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Posts Tagged ‘back stitch’

The record of my 2019 Mothers’ Day visit to the North Sea Observatory and walk along the coastal path to Anderby Creek was finally finished on a very different Mothers’ Day just a year later. After learning tonight that the UK has joined much of Europe in lockdown, I hope I’ll never take being able to walk freely when and where I want for granted again.

Anyway, to the stitching. The cover title is in split stitch (my favourite for lettering) on indigo dyed sheeting over a piece of lovely pebble fabric from the Knitting and Stitching Show last November. It has been stitched through the pelmet vilene of the accordion with the speckly (a variegated metallic thread) stitches along the lines between the pebbles – sort of invisibly!

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Our walk started at the North Sea Observatory, just north of Skegness. It’s an amazing and I think very beautiful building, angular and austere with wonderful views over the beach towards the sea. Perfect to be stripped right back to the simple shades and tones of black work.

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From the Observatory we started to walk along the beach. I used tiny scraps of fabric to represent dunes, sea and sky in a patchwork landscape that is only about three inches high. This was the last idea I had for the book and it’s my favourite.

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Of course, when on a beach, beachcombing is obligatory! One of the things that blew me away about this beach was the huge amount of shells. I’ve never seen a North Sea beach with so many different types. I chose this oyster shell  because it had holes in it already, making it perfect for attaching with stitch. In this case I used long buttonhole bars which I worked back into for the little cast on stitch curls.

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When I saw a scrap bag at the Knitting and Stitching Show last year with this pebble fabric in it I knew it was perfect for the memory journal. The beach is more sandy than shingly, but it fits in with the story of our walk so well. I gave it a felt backing to give the pebbles a quilted look when I back stitched around them in my favourite variegated metallic Madeira thread. The idea was to look like the twinkles of light you get through pebbles when there is water underneath.

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Part two later in the week!

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The Anderby Creek Accordion Journal is making slow but steady progress.

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I found some lovely pebble fabric which was exactly the right scale and have used that for the cover:

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And also hand quilted with my favourite sparkly Madeira thread around the pebbles for one of the pieces inside.

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Inspired by the concrete cloud shapes at the Cloud Bar, I’ve started to add split stitch clouds to some indigo dyed fabric…

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…which will then be overlaid by a felt cloud shape…

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…based on some of my photos of the Cloud Bar.

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The blackwork version of the North Sea Observatory has only had a few more stitches added to it as I try to work out patterns, but the book is slowly filling up.

 

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I really do need to get it finished before the year is up!

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I’ve been trying to get on with some stitched fragments for my accordion memory journals for a while.

Firstly, the Kew Gardens journal. My plan is for this to document the visit I made at the end of July and focus mostly on the incredible Chihuly glass exhibition. I have a list of ideas for pages and started the title page last week which is part of a leaflet backed on a piece of calico. I’ve put a line of whipped running stitch through the middle of the letters and am outlining them in back stitch.

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Outlining finished and beading started. I am really pleased with the effect of the random blue bugle beads over the stems and am looking for some iridescent seed beads that I know I have somewhere for some of the teardrop shaped ends.

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The Anderby Creek journal from the end of March has also finally been started with a scrap of crinkled fabric which I love for its suggestion of ripples in sand and a holed oyster shell. I attached the shell to the fabric with long stitches through the holes which I then buttonhole stitched over to make buttonhole bars.

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I wanted a bobbly effect like seaweed, so I used cast-on stitch pulled round to make little circles along the length of the buttonhole bar.

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Completed and stitched into place in the journal. One page completed, seven to go!

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Last summer my middle one bought a Tintin t-shirt from a lovely shop in Durham when we were on holiday and to her delight, it came in a paper carrier with a bold graphic of Tintin and Snowy on each side. I think she liked that as much as the t-shirt and I promised to make her a notebook from it. I bought some Tintin postcards to use as the covers and finally a couple of weeks ago, I decided it was time to get on and make it.

I laminated two pairs of postcards back to back for the covers.

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Then I carefully cut up the bag so I could use every bit of the graphics and the Tintin wording up the sides.

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I had to add an extra piece of paper from a 1970s educational poster (The Pied Piper of Hamelin to be exact) to make the signatures even,

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…but I was pleased that I managed to include all of the main panels of the bag.

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I used waxed white polyester thread and Coptic Stitch to bind the book.

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Finally a job off the list and a daughter delighted.

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I bought this little kit well over ten years ago, when the Viking Loom was still in the shadow of York Minster! It used to live in my school bag, ostensibly so that I had something to stitch in quiet moments… Hence why it was still unfinished ten plus years later. IMG_20190419_165501.jpg

But with a few last stitches during the Easter break and the addition of the black seed bead blackberries, I finally completed it…

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…and decided to add my monogram to the back using some of the leftover threads. First the A and the H in split stitch and the start of a trailing stem in back stitch.

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Lazy daisy leaves.

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And poppy red french knot flowers.

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Finally the making up, which took ages until I finally found the pinwheel for the centre but somewhere in the last ten years I have misplaced some of the pins, so it’s a partial pinwheel, which is irritating.

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Nice to have it finally finished!

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I was delighted to get a stall for this Sunday at Gainsborough Old Hall Christmas Fair.

 

It’s a big new thing for me but I am looking forward to chatting to people about my upcycled and hand made jewellery and hopefully selling some!

So this week it will be a mad rush to get everything organised and to finish off some pieces of jewellery that have been put to one side for various reasons, one of those being my snowy stitching.  One of our local churches has a Festival of Trees organised by the Rotary Club every Christmas. Organisations in the town and surrounding area put together Christmas trees decorated in such a way as to reflect their organisation as well as being Christmassy. This year is the first year that Scunthorpe Embroiderers’ Guild has had a tree and in September, Ruth, our chair, gave us all a plastic hoop with the simple instruction to stitch something suitable. I went for a mixture of blue and white fabrics and a snow/snowflakes theme.

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The big snowflake is crocheted in coton a broder and stitched down with lazy daisy stitches at the points to finish it off.

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The commercial embroidered silk got a bit of a make over with back stitch outlining and french knot snow.

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Then I had fun with stitch combinations to create snowflakes. Mostly fly stitch and straight stitches.

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A seeding of smaller snowflakes in straight stitch and french knots on a metallic fabric.

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And finished with a couched down border of a fancy white thread.

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It all ended up being a bit last minute as usual, so I don’t have any photos of the finished. neatened version but I really like the way it turned out in the end and looking forward to seeing it on the tree next month. Back to the fair prep for me now!

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On Saturday our Guild meeting was an all day workshop led by Mary, one of our members. It was themed as ‘The Sea’ and Mary provided not only inspiration in the form of some lovely examples of her own work on the subject…

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…assorted books, magazines etc. but also masses of fabric, shells, stones, beads, paints, printing blocks, silk waste; you name it… basically a complete treasure trove of stuff.

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And we all know how much more deliciously tempting other people’s stuff is than our own!

As a topic, the sea is completely in my comfort zone, so much so that my initial problem was where to start. There was so much I wanted to do! But as Mary talked us through her goodies, inspiration was initially triggered by a cloud of bright orange silk throwster’s waste and then confirmed by some foam core board. With a very definite idea in my head, I nipped in, grabbed a few bits and bore my loot off to my table.

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The lovely pale marbled fabric was a perfect base for my wrapped and back stitched  foam core board driftwood. I just cut it roughly to the right shape and then back stitched through the boards and several layers of dyed muslin, pulling and pleating the fullness of the fabric to give the impression of wood grain. It was easy to stitch invisibly to the background, where I used Inktense pencils to enhance the pattern of the fabric.

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The orange silk said rust to me, so I created a rusty square-headed bolt from a sandwich of silk carrier rods, the throwster’s waste and a street-scavenged washer I just happened to have in my bag, wrapped in an off-cut of the brown muslin I’d used for the  driftwood and stitched down with my favourite semi-metallic thread.

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The last element was some lovely aqua sea glass nuggets I also had in my bag. I nestled them in the curves of the marbled fabric pattern…

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…and after gluing them in place, stitched them down with a toning machine rayon thread.

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I couldn’t believe I’d actually finished a project within the workshop and still had time to start another one. There was a leaping fish stamp that I liked the look of, so I used metallic blue acrylic paint to stamp some images of it onto more of the grey marbled fabric.

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Then I stitched beads in the spots and some short bugle beads for his underbelly to make him sparkle. I’m adding my name underneath to turn him into a name badge. We are supposed to have one and wear it at meetings, but to my eternal shame it’s something I’ve never quite got round to – until now.

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A good day’s work.

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I know that some members prefer to have a bit of a project set out, but this free for all rummage through Mary’s treasures was perfect for me, and thanks to her skilful facilitation, gave me a wonderful day’s stitching.

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I’ve had flu for the first time in years and it’s been a bugger to shift, so my involvement at last Saturday’s Scunthorpe Embroiderers’ Guild meeting was limited to sneaking in half way through the afternoon to hand over Val’s Travelling Book and pick up Sandra’s, staying by the door and keeping my germs well out of the way. Everyone looked like they were happily stitching though, so I hope a good time was had by all.

For Val’s book page I worked a piece inspired by the work of Sue Spargo. I bought some gorgeous heavyweight pure wool felt before Christmas and cut simple leaf shapes in a soft green to go on a cream ground. I wanted to use the uncluttered shapes to showcase the embroidery, particularly new stitches.

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Then I got out a whole pile of books on embroidery stitches and started to stitch! The blanket stitch round the outside of the first leaf is actually called Berwick Stitch in the book I used and is a blanket stitch with a sort of added french knot where the needle enters the background fabric. Very nice to work and the knot gives a lovely finish. Then a row of running stitch and the dark green is twisted chain.

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After I’d worked the line of twisted chain I felt the gap was too big between it and the running stitch, so I added a row of split stitch in variegated perle. Inside the twisted chain I stitched a row of whipped running stitch before finishing it off with a row of closed fly stitch.

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Leaf two was held down with Knotted Buttonhole Stitch. It’s a lovely looking stitch but working the knots at the start took a bit of practise. Then a neat row of chain inside that.

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I wasn’t happy with the lone line of running stitch on the first leaf so at this point I went back and whipped it. Much better.

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Back to leaf two and courtesy of Mary Thomas, Portuguese Knotted Stem Stitch. Another new stitch to me and a gorgeous one (once I’d got the hang of the tension). I really like the way this sits on the fabric.

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The inside was finished with stem stitch, back stitch and Pekinese stitch.

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I mounted it up into the book and added my inspiration page which included a printout of a photo of the leaves labelled with the different stitches.

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This was a complete joy to stitch and a lot of fun finding new and interesting stitches to add to the old favourites.

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