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Posts Tagged ‘vintage’

I’m on a roll!

An upcycled bracelet,

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Pisces necklace,

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Branch necklace,

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Green daisy necklace,

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Broken vintage brooch turned into a pendant

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…and another upcycled broken brooch. This one does actually have embroidery in it!

The main piece was a ring brooch in lovely condition with all the original stones intact, but no pin, so I got rid of the remains of the pin mountings and decided to fill the middle with a back stitched spider’s web, rather like a Dorset button.

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I’d got about a third of the way through the stitching when I looked on the back and decided I preferred that effect. So out it all came and I started again!

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Much better.

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Filling up the space nicely…

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…and completed.

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The thread is quite a thickish cotton and the web is really firm and sturdy. The back is neat too, but I’m pleased I chose to restitch it.

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I added a vintage bar tie-pin as the brooch back and it covers the scars of the old closure quite nicely.

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Very pleased with this!

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The only other sewing I’ve been doing is a major repair job on one of our Scunthorpe Little Theatre Club costumes – a wartime woollen coat that somebody has turned into a pirate captain type coat. Various seams have given way and the gold braid is coming adrift everywhere.

Not creative in quite the same way, but extremely satisfying.

 

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The cuff book is finished. But I forgot to take a photo of it! Not that it’s changed much – just had the pages stitched to the spine with a single line of pamphlet stitch, decorated with some seed beads.

So is the leather bracelet. Both flowers completed and three matching quartz bead dangles added.

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I finally found the right size drill bit to make setting the cogs easy for the black and white steampunk brooch and once I’d done that, the finishing was easy.

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Then the embroidered pendant for a bow shaped pendant brooch, missing its drop, was the next to be sorted. It started like this:

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Then I put three pieces of walnut dyed vintage fabric together and secured them with beaded blanket stitch. The back is a damask, the middle canvas and this side is some embroidered net that I always understood was associated with my great-grandmother who died in 1970.

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It was a little dull so I went over some of the pattern with silk threads in faded shabby chic tones …

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…and then hung it from the brooch.

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Rather pleased with myself. And to top all that I’ve even got them listed in my Etsy shop:  Flower bracelet, black and white steampunk brooch and pendant brooch. Wonders will never cease!

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Not much more to see with the blue crazy patchwork, but I have been upcycling/making jewellery again.

First was a simple brushed stainless steel pendant, probably 1970s. I had various ideas for embroidery to add to it, mostly on a second smaller disc, hanging from a jump ring through the top hole, but when I went looking for a jump ring, I found one of my hand cut reticulated brass discs and that was that.

Reticulated brass and stainless steel pendant

I love the contrasts – silver/gold and smooth/textured.

Then I rethreaded the remains of a vintage white glass bead necklace and the oddments from a gorgeous very dark red glass bead necklace along with some odd black and black/white lampwork beads to make this:

Black and white glass bead necklace 1

I love that the dark red beads (the flat faceted rondelles) are so intense in colour that they look black unless they catch the light just right and then they are the most mouthwatering crimson.

Black and white glass bead necklace 2

They’re both in my Etsy shop here.

If you enter TOPAZ1 at the checkout from now until the 20th of December 2014 then you can get 20% off any item in my shop – vintage, upcycled or handmade jewellery.

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My next upcycled jewellery project is this stunning vintage necklace.

Green quartz necklace 1

It probably dates from the 1950s or early 1960s and is in lovely condition, professionally strung, with gimp loops over the ends of the thread to protect it from rubbing through on the sterling silver catch. The gently graduated green beads are some kind of (probably dyed) quartz and feel cool and smooth. In between them are little crystal bicones. Well, apart from the one that was missing.

I had two choices: to take the necklace apart and restring it, replacing the missing spacer bead, (and I really didn’t want to mess with the quality of the original work) or as the missing bead was to the right of the central bead, I could remove the spacer on the other side and add something of my own silversmithing to hang below/frame the central bead and fit over the thread on either side. So I gently removed another spacer bead…

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…and began to doodle possible ideas. My first was an organic drop, possibly with some piercing, so I made a paper mock up – silver sheet is far too expensive to cut unless I’m positive the idea is going to work!

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I liked that, but when I showed it to my middle one, she pointed out that the spacers were angular and didn’t feel the organic flowing shape fitted the necklace design. I took this on board and Mock Up 2, a more angular, crystalline shape, followed:

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Actually, I quite liked that too, so I showed my husband. He was dead set against both of them and felt the drop should echo the main bead. Like this, possibly with a pierced centre:

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I also offered this alternative, with the possibility of a bead hanging from the tip:

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And also this one, using diagonals rather than vertical lines and with the disc having a hammered texture – actually, I’ll probably hammer all of them.

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The problem now is that I’ve got so many that I’m really not sure which design works best. Every family member has a different opinion so I’m asking for blog help. Here are the five designs I’ve outlined:

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Which design (if any) do you think works best to complement the original necklace so I end up with a happy marriage of quality vintage and contemporary hand made?

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This is my current obsession and if I can do it in a way which combines textiles/embroidery in some way then even better. If you read my last blog hop post then you will have caught sight of one of my latest pendants which began simply as an old brass pendant mount long missing whatever had been set in it.

Bullion rose pendant 1

 

I used a single strand of variegated silk to embroider a bullion knot rose with French knot buds and whipped back stitch stems on some lovely slubby hand dyed cotton.

Bullion rose pendant 2

Then I cut a piece of thick felt the same size as the pendant and drew the fabric up around it before using the lugs on the pendant to fit it snugly in place. In real life it’s less than an 2cm long, so it was all a bit of a challenge.

Bullion rose upcycled pendant

A matching chain completes the upgrade from rubbish to wearable!

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Next for upcycling was a gold tone ‘A’ initial brooch. The gold colour was badly worn in one place, so I started to wonder if I could wrap it in fabric. However, ‘A’ is quite a complex shape, so first I experimented with a simple vintage circular silver coloured pendant and some offcut strips of printed Japanese themed cotton in red, black and gold.

I used Modge Podge thinly spread on the back of each piece and as the strips built up, I became quite excited about the effect.

Japanese print wrapped pendant 1

I neatened off the back with some more of the fabric and used the Modge Podge to seal that layer, which gives it a bit of a shiny look that I didn’t want on the front.

Japanese print wrapped pendant 2

And I’m pleased enough with both of them that they’ve gone into the new Upcycled section of my Etsy shop.

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