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Posts Tagged ‘felt’

Some of the near finishes I blogged about recently in ‘Brooches etc‘ have become actual finishes!

First the Chris Gray amulet from summer 2016. It’s gone from this:

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To this:

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I sandwiched the felt backed front and a piece of black felt for the back on either side of a piece of very firm stiffener than Chris provided us with to give the amulet body. Then I blanket stitched the three pieces together with the same variegated thread I used for the seeding stitches.

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I added a ribbon loop at the top and a cluster of beads, chains, sea glass, shell etc at the bottom from an assortment of broken jewellery.  The long blue tyvek or similar bead was one of two we were all given as part of the original workshop.

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The Knot Gardens pendant is also finished. I coloured the pelmet vilene around the knots to look like soil/paths and sandwiched both knots together with another circle of vilene inside to make it thick enough to sit in the swivel part of the fob properly.

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It’s in my Etsy shop here.

I also completed the second of my autumn leaves embroidered and beaded brooches. The first had a green and copper bead surround:

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The second has a fiery gold and orange sunburst surround. I love doing these beaded edgings – they work up quickly and look really effective. I’ve got my fish name badge to do next.

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And lastly, an empty watch face pendant and a piece of embroidered felt came together to create another upcycled pendant which is on Etsy here.

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It’s really good to get so many quick finishes sorted, or may be it’s displacement activity because I have some mending that needs doing…!

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Work of course. First a quick update on the current state of the bluework. Not an awful lot, but from this: DSCN8921to this:

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The bunches of flowers across the foot are completed – the far right one needs a bit of tweaking to give it the same balance of light and dark as the others…

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…and I’ve added a partial folk art style flower to the bottom right section.

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I’m working some pulled thread samples as well. I love pulled thread work and was itching to do some again. I bought some large self covered buttons from a charity shop recently and was toying with the idea of covering them with pulled thread work backed with bright pops of silk.

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However, the linen I’m using is too thick to gather properly, so I’m toying with other ideas. I still like the idea of silk behind though.

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Something to experiment with in odd moments.

Lastly, I’ve found a perfect match for a piece of embroidered felt I found when I was sorting through some samples I’d made for felting lessons at school. I added a vintage brooch setting and taking this section out of a bigger (and very busy) piece actually looked better than the whole.

The leaves are an earlier version of the more tightly closed fly stitch leaves I’ve been using recently and they help to frame the lazy daisy flowers with their french knot middles.

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It’s in my Etsy shop here.

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One or two finished and ongoing oddments.

First, the little blackwork project I started back in November with Alison Larkin. Interlaced border next…

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…nearly there…

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…completed!

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I can’t believe the last bluework update I posted was at the start of October! It’s gone slowly from this:

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to this:

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Eyelets as spiky abstract daisies at the bottom.

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And another shaded long and short stitch flower.

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Creative mending has been on the agenda as well. I needed to mend a slit right at the front of one of my favourite tops where a thread had given up the ghost. There was no way I was going to make it invisible, so I did the darning…

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…and added some embroidered trims over the top to make a feature. It’s so good to be wearing this top again, and the motif looks like it was always meant to be there!

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And lastly, the piece I started as a work in progress for the Stitch Play workshop. It’s so nearly done, I really ought to get it finished!

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Especially as I have a plan for a biggish stitching project in 2018…

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First of all, Happy New Year to you all!  As promised, now the holiday period is out of the way, some more images of the stitch play workshop I ran at our December Embroiderers’ Guild meeting. I managed to stitch and mount four example pieces which between them showcase 48 different stitches, many of which were completely new to me.

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I provided everyone with a two-page worksheet containing the instructions and sixteen simple shapes from leaves and flowers to a star, bird, Christmas tree, heart etc to use as the base for their stitch play.  The results were fabulous.

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The background felt for Janet’s little robin was sparkly, which isn’t obvious in the photo, but made him look very festive!

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Pauline combined the stitch play idea with a felt project she already had on the go.

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All my pieces were stitched on light coloured felt so I could use a marker to keep my lines straight and equidistant, but pencil/markers don’t show up dark coloured felt so I made note of Sally’s use of guideline tacking stitches to keep her work level.

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I admire the bravery of anyone, who like Christina, has a go at Rosette Chain Stitch, especially in stranded cotton!

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Don’t know why this one insists on going sideways!

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Mary was also working on a project which lent itself to the stitch play.

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As a workshop it seemed to go down very well indeed. Pretty much everybody tried at least one stitch they hadn’t worked before/hadn’t worked for some time and everyone, from the most to the least experienced of us, was able to work and achieve at our own rate and ability level, which is what I had hoped would happen. :o)

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The holiday journal is finished and just waiting for me to add some extra papers, pockets etc. to the inside.

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Doing blanket stitch so close together took longer than I bargained but I like the effect.

Then I moved onto another one of my samples for my upcoming Embroiderers’ Guild workshop later in the year. Grey on grey felt embroidered in pale blues.

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Fly stitched edge, straight stitches in a radiating pattern and french knots:

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Feather stitch edging with a chain stitch spiral:

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And I’ve turned what I think might have been a vintage money clip into an upcycled sea glass pendant. First of all I sawed off the long bit of the clip following the lines of the design at the bottom.

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Then I pierced and cut out the middle section with a very fine saw, again following the edges of the design, and leaving three tabs to attach the sea glass to.

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A lot of fiddly filing happened next, to really shape the central section and tidy up the tabs before I could set it with a lovely piece of deep turquoise sea glass.

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I love using the piercing saw and the fiddlier the design, the better. I really need to get back to making some more of my original jewellery…

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Only four of us in the group this time, so this one, stitched for Sandra in keeping with her flowers theme, is my last page of the round. I enjoyed discovering new stitches when I stitched Val’s leaves last month, so I went for the same Sue Spargo inspired idea in turquoise and purple/pink.

First new stitch courtesy of Mary Thomas: Braided Edging Stitch. It looks like blanket stitch from the top, but has a lovely chained effect on the edge. Getting the tension right was interesting initially, but I really like the effect.

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Then whipped running stitch ‘petals’, using a very slubby pure silk thread for the whipping.

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I filled two of the ‘petals’ with Trellis Stitch…

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…the top one with Vandyke Stitch (not too happy with the stitching on that, but I needed to work in a thickish thread – the full 6 strands of stranded cotton – to get the right sort of coverage)…

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…and the two bottom ones with Buttonhole Filling and a Woven Spiders Web Wheel to hide a multitude of sins in the middle!

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The second flower had Berwick Stitch with its lovely edging knots round the outside and then I couched down a line of fabulously soft, thick, loosely twisted, variegated silk to follow the shape.

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I decided to use the same thick, soft silk to work Back-stitched Spiders Webs in each of the petals. Foundation stitches first, using a template to make sure they were all the same.

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Then adding this glorious silk.

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Lastly I filled in the centre with a chain stitch spiral and they were good to go!

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Nobody’s book to complete this month so hopefully I can get stuck into the bluework.

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I’ve had flu for the first time in years and it’s been a bugger to shift, so my involvement at last Saturday’s Scunthorpe Embroiderers’ Guild meeting was limited to sneaking in half way through the afternoon to hand over Val’s Travelling Book and pick up Sandra’s, staying by the door and keeping my germs well out of the way. Everyone looked like they were happily stitching though, so I hope a good time was had by all.

For Val’s book page I worked a piece inspired by the work of Sue Spargo. I bought some gorgeous heavyweight pure wool felt before Christmas and cut simple leaf shapes in a soft green to go on a cream ground. I wanted to use the uncluttered shapes to showcase the embroidery, particularly new stitches.

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Then I got out a whole pile of books on embroidery stitches and started to stitch! The blanket stitch round the outside of the first leaf is actually called Berwick Stitch in the book I used and is a blanket stitch with a sort of added french knot where the needle enters the background fabric. Very nice to work and the knot gives a lovely finish. Then a row of running stitch and the dark green is twisted chain.

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After I’d worked the line of twisted chain I felt the gap was too big between it and the running stitch, so I added a row of split stitch in variegated perle. Inside the twisted chain I stitched a row of whipped running stitch before finishing it off with a row of closed fly stitch.

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Leaf two was held down with Knotted Buttonhole Stitch. It’s a lovely looking stitch but working the knots at the start took a bit of practise. Then a neat row of chain inside that.

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I wasn’t happy with the lone line of running stitch on the first leaf so at this point I went back and whipped it. Much better.

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Back to leaf two and courtesy of Mary Thomas, Portuguese Knotted Stem Stitch. Another new stitch to me and a gorgeous one (once I’d got the hang of the tension). I really like the way this sits on the fabric.

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The inside was finished with stem stitch, back stitch and Pekinese stitch.

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I mounted it up into the book and added my inspiration page which included a printout of a photo of the leaves labelled with the different stitches.

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This was a complete joy to stitch and a lot of fun finding new and interesting stitches to add to the old favourites.

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