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Posts Tagged ‘canvaswork’

I’ve finished my August Move It On Project! (Well, the stitching part at least – I’ve still got to block it and make it up into a card…) Last week I had completed all the outline stitching and it looked like this:

Once the outline was in I realised I should have stitched that first before I even thought about adding the colours as adding the greens was so much more straightforward. I have no idea why on earth I didn’t, but lesson learned. Dark green first, and I also found a suitable thread to fill in the missing scrap of peach lower right. It’s more like the light peach but it will do.

Then the mid green and a highlight of lime green on the left hand leaf.

Many thanks to Debbie for supplying the perfect match for the dark peach I needed to complete the last few stitches on the petals. Once I’d finished those, the next section to complete was the pale green. Finally, the simple and soothing element I had been looking for as all I had to do was fill in the spaces inside the circle.

To make sure I had sufficient thread, I worked it all in half cross stitch. Just as well, as there was only just enough. Apart from the slight element of thread chicken, it was so straightforward and soothing that I went through it at a rate of knots and rushed straight onto the black before I remembered to take a progress photo!

More straightforward stitching and now I was on a roll, I got my head down and finished the whole of the black in less than an hour.

I’m still not sure exactly what it is, and the name of the design appears to be ‘Neville’, which tells me nothing, but it’s pretty enough, will make a useful card and is out of my to do pile, so wins all round. And I also get extra time to decide on September’s project…

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I’m not much of a one for kits usually as I have more than enough of my own ideas that I’m yet to get round to stitch, but some years ago I couldn’t resist a Liberty canvaswork card kit for 50p in a local charity shop. It was a slightly odd design – I’m still not completely sure what it’s supposed to be beyond a flower/flower bud of some kind – but an unopened Liberty kit for 50p was a no-brainer.

I started stitching it pretty much straight away, but soon came up against the first problem. The instructions suggested you use three strands of the six-stranded cotton provided, but I felt the coverage was far too thin so I upped it to the full six strands. As there was not an overly generous amount of threads in the kit to start with (and I bet it wasn’t cheap originally…) I soon realised that the chances of me running out of some of the shades of peach thread were pretty high. I’d probably have some matching thread somewhere but that would require turning out far too many boxes and bags… So that’s where it stalled and that’s where I picked it up last week for this month’s Move It On project.

After the stress of the Ruskin lace I thought a bit of canvaswork would be nice and soothing. Of course it wasn’t. It’s counted and anything counted has the potential to go seriously awry. I started by playing the peach thread chicken to see exactly how much I would need to find and in which of the four shades. The thread use wasn’t helped by the fact that the kit specifies tent stitch, which due to the extra thread across the back, uses up more than good old half cross stitch. As I neared the end of the threads, I wished that I had ignored the instructions and done it all in half cross stitch from the beginning. Especially as after having congratulated myself on completing all the pale peach and peach stitches, I discovered as I added the dark peach, that I had counted wrongly and the middle section of the lower right petal was out in at least two places.

I took out the scrap of peach before reason kicked in and pointed out that it wasn’t the end of the world and no one would really know if I just worked the dark peach and brick red round my ‘mistake’. However, the scrap literally was just enough to cover the few stitches – no room for a needle to work it – so now I was looking for peach as well. Luckily there was enough brick red but the dark peach has come up short.

I also couldn’t understand why I’d stitched some of the cream perle outline and not the rest, so as a break from trying and failing (of course…) to find a distinctly salmony-peach thread among the literally hundreds I own, I decided to finish the perle. Which is when I found the second counting error on the top left hand edge of the left-hand petal. This time I decided just to work round it and alter the last stitch to make the petal join. I really don’t think it’s noticeable so not unpicking was the right call. But so much for it being soothing and easy!

The shishas and couching pieces has moved on to here:

And I’ve been working on more of my upcycled jewellery pieces. This one has been a particular joy. It started off as two odd pieces of two separate mid-century belt clasps or clothing clips.

But one happened to be one with the ‘hook’ and the other had the ‘eye’, and when I idly put them together, they fitted beautifully and I loved the asymmetric shape they created.

Next I reset the missing stones. I was originally going to stick with the original clear diamantes but after finding that some vintage faux coral stones fitted some of the spaces perfectly and gave a fantastic pop of scarlet, I reset them with a combination of the two.

Lastly, I needed something to fill the curved spaces on the left. I had some pieces of a silk cocoon in the same bright red as the faux coral left over from this pendant I made a couple of weeks ago.

Cutting them to shape was a bit of a challenge but they have a lovely subtle texture and silk sheen which was almost impossible to photograph.

I’m delighted with the result and I hope it finds a good home when I list it in my Etsy shop later this week.

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I took a bit of a break from the ongoing long projects this week and have enjoyed learning and working a couple of new stitches. The first was a little canvaswork piece with a hearts theme. I do enjoy the odd spot of canvaswork and I immediately thought of Rhodes Stitch, worked as hearts. A quick Google showed me that you can work the hearts in a variety of sizes, although as they get bigger they do get bulkier. I found some yellow canvas and matched it with some daffodil yellow stranded silk and some variegated stranded silk in purples and golds that reminds me of pansies. The small yellow hearts were pretty straightforward, although having to fasten off after each heart because any carrying threads were visible was mildly irritating.

Then I added pansy coloured larger hearts to the middle. The bottom one was the fourth attempt.

  • Attempt  1 – too far up.
  • Attempt  2 – I miscounted the placement of the first stitch but didn’t realise until I tried to put the penultimate stitch in and there wasn’t enough room!
  • Attempt  3 – Stitched it perfectly – on the wrong side…
  • Attempt  4 – Count twice, stitch once. Check carefully which side is the right side. Finally, success!

The top heart went quicker but I was more careful with my counting this time. Then I tried out a new Rhodes Stitch version I’d come across while looking at the various sizes for the hearts – a Rhodes Stitch Butterfly. It’s a straightforward and very effective shape to stitch, but once again, careful counting is your friend. I decided to do two stitches for the body and I think that makes him nicely chunky.

The second new stitch was one I’ve had in mind to try for a while. I’d been asked to make a Mothers’ Day card for a friend and I was inspired by some cards online using sea glass fragments as pots with drawn plants. What if I used a piece of sea washed pottery as a pot and the woven feathered chain stitch I’d been wanting to try out to make a trailing plant? Feathered chain stitch first.

Then you fill in the loops with needleweaving, rather like making a picot but with only two threads. I definitely improved as I stitched these two stems – no guesses for noticing which leaf was my first one!

Moving onto the middle stems. The needlewoven leaves remind me of quaking grass.

After the final two stems, some French knots flower buds in silk ribbon and the pottery shard to check the scale. You can get a better idea of the size against my hand.

Lastly I filed a little off the bottom left hand corner to correct the shape and added a shadow in split stitch just to ground the pot.

Very pleased with the result. I used coton a broder and it has given the leaves a lovely sheen. I think a fine perle would work well too and a subtly variegated thread might look even better. I’m so pleased with it I’m just about to start something similar for my mum.

Stay tuned!

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I bit the bullet! I finally plucked up the courage to steam and cut the canvas round my Sue Hawkins needlebook and once that was done, the rest just fell into place. The waste canvas folded back a lot flatter than I thought it would and blanket stitching the felt down was a breeze.

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The rest of the felt gave me four internal pages and a finish.

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It feels very odd to have a roomy book to leaf through looking for needles instead of a scrap of felt half the size of a credit card!

Another finish was this broken vintage brooch…

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…to which I added some 3D beading on a piece of dyed pelmet vilene.

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The beading was set into the long channel down the spine of the brooch and I set cats eye beads instead of diamantes into the cup shaped settings.

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A jump ring and a gold plated chain completed the transformation into what my middle one calls the ‘fancy pea pod’ pendant!

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It’s available here in my Etsy shop.

The other finish is another upcycled pendant created from a section of broken vintage bracelet and a single vintage earring.

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This one is available here in my Etsy shop.

The fresh start is the third of my memory journals. Now Tattershall has been put to bed I can concentrate on the Kew journal, remembering one of the hottest days of the year last July when I visited the Chihuly glass exhibition with my son. I’ve completed the cover, another stitched on paper piece which I blogged about back in last August but now I can focus on the Kew pieces rather than being distracted by having all three on the go as I did last summer. So here it is ready to be filled.

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The first piece is based on an image of the Niijima Floats in the Japanese Garden. Hopefully I will have something to show by next week!

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Finally finished, thanks to all your help, advice and ideas. I settled on a frame of brick fabric over an interfacing core to finish off the canvaswork bricks and a touch of Inktense to intensify the colours. It’s tacked in place here…

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…and slip stitched in place here.

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A closure of some grosgrain ribbon printed with maple leaves and a vintage snap was the final finishing touch, and I can now proudly present the Tattershall Castle Memory Journal.

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Unlike the Anderby Creek Journal this one is folded as a triptych with the bollock purse in the middle.

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And the reverse. The ribbon is stitched to the two folds and passes under the micro quilt which is press studded in place.

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I’m delighted to have finished it and am ready to move onto the third in the series – the Kew Gardens Chihuly Exhibition memory journal. I just have to find the black hole that my evenweave fabric has disappeared into first…

I also had fun making a Fathers’ Day card for a friend’s dad. I really object to the tired old football, beer, cars tropes that get trotted out every year, especially as neither my dad nor my husband are into any of those and neither is my friend’s dad. But he does love the Lake District, so I gathered some scraps of hand dyed fabric and started to experiment.

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A little bit of ironing later and I had this:

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It was a good way of showcasing the different textures as well as the variations in colour and I’m very pleased with the way it turned out.

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It went down very well apparently, so another satisfied customer!

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Bullion roses first. In fact this is quite an old finish (early lockdown rather than later!) but one I haven’t blogged about at all. I began another tiny locket insert on silk carrier rod well before last Christmas, using silk buttonhole twist to make bullion knot roses.

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It stalled as other projects took priority but finally at the end of April I decided to crack on and get it finished.

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I was aiming for an asymmetric look but without it appearing to be unfinished and I am very pleased with the result which you can find here in my Etsy shop.

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Back to the Tattershall Castle memory journal. ‘It Rained’ is completed and I am really pleased with it. First the split stitch leaves and couched perle thread stalks.

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Then I added the raindrops. Flat backed teardrop shaped beads with an iridescent coating. They were the perfect finishing touch and I think this might be my favourite of all of the Tattershall pieces.

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This meant that I was now ready to assemble the memory journal, put it away and move onto the third one, documenting my visit to Kew last summer. I blanket stitched a border around the bollock purse…

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…and stitched into it with tiny stab stitches to attach it to the page.

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Everything else went on really smoothly but then I came to the canvaswork piece…

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Unfortunately I trimmed it really close to the edge and this has given me no leeway now I need to stitch it in place. I’m pretty sure that even if I try to invisibly stitch it down the handling will be enough to loosen the last thread on each edge and in any case, I don’t want the spiky bare canvas as an edging.

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So near and yet so far! So, dear readers, any thoughts, ideas or inspiration? All suggestions very gratefully received!

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I’m not exactly sure where the last week has gone. A lot of it gobbled up in household chores and eBay/Etsy listings, I suspect. I know it’s important not to get obsessed by what we have or haven’t done given the continuing situation but I am a bit irritated with myself that I haven’t progressed further with my stitching projects.

The last Tattershall piece, ‘It Rained’, has had a few more veins added.

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I’ve also had what I modestly consider a genius idea to attach the micro quilt so you can still see the back. I stitched on press studs!

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And then discovered it wasn’t centred… :o(

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The canvaswork needlebook is also finished. Well, the canvaswork bit of it is and I also made the closure cords.

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Next is the making up and I’ve stalled on that. I know I’m not alone in this but why is it that we so often baulk at the finishing off stage of a project? I really need a needlebook too, so you’d think that would give me the incentive to crack on and get it finished, but no, I’m dragging my heels like my youngest when reminded that she has flute practise to do instead of WhatsApping her friends.

I’ve made a few more bits of upcycled jewellery as well. A silver 1970s coin pendant, vintage carved bone disc and single silver earring…

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…became this:

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Available here in my Etsy shop.

I also restored a lovely 1950s diamante bib necklace section with a replacement diamante (the small blue one in the middle) and some reclaimed chain…

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…to make it into this:

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Also available here in my Etsy shop.

In fact, not too shabby for a week’s work, I suppose!

 

 

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The last Tattershall piece is underway and coming out exactly as I wanted, even though I wasn’t sure what I did want! I’d set my heart on using a transfer I’d made from a photo in the booklet of some of Tattershall’s bricks but it was what to do with it that had me baffled. Then I thought back to the first visit with my youngest and I immediately recalled the rain storm which we sat out under one of the trees by the shop. Leaves and raindrops, I remembered and it all fell into place.

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The background is some more of the batik I did at our last Guild meeting and the tiny leaves are cut out of some hand painted fabric backed with stabiliser.

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I’m stitching them down with split stitch veins in fine silk before I add the raindrops.

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I’ve also done a fair bit more on the Bright Pyramids needle book. The double dark blue line is the spine and I’m already onto the last hearts and flowers panel. After that I just have four more rows of long-legged cross stitch:  two vertical and two horizontal along the whole width to do before making it up.

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Am still swearing but less often, which must mean I am improving.

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I made a little pair of upcycled butterfly earrings recently which sold to a friend almost as soon as I’d posted about them on Instagram.

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I then had a lot of fun turning a card booklet which had contained a free sample tea bag into bespoke packaging for them!

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The felt on the left is to cushion them when the booklet is shut.

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Contact details on the back and a ribbon attached to the spine with a miniature paper fastener as a closure.

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A very satisfying little make.

 

 

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The pesky last Tattershall piece is still not working out so I started to attach some of the already completed finished pieces to the accordion book in the hope that they would help inspiration to strike. The front cover is glued as it’s paper with a bit of stabilising calico behind.

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Then I added more stitching to the batik bricks in order to sew it to the brick fabric background.

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But still nothing, and I’m not sure how to attach the bollock purse or the canvaswork either, so that has ground to a halt. So I decided to do something completely different and start one of the two Sue Hawkins kits that have been my lock-down treat. The first one is the Bright Pyramid needlebook, purely because I need one and am too lazy to design my own!

There have been a few counting issues and associated bad language, but I’m just over half way through the design and it’s starting to come a bit more easily as bits of the pattern start to repeat.

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I know that the first two lines are not quite long enough – that was an issue I didn’t realise until I had stitched quite a lot of the hearts and flowers band. There was a lot of bad language at that point… I’m working up the enthusiasm to unpick the ends and restitch them.

On the plus side, I really like the braided effect of the long-legged cross stitch bands.

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And if you follow me on Instagram you’ll know that I’ve just become the besotted owner of two more vintage hand cranked sewing machines.

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Sadly one of our elderly neighbours died recently (not Covid) and over the last few days it has been quite upsetting to hear relatives clearing the entire contents of her home into a skip. But with charity shops shut and no boot sales, what else do you do with the remains of a life? However, I was able to rescue, among a few other bits, these incredible machines. As both were locked I had no idea what would be inside until I got them home. It was like opening a treasure chest.

It was the fantastic inlaid but badly damaged case that alerted me to this one:

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The base is damaged as well, but I’m sure I can sort it out. No idea of the maker but I suspect it’s late 1800s, early 1900s in date. And it has mother of pearl flowers inlaid into the base plate!

And as the case was very simple, I almost left this stunning Singer in the skip! Opening the case was a revelation – the chrome is immaculate, the decals and bright and clean and it even has a Singer tin of bobbins etc. in the base compartment.

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We are lucky enough to have a fantastic local sewing machine repairers and once things are closer to normal, this one will be serviced and has already been claimed by my daughter.

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I still need to clean them and look at them properly, but I alternate between elation at how beautiful they are and horror that they very nearly went into landfill.

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I finished the Tattershall canvaswork brick piece a while ago but forgot to show it.

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I managed to find a very subtly variegated grey/beige/white stranded cotton which was perfect for the mortar.

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So on to the third brick inspired piece, but these are more metaphorical. I was very taken by a couple of hangings in the impressive Collegiate Church of the Holy Trinity at Tattershall which you pass on the way from the car park to the castle. The idea was that people who make up a community are like bricks that make up a wall, so I decided to put together a miniature hanging with appliqued bricks, each one signed by the people who were part of the visits.

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I planned to put the dates in the two half bricks but there was still a full brick left over until I had a brainwave.

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It’s a tyre track drawn on with a fine liner and then each section is back stitched round in black thread. It represents Rupert, my beloved Volvo S80 who took us there on both occasions. He is definitely part of the family!!

Next stage is embroidering over the signatures in split stitch and blanket stitching the ‘bricks’ down.

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As usual this is tiny – the hoop in the picture is just 4 inches in diameter!

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