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Posts Tagged ‘Casalguidi work’

Well, the lonely courgette now has some friends and as they are almost big enough to be called marrows, I left the flowers off.

I used the same interfacing backed painted cotton for the leaves as I did for the original stumpwork garden and the same method, which has scaled up very satisfactorily.

Next, I added big blowsy cabbages in a 1cm wide bluey-green silk ribbon. I made sure I worked the woven spider’s web stitches nice and loosely and let the ribbon twist and bend to give a more natural look to the leaves.

Lastly, a patch of radishes. As this garden is about three times the size of the original I needed to enlarge the original tiny line of detached chain stitch pairs. This time I gave the radishes at least four leaves each and increased the weight of the leaves by using a thicker thread and nesting one detached chain stitch inside another. I gave each one a little pink base to the leaf stalk to hint at the crunchy pink radish growing just under the surface.

To give an idea of how much bigger I’m working, here is the garden so far side by side with the original version. The hoop is 6 inches in diameter – this is practically enormous for me!

As it’s the end of the month, time for the update on May’s Move It On Project. Unfortunately I didn’t get as far as I had hoped with the Casalguidi work, although for a nice reason this time. Last week was half term, so we’ve had a lovely family holiday in Northumberland and all the stitching I did was to go in my holiday journal. But the overcast trailing is finished and more importantly, I have a book I can use for the flowers when I pick it up again.

June’s Move It On project is well out of my comfort zone. I’ve seen and admired a lot of Ruskin Lace during our holidays in the Lake District and for our holiday in 2015 I created a very ambitious altered book/holiday journal which I still haven’t finished! One of the things I wanted to stitch for it was a Ruskin lace sample.

I bought myself a Ruskin Lace book but after reading the first chapter, I bottled out big time. I hate the thought of cutting, withdrawing and weaving threads back into a piece of stitching and these are core skills for this type of embroidery. But I also hate the thought that it’s getting the better of me and recently managed to get as far as hemming a piece of linen following the instructions in the book before I gave up again. I’m determined to move the 2015 journal on and I’m hoping that once I’ve got my head round the cutting threads bit, the needlelace element should be more enjoyable.

This is where I am at the moment, cutting threads to form an internal border.

I’m using some of the linen I usually use for pulled thread work and am a bit worried that it’s going to be too open, but that’s what the Move It On Project is designed for. If it works, then that’s great – if it doesn’t, I’ll have learned useful lessons. Fingers crossed.

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More teaching this week and we’re now into show week for Scunthorpe Little Theatre Club‘s long awaited production of ‘Gaslight

It was first cast back in January 2020 which seems a very long time ago. I’m doing the props for this one which mostly involves dressing the set to look like a dark, gloomy, overstuffed Victorian parlour and I’m glad to finally get all the bits and pieces I’ve been accumulating for it out of the house.

I also made several local charity shops very happy by taking a large number of huge, old fashioned and frankly unsaleable pictures off their hands!

It’s been quite a challenge to find Victorian looking bits and pieces. My choice of d├ęcor is almost exclusively mid-century, so I’ve been very limited in what I’ve been able to source from home and our show budget only runs to charity shops, not antiques centres.

I’ve done my best but I’m hoping that the ten yard rule most definitely applies.

While I was waiting for the set to go up I managed to get a little further on with May’s Move It On Project, the Casalguidi work. From here:

to here:

Thankfully I’ve nearly finished the overcast trailing now and I can get onto the flowers.

I also got stuck into all those French knots and have finished the In The Stitch Zone Stumpwork Garden Workshop garden path, all apart from some little white or lilac French knots to suggest flower heads on the low growing plants and some taller weeds around the edges.

Note the lone raised stem band courgette on the left. It needs some friends, leaves and stems by Monday!

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Too many days supply teaching this week and coming back shattered in the evenings has meant minimal stitching but I have made a little bit of progress with the Casalguidi work. I’ve planned out where the meandering stem is going to fill the rest of the square, pinned it in place instead of just making my mind up as I go along and done a bit more of the trailing overcast stitch.

Last week this was my starting position:

This week I’ve got as far as here.

However, I have had a real stroke of luck with the instructions for the needlelace flowers. After a fair amount of fruitless Googling I decided to use an image search instead in the hope that a picture of what I wanted to stitch might link to something helpful. And it did! I’d only gone through about half a dozen images before I landed on a blog. The writer hadn’t given any instructions on how to construct the flower in her photos but she had posted a photograph of the cover of the book from which she had taken the instructions. Hang on a minute… I recognise that book! A minute or so later I was pulling my copy of ‘Embroidery Techniques Using Space-Dyed Threads’ by Via Laurie, published by Search Press, off the bookshelf. I couldn’t believe I actually owned the book she had recommended!! So once the trailing is done, I can get straight onto the flower.

We started the first session of the Stumpwork Garden at the Stitch Zone last week with the garden path and I decided to make this one rather larger than the tiny original, with satin stitch slabs set in French knot gravel with patches of moss.

I’m happy with the texture and colour of the variegated 21st Century Yarns stranded cotton but am now regretting my choice to surround my slabs with gravel!

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