Feeds:
Posts
Comments

Posts Tagged ‘bullions’

Bullion roses first. In fact this is quite an old finish (early lockdown rather than later!) but one I haven’t blogged about at all. I began another tiny locket insert on silk carrier rod well before last Christmas, using silk buttonhole twist to make bullion knot roses.

IMG_20200429_135358

It stalled as other projects took priority but finally at the end of April I decided to crack on and get it finished.

IMG_20200430_172549

I was aiming for an asymmetric look but without it appearing to be unfinished and I am very pleased with the result which you can find here in my Etsy shop.

DSCN8521

Back to the Tattershall Castle memory journal. ‘It Rained’ is completed and I am really pleased with it. First the split stitch leaves and couched perle thread stalks.

IMG_20200610_162858

Then I added the raindrops. Flat backed teardrop shaped beads with an iridescent coating. They were the perfect finishing touch and I think this might be my favourite of all of the Tattershall pieces.

IMG_20200613_104244

This meant that I was now ready to assemble the memory journal, put it away and move onto the third one, documenting my visit to Kew last summer. I blanket stitched a border around the bollock purse…

IMG_20200613_104323

…and stitched into it with tiny stab stitches to attach it to the page.

IMG_20200615_114405

Everything else went on really smoothly but then I came to the canvaswork piece…

IMG_20200615_114512

Unfortunately I trimmed it really close to the edge and this has given me no leeway now I need to stitch it in place. I’m pretty sure that even if I try to invisibly stitch it down the handling will be enough to loosen the last thread on each edge and in any case, I don’t want the spiky bare canvas as an edging.

IMG_20200404_100322

So near and yet so far! So, dear readers, any thoughts, ideas or inspiration? All suggestions very gratefully received!

Read Full Post »

It was a pleasure to finish the little Bossa Nova Rose from our Embroiderers’ Guild Brazilian Dimensional Embroidery workshop last weekend. I didn’t follow the instructions when it came to the leaves, going for fly stitch over blanket stitch and not adding the fine pale green edging it suggested because I felt the sheen of the thread gave enough definition.

DSCN2966.JPG

DSCN2967.JPG

And then quickly finished as a card.

DSCN2978.JPG

My first sea glass and pocket watch case pendant positively flew out of my Etsy shop and I’ve started another one to go with a harlequin case of a gold coloured collar and engine turned back. I’ve got some tiny pieces of very rare yellow sea glass and some ordinary brown to add to this.

DSCN2984.JPG

I also turned some off cuts of hand dyed fabric, the batik I’m using above and some cotton print in shades of brown into some strip patchwork which I used to cover a grotty looking cabochon pendant…

DSCN2897.JPG

…turning it into an upcycled patchwork pendant with added vintage lace and flower trim.

Lots going on!

 

Read Full Post »

Our October Meeting at Scunthorpe Embroiderers’ Guild was an all day workshop with Ann Stalley on Brazilian Dimensional Embroidery. Knowing that it involved rayon thread, which in my experience is some of the most evil stuff on the planet, I was in two minds about the workshop. However, I can never resist a go at something new and so armed with a big block of beeswax for beating the rayon into submission, I headed off to the meeting to admire Ann’s work…

20161029_100212_HDR.jpg

…before she told us about her creative  journey. Hard to believe when looking at work like this, that Ann has only been doing Brazilian Dimensional Embroidery for eighteen months.

20161029_100220_HDR.jpg

She also assured us that the special threads (Edmar) used for this type of work are nothing like ordinary rayon thread (but still I had my beeswax ready just in case!).

Then it was our turn. For the morning session we would practise some of the basic stitches and then stitch a design using those basics in the afternoon. We each had a pack with some of the thread, two substantial milliners’ needles and some calico.

20161029_105322_HDR.jpg

First, bullions. I can do them but they’re not one of my stitches of choice. We put five pairs of dots in, all about a quarter of an inch apart. Our first bullion was ten wraps and pretty much filled the gap. That’s when I found it easier to work out of the hoop. The second one, to go in the same space, was twenty wraps, then thirty, forty and fifty, getting progressively loopier the more wraps we did.

I take it all back about the thread. The Edmar is a delight to work with. The loops slide smoothly over the needle and even though my bullions could be a lot more even, they were an awful lot easier to work than with ordinary thread.

20161029_110820_HDR.jpg

Next was a bullion lazy daisy. It’s an interesting technique as the little bullions are formed as part of the stitch, rather than being like the running stitch that tacks a normal lazy daisy down and took some practise.  They also would have been a lot neater if I’d hooped the calico back up!

20161029_115915_HDR.jpg

Lastly was cast on stitch which once I got a rhythm to casting on the loops, I absolutely loved.

20161029_122258_HDR.jpg

So much so, that I had a go at creating a sort of flower with cast on stitch petals in perle over lunch. It worked, but wasn’t as crisp a finish and just didn’t stand up as well as the Edmar.

20161029_130253_HDR.jpg

Using the perle illustrated perfectly what it is about the springiness of the rayon thread that makes the dimensional elements work so well. I was definitely ready to start the afternoon’s design of the bullion rose spray.

However, I struggled to place the first rounds of bullions properly and halfway through, although I was pleased with the quality of the bullions, I wasn’t happy with my scrappy rose.

20161029_134415_HDR.jpg

Luckily the outer bullions managed to neaten things up, and with the addition of a bead centre, managed to salvage it from being a complete disaster.

20161029_141527_HDR.jpg

Next the leaves. The design used buttonhole stitch but I love the way close fly stitch works up into leaves and I thought that this would suit the lustre of the thread.

20161029_143640_HDR.jpg

Very pleased with the result and by the end of the afternoon I had two leaves added to the spray.

20161029_153250_HDR.jpg

Not much to do to finish, and despite my slight misgivings beforehand, I thoroughly enjoyed the day. I’m seriously thinking about investing in some Edmar threads and I fancy seeing if I can stitch some dimensional sea shells.

Read Full Post »

Another finished piece, this time a pendant. I started with an early attempt at reticulation, which worked beautifully in one part of the brass but didn’t spread to the rest of the piece.

Volcano pendant 1

I then cut it out with a hacksaw, tidied up the central hole and polished it.

Volcano pendant 2

Initially I wanted to stitch it onto black silk, until I found a piece of black cotton velvet. The edges of the brass and the pearl purl sink so nicely into the pile of the velvet and it gives another wonderful textural contrast.

Volcano pendant 3

I took Rachel’s advice after I’d blogged about the blue spirals brooch and stretched the purls slightly before I stitched them down. Much neater.

Volcano pendant 5

Some of the longest bullions I’ve ever stitched, and with a slightly slubby thread too. The bullions and the purl are actually holding the metal to the fabric.

Volcano pendant 6

Volcano pendant 7

Volcano pendant 8

I finished off the french knots inside the hole and added some trios in a dark red silk thread to the ends of the purls.

Volcano pendant 8

The pendant is two almond shapes cut from pelmet vilene which are laminated together and the velvet laced over them.

Volcano pendant 9

The back is another slightly smaller single piece of vilene which has been covered with black kimono silk with a slightly crepey texture.

Volcano pendant 10

This was invisibly ladder stitched onto the black velvet and the bale stitched on with red thread.

Volcano pendant 11

Volcano pendant 12

And boxed.

Volcano pendant 13

I really feel I want to do something more with these pieces of jewellery than just accumulate them like I do with my purely textile work. I was wondering if they might be the sort of thing that would sell on etsy… Any thoughts from the wise?

Read Full Post »

Stitching Diaries

Level 3 Stitched Textiles Embroidery with Distant Stitch

summerholiday111

stitching, creative textiles, inspiration

hertstitch

for embroiderers and textile artists in hertfordshire and beyond

karensstitchography

Embroidery & other craft

re:retro

collecting retro

View From Our Hill

Textile, Mixed Media, Yarn, Books and Beads

Things I find in the garbage

I'm a professional scavenger making a living selling curbside garbage. This blog details my finds and sales. It also acts as an archive for things beautiful and historic that would otherwise have been destroyed.

Stitched up with Thread

Slowly threading things together through stitch

Lincs In Stitches

Creative ramblings in the Lincolnshire Wolds

Kiln Fired Art Blog

Crafts and the outdoors - slow living involving handmade ceramics, painting, textiles, walking and good food

Hillview Embroidery

Teaching and Learning One Stitch at a Time

Dreaming In Stitches

a mingled yarn

sunshine and celandines

These are a few of my favourite things.

LucyAnn &Luna craft

crafting,dachshunds including other bits & bobs

Carlseapatch's Weblog

A log of progress (I hope)and fun in textile arts

seafieldview

Life on a Cornish cliff

late start studio

Late . . . in taking my creativity seriously.

Shibori Girl

....practicing the fine art of shibori

Pomegranate Studio

- because making is good for us

Fall from Grace Crafts

A blog on my craft journey highs and lows...

opusanglicanum

one Englishwoman's work

Playful Bookbinding and Paper Works

Chasing the Paper Rabbit

Chrissie Freeth - Tapestry Weaver

Blog of artist and tapestry weaver Chrissie Freeth

debbidipity

into textiles & beyond

KDD & Co

Award-winning Scottish publishing and design