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Posts Tagged ‘closed fly stitch’

Back in May 2019 I ran my Ribbon Roses workshop (details in the Workshops tab at the top of the header) for what was then the Selby Embroiderers’ Guild. In the afternoon those who had moved on through the morning’s activities stitched a Ribbon Rose Brooch from some little kits I’d made up.

I came across the remaining kits last year when I was creating my Upcycled Kilt Pin Brooch kits but as they were designed to be a follow on activity for someone who had already stitched the closed fly stitch leaves and the woven spiders’ web roses, the instructions were quite sparse and not suitable for a similar makeover.

However, I felt that they would still make a good subject for a kit when I got round to being able to sit down and create suitable photographs and instructions. And that was this week! I chose the kit in the above picture to photograph while I made it up and enjoyed an easy morning’s stitching to get to this:

It was a lot of fun to stitch and although having to continually stop and take photographs of every stage kept breaking my flow, it’s an easy project which stitches up quickly and can be completed in an hour or two, depending on your level of confidence and familiarity with the various stitches used. It was also useful to confirm that there was enough of everything in the kit, apart from the ribbon as I had to find another piece to work the French knot buds.

Unfortunately the process of writing up the instructions, creating the designs and images is taking an awful lot longer than the brooch did to stitch in the first place!

The Harvest Wreath is finished and I’m really happy with the balance of the leaves.

And last but not least, this week’s update on January’s Move It On Project. Thanks to a committee meeting and an actual face to face social read of our next pantomime script this week, I’ve now completed the kantha spirals on five out of the six tiles. I’m happy that I continued with the spiral backgrounds as I really like the way the pattern of the stitches works at the point four tiles meet and I couldn’t see that when I’d only stitched three.

It’s not the most exciting of things to stitch at this stage but being well over half way is a big boost. I’m unlikely to get it finished in the 36 hours left of this month, but that’s not a problem and not the aim of the Project. I’ve moved it on, solved the thread issue, decided on the pattern for the background and will definitely finish it at some point, probably turning it into a book cover. So all in all, month one of my 2022 Move It On Project has been a great success!

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Being the Dame’s Dresser in pantomime involves nice quiet periods in between bouts of frantic physical activity where I am trying to haul one costume (including wig, jewellery, shoes etc.) off a huge burly bloke while trying to simultaneously shove him into his next frock and wig. So once I’ve tidied up the chaos and returned the changing room to a temporarily Zen-like place of calm, I get to stitch.

Ribbon roses at the beginning of the week for my Stitch Zone ribbon embroidery workshop the next Monday. As I was working under dressing room lights the colours aren’t great, but it’s purples and lilacs on a indigo dyed scrap of cotton.

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Then ribbon stitch leaves around the french knot buds and closed fly stitch leaves.

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Finally completing it with some tendril-like stems at the ends in split stitch and a couple more fly stitch leaves.

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At the end of the week I moved onto mushrooms! When we did the Bayeux Stitch workshop at Embroiderers’ Guild last July I was working on the baby leaf-tailed dragon, but I did have a sudden desire to stitch some big chunky mushrooms in Bayeux Stitch. I started by sketching a simple design freehand and then traced it onto some calico.

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The light in the changing room is good to stitch by but not to take photographs by and the green cap is really more of a teal.

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Salmon-pink spots, not red!

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And tan gills.

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Stalk in a darker brown which I think might have been vintage mending wool – it kept breaking.

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And then the outlining.

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A lot of fun to stitch. I’ve still got the gills to put in and the rest of the outline and highlights to do, but I’m really pleased with all the stitching (even the ubiquitous mending of seams, buttons and various fastenings etc. of show week) I got done during panto this year!

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Etc. first. I’ve finally completed all the seed stitch background for an embroidered print I started with Chris Gray in July 2016 and last blogged about eighteen months ago, where it looked like this:

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It currently looks like this:

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Not sure whether to seed stitch the inner circle as well…

I don’t think I’ve shown this piece of upcycling before. One of my mixed lots of junk/vintage jewellery contained a gorgeous brass spinning fob, to which I decided to add some embroidery based on knot gardens.

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It’s now got as far as this:

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French knot hedges and eyelet stitch flowers in variegated silk.

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Near enough to get on and finish now!

Brooches next. I loved the closed fly stitch falling leaves design I stitched for my friend Debbie’s necklace catch a few months ago and decided to do it again on two odd vintage stud earrings which were the same shape and size, but different colours. The initial plan was to make a pair of earrings by covering them with embroidered fabric.

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I stitched one and covered it and started on the second.

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But the second wasn’t close enough in design  – the leaves were further spaced out. Added to that, the gathered fabric and more crucially, the covered pelmet vilene backs, really made them too bulky to be successful as earrings.

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So the posts came off, were replaced with brooch backs and Plan B went into action.  I worked a beaded edging in pearlescent green and metallic copper beads to frame the design and am very pleased with the result which can be found here.

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The second one is still in production! Most of this stitching was done over the Easter weekend at my parents’ in Suffolk which had to include some beachcombing. I was only allowed a short spell under the pier at Southwold, but still managed to find three nice nuggets of sea glass, a piece of carnelian, a big chunk of tile which has weathered to a lovely faux Medieval feel…

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…and some small pieces of driftwood, including one which had a gently shaped front and a flat back perfect for turning into a brooch. I auditioned a fair few piece of broken jewellery to put with it, but when I found this single broken vintage clip on earring of a swallow, it was a perfect match. The plate of the clip was still attached and I used it to mount the swallow onto the driftwood so it stands slightly away from the base, which I like.

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I’ve called it One Swallow (in hope of some more to make a summer!) and put it into my Etsy shop here.

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The theme for our January EG meeting was ’21st Birthday’ – ours, to be exact, and we plan to mark it with an exhibition later in the year. The activity was for us all to stitch a letter to be made up into bunting for the exhibition in the following style:

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Liz had done a pile of lovely little counted work kits for us with the waste canvas all ready tacked onto the felt background and the promise that each letter should take no more than an hour to stitch.

It was a gorgeous little project, although anything counted tends to kill the atmosphere as you can’t count and chat at the same time! I ended up with a ‘T’ and had stitched it by the end of the session.

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Then I trimmed the waste canvas closely,

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damped it, and pulled the strands out.

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I’ve got an ‘R’ to stitch next.

A friend has been giving me various odds and ends for upcycling as she clears her dad’s house, and some while ago, among the oddments was a vintage two-strand bead necklace with a damaged catch which was very much in her favourite colours but too short. I took it home and restrung it, interspersing the bigger glass beads with big copper coloured seed beads, which immediately made it longer while keeping the overall look.

 

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I found a bright red plastic cabochon which fitted the top of the catch perfectly and used closed fly stitch, closely packed, to embroider a scattering of tiny leaves in autumnal browns on a piece of hand dyed brown silk.

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Then I gathered up the silk over the cab, pulled it tight behind and stitched it securely before…

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… sticking it into place on the catch. I was very happy with the way it turned out and Debbie seemed pleased with it too.

 

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At the moment I’m researching and collecting natural dye stuffs and undyed linen, silk and wool to begin my first Dorian Gray project. Exciting!

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I’ve had flu for the first time in years and it’s been a bugger to shift, so my involvement at last Saturday’s Scunthorpe Embroiderers’ Guild meeting was limited to sneaking in half way through the afternoon to hand over Val’s Travelling Book and pick up Sandra’s, staying by the door and keeping my germs well out of the way. Everyone looked like they were happily stitching though, so I hope a good time was had by all.

For Val’s book page I worked a piece inspired by the work of Sue Spargo. I bought some gorgeous heavyweight pure wool felt before Christmas and cut simple leaf shapes in a soft green to go on a cream ground. I wanted to use the uncluttered shapes to showcase the embroidery, particularly new stitches.

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Then I got out a whole pile of books on embroidery stitches and started to stitch! The blanket stitch round the outside of the first leaf is actually called Berwick Stitch in the book I used and is a blanket stitch with a sort of added french knot where the needle enters the background fabric. Very nice to work and the knot gives a lovely finish. Then a row of running stitch and the dark green is twisted chain.

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After I’d worked the line of twisted chain I felt the gap was too big between it and the running stitch, so I added a row of split stitch in variegated perle. Inside the twisted chain I stitched a row of whipped running stitch before finishing it off with a row of closed fly stitch.

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Leaf two was held down with Knotted Buttonhole Stitch. It’s a lovely looking stitch but working the knots at the start took a bit of practise. Then a neat row of chain inside that.

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I wasn’t happy with the lone line of running stitch on the first leaf so at this point I went back and whipped it. Much better.

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Back to leaf two and courtesy of Mary Thomas, Portuguese Knotted Stem Stitch. Another new stitch to me and a gorgeous one (once I’d got the hang of the tension). I really like the way this sits on the fabric.

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The inside was finished with stem stitch, back stitch and Pekinese stitch.

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I mounted it up into the book and added my inspiration page which included a printout of a photo of the leaves labelled with the different stitches.

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This was a complete joy to stitch and a lot of fun finding new and interesting stitches to add to the old favourites.

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