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Posts Tagged ‘driftwood pendant’

Last week, I was at a bit of a standstill with the print to stitch medieval tiles piece which I’ve chosen as January’s Move It On Project having completely run out of thread that was anywhere near close. However, thanks to Debbie who has an affinity for these lovely warm autumnal shades and a huge collection of appropriately coloured threads, I now have a bobbin of the right coloured stranded cotton and no excuse not to move things on! I finished off the tile I was stitching in the darker thread and as it’s the outer ring of stitching, I don’t think it looks out of place.

I was also toying with the idea of giving up on the spiral kantha and going back to seeding for the back ground of the last three tiles but having trialled it, it looked odd, so I’ve continued with the kantha and now completed four out of the six tiles.

The beauty of this piece is more in the way it feels with the wool felt backing and the dense stitching than the way it looks, so I’ve been working on my Hungarian Braided Chain Stitch harvest wreath, which is a bit prettier! Last time I shared it back in October, I was most of the way through adding the Raised Cup Stitch poppy flowers.

I’ve since finished them and given them all French knot middles.

So next I’m adding some leaves, using a free form of fly stitch which I’m stitching back into to fatten up parts of the leaf. It’s a slow job, working in a single strand of stranded cotton, but I think the wreath needs it for balance.

Lastly I’ve added a new Flotsam pendant to my Etsy Shop.

It’s a lightweight and easy to wear combination of Suffolk driftwood, Seaham sea glass and a lovely chunk of beach pottery and comes with a new faux leather thong with a sterling silver clasp.

Available here in my Etsy shop.

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Happy Tenth Birthday to this blog! Please help yourself to a piece of virtual cake. :o)

I wrote my first post on May 2nd 2011 which also happened to be Bank Holiday Monday.

In 2011 blogging was massive in the creative community. It seemed that everyone from full time textile artists to complete beginners were sharing their art and creative processes and many of the blogs I followed were like fabulous magazines, full of gorgeous images and insights into all types of embroidery and textile art that were new and endlessly fascinating to me. People connected, made friendships, shared ideas and advice and I found I could join a whole world of people who loved stitch as much as I did.

However, blogs have waned massively in popularity since 2011. Probably half to three quarters of the bloggers I was following in 2011 have stopped blogging for one reason or another and I have to put my hand on my heart and say I don’t read blogs as regularly as I used to – like many of us I’m more likely to scroll through the same people’s Instagram feeds. But although we get the instant gratification of a pretty or interesting picture on Instagram, I still do value the time and space to explore creative practise that you get in a blog.

The rise of social media is understandable. It takes a moment to upload a photo from our phones onto Instagram, type a few words and hashtags and press send. The image is out there and it gets instant engagement. You can click a like on it in less than a second before you move onto the next piece of eye candy, or spend a few more putting a heart-eyes emoji or a brief comment. It has its place. Some quick feedback about a problem; affirmation that you have made something pretty or reassurance that other people are in the same position. Speed of response can be very useful.

On the other hand, blogs take time and effort. You need to compose your thoughts, create readable content and suitable images to go with it. Not everybody has the time or natural affinity with words to do that which makes the bloggers who are still plugging away out there very special and their posts a valuable resource.

Social media is a snack – like a bag of crisps. A blog is a meal. Words and ideas to digest. You have to take your time and work through the blogger’s thoughts and accompanying images and to continue the metaphor, like a meal, a good blog post leaves you feeling satisfied. Or it can be so delicious it leaves you hungry for more. More images, more explanation, more of an insight into a project. A very common comment to both give and receive is something along the lines of, “I can’t wait to see more of this project!”

So thank you to all the fellow bloggers who still follow and comment on my tiny corner of the internet. Thank you for letting me know I’m not just talking to myself and thank you for carrying on with your blogs and continuing to interest, engage and inspire me with your creativity.

Lastly, the watch case pendant is finished.

Rachel asked how I was going to attach a chain to the winder and luckily my plan worked! One of my biggest jump rings was just big enough to go round the stem of the winder and still have enough room to attach the silver plated chain to either side. It’s a bit askew here because I’d turned it round to photograph the back and it wasn’t sitting properly, but it give an idea of the way it’s constructed.

Available here in my Etsy shop.

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I’ve been wanting to create some more watch case pendants for a while and last week I finally got round to hunting out the box they live in. I was also determined to do one at a time that I could actually finish, rather than planning all of them at once and overfacing myself.

I had a lovely little rounded piece of driftwood that I wanted to use for this one and teamed it with a pretty gold flecked batik cotton.

Seaweed first, in good old feather stitch and some overcasting with added cast on stitch picots to help hold the driftwood in place.

Then some maidenhair stitch and beading. Maidenhair stitch is a feather stitch variant where you stitch three loops gradually increasing in size on the same side before stitching three on the other side, rather than alternating as in ordinary feather stitch. It’s a new stitch to me and I really like the effect it gives, especially when you curve it like a plant stem.

Some more feather stitch and Palestrina stitch to give a different texture.

After one more swirl of Palestrina knots with a touch of purple, time to add the sea glass. The sea glass nuggets are held in place with a dab of superglue just to make sure they don’t go anywhere before I work the holding stitches over them.

Lastly I gathered the design over a piece of pelmet vilene before setting it into the watch case.

It just needs a silver plated chain attached (somehow…) and it’s a finish.

My not so little, little one turned 16 at the weekend and as I was completely out of inspiration for an original card, I used a pattern from the internet to cross stitch one of her favourite characters from Star Wars:

I was reminded how long it takes to cross stitch even a relatively small and simple design (best part of four hours for this one and I don’t think I was stitching particularly slowly) but it was worth it – she loved him.

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The dragonfly pouch commission is complete and I’m delighted with the result.

The back stitched wing veins took a long time lining them up with the source photos to make sure they felt accurate but it was definitely worth it. I just wish I could capture the shimmer of the fused fabric wings.

I hope the recipient likes it as much as I do!

I’ve also finished the silk cocoon and driftwood pendant I started a couple of weeks ago. I added seed beads, freshwater pearls and tiny turquoise nuggets to the end of the points to give a bit of weight and a change of texture.

Then I lightly sanded and waxed the chunk of driftwood and carefully glued the cocoon to the top.

Next I fabricated a hanging loop out of an old odd sterling silver earring wire and recessed that through the top of the cocoon and into the wood to carry the jump ring bale. The vintage sterling silver belcher chain is a perfect weight to match the chunkiness of the pendant, although the driftwood is actually a lot lighter than it looks.

A real statement piece of jewellery; available here in my Etsy shop.

Lastly, a sneak peek of my next embroidered upcycled jewellery project.

Going for something a bit more seasonal!

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Slow progress on the Reeds piece for my Kew Memory Journal but still progress – remembering to move forward one stitch at a time.

But other things have been happening. A beach day on the Lincolnshire coast with my youngest before she returned to school.

Experimenting with embroidery on a cut silk cocoon…

…and a chunk of driftwood.

At the moment it looks like an embarrassed octopus but I plan to add bead, pearl and coral dangles to the ends of the ‘legs’ and stick it down close to follow the contours of the driftwood chunk. I love the black scribbly spalting on the bottom. Then, hopefully, it will become a pendant.

I found a couple of commercial pouches when I was clearing out a box and offered them to the friend I made the pouches for a few months ago.

She asked me to add embroidery to the fronts so she could use them for tarot/oracle cards. A triskele on the silver one and a dragonfly on the indigo. Triskele first with a base layer of chain stitch in lovely heavy weight variegated green perle.

Then whipped in a green/pink/copper variegated perle to give it even more weight…

…before blanket stitching it onto the front of the pouch.

I’ve drawn the dragonfly out onto some shibori dyed cotton I did at a course years ago but have stalled looking for a scrap of iridescent fabric I want to use for the wings. I was sure I knew where it was, but am having an increasingly nasty feeling that I ‘tidied it away’ during the recent deep clean of the lounge…

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