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Posts Tagged ‘free cross stitch’

The cross stitch motif piece I showed last week has progressed reasonably well. I was initially unsure about the sky, but as I moved round the tree, I was able to get the coverage more even – it’s turned out as more of a long and short stitch than a satin stitch in the end – and now I feel the combination of the motif and the hand embroidery is working.

I wanted the tree to have other greenery around it, so the next part of the ‘evolving in my head as I stitch’ plan was to add a tree on the right. I used free cross stitch, which I love using as it gives a very textured effect, with a split stitch trunk.

Then a bit more sky and french knot bushes on the lower left. I’m not sure whether to put a bit of another tree in the top left corner or leave it as just sky, so it’s stalled a bit while I wait for my subconscious to finish churning the possibilities over.

I’ve finally listed an embroidered upcycled brooch I made last November here in my Etsy shop. Not sure how it slipped through the net, but at least it’s there now. I love the subtle sparkles in the hand painted fabric and metallic thread but they are really difficult to photograph!

I’ve also made some more of the clock hands earrings, with a wintry blue and silver colour scheme. They’re not in my Etsy shop as I took them across to Arttopia in Cleethorpes this morning to restock my display. The aluminium hands are very light and the art glass beads at the top help to give them enough weight to hang nicely. It’s quite a balance to end up with a pair of earrings that are heavy enough to move with you but not so heavy that they pull on the ear lobe.

It seems to be a real struggle to get anything much done these days and Christmas fast approaching is generating its own pile of work! I’m looking forward to the after Christmas period before term starts when I can hopefully get back to the memory journals and other projects.

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The little free cross stitch of the rhododendrons at Stagshaw Gardens from our Lake District holiday in May is completed, as is the journal itself, something of a super-quick finish given that I’ve only just completed my journal for our last family holiday in Dorset last July!

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The bluework has crawled on from this:

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To this:

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Not much change, apart from the beginning of some umbellifer-type flowers in split stitch, free cross stitch and french knots near the foot of the bowl.

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And as I went down to London at the end of last week to see my foster daughter get her PhD at the Barbican, I needed something small and easy to transport and work on. The result was some not blackwork.

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I had some oddments of blue Aida and decided that gold on blue would be nice. The patterns were freebies from the internet which I stitched as a repeat rather than single motifs. Sometimes it’s nice just to do little odds and ends.

 

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We went away for a week to the Lake District not long after the Alice Fox workshop. The work I’d done with papers and found objects really whetted my appetite to get back to some found object work of my own as part of the journal I usually make to hold the memories of our time away.

At the end of the first day I wandered along the edges of Langdale Beck while the children splashed about in the already low water levels (and this was in May, before the long hot June and July we’ve had in the UK.) I was delighted to find this crumpled piece of metal with holes already nicely placed for stitches in close shades of green silk.

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It went very well with a thickish piece of beautifully textured hand made paper with inclusions of leaves and stems.

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On a visit to Stott Park Bobbin Mill I was fascinated by the offcuts of wood thrown out by the different machines in the process of turning chunks of wood into bobbins. The initial machines created a basic bobbin shape from the blanks, shaving off pieces a few millimetres thick. So I picked up a few bits and made them into my own bobbins!

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The next process shaved the rough bobbin down to the proper shape, throwing out endless translucent ribbons of wood which piled up around us on the floor. I definitely needed some of that! Different woods behaved differently. The one towards the top split pretty much wherever I tried to fold it, whereas the paler one was more like paper, holding at least some of its bends and folds without splitting. I want to add some more needle weaving to vary the widths of the holding stitches and some ‘chips’ in a needlepoint ribbon to the background.

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Playing with a printed National Trust logo from a paper bag and some scraps of hand made paper.

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Later in the week we visited Honister Slate Mine and I picked up a few slate chips from the car park. I painted some more of the hand made paper with watercolour to echo the colour of the slate and just had a bit of a play.

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I’m really pleased with the way the paper echoes the texture of the rock.

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Free cross stitch in various silk threads to echo the rhododendrons of Stagshaw Gardens. This one just needs finishing.

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And at the end of the holiday, a quick beachcomb on the shores of Coniston Water revealed this lovely fragment of verdigrised copper which I mounted on two pieces of paper left over from my Alice Fox work.

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I really enjoyed finding objects I could stitch into and around and the relatively quick way many of them came together. And of course, the memories they have captured. Slightly different to some of my other holiday journals, but I like to be different!

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This is the second piece for the journal I’m creating for our Lake District holiday. It was inspired by the intense rusty orange of the dead bracken stalks on the side of the fell as viewed from the lounge.

Bracken, Great Langdale

I used a mixture of three different threads on my needle, a single strand of silk floss, a single strand of cotton floss and a length of variegated very fine mercerised cotton. A square of paper was backed with masking tape to stabilise it and I used free cross stitch, french knots and long and short stitch to fill the space as the dead bracken stalks filled the fellside.

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Blocks of ‘stone’ were created by building up layers of gesso which were then painted to echo the colour of the green Langdale slate

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Underneath the embroidery I used some of the amazing pencils I bought from the Lakeland Pencil Museum in Keswick to make colour swatches.

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And I also stuck in a beech leaf, found on the aborted walk in question, which fitted in with the colours I was using.

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Windows cut in the previous page give glimpses through.

Bracken 5

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It’s finally finished, and as Rachel pointed out, more or less in time for this year’s holiday! Just thought it might be interesting to take a virtual tour through the pages.

Holiday journal tour 1

Holiday journal tour 2

Holiday journal tour 3

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Holiday journal tour 13

Holiday journal tour 14

Holiday journal tour 14

Part two coming soon.

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Driving down a tiny Cornish lane towards our cottage for the first time. Dog tired after 7 hours on the road but fizzing with excitement and anticipation for the week to come. Trees are encircling the lane: crowding overhead but never oppressive. Sections of dark velvety shade alternate with bright patches where sunlight streams through the leaves.

It was enchanting and I felt I had to somehow capture it as the first piece in my journal.

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I started with watercolour on calico to mark out the road and the patches of light and shade and then used free cross stitch in variegated stranded Stef Francis silk to loosely cover the painted areas and add texture.

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After consideration I decided to keep the darker green section in the middle and the road as plain painted fabric to give contrast to the layered and overlapping texture of the stitches.

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The stitching was pretty straightforward but the words took longer.

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Still doesn’t quite express what I wanted to say. Perhaps I’ll never quite manage to capture in words the way my heart soars when I travel down these lanes but I can still feel an echo of it when I look at this tiny scrap of embroidery.

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