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Posts Tagged ‘straight stitch’

This piece, which I gave you a preview of last week, came together from a whole host of ideas that had been swirling around.

Firstly, I’d been wanting to return to a bit of stumpwork for a while but the nature of the memory journals I’ve been working on means that they have to close, so anything bulky either has to go on the cover or the back page and even then it can’t be too three dimensional or the book just won’t sit right.

I was looking for the fabric for the dragonfly’s wings when I found some patchwork offcuts, including the autumnal coloured fragment I’ve used for the background in this piece. I’d seen some lovely Hallowe’en/autumnal themed crazy quilting some years ago on the internet and really fancied the idea of a stumpwork pumpkin.

Finally, when I opened a bag of broken vintage jewellery I’d recently bought on eBay and found an unused gold tone vintage pendant frame in it, everything just fell into place.

Initially the pumpkin wasn’t quite the right colour, but as it’s very small as usual (that’s a three inch hoop in the photo), I went with the right fabric – one that was fine enough to gather up. Then I added some stalks of wheat behind it in detached chain stitch and straight stitch.

I know that they’re a bit big in comparison with the pumpkin, but it’s artistic license!

Then I used my Inktense blocks to turn the pumpkin a vibrant orange.

Next the leaves and the trailing stems of the pumpkin. Initially I wanted to do some free-standing needle lace leaves but I couldn’t make a wire outline fine enough, so I had to fall back on some scraps of the hand painted fabric I used for the leaves in ‘It Rained’. As they are so tiny, I stabilised the fabric with textile medium so it didn’t fray but was still stitchable.

The stems are in split stitch, which is the only stitch I can get to make tight curls and twists at this scale. A few more stems and a second leaf completed the design.

I gathered it round an oval of buckram to give it body before I put it into the pendant frame and added a felt backing.

After the horrible weather last week it was wonderful to wake up to blue skies this morning and have autumn sunshine to photograph it in for my Etsy Shop.

It’s available here in my Etsy Shop with free UK postage and packing. A little bit of autumn!

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It seems that a lot of the last couple of weeks has been about creating cards. As well as the Fathers’ Day card I showed in the last post, I was also asked to make a first birthday card…

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…and a birthday card and anniversary card. For the birthday card I decided to revisit one of the experiments I did with some Angelina fibres, rubber stamps and an iron back in February 2012 and still have hanging about! I just added some simple gold herringbone and straight stitches. The Angelina is so blingy that I think less is definitely more.

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The anniversary card is one of the dozens of prints I took from Chris Gray’s huge wooden printing block collection when she led a workshop for our Embroiderers’ Guild back in 2016.

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I used just three threads in shades of green and purple to fill in the design with chain stitch, satin stitch, fishbone stitch, detached chain stitch and of course, french knots.

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Having had all these to put together, as well as one for my own dad, is partly why the pulled thread I had planned for the Kew memory Journal hasn’t progressed very far. The weather also hasn’t helped as I’m stitching in cream on cream…

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… and good daylight is a must. It just hasn’t been nice enough to sit outside and stitch very often.

Once I’m in the swing of counting I find pulled thread work has a very pleasing rhythm but unfortunately it seems that I’ve just got settled when at least one member of the family needs something – usually feeding!

I wanted a heavily raised stitch to echo the raked gravel of the Japanese Zen garden where Chihuly’s Niijima Floats were exhibited and I think the Diagonal Raised Band I chose does that very successfully.

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The picture has been transferred onto silk with transfer medium and will be stitched into the top corner.

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Now all I need is some decent light and a family who can feed themselves…!

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I was delighted to get a stall for this Sunday at Gainsborough Old Hall Christmas Fair.

 

It’s a big new thing for me but I am looking forward to chatting to people about my upcycled and hand made jewellery and hopefully selling some!

So this week it will be a mad rush to get everything organised and to finish off some pieces of jewellery that have been put to one side for various reasons, one of those being my snowy stitching.  One of our local churches has a Festival of Trees organised by the Rotary Club every Christmas. Organisations in the town and surrounding area put together Christmas trees decorated in such a way as to reflect their organisation as well as being Christmassy. This year is the first year that Scunthorpe Embroiderers’ Guild has had a tree and in September, Ruth, our chair, gave us all a plastic hoop with the simple instruction to stitch something suitable. I went for a mixture of blue and white fabrics and a snow/snowflakes theme.

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The big snowflake is crocheted in coton a broder and stitched down with lazy daisy stitches at the points to finish it off.

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The commercial embroidered silk got a bit of a make over with back stitch outlining and french knot snow.

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Then I had fun with stitch combinations to create snowflakes. Mostly fly stitch and straight stitches.

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A seeding of smaller snowflakes in straight stitch and french knots on a metallic fabric.

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And finished with a couched down border of a fancy white thread.

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It all ended up being a bit last minute as usual, so I don’t have any photos of the finished. neatened version but I really like the way it turned out in the end and looking forward to seeing it on the tree next month. Back to the fair prep for me now!

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They started as part of a five piece graduated set of wedge shaped pendants. The central sections had been filled with glittery golden sticky backed plastic – horrible but easily removed to give a blank space full of possibilities.

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As you can see from the above photo, I already had one idea brewing – to use some of the scraps of fabulous yew wood veneer I scored from my Dad’s workshop a while ago. I liked the look of the wood against the gold coloured edging, but felt that to do all of them the same would be too much and just one wouldn’t showcase the wood enough. So I decided to make a trio of pendants, using the two smallest and one of the medium sized sections.

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I cut the veneer to shape and carefully finished the pieces with clear Danish oil and micro-crystalline wax before insetting them into the pendants, adding a gold plated chain and listing them here in my Etsy shop

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That left the largest and one of the medium sized sections for something different. I really enjoyed working with ironed out silk carrier rods recently and I had just found three bags of them I didn’t know I had (hangs head in shame…) in my favourite colours – blue, green and turquoise – so that was the next design sorted. I cut a piece of the green to fit the largest section and started to create a little garden corner. Straight stitch stems and french knot flowers in various weights of silk thread.

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Then an overhanging branch in stem stitch…

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…with lazy daisy stitch leaves…

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…set into the pendant which can be found here.

A piece of mottled blue/turquoise carrier rod was a good start for a sea themed pendant. I added feather stitch in gold silk thread and three tiny nuggets of rare yellow sea glass.

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They were stitched down with fine silk thread and I added another swirl of feather stitch to link them.

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I’ve called this one ‘Sunlit Zone’ and listed it here.

Stitching on the ironed out silk carrier rods is lovely. They are firm, like a heavy paper, but much more forgiving if you put the needle through in the wrong place. Pelmet vilene is great too but the colour and sheen of the silk is just very special. I think they have loads more potential in my jewellery work so this won’t be the last you see of them!

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Now I have another section of the bluework piece which is more of a turquoise blue, I’m a bit happier: it’s looking more balanced.

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The lavender now has three layers: a foreground of bullion knot lavender heads, a mid-ground of simple straight stitch lavender heads in a heavy weight perle thread, and a background layer of distant heads in a thin single strand silk.

DSCN6375.JPGNote to self. Stitch the background first – it makes slotting stems in behind the foreground elements ever so much easier…

 

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The holiday journal is finished and just waiting for me to add some extra papers, pockets etc. to the inside.

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Doing blanket stitch so close together took longer than I bargained but I like the effect.

Then I moved onto another one of my samples for my upcoming Embroiderers’ Guild workshop later in the year. Grey on grey felt embroidered in pale blues.

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Fly stitched edge, straight stitches in a radiating pattern and french knots:

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Feather stitch edging with a chain stitch spiral:

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And I’ve turned what I think might have been a vintage money clip into an upcycled sea glass pendant. First of all I sawed off the long bit of the clip following the lines of the design at the bottom.

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Then I pierced and cut out the middle section with a very fine saw, again following the edges of the design, and leaving three tabs to attach the sea glass to.

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A lot of fiddly filing happened next, to really shape the central section and tidy up the tabs before I could set it with a lovely piece of deep turquoise sea glass.

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I love using the piercing saw and the fiddlier the design, the better. I really need to get back to making some more of my original jewellery…

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I am so pleased with this one! It started off as a very basic white metal vintage brooch.

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I just thought the holes were an ideal place to put some embroidery, so I started by colouring some pelmet vilene.

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And then drew round the holes to give me a template for how much space I had to stitch into.  Straight stitches in a single strand of variegated silk thread gave me the grassy meadow and lazy daisy stitches gave the middle section a bit of variation.

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Then the french knots, again in a single strand of variegated silk thread.

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Next I made a careful template of the brooch shape, with cut outs for the clasp and cut the embroidery to fit.

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After it had been carefully attached to the back of the brooch, I added another bit of vilene to cover the back of the stitching.

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And listed it here in my Etsy shop.

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