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Posts Tagged ‘shishas’

I finally finished the couching on the shishas piece this week. The last time I blogged about it I’d got as far as here and thought it wouldn’t take much longer to complete.

That was three weeks ago and it’s been surprisingly slow progress for something that is straightforward and stitches up relatively quickly. Having started in the middle I decided to complete the top edge first, right up to where the lilac silk fabric stops.

The turquoise fabric had a flat back diamante attached and I decided to make it into a miniature shisha by making a buttonhole ring to go round it. The size (it’s about 4mm in diameter) was quite an issue as it meant I had to scale down the thickness of the thread and I have a nasty suspicion that I twisted the ring as it isn’t sitting straight in spite of the row of fly stitches I added round the edge to try and disguise any shortcomings!

Once I’d finished the top edge I continued to the bottom – it took quite a lot longer than I thought it was going to and by the time I reached the bottom edge I was heartily glad to see the back of it.

It is extremely tactile though – everyone who has seen it has got really touchy feely with it – and with all that heavy thread, in spite of it being only about 7 inches square, it weighs a ton!

In complete contrast to the loose, abstract style of the couching, I’ve also been working on my Brantwood wallpaper motif. I’m using an unlabelled single strand silk with a very subtle variegation.

The stems are either chain stitch (centre and far right and left) or split stitch (middle right). This is the point where I should say something about how the different stitch treatments are all about design choices, but the truth is that between stitching the far right spray and the middle right spray, I forgot what stitch I was using. So I rushed ahead with the second spray and it was only when I finished and looked at the stems more closely (and in daylight…) that it was obvious that I’d started in chain stitch, not split… It’s not really a problem, just slightly irritating that I didn’t check more carefully and I am certainly not taking it out.

This is as far as I’ve got at the moment. You can see the subtle changes in the colour of the thread and also that the satin stitch isn’t all going in the same direction…

Sod it: life’s too short.

It’s a design choice.

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I’m not much of a one for kits usually as I have more than enough of my own ideas that I’m yet to get round to stitch, but some years ago I couldn’t resist a Liberty canvaswork card kit for 50p in a local charity shop. It was a slightly odd design – I’m still not completely sure what it’s supposed to be beyond a flower/flower bud of some kind – but an unopened Liberty kit for 50p was a no-brainer.

I started stitching it pretty much straight away, but soon came up against the first problem. The instructions suggested you use three strands of the six-stranded cotton provided, but I felt the coverage was far too thin so I upped it to the full six strands. As there was not an overly generous amount of threads in the kit to start with (and I bet it wasn’t cheap originally…) I soon realised that the chances of me running out of some of the shades of peach thread were pretty high. I’d probably have some matching thread somewhere but that would require turning out far too many boxes and bags… So that’s where it stalled and that’s where I picked it up last week for this month’s Move It On project.

After the stress of the Ruskin lace I thought a bit of canvaswork would be nice and soothing. Of course it wasn’t. It’s counted and anything counted has the potential to go seriously awry. I started by playing the peach thread chicken to see exactly how much I would need to find and in which of the four shades. The thread use wasn’t helped by the fact that the kit specifies tent stitch, which due to the extra thread across the back, uses up more than good old half cross stitch. As I neared the end of the threads, I wished that I had ignored the instructions and done it all in half cross stitch from the beginning. Especially as after having congratulated myself on completing all the pale peach and peach stitches, I discovered as I added the dark peach, that I had counted wrongly and the middle section of the lower right petal was out in at least two places.

I took out the scrap of peach before reason kicked in and pointed out that it wasn’t the end of the world and no one would really know if I just worked the dark peach and brick red round my ‘mistake’. However, the scrap literally was just enough to cover the few stitches – no room for a needle to work it – so now I was looking for peach as well. Luckily there was enough brick red but the dark peach has come up short.

I also couldn’t understand why I’d stitched some of the cream perle outline and not the rest, so as a break from trying and failing (of course…) to find a distinctly salmony-peach thread among the literally hundreds I own, I decided to finish the perle. Which is when I found the second counting error on the top left hand edge of the left-hand petal. This time I decided just to work round it and alter the last stitch to make the petal join. I really don’t think it’s noticeable so not unpicking was the right call. But so much for it being soothing and easy!

The shishas and couching pieces has moved on to here:

And I’ve been working on more of my upcycled jewellery pieces. This one has been a particular joy. It started off as two odd pieces of two separate mid-century belt clasps or clothing clips.

But one happened to be one with the ‘hook’ and the other had the ‘eye’, and when I idly put them together, they fitted beautifully and I loved the asymmetric shape they created.

Next I reset the missing stones. I was originally going to stick with the original clear diamantes but after finding that some vintage faux coral stones fitted some of the spaces perfectly and gave a fantastic pop of scarlet, I reset them with a combination of the two.

Lastly, I needed something to fill the curved spaces on the left. I had some pieces of a silk cocoon in the same bright red as the faux coral left over from this pendant I made a couple of weeks ago.

Cutting them to shape was a bit of a challenge but they have a lovely subtle texture and silk sheen which was almost impossible to photograph.

I’m delighted with the result and I hope it finds a good home when I list it in my Etsy shop later this week.

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It’s taken two months, but I have sort of moved the Ruskin Lace on. When I showed you the project at the beginning of June I’d worked the hem and had started to withdraw some of the threads.

And there it sat for two months while I tried to find the courage and opportunity to move it on. Which I finally did this weekend. Carefully re-reading the instructions and checking what I’d already done, I withdrew the remaining threads for the four-sided stitch border. I’m still not quite sure if they are required for anything in the design so I’ve just pinned them back for now.

Next, the four-sided stitch border. This was a little different to the four-sided stitch I’ve used in Casalguidi and other pulled thread work as the working thread wraps around each group of threads twice. But once I got into the rhythm it stitched up nice and quickly. I’m using a natural linen thread which is nearly the same colour as the linen and as the weave is very open, it’s made much more of a feature of the stitch.

So this is as far as I’ve got with the Ruskin lace and it isn’t really even the actual lace bit yet! It looks like I need to do a whipped inner border next but I’m not sure whether that happens before or after I withdraw the central square. I need to go over the next stage of the instructions very carefully again but that will be at some point in the future. August needs a new Move It On Project and I have yet to decide on what I’m doing for that.

At the Stitch Zone we’ve been learning how to attach shisha mirrors using both shisha stitch and a ‘cheat’s’ way which involves buttonhole stitching round a ring and trapping the shisha underneath it. I also worked over some large sequins and an old coin for variation and added a fly stitch border to one of the ‘cheaty’ shishas.

The couching element is sari silk thread – one of those sort of things which you buy at the Knitting and Stitching Show and then never quite know what to do with it. It’s lovely and thick with a fabulous sheen and a random sprinkling of colours along each length which makes it work perfectly with the sparkle and multicoloured stitching of the shishas.

It’s a nice change to work more freely than you have to with any type of drawn thread work, but now I’ve made a start on my Ruskin lace, I’m much more tempted to keep at it than I was, which surprises me. Watch this space!

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I was asked to come up with three cards for assorted birthdays and anniversaries in short order this week and having no time to start anything completely from scratch, I went delving into a box of assorted bits and pieces and managed to come up with five finished cards in a day!

First was a piece I started at a 2015 workshop on sculpting silk paper with Linda Rudkin. Sashiko stitching on a scrap of indigo dyed sheeting. This one was completely finished and just needed mounting.

Next a couple of cards created from some samples I made playing with a soldering iron. This one has been enhanced with a scattering of silk French knots.

I finished it by stitching it onto the blue silk backing with herringbone stitch in the same thread.

I’d already started couching a frothy white thread round this sample when I found it.

The layered spirals and slashes combined with the frothy white thread made me think of the way artists like Hiroshige and Hokusai represent sea foam in ukiyo-e prints. I carried on doodling with the couched thread and added some split stitch spirals with the cream silk thread I was using to couch it down and two nuggets of sea glass.

Finished as a card.

Next up a piece of crazy patchwork that I stitched at least ten ago. I had half thought about appliqueing it onto a shoulder bag made from the cut off bottom of a pair of jeans. But the upcycled bags I’ve made in past from jeans bottoms and patchwork panels had very little interest when I tried to sell them, so I decided a card was the more sensible option.

And last, one of the back ground pieces from our teabags workshop with Fran Holmes in October 2019. This literally only needed about a dozen stitches into the lace border to finish it!

So not only did I manage to deliver the three requested cards, I actually have some in reserve for upcoming celebrations. Makes quite a change to be beforehand with the world instead of chasing my tail!

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It’s finally finished, and as Rachel pointed out, more or less in time for this year’s holiday! Just thought it might be interesting to take a virtual tour through the pages.

Holiday journal tour 1

Holiday journal tour 2

Holiday journal tour 3

Holiday journal tour 4

Holiday journal tour 5

Holiday journal tour 6

Holiday journal tour 7

Holiday journal tour 8

Holiday journal tour 9

 

Holiday journal tour 10

Holiday journal tour 11

Holiday journal tour 12

Holiday journal tour 13

Holiday journal tour 14

Holiday journal tour 14

Part two coming soon.

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While on holiday in Cornwall this year I beachcombed a number of very thin round fragments of slate with the intention of using a shisha stitch to attach them to fabric. These are the results so far:

On turquoise silk with calico underneath and surrounded with kantha circles.

Slate shishas 1

In close up…

Slate shishas 2

…and in the journal.

Slate shishas 3

On shot blue/gold silk dupion embroidered with hand dyed silk thread by Chris.

Slate shishas 4

And in close up.

Slate shishas 5

On a fraying fragment of red shot green silk dupion with green perle.

Slate shishas 6

I stitched this one by artificial light and now I’m not sure about the colours, so I think I’ll redo it, probably in a vivid red.

Slate shishas 7

Trio on crinkled gold satin with a Caron thread.

Slate shishas 8

I love the concept, but I think the thicker threads don’t work quite as well and certainly I need to be a lot neater in my execution!!

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Only three weeks of my jewellery making and silversmithing course left and so much I’m desperate to do! I have lists everywhere; ideas and sketches of things I want to try in my sketchbook, jobs I can do at home with my small selection of tools, and things I can only do in the fully equipped workshop at the college.

So lots of things have been started this week, both at home to be finished/continued at college, and in the workshop, to be finished or continued at home!

Another scrap of reticulated brass to make another brooch like my goldwork spirals on the blue silk.

Beginnings - brooch

Turning this piece of gilding metal impressed with some sticky circles…

Beginnings bubbles book charm 1

…into a set of covers for another book charm.

Beginnings bubbles book charm 2

Impressing more brass with embroidered fabric.

Beginnings impressed brass 1

I put this one through the rollers on a slightly too small setting, which distorted the imprint of the embroidery but the crispness of the weave comes out so well at the sides.

Beginnings impressed brass 2

And some wide leafy lace, which being dark green, is a bit difficult to see at the top of the photo.

Beginnings - impressed brass 3

Beginnings - impressed brass 4

I have plans for this off cut of reticulated brass now it’s been barrelled.

Beginnings 2

And these reticulated shisha shapes.

Beginnings - shishas

And that’s not everything! Now all I need is about another 12 hours in the day. 🙂

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