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Posts Tagged ‘blanket stitch’

Slow progress on the Reeds piece for my Kew Memory Journal but still progress – remembering to move forward one stitch at a time.

But other things have been happening. A beach day on the Lincolnshire coast with my youngest before she returned to school.

Experimenting with embroidery on a cut silk cocoon…

…and a chunk of driftwood.

At the moment it looks like an embarrassed octopus but I plan to add bead, pearl and coral dangles to the ends of the ‘legs’ and stick it down close to follow the contours of the driftwood chunk. I love the black scribbly spalting on the bottom. Then, hopefully, it will become a pendant.

I found a couple of commercial pouches when I was clearing out a box and offered them to the friend I made the pouches for a few months ago.

She asked me to add embroidery to the fronts so she could use them for tarot/oracle cards. A triskele on the silver one and a dragonfly on the indigo. Triskele first with a base layer of chain stitch in lovely heavy weight variegated green perle.

Then whipped in a green/pink/copper variegated perle to give it even more weight…

…before blanket stitching it onto the front of the pouch.

I’ve drawn the dragonfly out onto some shibori dyed cotton I did at a course years ago but have stalled looking for a scrap of iridescent fabric I want to use for the wings. I was sure I knew where it was, but am having an increasingly nasty feeling that I ‘tidied it away’ during the recent deep clean of the lounge…

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Bullion roses first. In fact this is quite an old finish (early lockdown rather than later!) but one I haven’t blogged about at all. I began another tiny locket insert on silk carrier rod well before last Christmas, using silk buttonhole twist to make bullion knot roses.

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It stalled as other projects took priority but finally at the end of April I decided to crack on and get it finished.

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I was aiming for an asymmetric look but without it appearing to be unfinished and I am very pleased with the result which you can find here in my Etsy shop.

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Back to the Tattershall Castle memory journal. ‘It Rained’ is completed and I am really pleased with it. First the split stitch leaves and couched perle thread stalks.

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Then I added the raindrops. Flat backed teardrop shaped beads with an iridescent coating. They were the perfect finishing touch and I think this might be my favourite of all of the Tattershall pieces.

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This meant that I was now ready to assemble the memory journal, put it away and move onto the third one, documenting my visit to Kew last summer. I blanket stitched a border around the bollock purse…

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…and stitched into it with tiny stab stitches to attach it to the page.

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Everything else went on really smoothly but then I came to the canvaswork piece…

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Unfortunately I trimmed it really close to the edge and this has given me no leeway now I need to stitch it in place. I’m pretty sure that even if I try to invisibly stitch it down the handling will be enough to loosen the last thread on each edge and in any case, I don’t want the spiky bare canvas as an edging.

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So near and yet so far! So, dear readers, any thoughts, ideas or inspiration? All suggestions very gratefully received!

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Mainly the title, which is finished, and some more on the bricks micro quilt. For the title I wanted to use part of the little folded information sheet you are given when you get your ticket. Partly because it had Tattershall Castle on it, but mostly because I loved the geometric design superimposed over a soft focus image of the bricks and I wanted to stitch over it. I put a piece of fabric behind the paper to strengthen it and started to back stitch over the design.

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I wasn’t completely happy with the stitching somehow, but I stuck at it, hoping that by the time I finished inspiration would strike. Eventually I realised that I was finding the holes in the paper quite large and intrusive so I whipped the back stitch with the same thread, which smoothed out the lines and made the holes far less of a feature.

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I added some black thread to the thicker strokes of the lettering to finish the piece.

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The micro quilt cover has all the bricks blanket stitched down and all the names split stitched. Just the dates to do and then I can start to make it into a tiny quilt.

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Not much embroidery progress this week because I have been making a load of double drawstring pouches for a friend to store her crystals in.

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Using up all sorts of odds and ends of silk kimono fabric, sari fabric, silk dupion and fleece. I will be glad to get away from the machine and back to hand stitching!

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I finished the Tattershall canvaswork brick piece a while ago but forgot to show it.

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I managed to find a very subtly variegated grey/beige/white stranded cotton which was perfect for the mortar.

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So on to the third brick inspired piece, but these are more metaphorical. I was very taken by a couple of hangings in the impressive Collegiate Church of the Holy Trinity at Tattershall which you pass on the way from the car park to the castle. The idea was that people who make up a community are like bricks that make up a wall, so I decided to put together a miniature hanging with appliqued bricks, each one signed by the people who were part of the visits.

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I planned to put the dates in the two half bricks but there was still a full brick left over until I had a brainwave.

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It’s a tyre track drawn on with a fine liner and then each section is back stitched round in black thread. It represents Rupert, my beloved Volvo S80 who took us there on both occasions. He is definitely part of the family!!

Next stage is embroidering over the signatures in split stitch and blanket stitching the ‘bricks’ down.

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As usual this is tiny – the hoop in the picture is just 4 inches in diameter!

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Cleaning a load of broken vintage jewellery the other day I immediately spotted two obvious opportunities for upcycling in the form of the two brooches in the middle, both missing the central focal stone.

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And both crying out for ribbon roses! First the gold and pink diamante brooch.

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This has a silk ribbon rose stitched onto coloured pelmet vilene with nested detached chain stitch leaves and a shiny rayon french knot nestled in its heart. Available in my Etsy shop here.

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If the round brooch was small, the bar brooch is even smaller, with the central bezel tray I was looking to fill measuring just over 1cm wide!

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Time to scale down to 2mm wide silk ribbon and single strands of silk thread to create a tiny spray. I love the way this turned out – even though I know it’s stitched, at first glance it looks like micromosaic!

Also available in my Etsy shop here.

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I was playing with some scraps of upcycled felt a while ago that I’d made in the washing machine from some 100% wool garments that were past wearing. I added some broken jewellery pieces and a kilt pin that had been part of a job lot of broken/unwanted jewellery and came up with this little pendant brooch.

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From this brooch came the idea for a workshop and some more samples. Firstly, an octagonal piece of broken earring, a scrap of felt and sheaf stitch, detached chain stitch and french knots in a funky variegated thread became this brooch. Finished off with beaded blanket stitch around the edges and blanket stitch to attach it to the pin.

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I realised that some little metal tags from my found objects box looked like the bodies of fish and so I started another sample, stitching them down with long and short stitch to create flamboyant tails.

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Palestrina and feather stitch creates fronds of seaweed and also helps hold the ‘bodies’ of the fish in place, and french knots form the sea bed.

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I like all my samples, but those fishes have a special place in my heart – they came out exactly as I’d imagined them!

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Sorting some of my beachcombed treasures led to a couple of pieces of jewellery. First was a chunk of school ruler which had frosted beautifully in the waves. I paired it with a piece of beachcombed metal swarf with a lovely milled texture to make a brooch, now available here in my Etsy shop.

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Then I managed to find two vintage panel bracelets which are great for setting with sea glass and pottery like this one. There is just something about blue and white sea-washed china that I love.

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I also like to use panel bracelets to turn groupings of odd vintage earrings into unique assemblage bracelets. The theme that developed here was floral soft blues and greys with a central enamelled dragonfly. Available here in my Etsy shop.

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I also managed to list the brooch I made during show week from a scrap of felted woollen jumper, a vintage kilt pin and an odd earring drop and it’s available here.

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Definitely in my blue period!

I’ve also had a bit of a spurt with one of the pelmet vilene accordion book memory journals I’m working on. This one is based on a visit we made at the end of March to the North Sea Observatory and Anderby Creek beach in Lincolnshire. The shell strewn beach was unlike anything I’ve ever seen on the North Sea coast and then we had a stroll along the sand dunes to the lovely Anderby Beach Cafe for lunch before heading back home.

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I stitched a fragment with cast on stitch and one of the big flat holed oyster shells in the summer but then things lapsed until a piece of evenweave gave me an idea to do a piece of pulled thread work. I used natural coloured silk thread and Diamond Stitch to create a random pattern like ripples in the sand.

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Then I added some dried seaweed, a clam shell with a hole in and a little piece of driftwood.

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I love the very clever Anderby Beach Cafe logo which uses part of the structure of a traditional deck chair as the initial ‘A’ and the hot dog I had for lunch that day, using local butcher’s sausages was delicious. So that quickly led to a hand painted and stitched applique ‘receipt’ on calico, featuring a splodge of ‘tomato sauce’ to remind me of how much I enjoyed my lunch!

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Ideas forming for the North Sea Observatory and the Cloud Bar…!

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In the end, Baby Leaf-tailed Dragon wasn’t finished for show week and in total, I only managed to put half a dozen stitches in him on stage the entire week, most of which had to be unpicked and restitched later! But ‘The Fifth Elephant’ went well and we had lots of positive comments from Pratchett fans, some of whom had travelled some distance to come and see the show.  No rest for the am dram wicked though – last performance of ‘The Fifth Elephant’ on Saturday and tonight (Monday) is the first casting reading for panto!

I did manage to get some stitching done in the interval though, so all the Bayeux Stitch is completed and I’ve started the couched outline. It neatens the edge up a treat.

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Since the Baby Leaf-tailed Dragon and his frame were props for a scene in Act 1, I had to find something else to sew before curtain up and I decided to experiment with a banner style brooch using an odd kilt pin. I had a few small pieces left of a wool jumper I felted a while ago and turned variously into a cushion cover, a pair of mittens and some earring cases.

I added some commercial grey marl felt and an odd earring drop…

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…blanket stitch, french knots…

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…sequins, a bead, split stitch and detached chain stitch…

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…before finishing with a kantha stitched back ground in shimmery blending filament, a beaded blanket stitch edging which joined it to the grey felt back and blanket stitching it to the kilt pin in stranded silk thread.

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A fun little project and I particularly like the subtle sparkle you get from the blending filament.

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I first had the idea for putting a pamphlet stitched booklet inside the cuff of a shirt or jacket about 6 years ago and although I’ve since seen images on the internet, I’m proud to say it was it was an idea I had all by myself!

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It’s a great method for making notebooks to carry around in a bag or pocket as the button (or snap) on the cuff holds the pages closed and you have the length of the cuff to decorate.

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So I was delighted to be asked to teach it as a workshop for Brigg Allsorts group last week.  Men’s shirts, my main source of cuffs, often are patterned in stripes or checks and the patterns are a great set of guidelines for keeping your stitches straight, so I chose a checked one and decided to have a go at some chicken scratch embroidery with cross stitch and rice stitch.

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I also replaced the boring button with one covered in scarlet silk. It’s fascinating how adding even simple stitches can alter your perception of the background design so much.

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One of the early projects on the seven week crazy patchwork course I’m running for North Lincolnshire Adult Education at Ashby Link was to piece three tiny scraps of fabric together with feather stitch and enhance them with stitches to make a crazy patchwork brooch. This is my example. Black and gold silk covered with lace on either side of a scrap of printed Japanese style cotton with a gold coloured metal motif stitched onto it.

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Kantha stitch knocks back the brightness of the print in the middle. Whipped back stitch and threaded chain stitch to the left and bullion roses with stem stitch stems and nested lazy daisy leaves on the right.

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I went for a very closely worked blanket stitch edging as the pieces of silk fabric were fraying very badly. It took a lot longer to finish, but I think the neat effect is worth it.

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One thing about teaching these courses, I have to get things finished to keep up with the learners!

 

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The fish is my name badge for Embroiderers’ Guild and another quick finish. Well, quick is a relative term. Technically it was as long in the making as last post’s hedgerow pinwheel given that I’ve been a member of the Embroiderers’ Guild for ten years now and it’s taken me that long to finally getting round to stitching my name badge…

The fish was printed at a Sea themed workshop led by one of our talented members, Mary, in March 2018 and I actually did the vast majority of the stitching and beading in the workshop.

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I finished split stitching my name and laced the fabric over two circles of pelmet vilene…

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…but so close to the finish, it stalled and languished in my projects bag until Easter, when I finally found the time to finish it with a beaded ruff and a brooch pin.

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I’ve just started working as a casual tutor for North Lincolnshire Adult Learning and taught my first full day workshop on kantha and boro stitching last month. The elephant was my sample kantha piece for the afternoon activity.

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He’s cut from a scrap of Indian printed silk scarf and blanket stitched onto a piece of painted/dyed cotton that I acquired from somewhere. The background is then covered in running stitch using some softly variegated green and purple perle thread.

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I love the way the kantha tones down and smooths out the colours of the fabric behind and it is so incredible tactile.

I also stitched a little modern kantha sample using some circles of Harris tweed in vibrant oranges and golds on a piece of heavy weight cotton.

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Not my usual colour palette at all but it was interesting to move away from my blues and greens and also to stitch with Harris tweed, which is a new one for me.

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I was very taken with an article in Stitch magazine some years ago (still available online as a downloadable PDF, I’ve just discovered, with a little light googling) about making something called a bushkiri bag from a folded embroidered square of felt. After doodling a design, I stitched one with cotton perle threads on felt.

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It was a nice little project for children and I taught it a few times at school. When I cleared out my sewing things I found I had a few partly worked pieces left, so thought they would be fun and straightforward to stitch while we were on holiday over half term.

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This one had the central woven spider’s web, an off centre line of running stitch and  some of the radiating wiggly pink lines already stitched, so I just evened those elements up, added some chain stitch, lazy daisy stitch and blanket stitch fans in the corners…

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…and blanket stitched a piece of grey poly cotton to the back for a lining.

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The pink one just had a diagonal line of large wobbly running stitches, so I took that out and made it neater before finishing it as whipped running stitch in the cafe at Honister slate mine.

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I also managed plenty of plein air stitching at Stagshaw Garden, with a blaze of azaleas behind me…

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…and a gorgeous view of Windermere in front.

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Despite the midges, I stitched happily on…

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…adding alternate rows of chain and whipped running stitch.

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This one just needs a lining and then I can start on the lighter blue one. It already has a square drawn in the middle so I think I’ll probably go with that and develop it into a pattern of overlapping squares.

Some nice, steady holiday stitching.

 

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