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Posts Tagged ‘detached chain stitch’

Despite the heatwave and the end of term finally arriving, I have had a bit of a creative boost with both my stitching and upcycled jewellery making. I’ve completed my peas with little silk ribbon leaves worked in ribbon stitch – and remembered to show a finger for scale!

We’ve also had the last session for the stumpwork garden project at In The Stitch Zone which was adding strawberries. I started with trios of lazy daisy stitches to represent the leaves, which also come in threes.

Then I added paler runners with tufts of plantlets at the ends, flowers created from loose white French knots with a smaller tighter French knots in a thinner yellow thread in the centre and scarlet strawberries. These are a little too round for my liking so I may be tweaking them in some manner to make them look more strawberry shaped rather than like red flowers. So basically the garden is finished now in terms of elements to be added.

However, I still need to finish the strawberries, carry on adding French knots to soften the edge of the path, add some more leafy greens bottom left and finally, sprinkle some weeds throughout before I can mount it and put it to bed.

I’ve finally got round to using these tiny ribbon roses I stitched on some silk carrier rod at the Collection Artisan Market at the beginning of June…

….to upcycle a pair of vintage marcasite set clip-on earrings. Originally there would have been a large flat faux pearl in the central setting but when they came into my hands one ‘pearl’ was missing and the pearl coating of the remaining one was badly damaged so it seemed sensible to remove them altogether and create something new to complement the original settings.

It was a bit of a challenge to stitch ribbon roses that small, but I think I they sit very nicely in their marcasite frames and they do look very pretty on.

I’ve also been inspired to do something with silk cocoons. This pendant is a compete mash up of a hand made studio pottery porcelain button, two silk cocoons, part of a ‘silk’ flower, an odd earring, a stumpwork leaf I worked for some project back in 2010, and a reclaimed bale and chain.

Then, all enthusiastic about using up more of the silk cocoons and inspired by a jellyfish pendant I’d seen on Pinterest, made from a piece of sea glass and sections of chain, I combined a load of odds and ends of chain with some beaded sections and another silk cocoon to create this pendant:

Then I made a pair of jellyfish earrings using the bead caps I found when I went looking for a silver bead cap to go on the top of the silk cocoon for the pendant.

I do wonder if it’s a touch of displacement activity though, instead of tacking that Ruskin lace!!

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Well, the lonely courgette now has some friends and as they are almost big enough to be called marrows, I left the flowers off.

I used the same interfacing backed painted cotton for the leaves as I did for the original stumpwork garden and the same method, which has scaled up very satisfactorily.

Next, I added big blowsy cabbages in a 1cm wide bluey-green silk ribbon. I made sure I worked the woven spider’s web stitches nice and loosely and let the ribbon twist and bend to give a more natural look to the leaves.

Lastly, a patch of radishes. As this garden is about three times the size of the original I needed to enlarge the original tiny line of detached chain stitch pairs. This time I gave the radishes at least four leaves each and increased the weight of the leaves by using a thicker thread and nesting one detached chain stitch inside another. I gave each one a little pink base to the leaf stalk to hint at the crunchy pink radish growing just under the surface.

To give an idea of how much bigger I’m working, here is the garden so far side by side with the original version. The hoop is 6 inches in diameter – this is practically enormous for me!

As it’s the end of the month, time for the update on May’s Move It On Project. Unfortunately I didn’t get as far as I had hoped with the Casalguidi work, although for a nice reason this time. Last week was half term, so we’ve had a lovely family holiday in Northumberland and all the stitching I did was to go in my holiday journal. But the overcast trailing is finished and more importantly, I have a book I can use for the flowers when I pick it up again.

June’s Move It On project is well out of my comfort zone. I’ve seen and admired a lot of Ruskin Lace during our holidays in the Lake District and for our holiday in 2015 I created a very ambitious altered book/holiday journal which I still haven’t finished! One of the things I wanted to stitch for it was a Ruskin lace sample.

I bought myself a Ruskin Lace book but after reading the first chapter, I bottled out big time. I hate the thought of cutting, withdrawing and weaving threads back into a piece of stitching and these are core skills for this type of embroidery. But I also hate the thought that it’s getting the better of me and recently managed to get as far as hemming a piece of linen following the instructions in the book before I gave up again. I’m determined to move the 2015 journal on and I’m hoping that once I’ve got my head round the cutting threads bit, the needlelace element should be more enjoyable.

This is where I am at the moment, cutting threads to form an internal border.

I’m using some of the linen I usually use for pulled thread work and am a bit worried that it’s going to be too open, but that’s what the Move It On Project is designed for. If it works, then that’s great – if it doesn’t, I’ll have learned useful lessons. Fingers crossed.

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Our first workshop of the Summer Session at In The Stitch Zone is looking at Composite Stitches and after some research, I chose four as a starting point. It’s also been sunny and warm enough to work in the garden and I was delighted to be back in my outdoor office to start stitching my samples.

First was what I’m calling Blossom Stitch, which is a pretty combination of feather stitch and detached chain stitch.

I used perle and stranded cotton for the feather stitch and all six strands of stranded cotton for the detached chain stitch flowers. I separated all the strands out and then recombined them to give a fluffy, blowsy effect to the flowers.

Next was Blanket Stitched Chain stitch, the first of two chain stitch variations I found on Mary Corbet’s Needle ‘n Thread blog. It’s simply two close rows of chain stitch which then have blanket stitch worked into them but it creates an interesting heavy line stitch, especially when the blanket stitch is worked in the same thread as the chains, as in the middle example.

The second Mary Corbet stitch was Scalloped Buttonholed Chain Stitch. This time the blanket or buttonhole stitches are worked into the outside loop of each chain, rather than across them, which makes for a pretty edging, especially when you buttonhole both sides of the chain.

I tried out some different weights of thread both for the foundation and chain and the buttonholing. Perle on the left and stranded cotton on the right but I think I prefer the finer mercerised cotton in the middle.

The last sample is what I’m calling Peacock Feather Stitch which I think I found on Pinterest. It’s constructed from two nested detached chain stitches with a French knot inside the inner one and straight stitches around the edges.

As they are all tiny samples I’ve mounted them onto a larger piece of card so they can be handled more easily.

April’s Move It On Project is coming along nicely. I bit the bullet and got stuck into the needle turn applique this week. Most of it went pretty well but I just couldn’t get the the final section (top right) to lay as flat as the rest. I’m hoping that once I start to stitch into it, it won’t be noticeable.

Just the spirals to stitch into the stone now, and with the end of the month hurtling closer, I need to think about what to pick for May’s Move It On Project.

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Some stitched vegetable gardens came up on my Pinterest feed a little while ago and as I love stumpwork ideas, I saved them; whereupon more appeared of course… So naturally the only thing to do to get them out of my system was to stitch my own garden. It’s tiny – the piece of silk dupion it’s stitched on is 6cm by 10cm, or about 2.5″ by 4″.

Garden path first. I used satin stitch in varying scraps of greyish brown thread for the uneven slabs.

Then a darker variegated brown to edge the slabs before I started my strawberry patch. This has whipped back stitch stems, trios of lazy daisy leaves, scarlet French knot strawberries and loose white French knots for the strawberry flowers. Working French knots deliberately loose so you can put something in the centre is a little more tricky than it looks. There is a fine line between getting a firm knot with a space in the middle and a scribbly pile of threads!

Next, the peas. Feather stitch pea sticks for them to scramble over and then whipped backstitch stems. The pea pods are two parallel satin stitches and once they were completed (all 32 of them) I used a very fine pale green silk thread to give them tiny calyxes.

Then I half hid them with silk ribbon lazy daisy stitch leaves.

Onto the rows of veg next. The peas had taken a long time building up the various layers, so I went for a quicker result and three dark green silk ribbon ‘roses’ (woven spider’s web stitch) became a row of blowsy cabbages.

These were quickly joined by a little row or emerging seedlings in fine silk lazy daisy stitch – probably radishes – and then I started a group of cauliflowers with clustered French knot florets and overlapping cast on stitch leaves.

It was fiddly to work the cast on stitch leaves in such a small space and at such a small size, but leaves come in various shapes and sizes anyway.

The loose French knot practise on the strawberry flowers came in handy for the carrots.

My idea was to stitch loops which I could then cut to form feathery foliage, through the centre of the carrot tops. The smallest section of my cordonnet stick was the perfect size to stitch the loops over.

Loopy carrot tops.

Each set of threads has been fastened off separately underneath so they shouldn’t come out once I cut them. Very pleased with the result!

Lettuces and courgettes are next. It may only be a tiny piece of stitching but it’s taken a lot longer than I expected. Working small doesn’t always mean finishing things off more quickly…

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Most of my stitching time last week was given up to organising a selection of my upcycled jewellery to go into The Old Stables Studio in Horncastle and knitting some socks (exciting!) and a lace scarf which I can’t show because it’s a Christmas present so things are a bit sparse this week. However, I did finish the last locket – this time with a peacock feathers design.

The feathers start with two nested detached chain stitches in royal blue and turquoise with a dark blue French knot in the centre.

Then I added straight stitches in a very fine green silk thread all the way round and gave the feathers split stitch quills…

…before setting it into the locket.

Thursday was the most perfect day for a trip to Horncastle with the autumn light turning the fields and trees of the Wolds golden. The Old Stables Studio is literally just off the Market Square and is a hidden away gem with a very tempting looking fabric/sewing shop next door.

I did have a little look round the town before I headed home and picked up a fantastic needlelace book from a second hand book shop, so there may be some needlelace samples coming shortly.

But instead of clearing old projects, I’ve started something else new instead. Inspired by Debbie’s recent return to the Print to Stitch workshop we did at Guild with Jan Dowson in February 2019, I’ve hunted out one of the other pieces I printed at that workshop, a medieval tile based one.

Trimmed, it now looks like this:

I wouldn’t normally show the back, but it’s basted to an unusual piece of felt I made during lockdown.

Before lockdown, my youngest managed to put a three cornered tear in the knee of her grey 100% wool M&S school trousers (charity shop bargain!). I had been trying to work out how to invisibly mend this tear for a while, but as the school year wore on, I realised that she wouldn’t be going back to school until September, when she would be Y11. At her school, the Y11s wear black trousers and sweatshirts, not grey like Years 7-10 so the trousers would be redundant. She wouldn’t wear them in real life and they couldn’t go to a charity shop. But they could go into the washing machine with a load of towels and become fabulous felt which they did! Oh waste not, want not!!

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I’ve finally finished the English Paper Pieced patchwork page for my Kew Memory Journal with an embroidered branch across the top in split stitch and detached chain stitch.

Apart from the front cover it’s the first page I’ve fully finished. I really need to get down to stitching the snaps onto the Niijima floats piece – stalling again with only a tiny bit to finish! And the Reeds are closer to being finished that they were. There are only two more to stitch down but it is laborious putting the tiny stitches into the silver applique and not very interesting compared with all the other exciting things I want to play with – like snowflakes.

The plan was for the snowflakes to feature on the central insert for a broken vintage silver tone brooch. Indigo dyed fabric all hooped up and ready to go.

Improvising snowflakes in silk thread. So far so good. I liked the large and medium snowflakes and then I planned to seed the background with French knots for small distant snowflakes.

Ah…

Far too busy now and the detail of the bigger snowflakes is hidden. I added some blending filament to give them a bit of sparkle in the hope that it would help, but no. Definitely a back to the drawing board moment!

I’ve also upcycled a vintage watch face casing which was missing its face and mechanism. I found a sterling silver flower which had been a broken stud earring and fitted perfectly into the case.

Then I used an odd silver earring hook a fabricate a hanging loop and a loop to attach the baroque pearl dangle before adding a sterling silver chain.

I love silver and gold (gold tone in this case, I suspect) together and was so pleased with the way this worked out. If you like it, please check it out here in my Etsy shop.

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This piece, which I gave you a preview of last week, came together from a whole host of ideas that had been swirling around.

Firstly, I’d been wanting to return to a bit of stumpwork for a while but the nature of the memory journals I’ve been working on means that they have to close, so anything bulky either has to go on the cover or the back page and even then it can’t be too three dimensional or the book just won’t sit right.

I was looking for the fabric for the dragonfly’s wings when I found some patchwork offcuts, including the autumnal coloured fragment I’ve used for the background in this piece. I’d seen some lovely Hallowe’en/autumnal themed crazy quilting some years ago on the internet and really fancied the idea of a stumpwork pumpkin.

Finally, when I opened a bag of broken vintage jewellery I’d recently bought on eBay and found an unused gold tone vintage pendant frame in it, everything just fell into place.

Initially the pumpkin wasn’t quite the right colour, but as it’s very small as usual (that’s a three inch hoop in the photo), I went with the right fabric – one that was fine enough to gather up. Then I added some stalks of wheat behind it in detached chain stitch and straight stitch.

I know that they’re a bit big in comparison with the pumpkin, but it’s artistic license!

Then I used my Inktense blocks to turn the pumpkin a vibrant orange.

Next the leaves and the trailing stems of the pumpkin. Initially I wanted to do some free-standing needle lace leaves but I couldn’t make a wire outline fine enough, so I had to fall back on some scraps of the hand painted fabric I used for the leaves in ‘It Rained’. As they are so tiny, I stabilised the fabric with textile medium so it didn’t fray but was still stitchable.

The stems are in split stitch, which is the only stitch I can get to make tight curls and twists at this scale. A few more stems and a second leaf completed the design.

I gathered it round an oval of buckram to give it body before I put it into the pendant frame and added a felt backing.

After the horrible weather last week it was wonderful to wake up to blue skies this morning and have autumn sunshine to photograph it in for my Etsy Shop.

It’s available here in my Etsy Shop with free UK postage and packing. A little bit of autumn!

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I still haven’t found the iridescent fabric I managed to tidy away, but I did find something I think turned out better in the end, and so the dragonfly for the second pouch is well underway. I stitched the body in satin stitch blocks…

…and the thorax in a sort of long and short stitch with detached chain stitch and french knot legs and clustered french knot eyes.

Then onto the wings. While looking for the iridescent fabric I had in mind, I found some purple hand dyed silk organza and an iridescent organza. I fused them with bondaweb and ended up with the perfect fabric for the wings!

I’m using it with the purple uppermost but there is still plenty of subtle sparkle. Veins in back stitch, following the lines you would find on a real dragonfly’s wings.

I have a real hankering to make some more of these sea glass watch case pendants.

But when I went looking for the watch cases I found this:

A box of clock hands I bought ages ago at a car boot sale and forgot about! I had a lovely quiet afternoon sitting on the patio sorting them all out.

Most of the really ornate ones are singletons, but there were a surprising amount of pairs and I chose a couple of simple geometric hands to turn into a pair of upcycled earrings with a bit of a steampunk vibe.

The hands are very light – probably aluminium – and those gorgeous purple art glass beads give them enough weight to hang nicely in the ear.

The earhooks and all the other metal is sterling silver and they are available here in my Etsy shop with free UK P&P.

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I seem to have had a spell where I keep finding the right pieces of jewellery to successfully upcycle and last week I managed a hat trick of embroidered pieces.

First of this batch to be upcycled was a vintage pendant mount I bought a while ago from the sales table at Guild and which has just turned up in the bottom of my sewing bag. I have a small bag of patchwork quilt trimmings which I bought a while ago from eBay and they are a great starting point for embroidered pendants like this one. I used the mount as a viewfinder to pick what I thought was the best area to embroider.

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And a few hours and a fair bit of unpicking later, I had an embroidered oval to go into the mount – with a thumb for scale!

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The kantha on the middle strip was an easy stitch, as was the lazy daisy floral section on the left, where I just followed the fabric pattern, but I had more of a problem with finding the right weight of both thread and stitch on the heavier fabric to the right. The Palestrina stitch in a teal perle was fine, but I tried various stitches in pink perle and pink stranded cotton which were just too heavy before I settled on more lazy daisy stitches in the same fine variegated silk as on the left. As the pendant had never been used it was easy to mount it into the frame using the folding metal tabs and very effective I think it looks too.

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Taking the embroidered section away from the rest of the patchwork enables you to really focus on the stitches and somehow the three completely different pieces of fabric become a harmonious whole. It’s currently available in my Etsy Shop here with free UK postage and packing.

Next to be upcycled was a lovely brass filigree brooch which seemed to be missing something in the middle. I had the very thing – a gold tone rope edged odd earring, also missing its middle. Despite probably a good forty plus year age gap, I think they go together perfectly.

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I embroidered some silk ribbon rosebuds onto a piece of silk carrier rod and gave them split stitch stems and lazy daisy leaves in fine silk thread…

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…before setting the tiny piece into the earring centre of the brooch.

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It was nice to do a variation on the blowsy ribbon roses I usually stitch and it’s now available here in the Upcycled Brooches section of my Etsy shop with free UK postage and packing.

The last of the week’s hat trick was an upcycled locket and this turned out so well I’m almost tempted to keep it. I’ve done a few lockets with rose bushes and trellises and I was keen to try some lavender. I chose a piece of my hand painted pelmet vilene which looked like a summer sky for a background…

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…and then chose some hand dyed stranded silk with a wonderful sheen for the flowers and a bluey green cotton thread which was a good match for the foliage. I’ve no idea where the green came from – I found literally one needle full in a tangle of oddments and was sweating the whole time I was stitching that I would have enough!

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The silver tone locket was a perfect setting.

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And it too, is available here in my Etsy shop with free UK postage and packing.

And a quick update – the Singer 28 is now with its new owner and she loves it. I think the lady from Number 12 would have been pleased…

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It seems that a lot of the last couple of weeks has been about creating cards. As well as the Fathers’ Day card I showed in the last post, I was also asked to make a first birthday card…

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…and a birthday card and anniversary card. For the birthday card I decided to revisit one of the experiments I did with some Angelina fibres, rubber stamps and an iron back in February 2012 and still have hanging about! I just added some simple gold herringbone and straight stitches. The Angelina is so blingy that I think less is definitely more.

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The anniversary card is one of the dozens of prints I took from Chris Gray’s huge wooden printing block collection when she led a workshop for our Embroiderers’ Guild back in 2016.

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I used just three threads in shades of green and purple to fill in the design with chain stitch, satin stitch, fishbone stitch, detached chain stitch and of course, french knots.

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Having had all these to put together, as well as one for my own dad, is partly why the pulled thread I had planned for the Kew memory Journal hasn’t progressed very far. The weather also hasn’t helped as I’m stitching in cream on cream…

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… and good daylight is a must. It just hasn’t been nice enough to sit outside and stitch very often.

Once I’m in the swing of counting I find pulled thread work has a very pleasing rhythm but unfortunately it seems that I’ve just got settled when at least one member of the family needs something – usually feeding!

I wanted a heavily raised stitch to echo the raked gravel of the Japanese Zen garden where Chihuly’s Niijima Floats were exhibited and I think the Diagonal Raised Band I chose does that very successfully.

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The picture has been transferred onto silk with transfer medium and will be stitched into the top corner.

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Now all I need is some decent light and a family who can feed themselves…!

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