Feeds:
Posts
Comments

Posts Tagged ‘herringbone stitch’

Not a comment about the weather, but it easily could be at the moment! Our last prompt at In The Stitch Zone was ‘Weave’ and that gave me the excuse to create and play with a pin loom. I used a little cardboard postal box which I filled with foam padding to give me a base to push the pins into. I used crewel wool in beige and yellow to do my first experimental piece. As I set the pins 0.5cm apart, and the crewel wool is very fine, it was a bit more open than I hoped, which means you can see the knots where I was joining pre-cut pieces of wool, but other than that, I think it worked out quite well.

I wanted to try it again with some thicker tapestry wool and I actually remembered to take some in progress photos this time so you can see how the loom works, with pins not only top and bottom, but also along the sides, which keeps the spacing between the warp and weft rows. Lots of knots again because I’m using pre-cut lengths from a load I bought in a charity shop which I think were probably from a kit.

This block is 9.5cm square and I managed to find a weaving needle in my workbox which made life very much easier with this sample as it was long enough to go across the whole piece in one go.

The thicker wool was a definite improvement and the denser texture meant the ends of the knots are much more difficult to see now it’s finished. I’m also hoping that I can more easily darn the ends from the weft knots along the edges.

I’m planning to use the cream piece as a background for the first one – something like this.

I’m delighted to have finished the central section of the Brantwood wallpaper motif. Last time I had successfully played red thread chicken and was thinking about using a very dark charcoal grey for the remaining stars rather than black.

I chose a lovely deep charcoal grey by HDF called ‘Night Smoke’ and have not only completed the stars, but also stitched over the red section at the base of the stalks which should have been black/grey. The grey is not quite as dark in real life as the photo suggests, but the weather isn’t really helping with good photographs at the moment.

The last section is the light grey. I’m not planning to fill in all the grey around the leaves as in the original – I can’t see that working at all – so I’m going to stitch the outline of the shape around the central motif and then satin and split stitch the stems and leaves around the edges. However, to my amazement, after having searched through all my threads, I’ve found I don’t have any pale grey silk thread at all, but I do have this lovely subtly variegated stranded cotton which is the right tone, if a little on the grey-blue rather than the grey-brown side.

I am torn though. I like the idea of the grey having the same sort of very subtle variegation as the blue, and I am also always keen to used what I already have rather than buying new. However, I love the lustre of the silk threads I’ve used throughout and I’m concerned that the cotton will look quite dull beside them. Any thoughts?

Read Full Post »

I was asked to come up with three cards for assorted birthdays and anniversaries in short order this week and having no time to start anything completely from scratch, I went delving into a box of assorted bits and pieces and managed to come up with five finished cards in a day!

First was a piece I started at a 2015 workshop on sculpting silk paper with Linda Rudkin. Sashiko stitching on a scrap of indigo dyed sheeting. This one was completely finished and just needed mounting.

Next a couple of cards created from some samples I made playing with a soldering iron. This one has been enhanced with a scattering of silk French knots.

I finished it by stitching it onto the blue silk backing with herringbone stitch in the same thread.

I’d already started couching a frothy white thread round this sample when I found it.

The layered spirals and slashes combined with the frothy white thread made me think of the way artists like Hiroshige and Hokusai represent sea foam in ukiyo-e prints. I carried on doodling with the couched thread and added some split stitch spirals with the cream silk thread I was using to couch it down and two nuggets of sea glass.

Finished as a card.

Next up a piece of crazy patchwork that I stitched at least ten ago. I had half thought about appliqueing it onto a shoulder bag made from the cut off bottom of a pair of jeans. But the upcycled bags I’ve made in past from jeans bottoms and patchwork panels had very little interest when I tried to sell them, so I decided a card was the more sensible option.

And last, one of the back ground pieces from our teabags workshop with Fran Holmes in October 2019. This literally only needed about a dozen stitches into the lace border to finish it!

So not only did I manage to deliver the three requested cards, I actually have some in reserve for upcoming celebrations. Makes quite a change to be beforehand with the world instead of chasing my tail!

Read Full Post »

It seems that a lot of the last couple of weeks has been about creating cards. As well as the Fathers’ Day card I showed in the last post, I was also asked to make a first birthday card…

IMG_20200615_142647

…and a birthday card and anniversary card. For the birthday card I decided to revisit one of the experiments I did with some Angelina fibres, rubber stamps and an iron back in February 2012 and still have hanging about! I just added some simple gold herringbone and straight stitches. The Angelina is so blingy that I think less is definitely more.

IMG_20200702_210622

The anniversary card is one of the dozens of prints I took from Chris Gray’s huge wooden printing block collection when she led a workshop for our Embroiderers’ Guild back in 2016.

IMG_20200702_212317

I used just three threads in shades of green and purple to fill in the design with chain stitch, satin stitch, fishbone stitch, detached chain stitch and of course, french knots.

IMG_20200703_161528

IMG_20200703_161520

Having had all these to put together, as well as one for my own dad, is partly why the pulled thread I had planned for the Kew memory Journal hasn’t progressed very far. The weather also hasn’t helped as I’m stitching in cream on cream…

DSCN9982

… and good daylight is a must. It just hasn’t been nice enough to sit outside and stitch very often.

Once I’m in the swing of counting I find pulled thread work has a very pleasing rhythm but unfortunately it seems that I’ve just got settled when at least one member of the family needs something – usually feeding!

I wanted a heavily raised stitch to echo the raked gravel of the Japanese Zen garden where Chihuly’s Niijima Floats were exhibited and I think the Diagonal Raised Band I chose does that very successfully.

DSCN9976

The picture has been transferred onto silk with transfer medium and will be stitched into the top corner.

IMG_20200706_161133

Now all I need is some decent light and a family who can feed themselves…!

Read Full Post »

I love spiky allium heads. After having done some ‘long shots’ on a couple of the sections in my bluework bowl, I decided that I wanted the next section to be a closer view and I chose an allium head for that.

First, the main stem in herringbone stitch and the stems which carry the flower heads radiating from a central point.

20170325_085508_HDR

Then a solid couple of hours stitching through a committee meeting got the six petalled individual florets in lazy daisy stitch added.

DSCN4221.JPG

I used the same variegated silk to outline the stem in split stitch and then built up adjoining rows of split stitch to form the leaf.

DSCN4216.JPG

As all the other sections are in Victorian china style blue and white, I wanted to introduce other shades of blue, but I’m not entirely convinced now…

Read Full Post »

Another committee meeting gave me the time to crack on with my crazy patchwork bead.

Crazy patchwork bead 1

Scattered lazy daisy stitches in variegated green silk with occasional french knots.

Crazy patchwork bead 2

Lines of herringbone stitch which I may or may not lace.

Crazy patchwork bead 3

And the start of some chain stitch stems which will have wheat ear stitch tops.

Crazy patchwork bead 4

Very close to a finish!

Read Full Post »

Stitching Diaries

Level 3 Stitched Textiles Embroidery with Distant Stitch

summerholiday111

stitching, creative textiles, inspiration

hertstitch

for embroiderers and textile artists in hertfordshire and beyond

karensstitchography

Embroidery & other craft

re:retro

collecting retro

View From Our Hill

Textile, Mixed Media, Yarn, Books and Beads

Things I find in the garbage

I'm a professional scavenger making a living selling curbside garbage. This blog details my finds and sales. It also acts as an archive for things beautiful and historic that would otherwise have been destroyed.

Stitched up with Thread

Slowly threading things together through stitch

Lincs In Stitches

Creative ramblings in the Lincolnshire Wolds

Kiln Fired Art Blog

Crafts and the outdoors - slow living involving handmade ceramics, painting, textiles, walking and good food

Hillview Embroidery

Teaching and Learning One Stitch at a Time

Dreaming In Stitches

a mingled yarn

sunshine and celandines

These are a few of my favourite things.

LucyAnn &Luna craft

crafting,dachshunds including other bits & bobs

Carlseapatch's Weblog

A log of progress (I hope)and fun in textile arts

seafieldview

Life on a Cornish cliff

late start studio

Late . . . in taking my creativity seriously.

Shibori Girl

....practicing the fine art of shibori

Pomegranate Studio

- because making is good for us

Fall from Grace Crafts

A blog on my craft journey highs and lows...

opusanglicanum

one Englishwoman's work

Playful Bookbinding and Paper Works

Chasing the Paper Rabbit

Chrissie Freeth - Tapestry Weaver

Blog of artist and tapestry weaver Chrissie Freeth

debbidipity

into textiles & beyond

KDD & Co

Award-winning Scottish publishing and design