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Posts Tagged ‘threaded chain stitch’

Finally I can show a project that has been ongoing since I was asked in February to create an unusual ribbon embroidery workshop for Lincolnshire Textiles (formerly Lincoln branch of the Embroiderers’ Guild). The remit was for something ‘richly textured’ but after some heavy googling and falling down Pinterest rabbit holes, I was fed up of looking at flowers, lovely though some of them were, and completely lacking in inspiration. It wasn’t until I was working on one of my sea themed upcycled pendants a few weeks later that a germ of an underwater idea took root.

I did some doodling with some oddments of silk ribbon just to see what was possible. French knots are definitely textured but quite greedy on ribbon. However, I liked the idea of ruching up ribbon on the surface using French knots – perhaps working them in thread rather than ribbon.

The loose twisted ribbon stitches for the tentacles of the anemone worked well from the start, although I was less pleased with the satin stitch body.

What I had taken away from this doodling was that an underwater themed piece would definitely work. The anemone was a definite, if I could create a smoother body and I wanted to use the ruched ribbon for brain coral. Doodling take two. On the right, a shorter satin stitch body. Still not right as the ribbon gathers as it goes through the fabric, leaving rough top and bottom edges. On the left, an idea for surface couching inspired by something I saw on someone’s Instagram of a section of a Jenny Adin-Christie kit. I’ve no idea how the effect was worked, but it was a wide flat thread of some type folded in a zig zag pattern and after a bit of trial and error, I managed to get the ribbon to behave and couched it down to produce the smooth edges I was looking for as well as giving an interesting textured effect.

Time to finally draw the design and use the anemone body I’d just trialled to make a prototype.

Some feather stitch and threaded chain stitch seaweed gave the design a bit of balance and added more textural interest. This was enough to give me a finalised design which I finished stitching this week.

That’s the easy bit – instructions complete with diagrams next! Good job the workshop isn’t until September…

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With this month’s Move It On project safely put to bed, I’ve been able to think about other things, including a piece inspired partly by a recent trip to Withernsea beach which always turns up some interesting beachcombed treasures, and partly by some recent images that caught my attention on Pinterest of densely encrusted stitching around seashells.

I rediscovered a fabulous piece of silk matka which looks like a hessian sack but feels like velvet, some scraps of organza to add subtle shading to the background and some assorted shells and literally started to doodle in stitch.

I had an odd pony bead and I knew I wanted to cover it in stem stitch band like one I did for the North Cornwall Wallhanging. I used a much thicker thread for this one but it still has the sea urchin sort of look that I was looking for. The raised cup stitch that was so successful as poppies on the Harvest Wreath was a complete disaster here, so I filled them with seed beads and started to surround them with French knots to try and blend them in.

Next I added feather, threaded chain and Palestrina stitches over the strips of organza to hold them down and continued to build up the French knots and add some little mottled sandy coloured beads.

I love the depth and texture of the stitching.

More French knots interspersed with bullions and pearl beads. I liked the shaded effect on the needleweaving on the left from the variegated silk threads I was using so I added some more of those.

Finally finished. Well, in the end I had to tell myself to put down the needle and walk away. With this sort of free form stitching it’s so tempting to just add another dozen French knots or another seaweedy frond. The hardest thing is knowing when to stop!

I finished the Mothers’ Day card in good time too and am told it went down very well with the recipient. Despite my best efforts the the tea bags did shred a bit and the whole thing had to be restabilised by stuffing scraps of Bondaweb under the flapping areas and ironing carefully. You can see some spidery areas of glue but it’s less obvious in real life and was much better than having bits dropping off!

Next job is to decide on April’s Move It On Project and I’m torn between revisiting an existing project or starting a kit that’s been hanging around for a while and of course, also needs moving on.

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Much to my surprise and delight, the Chihuly chandelier is working! I’ve not done very much more as there have been a lot of other time-sensitive things this week, but all of a sudden, I can see my way clear. I realised that the edges of the ‘frilly plates’ were quite pointy-looking, like the points of the spokes of the back-stitched spider’s webs, so I’m not filling the spokes completely to echo this.

I’m so pleased with the way its coming together that I’m slightly resentful that other things have kept me away from it and also rather sheepish that it stalled for so long in the first place…

A couple of weeks ago I blogged about this underwater scene which I’d stitched onto dyed pelmet vilene and set into a silver Victorian coin brooch. I just felt the seaweed was a bit flat on its own and it needed a bit of something else.

One of the ideas I threw out was to add a silver fish and the more I thought about it, the more it felt like the answer. I had some tiny offcuts of textured eco-silver left over from the band of a ring I’d created when I did my silversmithing course back in 2013.

The right hand side of the bottom piece already looked a bit like a fish, so I used that line as a starting point and I carefully cut my fish shape out.

I filed, polished and refined it and added a simple drilled hole for an eye.

I realised that it needed to go behind at least some of the seaweed, so I took out one of the lines of feather stitch, put the fish in place and stitched the feather stitch back over the top.

I also added another line of Palestrina stitch in Sylko thread to hold the tail down before setting it in the brooch.

There was a little tube on the back of the brooch and it occurred to me that if I could get a jump ring through it, then I could make it transform into a pendant as well which would give it twice the opportunity to be worn. In the end it needed two jump rings, but I think they work well as a bale and a silver chain completes the transformation.

Unfortunately this weekend hasn’t been the best time to take decent photographs of it!

This is going to be a piece that will be very hard to part with and it was so good to get back to the silversmithing again. I’ve called it the ‘Silver Darling’ and it’s in my Etsy shop here.

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The project I’ve chosen to focus on for this month’s Move It On is a relatively new one and the reason that my Kew Memory Journal has stalled. I’ve already done four of the six pieces for it and last spring I started the fifth, based on a photo I took of one of Dale Chihuly’s Persian Chandeliers which was installed in the Temperate House at Kew Gardens in 2019.

I drew out the pattern of the glazing bars on a piece of indigo dyed cotton and as of last April, using thin white ribbon for the thicker bars and whipped back stitch for the thinner ones, had got as far as this:

The fun bit was next – creating the frilly circles of the chandelier – but at this point I froze up because I didn’t think I could stitch anything that comes close to representing Chihuly’s amazing art. I had various ideas about making wired edged needle lace slips, crochet circles using my tiny Victorian metal crochet hook and woven spiders web stitches. I reminded myself that I was only aiming for my impression of the chandelier but I was really reluctant to start and instead, put it to one side.

So this is where the Move It On project will hopefully help. By the end of the month I should know whether I can make this work or whether I abandon it and create a different fifth piece for the Memory Journal. The hard bit is going to be actually making that start!

As I’ve had the Inktense blocks out, colouring some pelmet vilene for the Ribbon Rose Brooch kits, I thought it was the ideal opportunity to stitch an embroidered centre for a silver Victorian brooch I’ve had for some time. I think these type of brooches were originally designed to be set with coins, but the empty frame makes an ideal surround for a piece of miniature textile art!

I went with my favourite colour palette and one of my favourite themes as there are so many stitches which suggest waving seaweed such as the feather stitch and threaded chain stitch…

…and a line of Palestrina stitch to fill in the gap on the right.

I’m very happy with the stitching but I feel it’s a bit flat, so I’m toying with ideas for a bit of extra dimensionality. I think it might be a bit too small to add even very tiny pieces of sea glass so I was thinking beads or possibly picots at the bottom. Or possibly a little silver fish… Any thoughts?

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I first had the idea for putting a pamphlet stitched booklet inside the cuff of a shirt or jacket about 6 years ago and although I’ve since seen images on the internet, I’m proud to say it was it was an idea I had all by myself!

Denim cuff books

It’s a great method for making notebooks to carry around in a bag or pocket as the button (or snap) on the cuff holds the pages closed and you have the length of the cuff to decorate.

Leaves book cover 1

So I was delighted to be asked to teach it as a workshop for Brigg Allsorts group last week.  Men’s shirts, my main source of cuffs, often are patterned in stripes or checks and the patterns are a great set of guidelines for keeping your stitches straight, so I chose a checked one and decided to have a go at some chicken scratch embroidery with cross stitch and rice stitch.

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I also replaced the boring button with one covered in scarlet silk. It’s fascinating how adding even simple stitches can alter your perception of the background design so much.

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One of the early projects on the seven week crazy patchwork course I’m running for North Lincolnshire Adult Education at Ashby Link was to piece three tiny scraps of fabric together with feather stitch and enhance them with stitches to make a crazy patchwork brooch. This is my example. Black and gold silk covered with lace on either side of a scrap of printed Japanese style cotton with a gold coloured metal motif stitched onto it.

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Kantha stitch knocks back the brightness of the print in the middle. Whipped back stitch and threaded chain stitch to the left and bullion roses with stem stitch stems and nested lazy daisy leaves on the right.

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I went for a very closely worked blanket stitch edging as the pieces of silk fabric were fraying very badly. It took a lot longer to finish, but I think the neat effect is worth it.

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One thing about teaching these courses, I have to get things finished to keep up with the learners!

 

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A bit more work on the crazy patchwork cushion. First a wiggly line of chain stitch in a variegated perle:

Threaded chain stitch 1

Threaded chain stitch 2

Which is then loosely threaded with some fabulously soft ultramarine-coloured lightly twisted silk thread.

Threaded chain stitch 3

I like that you can get very different effects with this stitch depending on how tightly you pull the threading thread to the chain stitch foundation. I prefer mine fat and loopy!

Threaded chain stitch 4

Ignore the key – I didn’t like it even when I was stitching it down and it’s long gone!

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Two years ago today, on a sunny Bank Holiday Monday, I decided to dip my toe into the blogging world in order to document the creative part of my life, which makes today Under A Topaz Sky’s second birthday.
Birthday pavlova

So I’m marking it with a giveaway. Not for the lovely strawberry pavlova pictured above, which just might not make it through the postal system, but for one of my sea glass canvases: Sea Glass – Lilac Swirl.

It’s English sea glass on hand dyed calico, hand embroidered with threaded chain stitch in silk and stranded cotton and measures 7″ by 5″ and three quarters of an inch thick.

Sea glass - lilac swirl 1

Sea glass - lilac swirl 2

Sea glass - lilac swirl 3

Sea glass - lilac swirl 4

So as a thank you to all the bloggers, lurkers and other visitors worldwide who end up under a topaz sky with me,  here is my second birthday present to you. And I’m happy to post worldwide.

In order to enter, just leave me a comment before Wednesday the 8th of May and I’ll draw the winner on the 9th.

Good luck and thank you all for your support over the last two years. 🙂

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It occurred to me after my post about my beachcombing finds at Southwold that I was amassing rather a lot of the stuff and it was probably time to find ways of including it in my work.

Much of the beach glass is quite small pieces so it wouldn’t be too heavy to attach to fabric. I decided to go for something along the lines of this from my Cornwall Holiday Journal:

The background fabric is a hand-dyed cotton flannel which has a bit of weight to it.  I really like the network of beaded strands cradling the sea glass and it’s something I’d like to explore further.

I cut several pieces of fabric, played around with the arrangement of the sea glass pieces and then attached them with glue.

Then I embellished the glass with very small seed beads…

…and embroidery in silk thread.

I liked the effect of the threaded chain stitch so much from the turquoise crazy patchwork brooch that I decided to use it again to showcase this thick soft variegated silk.

Very quick to do and a delight to create.

Can’t wait to start on the green glass.

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Another advantage of being away is that I get loads of embroidery done, including the detail work on two more of the crazy patchwork pieces I hope to turn into brooches for the fair in July.

This…

…has become this: with couched cord, a chenille woven spiders’ web, laced herringbone and a sprinkling of lazy daisies.

This…

…is now looking like this: couched silk at the top, threaded chain stitch in the middle and three turquoise dyed coconut disc beads at the bottom surrounded by french knots and lazy daisy stitches in variegated metallic thread.

Just the finishing left to do…

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