I didn’t get round to replacing the Totoro bag zip in the end, I dug deep and made my first ever pair of loose curtain linings to replace the ones I discovered had rotted when I tried to wash them back in May. My mum is the curtain maker and I had always assumed that there must some sort of mystery to it. Surely it’s not just a large rectangle of fabric, hemmed and with heading tape attached? Well, yes, it is and the only mystery is how anybody would be able to sew more than one without dying of boredom as the sewing machine chugs along through miles of lining fabric. But I now have a lot less light coming through my bedroom curtains and they look and feel so much better.
I’ve also had a bit of a dabble with some Harris Tweed, another first. I fell for some oddments on eBay and had also bought some punched tweed circles in fabulous colours, planning to use them together to make some kantha pieces and possibly small kits. The trapunto Niijima Floats piece has stalled again as I can’t find the right fabric to bind it (I’ve stitched and unpicked two bindings already) and I wanted a nice quick calming stitch.
I chose a gorgeous hand dyed green shading to purple stranded silk for the stitching and I thought it would show up against the grey but it really didn’t.
Close up it is gorgeous…
…but from a distance that subtlety is lost. Oh well, I still like it, it’s only a sample piece and all learning is useful.
I’m going to see my middle one for the first time since December at the weekend and you may remember that she laid claim to the Singer sewing machine that I rescued from the skip back in May so I thought it was probably time I got it out of the garage and investigated properly. Having checked the registration number I believe it to be a Singer 28, made in 1937, so ten years younger than my Frister and Rossmann.
It stitched straight out of the box – for a while – and then the bobbin thread gathered up and broke. It wasn’t running easily in the shuttle, so I referred to Google and was soon deep in blogs and sites about looking after old machines.
As a result, yet another first and one that I am even prouder of because it was mechanical and I don’t really do engineering type things. I managed to work out why the bobbin wasn’t rotating (build up of lint in the bottom of the shuttle), take it apart and clean it.
Clean as a whistle! Then I cleaned and oiled the whole machine and finally with my husband’s help, freed up the rusted pull out section of the bobbin winding mechanism. It now sews like a dream and I did it all myself!
However, it was very interesting to compare it with my F&R and to be honest, there is no comparison. The F&R is full of little details which make using it so much nicer. I’m afraid the Singer looked and felt a bit crude by comparison. Beautiful it is – just look at that engraved head plate:
But I wouldn’t swap what somebody once called my ‘Cleopatra handcrank’ for the world. Boosted by my success with the Singer, I then serviced the F&R like a pro. It always sews like a dream but after I’d finished, I swear it purred!
Under A Topaz Sky 