Feeds:
Posts
Comments

Posts Tagged ‘Casalguidi’

Well, the lonely courgette now has some friends and as they are almost big enough to be called marrows, I left the flowers off.

I used the same interfacing backed painted cotton for the leaves as I did for the original stumpwork garden and the same method, which has scaled up very satisfactorily.

Next, I added big blowsy cabbages in a 1cm wide bluey-green silk ribbon. I made sure I worked the woven spider’s web stitches nice and loosely and let the ribbon twist and bend to give a more natural look to the leaves.

Lastly, a patch of radishes. As this garden is about three times the size of the original I needed to enlarge the original tiny line of detached chain stitch pairs. This time I gave the radishes at least four leaves each and increased the weight of the leaves by using a thicker thread and nesting one detached chain stitch inside another. I gave each one a little pink base to the leaf stalk to hint at the crunchy pink radish growing just under the surface.

To give an idea of how much bigger I’m working, here is the garden so far side by side with the original version. The hoop is 6 inches in diameter – this is practically enormous for me!

As it’s the end of the month, time for the update on May’s Move It On Project. Unfortunately I didn’t get as far as I had hoped with the Casalguidi work, although for a nice reason this time. Last week was half term, so we’ve had a lovely family holiday in Northumberland and all the stitching I did was to go in my holiday journal. But the overcast trailing is finished and more importantly, I have a book I can use for the flowers when I pick it up again.

June’s Move It On project is well out of my comfort zone. I’ve seen and admired a lot of Ruskin Lace during our holidays in the Lake District and for our holiday in 2015 I created a very ambitious altered book/holiday journal which I still haven’t finished! One of the things I wanted to stitch for it was a Ruskin lace sample.

I bought myself a Ruskin Lace book but after reading the first chapter, I bottled out big time. I hate the thought of cutting, withdrawing and weaving threads back into a piece of stitching and these are core skills for this type of embroidery. But I also hate the thought that it’s getting the better of me and recently managed to get as far as hemming a piece of linen following the instructions in the book before I gave up again. I’m determined to move the 2015 journal on and I’m hoping that once I’ve got my head round the cutting threads bit, the needlelace element should be more enjoyable.

This is where I am at the moment, cutting threads to form an internal border.

I’m using some of the linen I usually use for pulled thread work and am a bit worried that it’s going to be too open, but that’s what the Move It On Project is designed for. If it works, then that’s great – if it doesn’t, I’ll have learned useful lessons. Fingers crossed.

Read Full Post »

More teaching this week and we’re now into show week for Scunthorpe Little Theatre Club‘s long awaited production of ‘Gaslight

It was first cast back in January 2020 which seems a very long time ago. I’m doing the props for this one which mostly involves dressing the set to look like a dark, gloomy, overstuffed Victorian parlour and I’m glad to finally get all the bits and pieces I’ve been accumulating for it out of the house.

I also made several local charity shops very happy by taking a large number of huge, old fashioned and frankly unsaleable pictures off their hands!

It’s been quite a challenge to find Victorian looking bits and pieces. My choice of décor is almost exclusively mid-century, so I’ve been very limited in what I’ve been able to source from home and our show budget only runs to charity shops, not antiques centres.

I’ve done my best but I’m hoping that the ten yard rule most definitely applies.

While I was waiting for the set to go up I managed to get a little further on with May’s Move It On Project, the Casalguidi work. From here:

to here:

Thankfully I’ve nearly finished the overcast trailing now and I can get onto the flowers.

I also got stuck into all those French knots and have finished the In The Stitch Zone Stumpwork Garden Workshop garden path, all apart from some little white or lilac French knots to suggest flower heads on the low growing plants and some taller weeds around the edges.

Note the lone raised stem band courgette on the left. It needs some friends, leaves and stems by Monday!

Read Full Post »

Too many days supply teaching this week and coming back shattered in the evenings has meant minimal stitching but I have made a little bit of progress with the Casalguidi work. I’ve planned out where the meandering stem is going to fill the rest of the square, pinned it in place instead of just making my mind up as I go along and done a bit more of the trailing overcast stitch.

Last week this was my starting position:

This week I’ve got as far as here.

However, I have had a real stroke of luck with the instructions for the needlelace flowers. After a fair amount of fruitless Googling I decided to use an image search instead in the hope that a picture of what I wanted to stitch might link to something helpful. And it did! I’d only gone through about half a dozen images before I landed on a blog. The writer hadn’t given any instructions on how to construct the flower in her photos but she had posted a photograph of the cover of the book from which she had taken the instructions. Hang on a minute… I recognise that book! A minute or so later I was pulling my copy of ‘Embroidery Techniques Using Space-Dyed Threads’ by Via Laurie, published by Search Press, off the bookshelf. I couldn’t believe I actually owned the book she had recommended!! So once the trailing is done, I can get straight onto the flower.

We started the first session of the Stumpwork Garden at the Stitch Zone last week with the garden path and I decided to make this one rather larger than the tiny original, with satin stitch slabs set in French knot gravel with patches of moss.

I’m happy with the texture and colour of the variegated 21st Century Yarns stranded cotton but am now regretting my choice to surround my slabs with gravel!

Read Full Post »

This month’s Move It on Project is a sample I started at a Casalguidi workshop for what was then Scunthorpe branch of the Embroiderers’ Guild back in May 2017. We ordered one of the Guild’s folios on the subject to have a look at some examples…

…and then started on our own samples which we could use to make the front of a little pouch or lavender bag. All traditional Casalguidi embroidery is worked on top of a background of four-sided stitch and that was my starting point. I have a bit of a mental block where this stitch is concerned. I have to really concentrate to work it with the stitches in the same order because if you don’t the stitches lay differently. But I persevered and from this, which is all I managed to stitch in the workshop:

…by the following August, eleven months later (!) I had finally managed to complete the background panel. Now time for the more interesting part of the design.

But in the end it took until April 2019 before I got round to adding some stem stitch bands.

Then I started the trailing overcast stitch, working over a bundle of stranded threads and simply meandering across the panel.

To say it’s effectively a very narrow padded satin stitch, it’s surprisingly difficult to keep neat and even.

So that’s where I am at the start of this month. I plan to finish the overcast trailing, add some needlewoven bars and picots for leaves and smaller flowers and perhaps make one of the big statement needlelace flowers if I can find some instructions. A quick look for online Casalguidi tutorials seems to mainly focus on the big raised stem stitch bands so that might be a bit more of a challenge.

Read Full Post »

First of all, Happy 11th Birthday to this blog, which I actually began on May Bank Holiday Monday, the 2nd of May in 2011. It wouldn’t be a birthday without a cake, so please have a calorie free virtual piece of this strawberry pavlova on me!

Things have been very busy as usual, and with three workshops and two days teaching in the last nine days and with all the workshops needing samples and instructions I’ve been working flat out.

Tomorrow I’m teaching my Kamal Kadai workshop to Selby Textile Art Group. It’s a technique I’ve taught at least twice before and so I already had a folder containing all my samples etc. I thought I’d just stitch another piece with smaller unbeaded Kamal Kadai flowers to add to the samples…

…and I’d tidy up the instructions and do some templates for stitching the variant through four-hole buttons. Not a lot to do. Famous last words…

Good job I got the folder out in plenty of time. For a start, my button variant samples were nowhere to be found and even though I’ve turned every workshop folder inside out and emptied the box and cupboard they live in, still no sign. So here are my two new, frantically stitched button variants of Kamal Kadai.

I’m particularly pleased with the red one as I’ve added a smaller button decoratively stitched over the larger one.

Also, now I have more experience of leading workshops, the samples I was so pleased with three years ago, just looked untidy, so I ended up re-mounting them all. It took ages to do them properly but it does look a lot better.

Just one more button piece to mount and then I’m ready for tomorrow.

Next, the final update on April’s Move It On Project, the Newgrange stone. I found a good reference picture of the spirals to work from but unfortunately because of all the workshop preparation I just didn’t have the time to do anything else to it. However, I am pleased that I got the silk attached with the needle-turn applique and now it (hopefully) should be a relatively quick finish.

May’s Move It On Project was started in June 2017 and to my surprise, I’ve only blogged about once, in reference to the Embroiderers’ Guild workshop in which I started it, when it looked like this:

It has developed quite a bit further but May will be the time to see if I can move it on properly.

Read Full Post »

Our Scunthorpe Embroiderers’ Guild June meeting was an all day workshop on Casalguidi work. It was led by Pauline,  who bravely stepped into the breach as the lady who was supposed to be leading it was been seriously ill this year. We started off with a display of examples not only of Casalguidi but also other types of whitework, including some Ruskin lace, from one of the Guild portfolios.

20170624_123244_HDR.jpg

20170624_123240_HDR.jpg

The Ruskin lace was stunning and equally as good as any of the pieces at the Ruskin Museum in Coniston.

20170624_103158_HDR.jpg

But it was the heavier Casalguidi work that we were focusing on.

20170624_103133_HDR.jpg

20170624_103138_HDR.jpg

Pauline had provided plenty of threads, linen in different weights and worksheets for us to practise some of the basic stitches, such as four-sided stitch, a pulled thread stitch used to create the background texture of the embroidery, and raised stem band.

20170624_103357_HDR.jpg

So, after we had oversewn round the linen to stop it fraying, it was time to practise. Four-sided stitch at the top and two raised stem bands, one showing the foundation stitches, at the bottom.

20170624_122746_HDR.jpg

I started off in a neutral coloured thread, but after using an oddment of variegated perle in yellow, leaf green and cream to mark out the little bag we were going on to make…

20170624_122741_HDR.jpg

I couldn’t resist ditching the beige thread for something a bit more interesting. In the end, after working a couple more samples, I decided to make a start on the main design for the bag. It’s not a quick stitching project as it’s a form of counted stitch work and not only do you have to concentrate on making sure your counting is right, but you also have to make sure the pulling is even and the stitches in the right order. So my results, even after a bit of stitching since, are not very exciting.

DSCN5509.JPG

DSCN5511.JPG

It’s getting there slowly as I need good light and not to be tired when I’m sewing, but I am enjoying it and looking forward to getting the four-sided stitch ground finished so I can play with some of the other elements.

Read Full Post »

Stitching Diaries

Level 3 Stitched Textiles Embroidery with Distant Stitch

summerholiday111

stitching, creative textiles, inspiration

Claire Steele Textiles

Stitched Textiles and Sketchbooks

hertstitch

for embroiderers and textile artists in hertfordshire and beyond

karensstitchography

Embroidery & other craft

re:retro

collecting retro

View From Our Hill

Textile, Mixed Media, Yarn, Books and Beads

Things I find in the garbage

I'm a professional scavenger making a living selling curbside garbage. This blog details my finds and sales. It also acts as an archive for things beautiful and historic that would otherwise have been destroyed.

Stitched up with Thread

Slowly threading things together through stitch

Lincs In Stitches

Creative ramblings in the Lincolnshire Wolds

Kiln Fired Art Blog

Crafts and the outdoors - slow living involving handmade ceramics, painting, textiles, walking and good food

Hillview Embroidery

Teaching and Learning One Stitch at a Time

Dreaming In Stitches

a mingled yarn

sunshine and celandines

These are a few of my favourite things.

LucyAnn &Luna craft

crafting,dachshunds including other bits & bobs

Carlseapatch's Weblog

A log of progress (I hope)and fun in textile arts

seafieldview

Life on a Cornish cliff

late start studio

Late . . . in taking my creativity seriously.

Shibori Girl

....practicing the fine art of shibori

Pomegranate Studio

- because making is good for us

Fall from Grace Crafts

A blog on my craft journey highs and lows...

opusanglicanum

one Englishwoman's work

Playful Bookbinding and Paper Works

Chasing the Paper Rabbit

Chrissie Freeth - Tapestry Weaver

Blog of artist and tapestry weaver Chrissie Freeth

debbidipity

into textiles & beyond

KDD & Co

Award-winning Scottish publishing and design