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Posts Tagged ‘English Paper Piecing’

I was very excited to receive my half of the art swap last week and as well as these fabulous prints…

…Nick also sent me some tie-dyed fabric and tote bags that he experimented with during lockdown. I love the prints but the tie-dye blew me away! These tote bags are beautifully patterned and the dye distribution is so even.

The fabric turned out to be three big pieces which are just stunning. In fact, so stunning that I don’t think there is any way I can bring myself to cut into them! The first two are on muslin, which is quite sheer and difficult to photograph.

This one is on something firmer like cotton sheeting. The detail is incredible!

If you’re on Instagram, this talented gentleman is @nick_knox_777 and well worth following.

I’ve been playing with an idea sparked off by a partly finished Victorian patchwork quilt I saw in an exhibition about fifteen years ago. It was an English paper pieced quilt and the papers were still in place. Although the antique silks and velvets of the patchwork front were gorgeous, I was much more interested in trying to read the fragments of unwanted cards and letters which had been cut up to make the papers. Those hidden snippets were tantalising.

As usual, I’m working very small, so I decided to use one text for all my papers – Viola’s speech (“I left no ring with her: what means this lady?”) from Twelfth Night, which is about her hidden identity.

I also chose to keep the text in the right order, again because everything was so small and once the fabric was stitched round the papers, much more of the text, already fragmentary, would be lost.

I used some ordinary light weight cotton muslin for the fabric – after all, in this piece the fabric is very much secondary to the papers! Now it’s all stitched together the text is reduced to the odd word or partial word.

Perfectly hidden, unless you know what it’s supposed to be.

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I’ve finally finished the English Paper Pieced patchwork page for my Kew Memory Journal with an embroidered branch across the top in split stitch and detached chain stitch.

Apart from the front cover it’s the first page I’ve fully finished. I really need to get down to stitching the snaps onto the Niijima floats piece – stalling again with only a tiny bit to finish! And the Reeds are closer to being finished that they were. There are only two more to stitch down but it is laborious putting the tiny stitches into the silver applique and not very interesting compared with all the other exciting things I want to play with – like snowflakes.

The plan was for the snowflakes to feature on the central insert for a broken vintage silver tone brooch. Indigo dyed fabric all hooped up and ready to go.

Improvising snowflakes in silk thread. So far so good. I liked the large and medium snowflakes and then I planned to seed the background with French knots for small distant snowflakes.

Ah…

Far too busy now and the detail of the bigger snowflakes is hidden. I added some blending filament to give them a bit of sparkle in the hope that it would help, but no. Definitely a back to the drawing board moment!

I’ve also upcycled a vintage watch face casing which was missing its face and mechanism. I found a sterling silver flower which had been a broken stud earring and fitted perfectly into the case.

Then I used an odd silver earring hook a fabricate a hanging loop and a loop to attach the baroque pearl dangle before adding a sterling silver chain.

I love silver and gold (gold tone in this case, I suspect) together and was so pleased with the way this worked out. If you like it, please check it out here in my Etsy shop.

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Another way of working round Embroiderers’ Block I suppose, is to do something that you fancy doing, so I’ve started a third design for the Kew Memory Journal, based on English Paper Pieced patchwork.

First of all I cut a rectangle of paper slightly smaller than the page of the book and divided it into a few smaller rectangles. One needed to be big enough to be the background for a vintage 1990 Kew Gardens stamp, and I fitted the rest around it.

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I usually cut the pieces out one by one so I don’t forget what order they go in and put them back into the design when they’re covered. Taking process photos also helps in case of disaster!

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Then the pieces need stitching together. I use ladder stitch because I like my stitching to be as invisible as possible.

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Once the pieces were all stitched together I gave them a quick iron to press the edges under so they would stay when I took the papers out, and then ladder stitched round the outside edge to attach it to a piece of pale green felt.

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This stabilises the edges, gives the whole thing a bit of body as I’ve used a variety of weights of fabric including some very fine silk and means I have a firmer background to attach it to the page.

I trimmed it next and carefully back stitched the stamp in place. The pink and blue tones in the stamp don’t quite work with the greens, but I had to remind myself that this is a memory journal and the Pagoda is part of it.

The memory it holds is of having lunch in a shady grove of trees near the Pagoda and then, as it was one of those two insanely hot days last July, we sat on a seat under the bottom tier and decided it was much too warm to go up all those steps!

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I like embroider on these types of patchwork pieces as I did with my 2012 Cornwall Holiday Journal (August 2012 in the ‘Recent Posts’ part of the sidebar if you’re interested) so I’m probably going to add a branch to the top right hand corner.

I’ve also made the middle of a flower on the buttonhole rings piece. The big ring is attached with french knots, the inner one with invisible stitches to pull it down inside and the centre is filled with a few french knots.

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Now I need to decide not only on the colour of the rings that will become the petals, but also whether to keep them as circles or stretch them into petal shapes.

 

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Our branch of the Embroiderers’ Guild is having an exhibition at the end of June and a week last Saturday was the deadline for handing in completed pieces of work from the last couple of years to the organisers. We had very helpfully been given a list of all the meetings and workshops to jog our memories so I went down the list, annotating each one as to whether I hadn’t been at the meeting, hadn’t finished it or if it was finished, where it was. There seemed to be two main outcomes – didn’t finish, or made into a card and sent to somebody! The only finished pieces I could lay my hands on for the last two years were my faux driftwood piece…

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…the Chris Gray amulet…

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…and the Brazilian embroidery rose I’d made up into a card but not sent because I couldn’t bear to part with it!

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So it ended up a busy week, so busy that I forgot to photograph both the nuno felting which I turned from this:

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…into a simple seascape and a piece of the paper stitching we did with Alice Fox recently which I mounted as a card.

The kantha fish…

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…was the first to be finished by stitching him onto a piece of indigo dyed fabric with rows of running stitch that merged into the kantha and then mounting over a 7 x 5 inch canvas.

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I also finished a selection of little stitched fragments for my Alice Fox book.

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But the really big finish was my English paper piecing. I get bored easily with the piecing process and when we did the workshop, I chose small equilateral triangles – probably not the best shape in the circumstances! At the end of the day I had a pile of triangles in shades of browns and indigo and absolutely no idea what to do with them.

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Seeing the workshop on the list I wondered if it was even possible to finish the project, but I had what promised to be a lengthy committee meeting that week and repeatedly stitching together triangles looked like the perfect way of passing the time. It was: by the end of the meeting I had all the finished triangles stitched together and an idea very firmly in my head.

Without using half triangles the shapes you can make with equilateral triangles are rather limited, so I created a diamond which I planned to stitch onto this gorgeous piece of hand dyed indigo with some quilt wadding in between and a plain piece of indigo dyed cotton for the backing.

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My trusty Frister and Rossmann coped easily with quilting through all the various layers along the lines of the triangles.

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Then I joined a number of strips of woodland themed fabric in three different brown colourways to get enough and had a go at a tutorial I found online (where else?!) for adding a binding with mitred corners as you go. It worked!!

 

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I tidied the ends up, wrote (no time to embroider) a label…

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…added a hanging sleeve and couched some glittery thread around the edge of the diamond to hide the line where I had machined it down. In hindsight and with more time I would have appliqued it invisibly to the top.

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From a handful of triangles…

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…to a mini quilt…

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…in about three days. I still can’t believe it!

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It was our Embroiderers’ Guild Meeting the Saturday before last and between taking my little one for her tennis lesson and not checking the timings on the extremely clear and useful newsletter which our secretary always sends out just prior to the monthly meeting, I managed to roll up late as usual.

By the time I sidled in, everyone was engrossed in their English Paper Piecing project set up by our chair, Ruth, in the morning. As well as providing fabric and sheets of templates, Ruth had brought a fabulous display of books, works in progress and completed projects to inspire.

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Debbie had been inspired by one of Ruth’s patchwork pouches and was well on with her own version in some glorious sunflower fabrics.

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I had gone for some oddments of prints and hand dyes in coffee shades with some indigo dyed cotton for my fabrics.

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Since I’ve been working with hexagons in Auntie Sheila’s patchwork project I decided to go for equilateral triangles for a bit of a challenge.

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I really enjoyed getting quite a few pieced in various fabrics so I could play around with some arrangements and I even got some stitched together, but not entirely sure where I’m going to take this next, which is irritating as it was a really good workshop and I like the colour and shape combinations. I’m sure something will come to me when I’m thinking about something else!

In June the Embroiderers’ Guild are having a stand at the annual Lincolnshire Show and members from various branches in the area have been asked to make some little bits and pieces which could be sold to raise funds and at least cover the cost of the stand. I had seen some little pincushion brooches on Pinterest which were made from puffs of stuffed fabric on a flat metal brooch type background. It just so happened that I had some new flat brass discs among my jewellery making kit, so I used a scrap of silk, a length of vintage crochet thread, a gold bead and a small amount of stuffing and made a prototype.

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There were ten of the stamped brass discs in the packet, so I decided to use all ten. Works in progress…

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And a couple of the finished articles.

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They are now all neatly packed up and ready for the Show. Apparently our branch alone has amassed nearly a hundred items to sell!

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