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Posts Tagged ‘bullion lazy daisy stitch’

I seem to have had a spell where I keep finding the right pieces of jewellery to successfully upcycle and last week I managed a hat trick of embroidered pieces.

First of this batch to be upcycled was a vintage pendant mount I bought a while ago from the sales table at Guild and which has just turned up in the bottom of my sewing bag. I have a small bag of patchwork quilt trimmings which I bought a while ago from eBay and they are a great starting point for embroidered pendants like this one. I used the mount as a viewfinder to pick what I thought was the best area to embroider.

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And a few hours and a fair bit of unpicking later, I had an embroidered oval to go into the mount – with a thumb for scale!

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The kantha on the middle strip was an easy stitch, as was the lazy daisy floral section on the left, where I just followed the fabric pattern, but I had more of a problem with finding the right weight of both thread and stitch on the heavier fabric to the right. The Palestrina stitch in a teal perle was fine, but I tried various stitches in pink perle and pink stranded cotton which were just too heavy before I settled on more lazy daisy stitches in the same fine variegated silk as on the left. As the pendant had never been used it was easy to mount it into the frame using the folding metal tabs and very effective I think it looks too.

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Taking the embroidered section away from the rest of the patchwork enables you to really focus on the stitches and somehow the three completely different pieces of fabric become a harmonious whole. It’s currently available in my Etsy Shop here with free UK postage and packing.

Next to be upcycled was a lovely brass filigree brooch which seemed to be missing something in the middle. I had the very thing – a gold tone rope edged odd earring, also missing its middle. Despite probably a good forty plus year age gap, I think they go together perfectly.

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I embroidered some silk ribbon rosebuds onto a piece of silk carrier rod and gave them split stitch stems and lazy daisy leaves in fine silk thread…

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…before setting the tiny piece into the earring centre of the brooch.

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It was nice to do a variation on the blowsy ribbon roses I usually stitch and it’s now available here in the Upcycled Brooches section of my Etsy shop with free UK postage and packing.

The last of the week’s hat trick was an upcycled locket and this turned out so well I’m almost tempted to keep it. I’ve done a few lockets with rose bushes and trellises and I was keen to try some lavender. I chose a piece of my hand painted pelmet vilene which looked like a summer sky for a background…

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…and then chose some hand dyed stranded silk with a wonderful sheen for the flowers and a bluey green cotton thread which was a good match for the foliage. I’ve no idea where the green came from – I found literally one needle full in a tangle of oddments and was sweating the whole time I was stitching that I would have enough!

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The silver tone locket was a perfect setting.

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And it too, is available here in my Etsy shop with free UK postage and packing.

And a quick update – the Singer 28 is now with its new owner and she loves it. I think the lady from Number 12 would have been pleased…

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Our October Meeting at Scunthorpe Embroiderers’ Guild was an all day workshop with Ann Stalley on Brazilian Dimensional Embroidery. Knowing that it involved rayon thread, which in my experience is some of the most evil stuff on the planet, I was in two minds about the workshop. However, I can never resist a go at something new and so armed with a big block of beeswax for beating the rayon into submission, I headed off to the meeting to admire Ann’s work…

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…before she told us about her creative  journey. Hard to believe when looking at work like this, that Ann has only been doing Brazilian Dimensional Embroidery for eighteen months.

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She also assured us that the special threads (Edmar) used for this type of work are nothing like ordinary rayon thread (but still I had my beeswax ready just in case!).

Then it was our turn. For the morning session we would practise some of the basic stitches and then stitch a design using those basics in the afternoon. We each had a pack with some of the thread, two substantial milliners’ needles and some calico.

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First, bullions. I can do them but they’re not one of my stitches of choice. We put five pairs of dots in, all about a quarter of an inch apart. Our first bullion was ten wraps and pretty much filled the gap. That’s when I found it easier to work out of the hoop. The second one, to go in the same space, was twenty wraps, then thirty, forty and fifty, getting progressively loopier the more wraps we did.

I take it all back about the thread. The Edmar is a delight to work with. The loops slide smoothly over the needle and even though my bullions could be a lot more even, they were an awful lot easier to work than with ordinary thread.

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Next was a bullion lazy daisy. It’s an interesting technique as the little bullions are formed as part of the stitch, rather than being like the running stitch that tacks a normal lazy daisy down and took some practise.  They also would have been a lot neater if I’d hooped the calico back up!

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Lastly was cast on stitch which once I got a rhythm to casting on the loops, I absolutely loved.

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So much so, that I had a go at creating a sort of flower with cast on stitch petals in perle over lunch. It worked, but wasn’t as crisp a finish and just didn’t stand up as well as the Edmar.

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Using the perle illustrated perfectly what it is about the springiness of the rayon thread that makes the dimensional elements work so well. I was definitely ready to start the afternoon’s design of the bullion rose spray.

However, I struggled to place the first rounds of bullions properly and halfway through, although I was pleased with the quality of the bullions, I wasn’t happy with my scrappy rose.

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Luckily the outer bullions managed to neaten things up, and with the addition of a bead centre, managed to salvage it from being a complete disaster.

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Next the leaves. The design used buttonhole stitch but I love the way close fly stitch works up into leaves and I thought that this would suit the lustre of the thread.

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Very pleased with the result and by the end of the afternoon I had two leaves added to the spray.

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Not much to do to finish, and despite my slight misgivings beforehand, I thoroughly enjoyed the day. I’m seriously thinking about investing in some Edmar threads and I fancy seeing if I can stitch some dimensional sea shells.

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