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Posts Tagged ‘mending’

It’s been a bit of a miracle but we’re successfully out the other side of panto week.

How we didn’t have an outbreak of Covid in the cast and/or crew I really don’t know, but it’s all done and dusted for another year – well apart from the four massive bags of washing that are currently dominating my hall.

The cow print dress was a huge success and I actually remembered to get a photo of our dame wearing it over a hooped petticoat. As you can see, he’s a big girl!

I spent most of the Saturday get-in darning a j-cloth…

The cleaning costume I made for the Dame in Puss in Boots in 2015 has a gingham skirt decorated with rosettes made from gathered j-cloths and pan scrubbers.

But it wasn’t until I got it into theatre that I discovered that one of the rosettes had suffered a bit over the last seven years in storage. As the j-cloths have faded a bit I couldn’t easily replace it, so I had to go for the mending option.

Luckily it turned out really well and not only lasted the week, but I think if I make sure it’s stored properly this time, could easily do another panto.

There is usually some mending to do as the show goes on but this one was quite mending heavy. One character had a major failure of all the seams on her trousers – the costume was so old the thread had simply worn out so I spent most of the opening night frantically hand stitching all the seams every time she came off stage. Then it turned out that the Velcro I’d used for the back of the cow print dress was either ancient or very poor quality, as after three performances, all the edges started to disintegrate so I had to restitch all the stitching to hold it down and blanket stitch it all the way round to contain the fraying edges.

So unlike 2020, when I had the opportunity to do plenty of my own embroidery, I did very little this time. But I have chosen and made a start on my January 2022 Project – my print to stitch Medieval tiles pieces. I created the printed fabric at a workshop with Jan Dowson in February 2019 and started the stitching on it in October 2020, so compared with some of my other projects it is a relative newcomer!

This is as it stands at the start of its session. Two of the six ’tiles’ have completed spiral kantha stitching and I’d ground to a halt on the third as I’d run out of thread. As usual I have absolutely no idea what it was, beyond stranded cotton, and as I’m trying very hard to work within what I already have, I hunted out a couple of possible replacements and discovered in the process that I am very short of tan/orangey-brown threads.

The printing and the hand dyed fabric both vary in colour so I am trying not to mind too much that the new thread is a bit darker.

I’m also not that taken with the spiral kantha – it feels like there is too much of the motif in the way for it to work well. Also, there isn’t enough of the new thread for me to be able to stitch spirals round the last three ’tiles’ so at the moment I’m thinking I might go with a completely different thread to tone with the slightly darker prints and go back to simple seeding.

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The follow on course from the kantha and boro was boro and sashiko and as well as showing various pieces I’ve stitched over the years, I created a new sample piece for this, illustrating how a piece of boro could start to become sashiko.

First, arranging scraps of kimono fabric and indigo dyed cottons onto a cotton base layer. before tacking them down. The partly stitched piece in the middle is a scrap of unfinished sashiko from a very long time ago (2011 to be exact…).

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Simple running stitch becomes a rectangular spiral.

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The partial sashiko becomes rice stitch and I try my hand at keeping free hand cross stitch regular.

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Putting fabric marks in helped with the cross stitch, but I ended up aligning each row of stitches to the previous row and that worked better.

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The even rows became boxes.

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And a tiny scrap needed some bamboo leaves.

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It’s still not quite finished, but it was a pleasure to sew in that rhythmic, mindful way and I do prefer this type of boro/sashiko to stitching the beautiful but almost ‘paint-by’numbers’ of the intricate sashiko designs you get in kits.

And incidentally, our Fabric Fair was a huge success. Considering this was a relatively niche market in small town North Lincolnshire on a Sunday morning, we had a great turn out with locals and people coming from much further afield. There were some great traders with a wide selection of items and it was really positive to see so many people with a love of textiles gathered together.

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One or two finished and ongoing oddments.

First, the little blackwork project I started back in November with Alison Larkin. Interlaced border next…

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…nearly there…

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…completed!

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I can’t believe the last bluework update I posted was at the start of October! It’s gone slowly from this:

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to this:

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Eyelets as spiky abstract daisies at the bottom.

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And another shaded long and short stitch flower.

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Creative mending has been on the agenda as well. I needed to mend a slit right at the front of one of my favourite tops where a thread had given up the ghost. There was no way I was going to make it invisible, so I did the darning…

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…and added some embroidered trims over the top to make a feature. It’s so good to be wearing this top again, and the motif looks like it was always meant to be there!

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And lastly, the piece I started as a work in progress for the Stitch Play workshop. It’s so nearly done, I really ought to get it finished!

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Especially as I have a plan for a biggish stitching project in 2018…

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