Feeds:
Posts
Comments

Posts Tagged ‘Dale Chihuly’

The project I’ve chosen to focus on for this month’s Move It On is a relatively new one and the reason that my Kew Memory Journal has stalled. I’ve already done four of the six pieces for it and last spring I started the fifth, based on a photo I took of one of Dale Chihuly’s Persian Chandeliers which was installed in the Temperate House at Kew Gardens in 2019.

I drew out the pattern of the glazing bars on a piece of indigo dyed cotton and as of last April, using thin white ribbon for the thicker bars and whipped back stitch for the thinner ones, had got as far as this:

The fun bit was next – creating the frilly circles of the chandelier – but at this point I froze up because I didn’t think I could stitch anything that comes close to representing Chihuly’s amazing art. I had various ideas about making wired edged needle lace slips, crochet circles using my tiny Victorian metal crochet hook and woven spiders web stitches. I reminded myself that I was only aiming for my impression of the chandelier but I was really reluctant to start and instead, put it to one side.

So this is where the Move It On project will hopefully help. By the end of the month I should know whether I can make this work or whether I abandon it and create a different fifth piece for the Memory Journal. The hard bit is going to be actually making that start!

As I’ve had the Inktense blocks out, colouring some pelmet vilene for the Ribbon Rose Brooch kits, I thought it was the ideal opportunity to stitch an embroidered centre for a silver Victorian brooch I’ve had for some time. I think these type of brooches were originally designed to be set with coins, but the empty frame makes an ideal surround for a piece of miniature textile art!

I went with my favourite colour palette and one of my favourite themes as there are so many stitches which suggest waving seaweed such as the feather stitch and threaded chain stitch…

…and a line of Palestrina stitch to fill in the gap on the right.

I’m very happy with the stitching but I feel it’s a bit flat, so I’m toying with ideas for a bit of extra dimensionality. I think it might be a bit too small to add even very tiny pieces of sea glass so I was thinking beads or possibly picots at the bottom. Or possibly a little silver fish… Any thoughts?

Read Full Post »

I thought I’d started the Baby Leaf-Tailed Dragon in 2018, which would have been bad enough, but the blog post from September 2018 when I moved him from a hoop to a frame and really got going, says I started him in 2015 – July 2015 to be precise. I did quite a lot of work on him in 2019 and even got as far as starting to couch the outline but then, like so many things last year, he lapsed and it wasn’t until last week that I picked him up and finally finished the couched outline. The next stage was to add the split stitch highlights. I’m always worried I’ll put them in the wrong places and it will look odd, so I usually prevaricate at this point, but I decided to just get on with it.

The result was a lot less difficult than I thought (it usually is…) and so his lower tail is nearly done!

I’ve also decided to get on with the last two pieces for my Kew Memory Journal. I want to base one on the beautiful Chihuly Persian Chandelier that was hung in the Temperate House.

I thought the wavy edged circles could work either in needlelace or crochet and while I decided which one would be most effective, I started a small sampler of needlelace stitches.

Corded Brussels Stitch is my go to needle lace stitch and after having worked the Single Brussels – twice – I know why. The Corded Brussels is always worked in the same direction. When you get to the end of the row you run the thread across the front, back to the start and then work over it, incorporating it into the stitch. It makes the lace firmer and because there is something to work over, more even, and the stitches all run in the same direction.

The Single Brussels is worked from left to right and then when you reach the end of the row, back from right to left. I’m not very right handed and can work most stitches both right and left handed but I could not for the life of me get the rows even. On the left to right rows I could make the buttonhole stitch loops stay open but right to left they just wanted to flatten down to the stitch underneath. The second version is better than the first, but not by much.

However, as a sampler and a learning exercise, it’s been very useful.

The last old favourite is the final two kilt pin brooch kits.

Forest green, golden yellow, and brown.

and

Orange, bronze, brown, purple and gold.

Listed today in my Etsy shop with free UK P&P.

Read Full Post »

The snowflakes brooch take two is completed and has worked much better this time around. The blue silk makes the snowflakes really stand out and the actual snowflakes are definitely better executed. I finished it by gathering it round an oval of buckram to stiffen it…

…and then made another plain piece to cover the gathers on the back. I ladder stitched them together and then stuck the resulting ‘sandwich’ into the brooch setting.

I also got round to making the practice piece for the Chihuly Reeds to trial the alcohol inks. I was concerned that they might either run off the metallic fabric and bleed into the back ground or the applique stitches would wick the ink down into the fabric, but in fact, neither happened. There is some bleeding, but that was where I touched the tip of the brush onto the fabric – not easy to avoid, given the size of the piece.

Onto the main piece, feeling much more confident. I did catch the background fabric in a couple of very minor places but I think the variegation of the back ground fabric helps to hide it.

Then I added the dried grass around the bases. I’m really happy with the way the combination of the metallic fabric and the translucent inks has captured the shimmering glass. Success number two!

And success number three is that the lovely The Old Stables Studio in Horncastle is going to stock my upcycled jewellery! I had a scenic run out there last week and met Kate, the owner, who is passionate about upcycled and handmade and happy to stock a selection of my jewellery. So that’s where Snowflakes Take Two will be going, as will this underwater themed locket which I finished this morning.

Fingers crossed – that’s all I can do at the moment.

Read Full Post »

In spite of having more than enough projects to be getting on with, I’ve done virtually no stitching this week. To be fair, there were three days when I was either out or doing household project jobs but I’ve struggled to stitch and it was starting to get to me. The first binding for the trapunto piece for the Kew Memory Journal I did several weeks ago was too narrow and so I had to unpick it. The second was far too thick, so that got unpicked too.

The third one was a piece of fabric patterned with Japanese parasols and I got all the way to pinning the back before I realised it wasn’t right. It’s badly uneven, the pattern was too big and so ended up lost and the colour took the eye away from the trapunto.

IMG_20200810_105351

I couldn’t face unpicking a third binding, so I just left it.

I did have a desultory attempt at another of the pieces I wanted to create, based on one of the Chihuly Reeds installations.

IMG_20190723_151641

The idea was metallic fabric over some sort of padding – originally felt but I couldn’t cut it thin enough. Then I would use alcohol inks to add the vibrant oranges and golds and the metallic would give it shine. I cut out some of the metallic pieces – most only a few millimetres wide.

IMG_20200805_203103

I even got as far as stitching one in place. Instead of felt behind I worked a line of chain stitch in perle along the middle of where I wanted the piece to go and then stab stitched the metallic fabric over it with fine silk thread and a beading needle.

IMG_20200810_155641

It’s not bad, but I don’t feel excited about it, not like I did with the trapunto.

Then it suddenly occurred to me this morning that I have Embroiderer’s Block.  Like Writer’s Block but with more needles. As I’m also a writer (check out my book details on the About page) I realised that Writer’s Block mirrors the issue I’m having with my stitching perfectly.  So now I know what it is, I can address it.

There is no magic fix to Writer’s Block. Professional writers don’t have the luxury of waiting for their muse to strike or for their ‘mojo’ to return. Basically you unblock by writing. It doesn’t matter whether it’s utter rubbish, or something better than that. You sit down and put words on paper, one after the other and, at least for me, it always works. So this afternoon I sat down with the trapunto piece, unpicked the binding and bound it a fourth time in a piece of the same silk noil as I used for the top layer.

It’s not good. The edge is uneven, the mitre in one corner somehow isn’t one (and I’m not quite sure how that happened) and the join is lumpy and obvious but it’s at least the right fabric for the job.

IMG_20200810_185818

But instead of keeping it on one side and waiting for the planets to align, I got back down to it. I put stitches into the fabric one after another like words onto a page and I have at least something to show for that. I’ve had some ideas about mitigating the state of the binding so I intend to work on it a bit more tomorrow and possibly the day after. Working through my Embroiderer’s Block one stitch at a time.

Read Full Post »

It seems that a lot of the last couple of weeks has been about creating cards. As well as the Fathers’ Day card I showed in the last post, I was also asked to make a first birthday card…

IMG_20200615_142647

…and a birthday card and anniversary card. For the birthday card I decided to revisit one of the experiments I did with some Angelina fibres, rubber stamps and an iron back in February 2012 and still have hanging about! I just added some simple gold herringbone and straight stitches. The Angelina is so blingy that I think less is definitely more.

IMG_20200702_210622

The anniversary card is one of the dozens of prints I took from Chris Gray’s huge wooden printing block collection when she led a workshop for our Embroiderers’ Guild back in 2016.

IMG_20200702_212317

I used just three threads in shades of green and purple to fill in the design with chain stitch, satin stitch, fishbone stitch, detached chain stitch and of course, french knots.

IMG_20200703_161528

IMG_20200703_161520

Having had all these to put together, as well as one for my own dad, is partly why the pulled thread I had planned for the Kew memory Journal hasn’t progressed very far. The weather also hasn’t helped as I’m stitching in cream on cream…

DSCN9982

… and good daylight is a must. It just hasn’t been nice enough to sit outside and stitch very often.

Once I’m in the swing of counting I find pulled thread work has a very pleasing rhythm but unfortunately it seems that I’ve just got settled when at least one member of the family needs something – usually feeding!

I wanted a heavily raised stitch to echo the raked gravel of the Japanese Zen garden where Chihuly’s Niijima Floats were exhibited and I think the Diagonal Raised Band I chose does that very successfully.

DSCN9976

The picture has been transferred onto silk with transfer medium and will be stitched into the top corner.

IMG_20200706_161133

Now all I need is some decent light and a family who can feed themselves…!

Read Full Post »

I bit the bullet! I finally plucked up the courage to steam and cut the canvas round my Sue Hawkins needlebook and once that was done, the rest just fell into place. The waste canvas folded back a lot flatter than I thought it would and blanket stitching the felt down was a breeze.

IMG_20200627_171626

The rest of the felt gave me four internal pages and a finish.

IMG_20200627_194235

IMG_20200627_194315

IMG_20200627_194346

It feels very odd to have a roomy book to leaf through looking for needles instead of a scrap of felt half the size of a credit card!

Another finish was this broken vintage brooch…

IMG_20200622_162644

…to which I added some 3D beading on a piece of dyed pelmet vilene.

IMG_20200622_170908

The beading was set into the long channel down the spine of the brooch and I set cats eye beads instead of diamantes into the cup shaped settings.

IMG_20200622_180610

A jump ring and a gold plated chain completed the transformation into what my middle one calls the ‘fancy pea pod’ pendant!

DSCN9675

It’s available here in my Etsy shop.

The other finish is another upcycled pendant created from a section of broken vintage bracelet and a single vintage earring.

DSCN9705

This one is available here in my Etsy shop.

The fresh start is the third of my memory journals. Now Tattershall has been put to bed I can concentrate on the Kew journal, remembering one of the hottest days of the year last July when I visited the Chihuly glass exhibition with my son. I’ve completed the cover, another stitched on paper piece which I blogged about back in last August but now I can focus on the Kew pieces rather than being distracted by having all three on the go as I did last summer. So here it is ready to be filled.

IMG_20200627_194733

The first piece is based on an image of the Niijima Floats in the Japanese Garden. Hopefully I will have something to show by next week!

Read Full Post »

I’ve been trying to get on with some stitched fragments for my accordion memory journals for a while.

Firstly, the Kew Gardens journal. My plan is for this to document the visit I made at the end of July and focus mostly on the incredible Chihuly glass exhibition. I have a list of ideas for pages and started the title page last week which is part of a leaflet backed on a piece of calico. I’ve put a line of whipped running stitch through the middle of the letters and am outlining them in back stitch.

IMG_20190823_121721.jpg

Outlining finished and beading started. I am really pleased with the effect of the random blue bugle beads over the stems and am looking for some iridescent seed beads that I know I have somewhere for some of the teardrop shaped ends.

IMG_20190823_160516.jpg

The Anderby Creek journal from the end of March has also finally been started with a scrap of crinkled fabric which I love for its suggestion of ripples in sand and a holed oyster shell. I attached the shell to the fabric with long stitches through the holes which I then buttonhole stitched over to make buttonhole bars.

IMG_20190826_111907.jpg

I wanted a bobbly effect like seaweed, so I used cast-on stitch pulled round to make little circles along the length of the buttonhole bar.

IMG_20190827_120748.jpg

Completed and stitched into place in the journal. One page completed, seven to go!

IMG_20190827_152947.jpg

Last summer my middle one bought a Tintin t-shirt from a lovely shop in Durham when we were on holiday and to her delight, it came in a paper carrier with a bold graphic of Tintin and Snowy on each side. I think she liked that as much as the t-shirt and I promised to make her a notebook from it. I bought some Tintin postcards to use as the covers and finally a couple of weeks ago, I decided it was time to get on and make it.

I laminated two pairs of postcards back to back for the covers.

IMG_20190814_103916.jpg

Then I carefully cut up the bag so I could use every bit of the graphics and the Tintin wording up the sides.

IMG_20190814_103810.jpg

I had to add an extra piece of paper from a 1970s educational poster (The Pied Piper of Hamelin to be exact) to make the signatures even,

IMG_20190814_104140.jpg

…but I was pleased that I managed to include all of the main panels of the bag.

IMG_20190814_104108.jpg

I used waxed white polyester thread and Coptic Stitch to bind the book.

IMG_20190814_103844.jpg

Finally a job off the list and a daughter delighted.

Read Full Post »

Stitching Diaries

Level 3 Stitched Textiles Embroidery with Distant Stitch

summerholiday111

stitching, creative textiles, inspiration

Claire Steele Textiles

Stitched Textiles and Sketchbooks

hertstitch

for embroiderers and textile artists in hertfordshire and beyond

karensstitchography

Embroidery & other craft

re:retro

collecting retro

View From Our Hill

Textile, Mixed Media, Yarn, Books and Beads

Things I find in the garbage

I'm a professional scavenger making a living selling curbside garbage. This blog details my finds and sales. It also acts as an archive for things beautiful and historic that would otherwise have been destroyed.

Stitched up with Thread

Slowly threading things together through stitch

Lincs In Stitches

Creative ramblings in the Lincolnshire Wolds

Kiln Fired Art Blog

Crafts and the outdoors - slow living involving handmade ceramics, painting, textiles, walking and good food

Hillview Embroidery

Teaching and Learning One Stitch at a Time

Dreaming In Stitches

a mingled yarn

sunshine and celandines

These are a few of my favourite things.

LucyAnn &Luna craft

crafting,dachshunds including other bits & bobs

Carlseapatch's Weblog

A log of progress (I hope)and fun in textile arts

seafieldview

Life on a Cornish cliff

late start studio

Late . . . in taking my creativity seriously.

Shibori Girl

....practicing the fine art of shibori

Pomegranate Studio

- because making is good for us

Fall from Grace Crafts

A blog on my craft journey highs and lows...

opusanglicanum

one Englishwoman's work

Playful Bookbinding and Paper Works

Chasing the Paper Rabbit

Chrissie Freeth - Tapestry Weaver

Blog of artist and tapestry weaver Chrissie Freeth

debbidipity

into textiles & beyond

KDD & Co

Award-winning Scottish publishing and design