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Posts Tagged ‘beachcombed jewellery’

With the outlining done on the medieval tiles piece it was time to make a decision about how to fill the space surrounding them. Seeding was a bit of an obvious go to and something I used in the last print to stitch piece, but I wanted something different. I toyed with seeding in a more distinctive stitch, like a tete de boeuf, fly stitch or detached chain stitch, but they all looked too heavy, so I fell back on an idea I had a while ago of a kantha spiral based on the centre of the motif. Typically, I chose one to start off where the motif wasn’t in the middle of the ’tile’ so I couldn’t quite see whether it was going to work as I hoped – mainly, I think, because the initial rows of single stitches were quite overpowering – until I got to the outside rows.

Stitching in circles and skipping the printed areas has pulled it up into a bit of a dome! I think there will definitely have to be something couched along the motif to try and flatten it. I think I like it. I might need to play with the couched lines before I can be certain one way or another.

I’ve finished the little needlelace sampler. Goodness knows why I thought it would be a good idea to work in wedge shapes and have to decrease as well as working the stitch. It’s not a huge problem with the Single and Corded Brussels, but created some interesting effects with the Double Corded Brussels (DCB) and the Ceylon Stitch.

I really like what happens to the lace as the stitch spacings get smaller on the DCB. The early rows have a lovely open trellis effect with the cord taking centre stage, whereas in the later ones it is much less obvious, becoming a pattern of double stitches and holes. It’s useful to see how different spacings can give you different effects.

The Ceylon Stitch loops were tiny from the start and as the spacing got smaller, I had to decrease in the middle of the pattern as that was where it was the mostly tightly packed.

It is such a lovely looking but incredibly unforgiving stitch that you can see every single place where it isn’t absolutely perfect. It also took forever and so I am not redoing it – it can stand as an useful object lesson!

I intend to carry on stitching some more needlelace but the next sampler is going to be based on rectangles. However, I might work another sample of the Ceylon stitch in a rectangle just to prove I can do it perfectly when I don’t have to keep decreasing!

I’ve not made much jewellery for a while as I’ve been trying to list a backlog of vintage jewellery on Etsy, but when an odd earring I was cleaning came to pieces, leaving me with a rather nice silver mount, I was inspired! I set it with a lovely and very unusual piece of beachcombed Victorian pottery and added a 16″ silver chain to make a unique pendant.

It’s available here in the Beachcombing section of my Etsy shop.

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As my middle one finally left home in the summer her bedroom, conveniently downstairs, is now vacant. After an industrial strength cleaning session (who says teenage boys are cleaner/tidier than girls?!) it is now a thing of beauty and I have been slowly moving my jewellery making stuff in. It is fantastic to now be able to leave my work where it is instead of being at the kitchen table and having to work around mealtimes, which is probably why I’m being more productive.

I cut and shaped a badly dented vintage bangle and drilled a couple of lovely nuggets of Seaham sea glass which I then combined to make these earrings:

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They’re available here in my Etsy shop, but I am sorely tempted to keep them for myself!

I’ve also combined some more sea washed china and vintage settings.

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Stamped a music design onto a piece of beachcombed clay pipe stem and added a vintage earring drop to make a pendant, available here.

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Inspired by the found objects piece I did for the Guild meeting last month I embroidered french knots and starburst jump rings onto a piece of painted fabric…

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…to make a new centrepiece for a vintage brooch.

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I found the most amazing tropical blue nugget of Seaham sea glass which perfectly fits a vintage silver brooch which you can find here.

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And another incredibly rare piece is this tiny pink sea glass heart, for which I have finally found the perfect match – a sterling silver heart pendant.

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Thanks to my new work space, I’m on a roll – just have to hope my middle one doesn’t want to come home to her old room too often…!

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Sorting some of my beachcombed treasures led to a couple of pieces of jewellery. First was a chunk of school ruler which had frosted beautifully in the waves. I paired it with a piece of beachcombed metal swarf with a lovely milled texture to make a brooch, now available here in my Etsy shop.

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Then I managed to find two vintage panel bracelets which are great for setting with sea glass and pottery like this one. There is just something about blue and white sea-washed china that I love.

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I also like to use panel bracelets to turn groupings of odd vintage earrings into unique assemblage bracelets. The theme that developed here was floral soft blues and greys with a central enamelled dragonfly. Available here in my Etsy shop.

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I also managed to list the brooch I made during show week from a scrap of felted woollen jumper, a vintage kilt pin and an odd earring drop and it’s available here.

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Definitely in my blue period!

I’ve also had a bit of a spurt with one of the pelmet vilene accordion book memory journals I’m working on. This one is based on a visit we made at the end of March to the North Sea Observatory and Anderby Creek beach in Lincolnshire. The shell strewn beach was unlike anything I’ve ever seen on the North Sea coast and then we had a stroll along the sand dunes to the lovely Anderby Beach Cafe for lunch before heading back home.

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I stitched a fragment with cast on stitch and one of the big flat holed oyster shells in the summer but then things lapsed until a piece of evenweave gave me an idea to do a piece of pulled thread work. I used natural coloured silk thread and Diamond Stitch to create a random pattern like ripples in the sand.

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Then I added some dried seaweed, a clam shell with a hole in and a little piece of driftwood.

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I love the very clever Anderby Beach Cafe logo which uses part of the structure of a traditional deck chair as the initial ‘A’ and the hot dog I had for lunch that day, using local butcher’s sausages was delicious. So that quickly led to a hand painted and stitched applique ‘receipt’ on calico, featuring a splodge of ‘tomato sauce’ to remind me of how much I enjoyed my lunch!

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Ideas forming for the North Sea Observatory and the Cloud Bar…!

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It was a real success.

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The weather was lovely and we had a steady stream of interested people through the doors to admire a room full of beautiful textile art including both people’s own projects…

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…and work from the last couple of years, such as the goldwork initials on the left.

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Bovver birds. (Wearing bovver boots…)

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Outcomes from Mary’s Sea Workshop:

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Chris Gray’s amulets:

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My Stitch Play:

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Competition Pieces:

Sandra’s beautiful heliotrope fan won the Regional Award for the Competition – ‘A flower beginning with…H’.

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And I believe this William Morris inspired competition entry on the left is Lynda’s. Each one of those sunflower petals is an individual free standing woven picot. Stunning!

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Some of our Alice Fox work:

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As well as more projects, new…

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…and old.

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And in one corner, my jewellery stall (complete with my budding archaeologist on the left). Upcycled jewellery on the left, original jewellery in the middle and beachcombed jewellery on the right among the driftwood.

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I half hoped I might sell a couple of bits, but in fact I sold nine items and had so many lovely compliments and conversations that it’s a wonder my head got through the door at the end of the day!  I am so grateful to the committee for suggesting I have a stall and I am definitely ready to do something like this again – I just have to find the right type of fair/market.

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