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Archive for the ‘Costume’ Category

Our upcoming show at Scunthorpe Little Theatre Club is an adaptation of Pinocchio in September and I said I would help with the costumes. My first task was to turn a floppy black felt hat which was styled like a classic musketeer’s hat into one for a carabinieri. The director provided me with a picture from the internet and I made a start.

First I had to unstitch all the ostrich feather plumes and steam the hat to get it back to a neutral shape. It had a nasty hole near the crown but I managed to mend that by needle-felting some black fleece into and around the hole. Then I could stitch both the back and the front of the brim to the crown and make start on the rosette.

The rosette on the front was created from lengths of red, white and blue grosgrain ribbon which I stitched onto individual card circles and then layered together.

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Yes, I know the colour of the inner ring is wrong – in my defence, it wasn’t a close up shot and it looked like blue to me! And having finished it before I realised my mistake, I was not taking something which is only a stage costume for a minor character to bits, so it will have to stay (and annoy me for not having checked my facts before I started…).

The flaming grenade in the middle is made from a picture of one of the cap badges which I stuck onto card and then added layers of gesso to give the impression of something more 3D before finishing it off with silver sharpie. Behind it I used an oddment of silver braid which was a brilliant last minute find at the point where I thought I was going to have to layer several other ribbons and braids together and use the silver sharpie again to get something similar.

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I was able to cut up and lash together two of the original ostrich feathers to make the plume, which is nowhere near as fluffy as the real thing, but again, will be close enough on stage.

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The director was delighted and the guy who will be playing the role was even more pleased that it was a good fit!

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Not sure I’m cut out for making stage costumes. I think I’m too much of a stickler for nailing the sort of detail that you just don’t see on stage. I’m pleased enough with it though, and very pleased that I managed to do it all from stuff I already had!

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…has a knob on the end, according to Terry Pratchett’s Nanny Ogg! So that’s exactly what I’ve been creating for the wizard to carry in Scunthorpe Little Theatre Club’s up-coming panto, ‘Puss in Boots’. I started with a fluorite sphere…

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…and then used copper wire to create a claw setting for it. First I worked the heavier gauge wire into a five-pointed star with branches, doubling over the ends for safety and holding them together in the middle with a wrapping of finer gauge wire.

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Then each ‘branch’ was wrapped with the finer gauge wire…

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…and the sphere placed inside.

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I carried on weaving some of the ‘branch’ points together to encase the sphere.

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Finally the free ends were curled into interesting shapes.

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The staff is a long sturdy stick that my middle one picked up on our holiday in the Lake District last Easter. I’ve given it a couple of coats of black wood stain and then it will be polished with beeswax. The broken bit at the top is going to be shaped into a curve to hold the orb cage.

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And then an unexpected bonus. We discovered the fluorite naturally glows in the dark.

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How perfect is that for the pantomime villain?!

 

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I’ve been asked to make a tunic and hooded cowl for a friend who is just starting Live Action Role Play (LARP). The cowl will need a fastening and it occurred to me as I was clipping seams and struggling to turn things inside out, that instead of communing with my button box, I actually now have the skills to custom make a metal button!

After consultation with the friend and a bit of a mooch on the internet for outline images, we chose two leaf designs, one oak and one maple, and I scribed them onto a piece of annealed brass.

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Then I set to with the piercing saw. Cutting shapes so small (about an inch across) and so intricate was a real challenge, but much to my delight, I managed it with the loss of only one blade.

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Next, the fun bit: finding a suitable hammer in the garage and using it to texture the leaves.

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It hasn’t given as crisp a hammered look as I can achieve with the tools in the workshop, given that it was a domestic tool against the metal end of the workbench vice, but I actually like the rougher look just as much.

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Then I measured, marked and drilled the holes with one of my new drill bits which is supposed to be resistant to breakage, and actually managed all four holes with a still intact bit which has to be a first as well!

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Both buttons, start to finish in under an hour. All they need now is to sit in the barreller for an evening and they’ll be ready for the recipient to choose which one will be the finishing touch for the cowl.

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To break up the whiteness of the cap I used almost 3 metres of 1cm wide black satin ribbon to make shell edging.

The edging is simply made by using a long piece of thread and sewing a continuous running stitch in a zig zag from edge to edge of the ribbon along its length. Then you gently pull up the thread and it gathers the ribbon into a series of scalloped ‘shells’ as you can see in the photo.

You need about three times as much ribbon as the finished length.

It’s time consuming but very useful as the gathers mean it will ease round all sorts of shapes quite comfortably.

The finished length of shell edging was hand stitched around the line between the spotted voile and the lace and in order to make it easier to put on in a hurry (as I have a couple of quick changes from bonnet to house cap) I left two tails hanging down at the back.

Certainly a much better finishing touch for my costume than a mob cap.

 And here, semi-reluctantly modelled by my 13-yr old daughter.

She much prefers the waistcoat and black tails she wears as the head boy of Dr Strong’s Academy.

The show, “Young Copperfield“,  is going well in spite of the usual disappointing audiences but I will be pleased to see the back of Miss Murdstone on Saturday night – awful woman she is!!

 

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In the end the house cap took a lot less time than I’d anticipated. After searching the internet for images and ideas I settled on this one:

on the grounds that it looked like it was going to be quick to make and wouldn’t need any fitting.

I started with a rounded diamond pattern and cut two pieces of spotted voile from it.

These were machined together, seams clipped, turned right side out and the opening ladder stitched closed.

Next I took a very wide piece of lace and folded it along the middle in a one third: two thirds ratio so the top layer only partly covered the bottom layer.

The picture appears to have the lace gathered only at the points of the diamond so I used four pleats at each corner, rather than gathers, so it would lay flatter. It worked very well, easing the lace nicely around the shape.

Lappets next. These are the bits that hang down either side of the face. The picture shows what might be a pleat but I decided to cut mine simply from two pieces of the spotted voile.

These were sewn together, clipped, turned right side out and then ladder stitched closed before being sewn onto the cap on either side.

Beautifully modelled by my majolica jug!

I was delighted that it only took about 2 hours to get to this point, bearing in mind that it’s part of a stage costume and so isn’t as carefully finished or tightly researched as a reenactment item. However, at the moment it’s a bit white and lacy and needs something else.

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