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Posts Tagged ‘needlebook’

I bit the bullet! I finally plucked up the courage to steam and cut the canvas round my Sue Hawkins needlebook and once that was done, the rest just fell into place. The waste canvas folded back a lot flatter than I thought it would and blanket stitching the felt down was a breeze.

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The rest of the felt gave me four internal pages and a finish.

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It feels very odd to have a roomy book to leaf through looking for needles instead of a scrap of felt half the size of a credit card!

Another finish was this broken vintage brooch…

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…to which I added some 3D beading on a piece of dyed pelmet vilene.

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The beading was set into the long channel down the spine of the brooch and I set cats eye beads instead of diamantes into the cup shaped settings.

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A jump ring and a gold plated chain completed the transformation into what my middle one calls the ‘fancy pea pod’ pendant!

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It’s available here in my Etsy shop.

The other finish is another upcycled pendant created from a section of broken vintage bracelet and a single vintage earring.

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This one is available here in my Etsy shop.

The fresh start is the third of my memory journals. Now Tattershall has been put to bed I can concentrate on the Kew journal, remembering one of the hottest days of the year last July when I visited the Chihuly glass exhibition with my son. I’ve completed the cover, another stitched on paper piece which I blogged about back in last August but now I can focus on the Kew pieces rather than being distracted by having all three on the go as I did last summer. So here it is ready to be filled.

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The first piece is based on an image of the Niijima Floats in the Japanese Garden. Hopefully I will have something to show by next week!

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I’m not exactly sure where the last week has gone. A lot of it gobbled up in household chores and eBay/Etsy listings, I suspect. I know it’s important not to get obsessed by what we have or haven’t done given the continuing situation but I am a bit irritated with myself that I haven’t progressed further with my stitching projects.

The last Tattershall piece, ‘It Rained’, has had a few more veins added.

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I’ve also had what I modestly consider a genius idea to attach the micro quilt so you can still see the back. I stitched on press studs!

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And then discovered it wasn’t centred… :o(

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The canvaswork needlebook is also finished. Well, the canvaswork bit of it is and I also made the closure cords.

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Next is the making up and I’ve stalled on that. I know I’m not alone in this but why is it that we so often baulk at the finishing off stage of a project? I really need a needlebook too, so you’d think that would give me the incentive to crack on and get it finished, but no, I’m dragging my heels like my youngest when reminded that she has flute practise to do instead of WhatsApping her friends.

I’ve made a few more bits of upcycled jewellery as well. A silver 1970s coin pendant, vintage carved bone disc and single silver earring…

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…became this:

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Available here in my Etsy shop.

I also restored a lovely 1950s diamante bib necklace section with a replacement diamante (the small blue one in the middle) and some reclaimed chain…

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…to make it into this:

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Also available here in my Etsy shop.

In fact, not too shabby for a week’s work, I suppose!

 

 

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The pesky last Tattershall piece is still not working out so I started to attach some of the already completed finished pieces to the accordion book in the hope that they would help inspiration to strike. The front cover is glued as it’s paper with a bit of stabilising calico behind.

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Then I added more stitching to the batik bricks in order to sew it to the brick fabric background.

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But still nothing, and I’m not sure how to attach the bollock purse or the canvaswork either, so that has ground to a halt. So I decided to do something completely different and start one of the two Sue Hawkins kits that have been my lock-down treat. The first one is the Bright Pyramid needlebook, purely because I need one and am too lazy to design my own!

There have been a few counting issues and associated bad language, but I’m just over half way through the design and it’s starting to come a bit more easily as bits of the pattern start to repeat.

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I know that the first two lines are not quite long enough – that was an issue I didn’t realise until I had stitched quite a lot of the hearts and flowers band. There was a lot of bad language at that point… I’m working up the enthusiasm to unpick the ends and restitch them.

On the plus side, I really like the braided effect of the long-legged cross stitch bands.

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And if you follow me on Instagram you’ll know that I’ve just become the besotted owner of two more vintage hand cranked sewing machines.

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Sadly one of our elderly neighbours died recently (not Covid) and over the last few days it has been quite upsetting to hear relatives clearing the entire contents of her home into a skip. But with charity shops shut and no boot sales, what else do you do with the remains of a life? However, I was able to rescue, among a few other bits, these incredible machines. As both were locked I had no idea what would be inside until I got them home. It was like opening a treasure chest.

It was the fantastic inlaid but badly damaged case that alerted me to this one:

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The base is damaged as well, but I’m sure I can sort it out. No idea of the maker but I suspect it’s late 1800s, early 1900s in date. And it has mother of pearl flowers inlaid into the base plate!

And as the case was very simple, I almost left this stunning Singer in the skip! Opening the case was a revelation – the chrome is immaculate, the decals and bright and clean and it even has a Singer tin of bobbins etc. in the base compartment.

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We are lucky enough to have a fantastic local sewing machine repairers and once things are closer to normal, this one will be serviced and has already been claimed by my daughter.

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I still need to clean them and look at them properly, but I alternate between elation at how beautiful they are and horror that they very nearly went into landfill.

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