Feeds:
Posts
Comments

Posts Tagged ‘back stitch’

Podcasts at the ready, I got stuck into some of the more tedious stitching this week. All the motifs on the medieval tiles piece are outlined and I’m very happy with the alternating light and dark outlines.

The intersections are interesting too.

As is the back, where you can really see the subtle variegation in the threads.

I’ve still not completely settled on what to do for the background of the tiles but I’m inclining towards adding something to the inside of the motifs. Not sure if that is prevarication or not!

I had a couple of offcuts from when I printed the main piece.

I made one into a bookmark for a Christmas present and am turning the second one into another bookmark. This time I whipped the back stitch outline of the motifs and am pleased with the raised effect. It looks almost like I’ve edged them with a very fine cord.

I decided to add the more straightforward highlights to Baby Leaf-Tailed Dragon’s wings while I was still dithering about the circles on his neck.

Emboldened by that success, I started the circles. Not sure the first one is fit to be seen, but the second and third are reasonably presentable.

I’m definitely ready to finish these projects and get on with something different, especially as I unearthed some rusted embroidered fragments the other day that I’d done ages ago with the plan of making an art quilt and posted some on Instagram. They got such a good response I’m tempted to get the quilt underway again…

Read Full Post »

This is pretty much how I feel about most of my current projects. I’ve added one line of highlights to Baby Leaf-Tailed Dragon and bottled out of the circles above it because they are tricky to stitch accurately and I’ve realised that although the gills of the mushroom are now going in the right direction, the reason it still looks odd is that the stem should go up to meet the edge of the cap. This will mean either stitching more stem over the gills or, more likely, unpicking the gills completely and redoing the whole lot. I do love both projects but at the moment we’re not speaking.

The medieval tiles are moving slowly. Outlining the motifs in back stitch feels like it’s taking forever simply because they have so much outline, and I had a moment of real love-hate when I realised I wasn’t going to have enough thread for them all. Luckily I had managed to outline three and after a major trawl through my threads (not a quick job…) I was back to the problem I had the last time I played embroidery chicken with this piece – do I go for a similar type of thread or a similar colour? This time I’ve gone for similar type in a rich subtly variegated dark brown. I was a little unsure about how well it would work, but after having stitched my first motif in the darker thread, I’m happy with it alongside the lighter outlines.

At the moment the best thing I can say about it is that I’m over half way through the outlining.

I have managed to stitch one thing this week that I love, which is a scrap of crazy patchwork representing my comfort zone. I’ve been working through some bags of scraps with the idea of using them up and had my eye on the bag of purples. But one by one the scraps weren’t quite right. Too pink; too patterned; not the right weight. The only one I wanted to use was a piece of colour catcher (top right) which was a sullen grey -purple. Then a piece of patterned blue and black silk caught my eye and I was off on a completely different track into the bag of blacks and greys.

Comfort zone means feather stitch, some kantha and french knots and somehow it became a response to the current snowy weather courtesy of the Beast From The East 2.

Good to have made something I love – now back to wrangling the other projects.

Read Full Post »

The embroidered upcycled lockets I make from time to time are quite popular and I was pleased to source another one recently. On a grey and miserable day last week I thought it would be cheering to stitch a blossom tree to go into the oval space on the front. It worked up really well and I was pleased with the way the grass at the bottom balanced it out.

Time to cut it out, following the faint pencil line you can see in the photo above. It was a little too big initially, so I picked up the scissors to trim it by eye. All was going well when my concentration wandered and I cut too far in between the bottom branches and the grass. Disaster. The vilene was so thick that all my attempts to remount it looked awful.

I didn’t want to throw away the little tree I had spent so long stitching, so I went looking for something else to mount it in and finally found a gorgeous silver mourning locket which just needed a couple of diamantes replacing. If I trimmed the grass off, it would fit into the frame. At this point I was happy to sacrifice the grass if it meant I could keep the tree! I reset the missing diamantes, removed the grass and backed what was left onto a circle of vilene which would be seen through the rear of the locket.

Here I had a bit of a crisis of confidence. The antique mourning locket is a lovely thing in its own right and once I had repaired it, in wearable condition. Usually I add embroidery to a piece of broken or damaged jewellery that wouldn’t normally be fit to wear as it is. I wasn’t sure whether putting the tree into it was the right thing to do. So I asked Instagram whether to add embroidery or not and the answer was an overwhelming yes!

I love the little glass door in the back of the locket – you can see why I needed a neat piece of vilene behind the embroidery. You can find it here in my Etsy shop.

I’ve finished all the edging of the Medieval tiles piece and am much happier with the visual weight of the lines. I was wondering about a third line of split stitch but I think this is enough.

Next job is outlining the motifs in back stitch, which I might whip to give a smoother but more raised outline. This is to give me a bit of mental breathing room while I consider what to put in the spaces around the motifs. I want something, to give the piece a density and weightiness in the hand but I’m not sure I want to use simple seeding this time. I’m toying with the idea of seeding with a distinct stitch, like tete de boeuf, detached chain stitch or fly stitch or possibly adding a kantha style background in a similar coloured thread to the base fabric but with stitched spirals centred around the middle of the motif.

Decisions, decisions!

Read Full Post »

Happy New Year to you all and I really hope it is that; a year where we find and experience happiness alongside and in spite of what is going on around us. As friends are increasingly saying, “Be positive but stay negative!”

I wonder how many unexpected projects start with something like, “I went into a cupboard/a drawer/a box/the loft looking for X and instead I found…” It’s something I suspect I’ve typed more than a few times and here we are again. Just before New Year I went into a cupboard looking for some padded envelopes and I found eight kits for making upcycled jewellery kilt pin brooches like the one below which were left over from a workshop I taught back in 2019.

They were just popped into paper bags but it occurred to me that I could box them up nicely and put them in my Etsy shop. Kits seem to be quite popular at the moment and perhaps they would appeal to people who would enjoy the challenge of seeing what unique design they could make out of their kit rather than making the item on the front of the box.

I had some cardboard two piece boxes that I was given a little while ago (Thanks Ruth – I knew they would come in useful!!) that just needed making up and then I carefully cut the label off the paper bag and stuck it onto the front. The boxes are lovely quality and already they were looking really professional.

The original packs were designed for avid stitchers, but because these might be bought by or for someone who doesn’t have the vast amounts of stash that most of us do, I added an embroidery and a beading needle and a fat plait of assorted threads to the pack and reworked the instructions into a neat little booklet. This one is based on purples and reds (there are some lovely dusky purple seed beads hiding under the Magpie Pack) and is available here in my Etsy shop with free UK P&P.

This one is themed around autumnal russets and golds and is available here.

Yes, I did say there were eight kits and I’ve only listed two, but making up the boxes is taking a lot longer than I thought. As they are such good quality they have a triple fold plus tabs for each side and are taking me at least half an hour to make!

Over Christmas I’ve got into bad habits of browsing or playing sudoku on my tablet in the evenings so I’m trying to get at least half an hour away from the screen sewing before I go to bed. The last time I worked on my medieval tiles printed piece was in early November when I was playing embroidery chicken with the thread.

I’ve managed to find some roughly similar colour and weight perle thread to the lot that finally ran out on me and so I’ve picked this up as my before bed project. I’ve taken out the tacking stitches and am putting a second row of split stitch round the ’tiles’ to give the lines more weight (top left). There might be a third row yet but I’m seeing how it progresses.

I’ve also started back stitching round the motifs.

A nice straightforward project before bed but I just need to know when to stop. “I’ll finish when I get to the end of this piece of thread/the next piece of thread/the end of this motif,” took me until the other side of 1am last night…

Read Full Post »

The dragonfly pouch commission is complete and I’m delighted with the result.

The back stitched wing veins took a long time lining them up with the source photos to make sure they felt accurate but it was definitely worth it. I just wish I could capture the shimmer of the fused fabric wings.

I hope the recipient likes it as much as I do!

I’ve also finished the silk cocoon and driftwood pendant I started a couple of weeks ago. I added seed beads, freshwater pearls and tiny turquoise nuggets to the end of the points to give a bit of weight and a change of texture.

Then I lightly sanded and waxed the chunk of driftwood and carefully glued the cocoon to the top.

Next I fabricated a hanging loop out of an old odd sterling silver earring wire and recessed that through the top of the cocoon and into the wood to carry the jump ring bale. The vintage sterling silver belcher chain is a perfect weight to match the chunkiness of the pendant, although the driftwood is actually a lot lighter than it looks.

A real statement piece of jewellery; available here in my Etsy shop.

Lastly, a sneak peek of my next embroidered upcycled jewellery project.

Going for something a bit more seasonal!

Read Full Post »

I still haven’t found the iridescent fabric I managed to tidy away, but I did find something I think turned out better in the end, and so the dragonfly for the second pouch is well underway. I stitched the body in satin stitch blocks…

…and the thorax in a sort of long and short stitch with detached chain stitch and french knot legs and clustered french knot eyes.

Then onto the wings. While looking for the iridescent fabric I had in mind, I found some purple hand dyed silk organza and an iridescent organza. I fused them with bondaweb and ended up with the perfect fabric for the wings!

I’m using it with the purple uppermost but there is still plenty of subtle sparkle. Veins in back stitch, following the lines you would find on a real dragonfly’s wings.

I have a real hankering to make some more of these sea glass watch case pendants.

But when I went looking for the watch cases I found this:

A box of clock hands I bought ages ago at a car boot sale and forgot about! I had a lovely quiet afternoon sitting on the patio sorting them all out.

Most of the really ornate ones are singletons, but there were a surprising amount of pairs and I chose a couple of simple geometric hands to turn into a pair of upcycled earrings with a bit of a steampunk vibe.

The hands are very light – probably aluminium – and those gorgeous purple art glass beads give them enough weight to hang nicely in the ear.

The earhooks and all the other metal is sterling silver and they are available here in my Etsy shop with free UK P&P.

Read Full Post »

The last brick piece is on hold. I sort of know what I want to do with it but the details of how are still a bit sketchy. Instead, I’ve started attaching some of the completed pieces to the accordion book and am awaiting inspiration…

So back to small projects. I found some printed motifs obviously cut from a larger piece of fabric the other day, but as usual I have no idea where they came from. They are the perfect size for cards though and as I have a Cancerian friend and one of the prints was a crab, I decided to embellish it with stitch and make it into a card for her birthday.

IMG_20200509_171401

I used some wadding behind to give a bit of three-dimensionality to the body sections when I outlined them in back stitch. I used split stitch down the middle of each leg and claw section, french knot eyes and Pekinese stitch and an eyelet across the back of the shell.

IMG_20200509_172144

Then I moved on to a kantha sample for a workshop that was postponed from March but which I’m still hoping to teach at some point.  It’s made up from calico, a batik cotton print and twinkly organza layered together and stitched with a variegated stranded cotton.

IMG_20200513_162607

I like to put an applique shape in the middle and work the kantha stitching around it and this time it was a leaping fish.  The batik was spotty so I followed the lines of spots with my stitching which gave it a watery effect that I was hoping for.

IMG_20200513_162456

The last little project was inspired by a fantastic tutorial for stitched ori-nui shibori on the V&A Museum’s Instagram account. I didn’t have any indigo but I did have a small amount of avocado, which was very disappointing on this scrap of calico:

IMG_20200518_104646

And some very out of date saffron which worked much better. I love this and wish I’d used it on the first piece instead of the avocado.

IMG_20200518_104640

And it even sort of overdyed some pale indigo dyed sheeting I had, if you look very hard.

IMG_20200518_104621

One out of three ain’t bad, I suppose.

Read Full Post »

Mainly the title, which is finished, and some more on the bricks micro quilt. For the title I wanted to use part of the little folded information sheet you are given when you get your ticket. Partly because it had Tattershall Castle on it, but mostly because I loved the geometric design superimposed over a soft focus image of the bricks and I wanted to stitch over it. I put a piece of fabric behind the paper to strengthen it and started to back stitch over the design.

DSCN8051

I wasn’t completely happy with the stitching somehow, but I stuck at it, hoping that by the time I finished inspiration would strike. Eventually I realised that I was finding the holes in the paper quite large and intrusive so I whipped the back stitch with the same thread, which smoothed out the lines and made the holes far less of a feature.

IMG_20200414_163945

I added some black thread to the thicker strokes of the lettering to finish the piece.

IMG_20200420_124201

The micro quilt cover has all the bricks blanket stitched down and all the names split stitched. Just the dates to do and then I can start to make it into a tiny quilt.

IMG_20200420_142841

Not much embroidery progress this week because I have been making a load of double drawstring pouches for a friend to store her crystals in.

IMG_20200420_143847

Using up all sorts of odds and ends of silk kimono fabric, sari fabric, silk dupion and fleece. I will be glad to get away from the machine and back to hand stitching!

Read Full Post »

I finished the Tattershall canvaswork brick piece a while ago but forgot to show it.

IMG_20200404_100322

I managed to find a very subtly variegated grey/beige/white stranded cotton which was perfect for the mortar.

dav

So on to the third brick inspired piece, but these are more metaphorical. I was very taken by a couple of hangings in the impressive Collegiate Church of the Holy Trinity at Tattershall which you pass on the way from the car park to the castle. The idea was that people who make up a community are like bricks that make up a wall, so I decided to put together a miniature hanging with appliqued bricks, each one signed by the people who were part of the visits.

IMG_20200410_112110

I planned to put the dates in the two half bricks but there was still a full brick left over until I had a brainwave.

IMG_20200410_162659

It’s a tyre track drawn on with a fine liner and then each section is back stitched round in black thread. It represents Rupert, my beloved Volvo S80 who took us there on both occasions. He is definitely part of the family!!

Next stage is embroidering over the signatures in split stitch and blanket stitching the ‘bricks’ down.

IMG_20200411_223504

As usual this is tiny – the hoop in the picture is just 4 inches in diameter!

Read Full Post »

The all day batik workshop/play day we had at Scunthorpe Embroiderers’ Guild for our February meeting seems a lifetime ago now but I’ve been working on one of the pieces I created during the session.

With the Tattershall bricks in mind I used a tiny Polish kitska, usually used for creating fine wax resist designs on eggs, to draw a little brick design which I then overdyed with silk paints. 

IMG_20200229_115623

 Not too many blobs, but I had plans for them anyway. Covered with masses of french knots, they become patches of moss.  Rough back stitch and odd straight stitches neaten up the batiked lines of mortar. 

DSCN7789

But then it occurred to me that if I covered over all the batik lines there was really no point in the batik. It might as well be embroidery on hand dyed fabric.

IMG_20200405_113054

So I decided to embroider part of it but let it fade off at the edges. Ripping the fabric helps too.

DSCN8120

DSCN8123

Second piece finished, but I’ve not finished with the bricks quite yet…

Read Full Post »

Older Posts »

Claire Steele Textiles

Art, Textiles and Photography

hertstitch

for embroiderers and textile artists in hertfordshire and beyond

karensstitchography

Embroidery & other craft

re:retro

collecting retro

View From Our Hill

Textile, Mixed Media, Yarn, Books and Beads

Things I find in the garbage

I'm a professional scavenger making a living selling curbside garbage. This blog details my finds and sales. It also acts as an archive for things beautiful and historic that would otherwise have been destroyed.

summerholiday111

stitching, creative textiles, inspiration

Stitched up with Thread

Slowly threading things together

Lincs In Stitches

Creative ramblings in the Lincolnshire Wolds

Kiln Fired Art Blog

Crafts and the outdoors - slow living involving handmade ceramics, painting, textiles, walking and good food

Hillview Embroidery

Teaching and Learning One Stitch at a Time

Dreaming In Stitches

a mingled yarn

sunshine and celandines

These are a few of my favourite things.

LucyAnn &Luna craft

crafting,dachshunds including other bits & bobs

Carlseapatch's Weblog

A log of progress (I hope)and fun in textile arts

seafieldview

Life on a Cornish cliff

late start studio

Late . . . in taking my creativity seriously.

Shibori Girl

....practicing the fine art of shibori

Pomegranate Studio

- because making is good for us

Fall from Grace Crafts

A blog on my craft journey highs and lows...

opusanglicanum

one Englishwoman's work

Playful Bookbinding and Paper Works

Chasing the Paper Rabbit

Chrissie Freeth - Tapestry Weaver

Blog of artist and tapestry weaver Chrissie Freeth

debbidipity

into textiles & beyond

KDD & Co

Award-winning Scottish publishing and design