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Posts Tagged ‘canvaswork’

Our March meeting at Scunthorpe Embroiderers’ Guild was Canvaswork Stitch play, led by me. Unfortunately, due to a combination of everything coming on top of each other,  being ill and then completely forgetting about the workshop until about two months before it was due to happen, I wasn’t as well prepared with samples as I would have liked. But I am pleased with what I did manage to stitch.

First sample was the same thread but different stitches.

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The upright cross stitch was a revelation. You would never guess that it was just upright crosses – I just love the interlocking texture it produces.

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Then I worked a sample which was all the same stitch – cushion stitch, but stitched in as many different types of thread as I could. I am particularly pleased with the effect of the chenille (small pale beige rectangle at the bottom), which is such a difficult thread to actually stitch with anywhere else!

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I also had a lovely time running a Ribbon Roses workshop with Selby Embroiderers’ Guild. I had been experimenting with some pelmet vilene based brooches featuring the ribbon roses both with beaded blanket stitch…

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…and also normal blanket stitch edging.

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(The second one ended up as an emergency Mother’s Day card for a friend!!)

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So I decided to turn the design into kits, which went down very well.

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And I even managed to turn my sample/teaching example piece from the workshop into a birthday card.

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And finally another piece of jewellery upcycled with a ribbon rose and beautifully modelled by my little one, who is not so little any more. :o(

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Available as always,  here in my Etsy shop.

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A charity shop near the premises where my amateur theatre group meets has started leaving bits and pieces outside on the pavement at night for people to take. The other week when I arrived for a rehearsal (I’m currently directing Blackadder Goes Forth) I noticed an eclectic mix which included a child’s scooter and a fish tank! When I came out of rehearsal the scooter was gone, but it wasn’t until I was pulling out of my parking spot that I noticed something propped sadly up by the wall and half-hidden by the lonely fish tank. Something that was enough to make me brake and jump out of the car to rescue it.

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As I only have one frame like this and there is a very old and very long term project hogging it, I was over the moon to acquire a new (to me) frame. It’s missing one of the bolts but that should be easy enough to replace. The cross stitch design on it, which looks to be almost finished, must have taken hours.

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So sad that it ended up on the pavement, but the frame at least has gone to a good home. If anyone is interested in giving the cross stitch a good home then please drop me a message either in the comments or via email (scroll down to ‘Contact me at:’ on the right hand side of the blog) and I’ll happily post it out worldwide.

Like buses, these things never come along singly. I dropped off a bag of stuff at the charity shop yesterday and as I turned away from the counter, I spotted this sticking out of a miscellaneous box, priced up at £2.

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To be fair, it was the partly worked canvas work design which attracted me first and reminded me that I quite fancy doing a bit of canvas work.

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And what’s £2 these days? So now I have a frame I can actually use and a nice little piece of mounted up canvas work to have a play with.

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There is a huge antiques centre about 20 minutes away from where I live and towards the end of the summer, my husband and I decided to pay a visit since it was far too long since we had last been for a good look around. The cafe there is pretty good too, which helped.

We bought a few smallish bits and pieces and one of the many things, big and small, which caught my eye was this unusual antique backgammon table.

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Not only because I like playing backgammon, but because I realised that the game board was worked…

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…in tent stitch.

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I can only assume that the household weren’t big backgammon players, as it’s in lovely condition. It was also marked up at an eye-watering price. “I don’t think it would be that difficult to adapt an old table,” I muttered as I crawled underneath to investigate the underside of the top. My husband seemed indecently keen for us to look at something in the next room at this point.

Can’t imagine why.

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I showed you this amazing book

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in my last post. Without even opening it, it’s a thing of beauty, from those William Morris-esque willow leaves sprawling across the spine and cover to the black and gold DMC logo end papers. And so small, only 5 and a half inches high, 4 inches wide and an inch and a half thick so it sits snugly in the hand.

Rachel is right – I have so much I want to do that I don’t think I’ll get round to any of the projects any time soon, but it is just lovely to sit and browse through.

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Although I am very tempted to try out this canvaswork Shell Stitch.

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Knitting is covered…

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…as is crochet…

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…tatting…

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…embroidery on netting…

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…openwork…

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…various types of lace…

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…tassels…

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…and so much more.

I’ve done some more finishing of small projects. Firstly the french knot encrusted blue velvet spiral brooch from the sample piece I started on the Lush, Plush and Crush workshop we did at the Guild with Josie Storey a few months back. From this:

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to this:

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I’ve also created a pair of silk strip wrapped and beaded hoop earrings using some lovely ombre dyed silk strips from Stef Francis and vintage seed beads and sequins over a pair of vintage plastic earrings.

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Having fun!

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I enjoyed the canvaswork knot garden so much I carried on planting my beds.

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Rhodes stitch on the left and a composite stitch of upright cross stitches within boxes in green with diagonal cross stitches over the top in variegated orange on the right.

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Crossed cushion stitch – I love this one, especially as I was able to use a thinner thread over the top and so let the threads underneath peek through.

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Final beds planted top right and bottom left with a Smyrna cross stitch variant. The Smyrna crosses are worked in a trio of variegated green/yellow/orange threads. This leaves space for little upright crosses in between the larger ones, which I added in using the russety coloured stranded thread that has turned up in most of the designs.

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Just the central section to go. The original design was for a glass shisha ‘pond’ attached with shisha stitch, but I only had large flat sequins at home and they were nearly as wide as the central space so I cheated and covered a brass ring with buttonhole stitch to hold them in place.

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The space in the corners was filled with French knots in the same thread.

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Ready to make up now, but it’s been put to one side by two new projects. Firstly, turning this Country Living freebie notebook into a holiday journal:

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And secondly, winning this sad and sorry box from eBay.

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As you can see, it’s lost a fair amount of veneer and someone has had a cunning plan to encrust the spaces with odds and ends – an old watch face, a couple of broken earrings, a Renault emblem and other esoteric fragments. It must have once been beautiful. What’s left of the flame mahogany veneer is stunning – or could be, with polish and tlc.

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I couldn’t resist and it was mine for a little over a fiver, including P&P. Off have come the oddments.

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And I’ve made a template for the missing piece of veneer on the lid with some pelmet vilene.

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I’m going to make it beautiful again.

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This was the project at our last Embroiderers’ Guild meeting before our summer break and it was exactly what I needed after a very hectic last week of work. Nothing like sitting quietly with the calming regularity of canvas stitches to restore your soul a little. At the end of the day I had managed to stitch most of the ‘hard landscaping’ of the paths in cushion stitch and ‘planted’ two and a half beds.

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Two in rice stitch…

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…and the half in eyelet stitch.

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I was enjoying myself so much I took it along to our theatre club panto script reading that evening to stitch the rest of the paths and do some more ‘planting’.

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It’s been the perfect project with which to unwind into the holidays.

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I was given a Moleskine notebook for Christmas and decided to use it as an ad hoc journal. I wrote a page in the local leisure centre cafe in January when I was waiting for my little one to finish her tennis lesson and decorated the facing page with some of my latte. A couple of months later I added a splash of Twinings Apple Crunch tea and then decided to use the string snipped off the teabag to cross stitch through the page.

Why? enquired my bemused husband. To echo my teenage middle one: just ’cause I can!

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Last week I had vivid pink Cranberry and raspberry tea and as I was finishing off a canvaswork brooch, I also had some offcuts of canvas. Not only could I add the colour to the page, I could use the teabag to dye the canvas and the string of the tea bag and then use one to stitch on the other!

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So there you have it: cushion stitch in fruit tea dyed tea bag string on a fragment of fruit tea dyed canvas with a pale lilac splodge of the same tea in the background.

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Just ’cause I can!!

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