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Posts Tagged ‘beading’

It’s been a very busy and full-on weekend at Normanby Hall Christmas Market, my last one of the season!

It was somewhat of a mixed bag but I did sell a few of my stitched pieces. They take so long to sell that I do feel quite lost when they actually go! One of the first sales on Saturday was this underwater themed locket:

I also sold the midsummer garden brooch I stitched back in January:

And this beaded brooch I made back in 2018 which was originally an enamelled 1980s earring:

It was far too cold to stitch on Saturday but Sunday was warmer and quieter and I got a little bit of another Bayeux Stitch project done, but not much. It’s also quite gloomy inside the stall at this time of year which doesn’t help stitch placement!

However, I have finished the jelly fish. Thank you all so much for your input. Everything is helpful because it gives me a wider menu of things to consider, and it’s useful to have ideas of what I don’t want as well as ideas of what I do! Anyway, here is the result:

I realised last week that the first row of bugle beads under the bell weren’t stitched down, and that it would potentially be possible to slide something underneath. After communing with my gold work supplies box, I found a piece of textured silver kid leather, cut it into shape and carefully worked it under the beads. It was big enough to push down under the edge of the row of grey seed beads and then I put some tiny stab stitches into place all the way round to stop it moving.

It’s exactly what I wanted and not only is it a finish (apart from lacing it over a slip of cardboard) but it’s meant I could clear the very large pile of bead tubes and silver goldwork threads from my work area too.

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With stock drops and Christmas markets upcoming, the stitching has been pretty limited at the moment, but I did finish my example for the workshop I taught on Woven Feathered Chain Stitch at The Stitch Zone last week. I’ve used this stitch before to create plants in pots made from bits of beach pottery…

…and I thought it would be a nice little single session project. Variegated thread works really well to give the variations in the leaves and different weights of thread alter the look of the leaves as well.

After having used silk ribbon French knots and tiny woven spiders’ web stitches for the flowers in the two examples above, I decided to go for simple straight stitches into a central hole to create the flowers on this one – thumb for scale!

I’ve also been trying to tidy up and complete projects, including the beaded jelly fish I started back in August. The last time I posted on its very slow progress in October, it looked like this:

However, a bit of a push has added a couple more rows to the inside of the bell…

…before starting on the fun bit of the tentacles. The source inspiration picture had loads of layers of tentacles which appeared to be loose, but I decided to couch mine down.

Each one is caught down with a tiny stitch in between the seed and bugle beads using the Nymo I’ve been using to thread the lengths of beads. It’s a very pale blue, so is pretty much invisible.

I feel like I’ve made quite a lot of progress towards a finish for this piece in a relatively short space of time. I’m going to add some partial rows on either side of the tentacles to fill in the gaps, although I’m now not sure whether I should have filled the bell in first before I started on the tentacles. At the moment you can see the base fabric through the top layer of clear beads, but on the other hand, it would have made it tricky and possibly quite bulky to start the tentacles over the top of a layer of beads. And I suppose they could have looked like they were sitting on the top instead of coming out from inside the bell as they do here, so I think I’ve answered my own question.

Sequins would have worked though… The new question is, do I really want to unpick all those tentacles to add something behind?!

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I’ve been continuing the autumn colours with some ribbon embroidery sunflowers. I love the textured deep brown centres you get from clusters of French knots. All was going pretty well until I realised I only had enough golden yellow ribbon to stitch one sunflower – possibly two if I really used every centimetre. You can see on the bottom one that I ended up using ribbon where the edges were really a bit too worn just to complete the flower.

This was then followed by the very unfamiliar feeling of going online to buy some more ribbon. I can’t remember the last time I wasn’t able to find what I wanted (or something close enough) in my somewhat extensive stash but yellow silk ribbon is something that for some reason I simply don’t have. (Any other colour, yes, but strangely not yellow.)

Unable to complete the last flower until I had the ribbon, I made a start on the next part of the design, a meandering line of Hungarian Braided Chain stitch. It’s a fabulous stitch but this is the first time I’ve worked it in anything stranded – in this case four slender strands of a very slippery pure silk so in places it was somewhat less than perfect!

The ribbon arrived a couple of days later so I was able to add the last sunflower. It’s less golden yellow than the others but I like the variation in colours and the ribbon stitch works well for the petals. No two stitches are the same, which is perfect for the slightly shaggy effect I wanted.

Satin stitch leaves over split stitch outlines.

I’m very pleased with the result, and am hoping to incorporate it into some upcycled jewellery, although the next time I do a meandering line it would probably be best to draw it out carefully first, instead of doing it by eye…

I’ve also managed to get a bit further with my beaded jellyfish. Last seen, it looked like this:

I’ve finished setting the spangles on the front and worked the first round of the opening.

It’s hidden the wobbly couched edge rather nicely which was an unexpected bonus and reminded me how much I’ve enjoyed stitching it so far, so perhaps I can make the time to push on with it now.

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It all started with this odd earring. It’s not a very good image because it’s already partly disassembled (I got all excited and forgot to take a photo before I attacked it with the pliers!), but you can hopefully see that it’s made up of three pairs of brass leaf shaped sections that made me think of flower calyxes.

That was enough to spark off an idea for a pendant and a pair of earrings using silk cocoons for the main part of the flower with a brass calyx on top of each one.

Pendant first. I made a set of beaded stamens by threading some random sequences of blue and gold bugle and seed beads onto Nymo and then knotting the ends onto the loop of a headpin and setting it all with a blob of superglue. This is my third cocoon. I discovered the hard way that the silk on its own wasn’t robust enough to cope with having a headpin put through it and I had to use a layer of glue to strengthen the fibres.

But the result was worth it. The little ‘hat’ section from the earring makes an effective calyx for a fantasy flower. It’s available here in my Etsy shop.

For various reasons, I didn’t get round to the earrings until today. I managed to find an almost identical pair of silk cocoons and they really are this red! you also get a better idea of how the brass ‘calyxes’ look from this photo.

Beaded stamens again, this time in greens and golds.

The silk cocoons are really light so although the drops are quite large at 5cm long and 2cm in diameter, they are a lovely weight and not too heavy to wear. I’m hoping to get them listed in my Etsy shop shortly when I can get some more photos of the details.

It seems ages since I had a good jewellery making spell and after finishing these earrings today I was feeling really inspired. It’s a shame most of the rest of this week is going to be taken up with three days supply teaching but as online sales have dropped through the floor over the last few months, beggars really can’t be choosers.

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I’ve been wanting to create some more watch case pendants for a while and last week I finally got round to hunting out the box they live in. I was also determined to do one at a time that I could actually finish, rather than planning all of them at once and overfacing myself.

I had a lovely little rounded piece of driftwood that I wanted to use for this one and teamed it with a pretty gold flecked batik cotton.

Seaweed first, in good old feather stitch and some overcasting with added cast on stitch picots to help hold the driftwood in place.

Then some maidenhair stitch and beading. Maidenhair stitch is a feather stitch variant where you stitch three loops gradually increasing in size on the same side before stitching three on the other side, rather than alternating as in ordinary feather stitch. It’s a new stitch to me and I really like the effect it gives, especially when you curve it like a plant stem.

Some more feather stitch and Palestrina stitch to give a different texture.

After one more swirl of Palestrina knots with a touch of purple, time to add the sea glass. The sea glass nuggets are held in place with a dab of superglue just to make sure they don’t go anywhere before I work the holding stitches over them.

Lastly I gathered the design over a piece of pelmet vilene before setting it into the watch case.

It just needs a silver plated chain attached (somehow…) and it’s a finish.

My not so little, little one turned 16 at the weekend and as I was completely out of inspiration for an original card, I used a pattern from the internet to cross stitch one of her favourite characters from Star Wars:

I was reminded how long it takes to cross stitch even a relatively small and simple design (best part of four hours for this one and I don’t think I was stitching particularly slowly) but it was worth it – she loved him.

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I’d almost finished the experimental combination of the cross stitch tree motif and free embroidery when I lost confidence in what I was doing. I’d left a small section on one side possibly for another bit of tree and then wasn’t sure if it would be too much so I left it here…

…and moved it around on my workbench while I did some other small things. I added some flowers.

That seemed to break the deadlock and I went straight into the tree section without any more agonising.

Just like that it’s gone from something I was unsure about even finishing to something I’m really pleased with. I don’t regret leaving it alone for a fortnight, even though there were literally only a few minutes worth of stitching left to do. I suspect that if I’d carried straight on I would have ended up unpicking it. I just had a gut feeling that stopping was the best course of action.

One of the other small projects on the workbench at that time was an upcycled brooch. I’d had the basic brooch – a simple hand made padded circle covered in fabric with a felt back – for a while and not got much further with it beyond knowing that I wanted to add a beaded edging. Again, I suppose, the skill of knowing when to leave things alone until they naturally come together and that happened when I came across a little vintage gold tone rose which was possibly once a pendant or part of a brooch.

I used buttonhole stitch to cover the stem; partly to give it a bit of colour, partly to tie it to the colours in the fabric and partly as a way of attaching it to the brooch. Then I added the beaded border and was pleased with my quick and straightforward finish.

I photographed it and that meant looking more carefully at it. Not happy. The green for the stem was pale and insipid and worst of all, the rose was too far up. I tried living with it for about an hour but my gut feeling that it wasn’t right was too strong and before I went to bed I took the rose off. I redid it today with some darker green silk and I’m much happier- it feels right now.

It started me thinking about how often I stop and start projects, often not consciously, but because my intuition has told me to just hold on a little bit. Comparing the amount of stitching time a project actually takes with the time taken including the thinking and putting it on hold can be quite alarming, but on the other hand, unpicking is frustrating and potentially causes damage. I’d like to think that I’ve learned to trust my intuition over the years and come to recognise what a valuable tool it is in my creative process.

And lastly, wherever you are and whatever sort of system you’re living under, I wish you all a safe and settled Christmas as the days gradually start to get longer and we head towards the light at the end of this tunnel.

Stay safe and take care.

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The dragonfly pouch commission is complete and I’m delighted with the result.

The back stitched wing veins took a long time lining them up with the source photos to make sure they felt accurate but it was definitely worth it. I just wish I could capture the shimmer of the fused fabric wings.

I hope the recipient likes it as much as I do!

I’ve also finished the silk cocoon and driftwood pendant I started a couple of weeks ago. I added seed beads, freshwater pearls and tiny turquoise nuggets to the end of the points to give a bit of weight and a change of texture.

Then I lightly sanded and waxed the chunk of driftwood and carefully glued the cocoon to the top.

Next I fabricated a hanging loop out of an old odd sterling silver earring wire and recessed that through the top of the cocoon and into the wood to carry the jump ring bale. The vintage sterling silver belcher chain is a perfect weight to match the chunkiness of the pendant, although the driftwood is actually a lot lighter than it looks.

A real statement piece of jewellery; available here in my Etsy shop.

Lastly, a sneak peek of my next embroidered upcycled jewellery project.

Going for something a bit more seasonal!

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I bit the bullet! I finally plucked up the courage to steam and cut the canvas round my Sue Hawkins needlebook and once that was done, the rest just fell into place. The waste canvas folded back a lot flatter than I thought it would and blanket stitching the felt down was a breeze.

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The rest of the felt gave me four internal pages and a finish.

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It feels very odd to have a roomy book to leaf through looking for needles instead of a scrap of felt half the size of a credit card!

Another finish was this broken vintage brooch…

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…to which I added some 3D beading on a piece of dyed pelmet vilene.

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The beading was set into the long channel down the spine of the brooch and I set cats eye beads instead of diamantes into the cup shaped settings.

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A jump ring and a gold plated chain completed the transformation into what my middle one calls the ‘fancy pea pod’ pendant!

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It’s available here in my Etsy shop.

The other finish is another upcycled pendant created from a section of broken vintage bracelet and a single vintage earring.

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This one is available here in my Etsy shop.

The fresh start is the third of my memory journals. Now Tattershall has been put to bed I can concentrate on the Kew journal, remembering one of the hottest days of the year last July when I visited the Chihuly glass exhibition with my son. I’ve completed the cover, another stitched on paper piece which I blogged about back in last August but now I can focus on the Kew pieces rather than being distracted by having all three on the go as I did last summer. So here it is ready to be filled.

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The first piece is based on an image of the Niijima Floats in the Japanese Garden. Hopefully I will have something to show by next week!

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Finally finished, thanks to all your help, advice and ideas. I settled on a frame of brick fabric over an interfacing core to finish off the canvaswork bricks and a touch of Inktense to intensify the colours. It’s tacked in place here…

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…and slip stitched in place here.

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A closure of some grosgrain ribbon printed with maple leaves and a vintage snap was the final finishing touch, and I can now proudly present the Tattershall Castle Memory Journal.

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Unlike the Anderby Creek Journal this one is folded as a triptych with the bollock purse in the middle.

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And the reverse. The ribbon is stitched to the two folds and passes under the micro quilt which is press studded in place.

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I’m delighted to have finished it and am ready to move onto the third in the series – the Kew Gardens Chihuly Exhibition memory journal. I just have to find the black hole that my evenweave fabric has disappeared into first…

I also had fun making a Fathers’ Day card for a friend’s dad. I really object to the tired old football, beer, cars tropes that get trotted out every year, especially as neither my dad nor my husband are into any of those and neither is my friend’s dad. But he does love the Lake District, so I gathered some scraps of hand dyed fabric and started to experiment.

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A little bit of ironing later and I had this:

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It was a good way of showcasing the different textures as well as the variations in colour and I’m very pleased with the way it turned out.

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It went down very well apparently, so another satisfied customer!

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