Tomorrow I’m at Normanby Hall for their Country Fayre, my first in person craft fair since November 2019 and there has been a lot of work to do this week to get ready. Over the last nearly two years I’ve altered and adapted the way I present my upcycled jewellery and there has been a lot to do to get all the pieces I have in stock ‘craft fair ready’. There are some new bits of kit to get my head round as well, including all my Covid signage, hand sanitiser and a card reader. Scary new tech but hoping it will help having contactless payment. I also have a new gazebo:
It takes about ten minutes to put up compared with the 45 minutes it took to erect the old one where you had to tape every single joint and the multiple poles that made up each side. However, it weighs a complete ton and this is the ‘lighter’ aluminium version! It’s not much bigger but feels massive.
I’ve also completely overhauled how I present my jewellery. A guy bought one of my boro brooches as a gift at the last fair I did. He wanted to know its ‘story’ so he could pass it on when he gave the brooch to his wife and as I didn’t have it written anywhere, he ended up scribbling my description down on a piece of paper.
It occurred to me that if these pieces of jewellery don’t come with their story telling what they were made from; where the components were found or what techniques were used, they could be any generic pieces of jewellery. Upcycling, saving broken pieces from the bin is the core of what I do. So ever since, I’ve been making cards or tags for each piece, briefly telling its unique story.
I don’t have the first idea how to align and print double sided tags, so there is another tag stuck to the back with all my details on it. Brooches and earrings are displayed on their story cards. This is my current display at Arttopia in Cleethorpes.
It is probably not a good use of my time as it takes ages to make them, but I think it’s important. I hope so, anyway.
So not a lot of sewing has taken place this week and I forgot to photograph the new clock hand earrings I made to take as all my current ones are in the Bricktree Gallery in Caistor, but I’ve started a new piece and no, I’ve still not quite finished the little garden yet! It’s a beaded jellyfish just because I saw one on Pinterest and fell in love.
I started by laying down the outline in couched silver thread.
Then rows of seed beading and some bright check silver goldwork threads to fill in the areas where the beads were too large to fit comfortably. I wanted to use grey and silver tones beads so I’m making it up as I go along!
Sequins next and some silver lined clear beads to give a change of texture.
Some metallic haematite coloured ones next.
Then some more couching and a second row of the haematite coloured beads before I added some larger beads end on in the centre.
The slightly iridescent grey tubes are Japanese delicas.
I infilled the spaces between the rows of delicas with with pearl beads and odd seed beads and used some very pale blue seed beads, more bright check and some tiny iridescent spangles I’ve had for ages and never used before in the middle. Just proves you should never get rid of things – they always end up being perfect for something!
This has been so much fun to stitch and hopefully once the fair is out of the way I can return to it next week.
Under A Topaz Sky 