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Posts Tagged ‘locket’

Embroidery as promised. I not only finished off the faux driftwood piece I stitched at our sea-themed Embroiderers’ Guild March workshop…

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…but also found a framed ceramic plaque for £1 in a charity shop which after a bit of sanding and dry brushing with some pale blue emulsion paint yielded the perfect frame.

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The beaded fish is now nearly a name badge. I just need to add a brooch back, ladder stitch the two sections together and bead it round the edge.

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On Saturday it was our April Scunthorpe Embroiderers’ Guild meeting and an opportunity to revisit the embroidery we produced in March after Mary’s workshop. It was lovely to see such a variety of outcomes.

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This was followed by a fascinating talk by Alice Fox, learning about her creative journey and focusing on her ‘Findings’ body of work. Anyone who beach and pavement combs and turns the oddments she finds into works of art is a woman after my own heart. We had a workshop booked with her on the Sunday but I’m going to blog about that separately.

I’ve also been embroidering more pieces of silk carrier rod to inlay into upcycled jewellery – two lockets and a pendant. The pendant was first: vibrant green carrier rod with a crimson ribbon embroidery rose circled by five little leaf stitch leaves.

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This went beautifully with a stamped filigree brass frame to become June Rose.

Then I moved onto the smaller of two gold tone lockets. I used a wintry blue carrier rod and embroidered it with tiny snowflakes in two weights of silk thread. 20180426_114304_HDR.jpg

It really is very small – the central oval is about 2cm by 1.5cm and the finest thread is thinner than normal sewing cotton. The snowflakes aren’t quite well stitched as I wanted, but embroidering something that intricate freehand was quite a challenge.

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Snowflakes is available here.

For the second locket I returned to a familiar design, an undersea landscape of waving feather stitch fronds of coral or seaweed and tiny nuggets of sea glass.

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I chose a variegated pink and turquoise thread as a starting point and teamed it with turquoise/blue carrier rod, three nuggets of multi-coloured Seaham sea glass and a couple of darker pink threads.

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The Coral Garden locket is quite a bit bigger than the Snowflakes locket at about 4 by 4.5cm. I really like the colour combination. I wouldn’t have necessarily put the two colours together but they worked so well in the variegated thread.

I really love stitching these little vignettes and using them to make bits of junk jewellery into things of beauty again.

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I’ve been upcycling jewellery recently and having a lot of fun putting bits and pieces together to make something from nothing. I had a small lot of vintage 1970s silver tone ring blanks which were crying out for some nuggets of sea glass.

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Then I used freshwater pearls and seed and bugle beads in a variety of shades of green to create a set of sea-themed dangles for my Mermaid’s Garden dangle ring. The centre is finished with a piece of ‘coral’ I beach-combed from Claigan Coral Beach on the Isle of Skye as a child in the 1970s. I always thought it was actually coral, but according to the internet it’s ‘desiccated and sun-bleached algae’ which is much less attractive sounding!

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Then an assemblage piece – Ship’s Wheel Locket. The original vintage goldtone locket had a slight depression in the front so I shaped a piece of polished broken abalone to fit into it and then added a lovely ship’s wheel charm on top of that so the sea green swirls of the abalone can be glimpsed through the spokes of the wheel.

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Lastly I reverted to embroidery for the Cottage Garden pendant. This gold tone pendant had a pierced pattern around the edge which was just begging to have some sort of thread added. I chose a heavy Caron cotton thread in lovely muted cottage garden shades and added a simple row of slanted stitches, following the pattern of the holes.

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Then it occurred to me that I could do a sort of back-stitched spider’s web around the champagne coloured diamantes and turn them into flowers, which worked very well.

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Always good when a plan comes together.

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Right back at the beginning of my jewellery making course we impressed some gilding metal with various textured items. I had some success using a heavily stitched commercial fabric, ending up with these three pieces.

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I decided to try and make the two smaller pieces into covers for some sort of book locket or charm and started drilling holes (not very evenly!) in one edge of each for the stitching.

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Having enjoyed using fabric for the pages of the books I made at the start of the year, I opted for three fragments of pure silk; two in coppery tones and one bright turquoise blue, with the stitching thread to tone.

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Once the holes were drilled, including one for a bead closure, I filed the corners round and put the boards in the barreller to polish them up.

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Knowing how quickly any copper based alloy dulls, I gave them both a coat of clear nail varnish – not very orthodox, but it works! Then I could start constructing the book. Not easy when you compare the size of the finished item to a penny.

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I used a coptic stitch for the binding and really enjoyed the way it worked up, with little chains of hand dyed waxed silk thread across the spine…

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…and neat rows of back stitch in the centre of the pages.

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The closure is a natural turquoise bead held with a gold seed bead and a tail of the same thread as I used to stitch the binding…

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…which simply wraps around the book and winds around the turquoise nugget to hold it closed.

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It really is a dear little thing and the coptic stitch works perfectly. I just need to drill a hole in the top back corner and add a jump ring so it can be added to a chain or bracelet.

And don’t forget, there is still time to enter my blog anniversary giveaway

Giveaway

                                          to win my lilac sea glass piece here

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