers…

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The samples form the bulk of the next pages, interspersed with information on the etymology of the word and the technicalities of how it dyes.

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The ‘middle’ is more of the bluework, thanks to a couple of meetings.

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Seeding to knock back the blanket stitched flowers, as they were a bit too brash.

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Next I used a pretty composite stitch along the foot of the bowl. It starts with bundles of long detached lazy daisy stitches which are then wrapped around the middles to pull them in, a little like sheaf stitch. Clusters of french knots in a variegated thread are finally added to look like flower heads.

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The ‘end’ was the sample piece I stitched during my stitch play workshop in December. It was nearly finished, just needing the blanket and trellis stitch on the dark green petals, and made the perfect Mothers’ Day card.

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In other news, I think I have finally stopped sulking about my Victorian box project and am hoping to be able to show you some progress next week!

 

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This was my last piece for someone else’s travelling book before we started a new journey and Debbie’s brief was to create something to do with letters.

I already had a piece of embellished sheet music left over from a workshop we did last year with Fran Holmes. The bigger piece had gone to cover the steampunk journal I made for a friend’s wedding…

 

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…and I had the smaller piece left, which I had started to cover in seed stitch.

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I finished the seed stitch, which was a bit of a marathon to say the least,

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and as the finished piece was nicely sturdy, with layers of fusible vilene, thick paper, chiffon and heavy stitching, I decided to turn it into the cover of a journal which could be sent as a letter. I took the idea from a book I’d recently bought and for card and paper substituted fused fabric and kimono silk.

I fused a piece of chiffon to the back to stabilise the stitching when I cut it and also to neaten it off a bit.

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Then I cut three sets of pages from vintage Japanese kimono silk…

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…and pamphlet stitched them into the cover, which I had already cut to shape.

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The left flap folds under and the tapered section on the right slots into the slit on the left.

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I copied the instructions to go with the journal and made an envelope for it to go into using a photocopied piece of the instructions which hadn’t printed properly.

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Next was the bag. Debbie had made a bag for her travelling book to go in at the beginning of the project, when we all had nice slim books. Three rounds later there was no way her book was going back into the bag, so she asked me to alter the bag as if it was an envelope that had been to and fro through the postal system.

I used some postal themed rubber stamps and found some slightly shiny fabric which looks a bit like parcel tape, slit the bag up the sides and started to add sections of the parcel tape fabric to enlarge the bag. Then I stamped all over the front and back and stitched it all together.

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Now I need to put another piece into my own journal before it wanders off on another round of travels.

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The final person in our group was Christina and her piece was entitled ‘Plenty More In The Sea!’

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Unlike my other contributors, Christina’s inspiration had come from a piece of glorious fabric first with the sea element second. That’s not a complaint, just my delight in the glimpses these books have given into other people’s creative processes.

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It must have been fabulous too, by what you can see in the bodies of the fish.

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Hand embroidery stitches to enhance the fish shapes and seeding and french knots to texture the background.

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It’s really made me want to play with reverse appliqué a bit!

The show I’m currently directing – ‘Cheshire Cats’ – is in theatre next week so there should be time for sewing back stage even if the week is probably going to be crazily busy. Fingers crossed for enough audience for us to make a profit. Even a small one would be nice!

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